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Chris Rock (screenplay) &
Louis C.K. (screenplay) ...
(more)
16 March 2007 (USA) more
In marriage no one can hear you scream.
A married man who daydreams about being with other women finds his will and morals tested after he's visited by the ex-mistress of his old friend. full summary | full synopsis
Lionsgate and Chris Rock Team for Will You Be My Black Friend?
(From MovieWeb. 5 October 2009, 6:43 AM, PDT)
Will You Be Chris Rock's Black Friend ?
(From Comingsoon.net. 5 October 2009)
certainly not as revelatory or grounded as Chloe in the Afternoon, but filtering through Rock's sensibilities it's not bad more (48 total)
| Chris Rock | ... | Richard Cooper | |
| Kerry Washington | ... | Nikki Tru | |
| Gina Torres | ... | Brenda Cooper | |
| Steve Buscemi | ... | George | |
| Edward Herrmann | ... | Mr. Landis | |
| Welker White | ... | Mary | |
| Samantha Ivers | ... | Tracy | |
| Michael K. Williams | ... | Teddy | |
| Cassandra Freeman | ... | Jennifer (as Cassandra F. Freeman) | |
| Stephen A. Smith | ... | Allan | |
| Wendell Pierce | ... | Sean | |
| Milan Howard | ... | Kelly Cooper | |
| Roz Ryan | ... | Landlady | |
| Christina Vidal | ... | Candy | |
| Eliza Coupe | ... | Lisa | |
| Andre B. Blake | ... | Cologne Spraying Salesman (as André Blake) | |
| Ian Brennan | ... | Department Store Salesman #1 | |
| Matthew Morrison | ... | Department Store Salesman #2 | |
| Linda Powell | ... | Therapist | |
| Adam LeFevre | ... | Maitred | |
| Eva Pigford | ... | Hope | |
| Hazel Medina | ... | Pam (as Hazel J. Medina) | |
| Divine Cox | ... | Ron (as Divine T. Cox) | |
| James Saito | ... | Mr. Yuni | |
| Ron Nakahara | ... | Mr. Yakamoto | |
| Pearl Veldwijk | ... | Irresistible Fantasy Woman #1 | |
| Elizabeth Mathis | ... | Irresistible Fantasy Woman #2 | |
| Krista Coyle | ... | Irresistible Fantasy Woman #3 | |
| Jenny Powers | ... | Irresistible Fantasy Screw You Woman | |
| Julie Halston | ... | Convenience Store Cashier | |
| Dani Marco | ... | Hot Waitress | |
| Paul Messina | ... | DC TV Reporter | |
| Bambadjan Bamba | ... | Rapper on Elevator | |
| Kimberly Hebert Gregory | ... | Babysitter | |
| Susan McCallum | ... | Lady on Elevator (as Susan E. McCallum) | |
| Michael Tenaglia | ... | DC Cop #1 | |
| Daniel Stewart Sherman | ... | DC Cop #2 | |
| GQ | ... | White Rapper | |
| rest of cast listed alphabetically: | |||
| Dennis Albanese | ... | Stock Broker (uncredited) | |
| Jonathan Aldridge | ... | Hot Dog Buyer (uncredited) | |
| Drea Castro | ... | Girl on Cell Phone (uncredited) | |
| Candice Cooper | ... | Cell Phone Girl (uncredited) | |
| David Gunning | ... | Club guy (uncredited) | |
| Orlando Jones | ... | Nelson (uncredited) | |
| Dennis L.A. White | ... | Party Thug (uncredited) | |
Directed by | |||
| Chris Rock | |||
Writing credits(WGA) | ||
| Chris Rock | (screenplay) & | |
| Louis C.K. | (screenplay) | |
| Eric Rohmer | (motion picture "Chloe in the Afternoon") | |
Original Music by | |||
| Marcus Miller | |||
Cinematography by | |||
| William Rexer | (director of photography) (as William Rexer II) | ||
Film Editing by | |||
| Wendy Greene Bricmont | |||
Casting by | |||
| Victoria Thomas | |||
Production Design by | |||
| Sharon Lomofsky | |||
Art Direction by | |||
| Toni Barton | |||
| Alicia Maccarone | |||
| Adam Scher | |||
Set Decoration by | |||
| Chryss Hionis | |||
Costume Design by | |||
| Suzanne McCabe | |||
Makeup Department | |||
| Belinda Anderson | .... | second hair stylist | |
| Anita Gibson | .... | key makeup artist | |
| Roxanne Rizzo | .... | second makeup artist | |
| Ta Kisha Sturdivant | .... | hair stylist: Ms. Washington (as Takisha Sturdivant) | |
| Kenneth Walker | .... | key hair stylist | |
Production Management | |||
| Adam Brightman | .... | unit production manager | |
| Leslie Rodier | .... | post-production supervisor | |
| Joseph Zolfo | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Vebe Borge | .... | first assistant director | |
| Tudor Jones | .... | second assistant director | |
| Matthew Mason | .... | second second assistant director | |
Art Department | |||
| Shannon Canfield | .... | set dresser | |
| Joe Cecchini | .... | art production assistant | |
| Brandon Cook | .... | set dresser | |
| Ray Fisher | .... | lead man | |
| Alex Gorodetsky | .... | charge scenic artist | |
| Larry M. Gruber | .... | assistant art director | |
| David Kleinstein | .... | set dresser | |
| Kevin Ladson | .... | property master | |
| Daniel Rosenfeld | .... | scenic shopman | |
| R. Vincent Smith | .... | assistant property master | |
| Marcia C. Suter | .... | scenic artist | |
| Christopher Weiser | .... | scenic artist | |
| Robert Zorella | .... | art department coordinator | |
Sound Department | |||
| Michael J. Benavente | .... | supervising sound editor | |
| Chris David | .... | sound re-recording mixer | |
| Mark DeSimone | .... | adr mixer: New York | |
| Michael Dressel | .... | supervising foley editor | |
| Matthew T. Duncan | .... | sound recordist | |
| Marshall Garlington | .... | sound re-recording mixer | |
| David Hingorany | .... | sound mix engineer | |
| Pamela Kahn | .... | foley artist | |
| Tricia Linklater | .... | first assistant sound editor | |
| Martin Lopez | .... | sound effects editor | |
| Richard Murphy | .... | sound mixer | |
| Elizabeth Rainey | .... | foley artist | |
| Schavaria Reeves | .... | sound | |
| Kyle Rochlin | .... | foley mixer | |
| Monique Salvato | .... | assistant sound editor | |
| Eric Thompson | .... | adr mixer | |
| Richard Van Dyke | .... | production sound mixer: additional photography | |
Special Effects by | |||
| Matt Vogel | .... | special effects coordinator | |
| Joel Weaver | .... | special effects technician | |
Visual Effects by | |||
| Ryan Beadle | .... | digital I/O | |
| Sam Dabbs | .... | digital compositor | |
| Mark Dornfeld | .... | visual effects supervisor | |
| Michele Ferrone | .... | visual effects producer | |
| R.J. Harbour | .... | digital compositor | |
| Shaina Holmes | .... | digital compositor | |
| Shaina Holmes | .... | digital coordinator | |
| Nicholas Kim | .... | digital compositor | |
| Paulina Kuszta | .... | visual effects coordinator | |
| Jeremy Lang | .... | head of information technology: Custom Film Effects | |
| Lori C. Miller | .... | digital compositor | |
| David Van Woert | .... | digital trailer effects producer | |
| Leo Vezzali | .... | visual effects producer | |
| John L. Weckworth | .... | digital compositor | |
| Amani Williams | .... | digital compositor | |
Stunts | |||
| Greg Wattkis | .... | stunt double (as Richard Cooper) | |
Camera and Electrical Department | |||
| Travis Cadalzo | .... | second assistant camera: "b" camera | |
| Phillip V. Caruso | .... | still photographer | |
| Jeffrey A. Eplett | .... | genny operator | |
| David Eubank | .... | first assistant camera: re-shoots | |
| John Foster | .... | camera operator: "b" camera | |
| Quenell Jones | .... | assistant camera | |
| Quenell Jones | .... | camera loader | |
| Kurt Lennig | .... | best boy electric | |
| Adam Miller | .... | second assistant camera | |
| Scott H. Ramsey | .... | gaffer | |
| Dave Rudolph | .... | electrician | |
| David J. Thompson | .... | Steadicam operator | |
| David J. Thompson | .... | camera operator: "a" camera | |
| James Thorne | .... | electrician | |
| Craig Vaccaro | .... | key rigging grip | |
| Amy Albano Jachyra | .... | second assistant camera: day player (uncredited) | |
Casting Department | |||
| Matt Carr | .... | background casting assistant | |
| Barbara McNamara | .... | extras casting | |
| Yesi Ramirez | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Rhonney Greene | .... | set costumer | |
| Carmia Marshall | .... | wardrobe supervisor | |
| Diana Pappas | .... | costume production assistant | |
| Danielle Stephenson | .... | wardrobe production assistant | |
Editorial Department | |||
| Aaron Brock | .... | first assistant editor | |
| Rick Derby | .... | first assistant editor: New York | |
| Jill Piwowar | .... | apprentice editor | |
| Royce Smith | .... | color timer | |
| David Vendette | .... | post-production assistant | |
Music Department | |||
| Michele Aristy | .... | score assistant | |
| Christine Bergren | .... | music legal and clearance | |
| Dave Jordan | .... | music supervisor | |
| Scott Stambler | .... | music editor: temp | |
| Jojo Villanueva | .... | music coordinator | |
| Joshua Winget | .... | music editor | |
Rated R for pervasive language and some sexual content.
94 min | USA:90 min
1.85 : 1 more
SDDS | Dolby Digital | DTS
Canada:13+ (Quebec) | Canada:14A (Alberta/British Columbia/Manitoba/Ontario) | USA:R (certificate #43020) | Ireland:15A | UK:15 | Singapore:M18 | Germany:6 | France:U | Argentina:13 | South Korea:18 | Malaysia:18PL (DVD) | New Zealand:M | Finland:K-11 | Netherlands:6
Charles Stone III was originally slated to direct but dropped out of the project. more
Continuity: Chris Rock's character took off his ring in the elevator before cheating, but when he sees his reflection in the mirror with the tie on his head, his ring is on his left hand. more
Nikki Tru: Hi, this is Nikki. I'm not here to take your call so remember, "Love is God, God is Love." more
Featured in "Howard Stern on Demand: Chris Rock" (2007) more
Be Yo Daddy more
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| Music from Another Room | Trust the Man | Heavenly Creatures | The Ice Storm | Ma femme est une actrice |
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Chloe in the Afternoon, Eric Rohmer's much acclaimed 1972 film, will remain as a fine little pillar of the old story of a male character in infidelity and morality with living a life with a significant other, long after I Think I Love My Wife sits in the video stores and gets mass replays on TV. Chris Rock's film, as co-writer/director, is never one to really go down the path of dangerous contrivances or of the annoyances with the quirks in characterizations. This is mostly due to it being a comedy, and with Rock's own brand of sensibilities sort of filtering into this otherwise very straightforward examination of truth and desire in marriage, which is also very easy in some ways.
In fact, as one who may pay attention to Rock's stand-up, at least ten to fifteen minutes of material in the film- from the line near the start "married and bored out of my f***ing mind", to the scene where the married couples have finner- can be found in the 2004 stand-up special Never Scared. This isn't a bad thing, though, and there's even a hilarious wink to moments that come unexpected, either from past Rock bits like the table-dance song in the club or the unfortunate, ecstatically tasteless scene in the ambulance van.
But more than anything it's Rock, as star and filmmaker, an attempt at making a vehicle that knows it's being a little silly at times, and still reaching truths that are worthwhile. The joist of the plot concerns Richard Coopper, Rock, as an investment banker in New York city, married with two kids and quite successful, tempted by the suddenness of Niki Tru (Kerry Washington, almost a 180 of the bland 'good girl' type of woman in Ray), who as Steve Buscemi's character describes to Richard: "she's f***ing you, you just don't know it." At the core of the film there is some momentum in the fact that Richard doesn't go on to cheat, even as one might think this is the 'safe' route.
There is more of a safe turn that happens, which is to be sort of expected, where Richard has a change of mind after letting go of the temptation, and this part loses its credibility in relation to the rest of the picture. But this isn't too much of a hindrance, so much of there being something small, though noticeable, that is even less credible. It reminds one of a similar problem in the Last Kiss, last year's similar romantic-morality tale of tranquility broken by another woman, because on the two sides neither is entirely satisfying. Niki is a cold, tramp kind of girl who actually gets exposition even though, despite Washington's portrayal, is annoying, yet Gina Torres's Brenda, Richard's wife, doesn't get much put into her as a noticeable character, except as a slightly blasé, male portrayal of her being a good mother, yet disengaged in the sexual sense.
Yet there is some good that comes out of Rock's connections to both women that wasn't like the Last Kiss- he's able to garner a successful tone of balance between the drama and comedy, and to the degree that both are neither trying for anything great stay believable up to a point. Buscemi's character is one who's added for a slight change in tone, as at first the straight-laced friend for Richard, but then with his own special idiosyncrasies, really involving Viagra and his own complex with marriage. Meanwhile, Rock goes through his motions of faces in his performance, and it's almost too perfunctory, like his direction. It's definitely amiable and sympathetic, however, so it's not really anything that makes it a bad excursion as a date movie. There's some great songs mixed in, and a fantastic seduction scene towards the end, plus a possible tip of the hat to The 40 Year Old Virgin's end scene.
If you need a good date movie right now, this would surely be one that doesn't offend, and doesn't really make you call everyone you know to see it, but it is smart enough for what it's worth, as opposed to any other lot of romantic comedies where the characters are positively sociopaths. Most you'll find here is a jealous hoodlum who puts a stomping to Richard at one point (which is actually very, very funny, even as a loose end). Not a bad remake, but not one to be put on the same pedestal either.