| Photos (see all 39 | slideshow) | Videos (see all 27 NEW) |
| Josef Altin | ... | Ekrem | |
| Mina E. Mina | ... | Azim | |
| Aleksander Mikic | ... | Soyka | |
| Sarah-Jeanne Labrosse | ... | Tatiana (as Sarah Jeanne Labrosse) | |
| Lalita Ahmed | ... | Customer | |
| Badi Uzzaman | ... | Chemist | |
| Naomi Watts | ... | Anna | |
| Doña Croll | ... | Nurse (as Dona Croll) | |
| Raza Jaffrey | ... | Doctor Aziz | |
| Sinéad Cusack | ... | Helen (as Sinead Cusack) | |
| Jerzy Skolimowski | ... | Stepan | |
| Tatiana Maslany | ... | Tatiana (voice) | |
| Viggo Mortensen | ... | Nikolai | |
| Vincent Cassel | ... | Kirill | |
| Armin Mueller-Stahl | ... | Semyon | |
| Shannon-Fleur Roux | ... | Maria | |
| Lillibet Langley | ... | Violin Girl | |
| Mia Soteriou | ... | Azims Wife | |
| Radoslaw Kaim | ... | Head Waiter (as Rad Kaim) | |
| Donald Sumpter | ... | Yuri | |
| Rhodri Wyn Miles | ... | Senior Officer (as Rhodri Miles) | |
| Tereza Srbova | ... | Kirilenko | |
| Elisa Lasowski | ... | Prostitute | |
| Cristina Catalina | ... | Prostitute | |
| Alice Henley | ... | Prostitute | |
| Faton Gerbeshi | ... | Pimp | |
| David Papava | ... | Chechen | |
| Tamer Hassan | ... | Chechen | |
| Gergo Danka | ... | Junior Waiter | |
| Michael Sarne | ... | Valery (as Mike Sarne) | |
| Boris Isarov | ... | Russian Boss | |
| Yuri Klimov | ... | Russian Boss | |
| Andrzej Borkowski | ... | The Gypsy | |
| Olegar Fedoro | ... | Tattooist | |
| rest of cast listed alphabetically: | |||
| Diane Beck | ... | Nurse (uncredited) | |
| Morne Botes | ... | Vespa Rider (uncredited) | |
| Tony Cook | ... | Football Hooligan (uncredited) | |
| James Fiddy | ... | Football Supporter (uncredited) | |
| Tatyana Lavrentyeva | ... | Mafia's Wife (uncredited) | |
| Wayne Morgan-Williams | ... | Football Hooligan (uncredited) | |
| Anna Pernicci | ... | Sonya (uncredited) | |
| Robert Roman Ratajczak | ... | Football fan (uncredited) | |
| Rebecca Reid | ... | Prostitute (uncredited) | |
| Peter Rnic | ... | Fingers (uncredited) | |
| John Warman | ... | Policeman (uncredited) | |
| Chris Wilson | ... | Paramedic (uncredited) | |
Directed by | |||
| David Cronenberg | |||
Writing credits | ||
| Steven Knight | (screenplay) (as Steve Knight) | |
Original Music by | |||
| Howard Shore | |||
Cinematography by | |||
| Peter Suschitzky | (director of photography) | ||
Film Editing by | |||
| Ronald Sanders | |||
Casting by | |||
| Deirdre Bowen | |||
| Nina Gold | |||
Production Design by | |||
| Carol Spier | |||
Art Direction by | |||
| Rebecca Holmes | |||
| Nick Palmer | (supervising art director) | ||
Set Decoration by | |||
| Judy Farr | |||
Costume Design by | |||
| Denise Cronenberg | |||
Makeup Department | |||
| Christine Blundell | .... | makeup artist: Ms. Watts | |
| Stephan Dupuis | .... | makeup designer | |
| Luke Fisher | .... | prosthetics sculptor: Animated extras | |
| Pauline Fowler | .... | prosthetics chief supervisor: Animated Extras | |
| Charmaine Fuller | .... | makeup artist | |
| Mary-Lou Green-Benvenuti | .... | key hair stylist | |
| Rod Hamlin | .... | lifecaster and moldmaker: Animated Extyras (as Rod Hamblin) | |
| Chris Kearey | .... | prosthetics head of department moldmaker: Animnated Extras | |
| Waldo Mason | .... | prosthetics silicone painter and finisher: Animated Extras | |
| Con McCloskey | .... | prosthetics skins and finisher: Animated Extras | |
| Daniel Meaker | .... | prosthetics silicone: Animated Extras | |
| Paul Mooney | .... | first assistant hair stylist | |
| John Nollet | .... | hair colorist: Vincent Cassel | |
| Tracy O'Brien | .... | prosthetics silicone painter and finisher: Animated Extras | |
| Lucy Sibbick | .... | makeup assistant | |
| Jim Sparrow | .... | prosthetics lifecaster: Animated Extras | |
| Dave Stoneman | .... | tattoos supplier: Maek-Up | |
| Nik Williams | .... | prosthetics workshop supervisor: Animated Extras | |
Production Management | |||
| Lisa Parker | .... | unit production manager | |
| Bobby Prince | .... | unit manager | |
| Lori A. Waters | .... | post-production supervisor (as Lori Waters) | |
Second Unit Director or Assistant Director | |||
| Walter Gasparovic | .... | first assistant director | |
| Ben Howard | .... | second assistant director | |
| Andrew Mannion | .... | third assistant director | |
| Candy Marlowe | .... | crowd second assistant director | |
| Jeremy Angel | .... | crowd assistant director (uncredited) | |
Art Department | |||
| Barry Abbot | .... | scenic carpenter (as Barry Abbott) | |
| David Abbott | .... | supervising carpenter (as Dave Abbot) | |
| Ronnie Bede | .... | supervising stagehand | |
| Bruce Bigg | .... | property master | |
| Peter Bigg | .... | chargehand dressing props | |
| William Bimpson | .... | rigger | |
| Kevin Brown | .... | art department trainee | |
| Corina Burrough | .... | props buyer | |
| Graham Caulfield | .... | drapesman | |
| Lennie Clark | .... | plasterer | |
| Dean Clegg | .... | chief draughtsman | |
| Chris Cockburn | .... | plasterer | |
| Stan Cook | .... | prop storeman | |
| Chris Corke | .... | scenic carpenter | |
| David Creed | .... | construction manager (as Dave Creed) | |
| Catharina Curtis | .... | art department assistant (as Katie Curtis) | |
| Catharina Curtis | .... | model maker (as Katie Curtis) | |
| John Daynes | .... | scenic painter | |
| John Dearn | .... | plasterer | |
| Mark Dearn | .... | plasterer laborer | |
| Robert J. Dugdale | .... | scenic artist (as Robert Dugdale) | |
| Robert Dunn | .... | plasterer | |
| Peter Edge | .... | stand-by painter | |
| Michael Fleming | .... | dressing props | |
| David Gibson | .... | scenic carpenter (as Dave Gibson) | |
| Anthony Goddard | .... | scenic painter (as Tony Goddard) | |
| Lee Goddard | .... | scenic painter | |
| David Gray | .... | stand-by rigger (as Dave Gray) | |
| Alexis Hamilton | .... | props trainee: FT2 | |
| Pat Harrison | .... | plasterer | |
| Peter Hasler | .... | dressing props | |
| John Heayn | .... | scenic carpenter (as Jon Heayn) | |
| Leonie Heys-Cerchio | .... | art department trainee (as Leonie Heys Cerchio) | |
| William Keenan | .... | rigger | |
| Helen Koutas | .... | graphic designer | |
| David Lowery | .... | scenic carpenter | |
| Micky Martin | .... | stagehand | |
| Lisa Meller | .... | art department runner | |
| Amy Merry | .... | art department trainee | |
| Paul Mitchell | .... | supervising rigger | |
| Aeron Montgomery | .... | rigger | |
| Gary Moore | .... | stand-by carpenter | |
| Richard Neal | .... | plasterer | |
| Barry O'Brien | .... | scenic carpenter | |
| Roy O'Brien | .... | scenic carpenter | |
| Tyrone Greg O'Donnell | .... | scenic painter | |
| Micky Oliver | .... | scenic carpenter | |
| David Packard | .... | scenic artist | |
| Catherine Palmer | .... | assistant art director (as Cat Palmer) | |
| George Roberts | .... | scenic painter | |
| John Roberts | .... | supervising painter | |
| Silvana Rowe | .... | home economist | |
| Rolf Snellgrove | .... | scenic carpenter (as Ralph Snellgrow) | |
| Warren Stickley | .... | key stand-by props | |
| Sarah Stuart | .... | stand-by art director | |
| Kevin Swabey | .... | scenic carpenter | |
| Anna Thomas | .... | art department trainee (as Anna Louise Thomas) | |
| Steve Transfield | .... | supervising plasterer | |
| Matt Whelan | .... | scenic carpenter (as Matthew Whelan) | |
| Gary Wiffen | .... | stand-by props (as Gary Wiffin) | |
Sound Department | |||
| Mark Appleby | .... | adr recordist: UK | |
| Orin Beaton | .... | boom operator | |
| Rob Bertola | .... | sound effects editor (as Robert Bertola) | |
| Paul Carr | .... | adr mixer: UK | |
| Christian T. Cooke | .... | adr recordist: Canada (as Christian Cooke) | |
| Christian T. Cooke | .... | sound re-recording mixer (as Christian Cooke) | |
| Tony Currie | .... | dialogue editor | |
| Jenna Dalla Riva | .... | foley recording assistant | |
| Jenna Dalla Riva | .... | sound recordist | |
| James Gibb | .... | sound trainee: FT2 | |
| Jamie Gould | .... | sound mix technician | |
| Alastair Gray | .... | dialogue editor | |
| Wayne Griffin | .... | supervising sound editor | |
| Matthew Hussey | .... | assistant sound editor | |
| Goro Koyama | .... | foley artist | |
| Mitch Low | .... | sound assistant | |
| Andy Malcolm | .... | foley artist | |
| Anna Malkin | .... | foley recording assistant | |
| Rudy Michael | .... | assistant adr recordist: Canada | |
| Steve Moore | .... | assistant adr recordist: Canada | |
| Michael O'Farrell | .... | supervising sound editor | |
| Paul Sacco | .... | sound consultant: Dolby | |
| Orest Sushko | .... | sound re-recording mixer | |
| Don White | .... | foley recording mixer | |
| Stuart Wilson | .... | sound mixer | |
| Mark Zsifkovits | .... | sound re-recording mixer | |
| Gren-Erich Zwicker | .... | assistant sound editor | |
| Tony Currie | .... | adr editor (uncredited) | |
| Caoimhe Doyle | .... | foley artist (uncredited) | |
| Nick Foley | .... | adr recordist (uncredited) | |
| Eric Thompson | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Manex Efrem | .... | special effects supervisor: Darkside Ltd. | |
| Tamzine Hanks | .... | prosthetics mechanic: Animated Extras (as Tamsin Hanks) | |
| Stephen Paton | .... | senior special effects technician: Darkside Ltd. (as Steve Paton) | |
| Matthew Roberts | .... | special effects technician | |
| Steve Wright | .... | prosthetics mechanic: Animated Extras | |
| Ben Broadbridge | .... | special effects assistant: dailies (uncredited) | |
| Michael Dawson | .... | special effects coordinator (uncredited) | |
Visual Effects by | |||
| Barb Benoit | .... | digital compositor: Mr. X Inc. | |
| Dennis Berardi | .... | visual effects executive producer: Mr. X Inc. | |
| Kyle Boylen | .... | additional visual effects: Invisible Pictures | |
| Dan Carnegie | .... | visual effects animator: Mr. X Inc. | |
| David Fix | .... | senior systems administrator: Mr. X Inc | |
| Annu Gulati | .... | digital compositor: Mr. X Inc. | |
| Victoria Holt | .... | visual effects coordinator: Mr. X Inc. | |
| Noel Hooper | .... | additional visual effects: Invisible Pictures | |
| Ahmad Ismail | .... | digital intermediate opticals | |
| Mai-Ling Lee | .... | visual effects animator: Mr. X Inc. | |
| Trevor Lewis | .... | digital intermediate scanning and recording | |
| Chris MacKenzie | .... | digital intermediate opticals (as Chris Mackenzie) | |
| Haydn Masuda | .... | additional visual effects: Invisible Pictures | |
| John Moores | .... | digital compositor | |
| Ian Morehead | .... | digital compositor: Mr. X Inc. | |
| Nick Paulozza | .... | digital intermediate scanning and recording | |
| Christa Tazzeo | .... | additional visual effects: Invisible Pictures | |
| Jean Phillipe Traore | .... | digital compositor: Mr. X Inc. | |
| Aaron Weintraub | .... | visual effects supervisor: Mr. X Inc. | |
| Fiona Campbell Westgate | .... | senior visual effects producer: MR. X Inc. | |
| Neil Williamson | .... | additional visual effects: Invisible Pictures | |
| Motassem Younes | .... | digital intermediate opticals | |
| Bonnie Dickson | .... | compositing assistant (uncredited) | |
| Matt Glover | .... | visual effects production assistant (uncredited) | |
Stunts | |||
| Lucy Allen | .... | stunts | |
| Gary Arthurs | .... | stunts | |
| Stephanie Carey | .... | stunts | |
| George Cottle | .... | stunts | |
| Paul Herbert | .... | stunt coordinator | |
| Dominic Preece | .... | stunts (as Domonic Preece) | |
| Julian Spencer | .... | stunt coordinator | |
| Brice Stratford | .... | stunts | |
| Gary Arthurs | .... | stunt driver (uncredited) | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Brendan Donnison | .... | adr voice casting | |
| Christopher Richards | .... | casting associate: Canada | |
| Robert Sterne | .... | casting associate: UK (as Robert Stern) | |
Costume and Wardrobe Department | |||
| Kathryn Blight | .... | costume stand-by | |
| Christopher Bradshaw | .... | set costume supervisor (as Chris Bradshaw) | |
| Viveene Campbell | .... | costume trainee: FT2 | |
| Nigel Egerton | .... | assistant costume designer | |
| Julie Merritt | .... | wardrobe assistant | |
Editorial Department | |||
| Greg Barrett | .... | producer: high definition dailies | |
| Tavia Charlton | .... | digital intermediate project manager | |
| Nick Iannelli | .... | digital intermediate producer | |
| Sandra McCallig | .... | assistant editor: UK | |
| Jamie Moreton | .... | grader: high definition dailies | |
| Dave Muscat | .... | digital intermediate editor | |
| Mila Patriki | .... | high-definition preview colorist | |
| Sandy Pereira | .... | assistant editor: Canada (as Sandy M. Pereira) | |
| Catherine Rankin | .... | negative cutter | |
| Emma Sanders | .... | post-production coordinator | |
| Tad Seaborn | .... | assistant editor | |
| Chris Wallace | .... | digital intermediate colorist | |
| Motassem Younes | .... | high definition preview editor | |
| Stephen Bearman | .... | colorist: dailies (uncredited) | |
Music Department | |||
| Jon Banks | .... | musician: cimbalom/santoor | |
| Robin Baynton | .... | second assistant score engineer | |
| Nicola Benedetti | .... | musician: solo violin | |
| Tom Bowes | .... | orchestra leader | |
| Jim Bruening | .... | music preparation | |
| Nicholas Bucknall | .... | musician: solo clarinet (as Nicholas Buchnell) | |
| Chris Cozens | .... | auricle control systems | |
| Jennifer L. Dunnington | .... | music editor (as Jennifer Dunnington) | |
| Bibs Ekkel | .... | musician: balalaika | |
| Karen Elliott | .... | music supervisor | |
| Vic Fraser | .... | music preparation: Global Music Ltd. | |
| Helen Gavriel | .... | assistant to music supervisor: Hothouse Music Ltd. | |
| Isobel Griffiths | .... | orchestra contractor | |
| Robert Hill | .... | musician: solo clarinet | |
| Greg Knowles | .... | musician: cimbalom/santoor | |
| Richard Lancaster | .... | score ProTools operator | |
| Abbie Lister | .... | assistant to music supervisor: Hothouse Music Ltd. | |
| Igor Outkine | .... | musician: on-screen accordion | |
| Simon Rhodes | .... | music scoring mixer | |
| Simon Rhodes | .... | score recordist | |
| Pieter Schoeman | .... | orchestra leader | |
| Howard Shore | .... | conductor | |
| Howard Shore | .... | orchestrator | |
| Howard Shore | .... | score producer | |
| Jill Streeter | .... | music preparation: GlobalMusic Ltd. (as Jill Streater) | |
| Matthew Todd | .... | orchestra contractor | |
| Christine Bergren | .... | music legal and clearance (uncredited) | |
| Alan Frey | .... | music production coordinator (uncredited) | |
| Jesse Pynigar | .... | music preparation (uncredited) | |
Other crew | |||
| Philip Arditti | .... | dialogue advisor: Turkish | |
| Hailu Asfaw | .... | chef: Fayre Do's Location Caterers | |
| Benjamin Bailey | .... | location assistant | |
| Daren Bailey | .... | marine supervisor | |
| Lauren Barnhart | .... | assistant: Ms. Watts | |
| Isabel Begg | .... | head of legal and business affairs: BBC Films | |
| Bryony Birkbeck | .... | assets representative | |
| Heenan Blaikie | .... | legal services: Wiggin LLP | |
| Julie Brinkman | .... | assistant: Mr. Knight | |
| David Broder | .... | key location manager | |
| Clive Broom | .... | unit nurse | |
| Daniela Burcea | .... | production assistant: Serendipity Point Films | |
| Ruth Caleb | .... | producer in development: BBC Films | |
| Cherri Campbell | .... | executive assistant: Mr. Lantos | |
| Diarmuid Coghlan | .... | assistant accountant | |
| Ian Creed | .... | marine coordinator | |
| Catherine Currie | .... | post-production accountant: Katmadhu Productions Inc | |
| Josephine Davies | .... | assistant: Mr. Webster (as Jo Davies) | |
| Ken Dhaliwal | .... | legal services: Wiggin LLP | |
| Dawn Draper | .... | catering assistant: Fayre Do's Location Caterers | |
| Robert Ellis | .... | location assistant | |
| Prudence Emery | .... | unit publicist | |
| Jane Featherstone | .... | managing director: Kudos Pictures | |
| Olegar Fedoro | .... | dialogue coach: Russian & Ukrainian | |
| Mike Fidduch | .... | chef: Fayre Do's Location caterers (as Mike Fiddock) | |
| Ian Ford | .... | location assistant | |
| John Furniotis | .... | title designer: end credit roll | |
| Susan Furniotis | .... | title designer: end credit roll | |
| Matt Gallagher | .... | clearance services: The Clearing House | |
| Andrea Gobbatto | .... | travel coordinator | |
| Ruth Halliday | .... | clearance services: The Clearing House | |
| Dorian Harewood | .... | cashier | |
| Esin Harvey | .... | dialogue advisor: Turkish | |
| Jane Hawley | .... | production executive: BBC Films | |
| Susie Hock | .... | legal and business affairs manager: BBC Films | |
| Mick Hurrell | .... | health and safety: JHA safe T | |
| Joe Iacono | .... | accountant: Weisbord, Del Gaudio, Iacono | |
| Pino Insegno | .... | voice dubbing: Viggo Mortensen | |
| Andrew Jack | .... | dialogue coach | |
| Scott Jacobson | .... | assistant: Mr. Cronenberg and Ms. Seaward | |
| Carlton Jarvis | .... | medical advisor | |
| Deepti Khurana | .... | legal services: Wiggin LLP | |
| Samantha Knox-Johnston | .... | production coordinator | |
| Samuel Leek | .... | assistant location manager (as Sam Leek) | |
| Tory Lenosky | .... | production runner: pre production | |
| Susanna Lenton | .... | script supervisor | |
| Manda Levin | .... | development executive: Kudos Pictures | |
| Sarah Lindfield | .... | production secretary | |
| Joan Miller | .... | finance manager: Kudos Pictures | |
| Deba Mithal | .... | head of finance: Kudos Pictures | |
| Charles Moore | .... | legal services: Wiggin LLP | |
| Mark Munnelly | .... | auditor | |
| Ben Murray | .... | production assistant: Serendipity Point Films | |
| Mark Musselman | .... | vice president of business and legal affairs: Serendipity Point Films | |
| John Nelles | .... | dialogue coach: Tatiana | |
| James Nicholson | .... | assistant: Mr. Cassel | |
| Louise O'Malley | .... | production accountant | |
| Joe Oppenheimer | .... | development producer: BBC Films | |
| Katharine Otway | .... | legal services: Wiggin LLP | |
| James Payton | .... | stand-in | |
| Billy Pegg | .... | location assistant | |
| Mike Phillips | .... | co-production compliance | |
| Kevin Proctor | .... | key office production assistant | |
| Marcin Ptak | .... | catering assistant: Fayre Do's Location Caterers | |
| Gemma Louise Read | .... | stand-in (as Gemma Read) | |
| Hallam Rice-Edwards | .... | assistant production coordinator: prep | |
| Judy Richter | .... | consultant | |
| Carolyn Rohaly | .... | assistant: Mr. Cronenberg | |
| Jim Russell | .... | legal services: Wiggin LLP | |
| Wendy Saffer | .... | marketing and publicity: Serendipity Point Films | |
| Rory Shaw | .... | stand-in | |
| Kerry Smith | .... | first assistant accountant | |
| Camilla Stephenson | .... | location manager | |
| Michelle Taddei | .... | assistant: Mr. Lantos, Serendipity Point Films | |
| Aida Tannyan | .... | vice president of finance: Serendipity Point Films | |
| Matthew Vizard | .... | production and finance coordinator: BBC Films | |
| Jo Wallett | .... | assistant production coordinator | |
| Madeleine Wazana | .... | post-production accountant: Katmadhu Productions Inc | |
| Amanda Whitis | .... | assistant: Mr. Lantos, Serendipity Point Films | |
| Laura Windebank | .... | key set production assistant | |
| Roy Gokay Wol | .... | dialogue advisor: Turkish | |
| Richard George | .... | location assistant (uncredited) | |
| Gareth Lewis | .... | set production assistant: dailies (uncredited) | |
| Zoe Liang | .... | additional floor runner (uncredited) | |
| Sandrine Loisy | .... | set production assistant: dailies (uncredited) | |
| Barney Miller | .... | additional floor runner (uncredited) | |
| Callum Heckstall Smith | .... | additional floor runner (uncredited) | |
Thanks | |||
| Bradley Adams | .... | special thanks | |
| Russell Allen | .... | special thanks | |
| Melanie Faulkner | .... | special thanks | |
| Simon Johnson | .... | special thanks | |
| Alix Lambert | .... | special thanks | |
| Sinead Moran | .... | special thanks | |
| Kevin O'Shea | .... | special thanks | |
| Lisa Parker | .... | dedicatee | |
| Stanislav Shvabrin | .... | very special thanks | |
| Kitty Stanbrook | .... | special thanks | |
| Logan Van Lessen | .... | special thanks | |
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"Eastern Promises" will take your breath away, churn your stomach, and then leave you with memories of unforgettable characters as well as perplexing thoughts about good and evil. David Cronenberg's movie about Russian and Chechen mobsters clashing in London is more than violent - it is brutal, savage, shocking. But do not expect just an action film, exploiting blood and gore. After you shake off its terrific immediate impact (there is no way to think while watching it), you realize that "Eastern Promises" is also a kind of morality tale, complex and important.
Only after you hold your breath, cover your eyes, and get through the movie do you realize how "Eastern Promises" manages to contradict Friedrich Nietzsche effectively. The German philosopher's "Beyond Good and Evil" denied the possibility of a universal morality. Cronenberg's film says that ethics - without expectation of rewards, in this life or a possible other one - can prevail even in the depths of great evil. The "History of Violence" director continues his subtle, subtext theme of upholding Anne Frank's belief that "in spite of everything people are really good at heart," and he does so without a smidgen of sentimentality.
There is no goodness in evidence as Viggo Mortensen's scary Russian mobster does every bidding of Armin Mueller-Stahl's chilling godfather figure, ruling ruthlessly over a family, which includes his son, a monster out of control, played brilliantly by Vincent Cassel (son of Jean-Pierre Cassel).
During a pre-release press tour, Cronenberg spoke of his wish to present "provocative, juicy stories... with complexity... showing that all monsters are sentimental and have some kind of relationship to a moral compass." That is all true, but what makes "Eastern Promises" so appealing is that there is no pop psychology (or worse, pop philosophy) in or about it. The film hits you over the head with its magnificently written story (Steven Knight, of "Dirty Pretty Things"), not with a message.
The title, on one level, refers to promises made to young women in Russia, luring them to the West, where the Mob enslaves them as prostitutes. It is one of these drugged and brutalized women whose death opens the film, and brings an English nurse (Naomi Watts) into the story.
As a multitude of promises, threats and tragedies unfolds, you get the maximum out of "Eastern Promises" with minimum advance knowledge of its story. Initially, that is. When you return to see it again, it won't matter that you'll know how it ends, you will want to re-experience what is certain to become a classic film. ("Eastern Promises" was shown at the Toronto Festival last week, opened in San Francisco today, goes nationwide on Sept. 21.)