| Carrie Preston | ... | Marian | |
| Michael Chernus | ... | Humkin | |
| Austin Pendleton | ... | Jackson | |
| Dallas Roberts | ... | Mopekey | |
| Reg Rogers | ... | Bob | |
| Kate Burton | ... | Helen | |
| Richard Masur | ... | Dave | |
| rest of cast listed alphabetically: | |||
| Jimmy Crothswait | ... | Milkman | |
| Glenn Fitzgerald | ... | Customer #2 | |
| Boyd Gaines | ... | Customer #1 | |
| Ron Gephart | ... | Car Salesman | |
| Angel Gunn | ... | Mimi's Teacher | |
| Jonathon Lamer | ... | Car Salesman | |
| Lena Lamer | ... | Mimi | |
| Donald Meyers | ... | Customer in Car | |
| Jason Perry | ... | Car Salesman | |
| Wink Rush | ... | Car Salesman | |
| Markus Seaberry | ... | Diner Patron | |
| Arnita Williams | ... | Diner Patron | |
Directed by | |||
| Kirt Gunn | |||
Writing credits(in alphabetical order) | ||
| Kirt Gunn | writer | |
Produced by | |||
| Jake Abraham | .... | producer | |
| Kirt Gunn | .... | producer | |
| Michael Hilliard | .... | producer | |
| Jon Kamen | .... | executive producer | |
| Marco Londoner | .... | producer | |
| Frank Scherma | .... | executive producer | |
| Justin Wilkes | .... | executive producer | |
Original Music by | |||
| Shelby Bryant | |||
Cinematography by | |||
| Steve Yedlin | (director of photography) | ||
Film Editing by | |||
| Jimmy Helton | |||
Casting by | |||
| Will Cantler | |||
| Bernard Telsey | |||
| David Vaccari | |||
Production Design by | |||
| Timothy Whidbee | |||
Art Direction by | |||
| Jeanelle Marie | |||
Set Decoration by | |||
| Eric Swartz | |||
Costume Design by | |||
| Eden Miller | |||
Makeup Department | |||
| Leilani Bacon | .... | second makeup | |
| Janice Byrd | .... | key hair stylist | |
| Elizabeth Harris | .... | key makeup artist | |
| Cherie Holly | .... | additional hair stylist | |
| LeDiedra Richard-Baldwin | .... | additional makeup artist | |
Production Management | |||
| Snezhana Londoner | .... | production supervisor (as Zhana Kushnir) | |
Second Unit Director or Assistant Director | |||
| Nicholas Owen Langholff | .... | first assistant director | |
| Peter J. Olsen | .... | second second assistant director | |
| Robert Saba | .... | second assistant director | |
Art Department | |||
| Aaron Dale | .... | carpenter | |
| Aaron Dale | .... | construction coordinator | |
| Will E. Drummond | .... | carpenter | |
| Frank Gray III | .... | property master | |
| Victor Halters | .... | carpenter | |
| Ronny Kent | .... | painter | |
| Jake Meeks | .... | prop assistant | |
| Eric Scwartz | .... | set dresser | |
Sound Department | |||
| Gioia Birkett-Foa | .... | boom operator | |
| Shaun Brennan | .... | foley artist | |
| Benjamin Cheah | .... | sound designer | |
| Benjamin Cheah | .... | supervising sound editor | |
| Gerald Donlan | .... | dialogue editor | |
| Dan Flosdorf | .... | additional audio recordist | |
| Anton Gold | .... | sound mixer | |
| Jimmy Helton | .... | sound designer | |
| Joshua L. Pearson | .... | additional sound effects | |
| Matt Snedecor | .... | foley recordist | |
| Gregg Swiatlowski | .... | assistant sound editor | |
| Peter Waggoner | .... | sound re-recording mixer | |
Visual Effects by | |||
| Peter Heady | .... | digital effects artist | |
| Markus Janner | .... | digital opticals | |
| Alex Shum | .... | digital opticals | |
| Tim Spitzer | .... | DI supervisor | |
Stunts | |||
| Mitch Herron | .... | stuntman | |
| Max Maxwell | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Peter Budd | .... | grip | |
| Trey Clark | .... | still photographer | |
| Robert Duke | .... | key grip | |
| Christian Hawkins | .... | best boy | |
| Gray Hemphill | .... | additional loader | |
| Josh Malloy | .... | electrician | |
| Ryan McCoy | .... | gaffer | |
| Trevor Nelson | .... | film loader | |
| Nicholas Ross | .... | grip | |
| Geoffrey Brent Shrewsbury | .... | second assistant camera | |
| Ernie Wann | .... | best boy grip | |
| Wade Whitley | .... | first assistant camera | |
Casting Department | |||
| Forrest Pruett | .... | extras casting | |
| Sarah Tackett | .... | local casting | |
Costume and Wardrobe Department | |||
| Meriwether Nichols | .... | wardrobe supervisor | |
Editorial Department | |||
| Cy Christiansen | .... | assistant editor | |
| Nick Dibeneditto | .... | negative cutter | |
| John Dowdell | .... | digital intermediate colorist | |
| Peter Heady | .... | digital intermediate finishing artist | |
| Jean Lane | .... | DI Producer | |
| Joshua L. Pearson | .... | additional editor | |
| David Pultz | .... | color timer | |
Transportation Department | |||
| Monte Emery | .... | driver | |
| Wende Martin | .... | transportation captain | |
| Steve Moffit | .... | transportation coordinator | |
| Hall Prewitt | .... | picture car coordinator | |
Other crew | |||
| Sharon Bicks | .... | production coordinator | |
| Nalla Black | .... | intern | |
| Alex Borys | .... | location manager | |
| Andrew Cesana | .... | script supervisor | |
| Jayson Dancy | .... | stand-in | |
| James Denham | .... | production assistant | |
| Noah Derks | .... | production assistant | |
| Ben Feldman | .... | production legal services | |
| Sarah Fleming | .... | key production assistant | |
| E.J. Friedman | .... | production assistant | |
| Shellie Gillespie | .... | accountant | |
| Shelly Gillette | .... | location assistant | |
| Cesar Mylo Hernandez | .... | technician: Arriscan | |
| Erik Morrison | .... | production assistant | |
| Cort Percer | .... | assistant production coordinator | |
| Benjamin Rednour | .... | production assistant | |
| John R. Whitehead | .... | assistant location manager | |
| Learyn Wilde | .... | stand-in | |
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| Palisades Pool Party | Rogues Gallery | Saddle Up with Dick Wrangler & Injun Joe | The Kid | Living Arrangements |
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This film drew me in with its quirky, interesting characters and kept me engaged wondering what was going to happen to them and how the stories would fit together. The ending is a bit tricky for some but I promise it makes sense if you think about it. It feels like a true indie to me - and I've made several. After the showing I talked to the editor and again felt the "indieness" of the film and that their hearts are in the right place. No shameless attempt at commercial exploitation by trying to fake an indie feel. I do hope they refine the ending a bit to make it more accessible to people as its sad that many people won't "get it" and will go away not understanding what happened in the end. But definitely worth seeing and thinking about.