"Masters of Horror" Imprint (2006)

User Rating:

7.1/10   

Director:

Takashi Miike

Writers:

Mick Garris (creator)
Daisuke Tengan (teleplay)

TV Series:

"Masters of Horror" (2005)

Original Air Date:

25 February 2006 (Season 1, Episode 13)

Genre:

Horror

Plot:

In the Nineteenth Century, in Japan, the American journalist Christopher is traveling through the country searching Komomo...

Plot Keywords:

Prostitute | Brothel | Buddhist Monk | Midwife | Childbirth

Cast

Youki Kudoh	...	The Woman
Michié	...	Komomo (as Michie)
Toshie Negishi	...	Madam of the House
Billy Drago	...	Christopher
Shiho Harumi	...	Laborer #1
Magy	...	Laborer #2
Shin'ichi Tokuhara	...	Laborer #3
Takao Handa	...	Yoshi, Laborer #4
Hiroshi Kuze	...	Boatman
Miyuki Konno	...	Dead Woman
Yutaka Matsuzaki	...	Gate Keeper #1
Hiroshi Fujita	...	Gate Keeper #2
Sachiko Matsuura	...	Shamisen Player
Noriko Eguchi	...	Whore #1
Megumu Takada	...	Whore #2

Runtime:

63 min

Country:

USA | Japan

Language:

English

Color:

Color

Certification:

Hong Kong:III | France:-16 | USA:TV-MA | Australia:MA | Australia:R (2007) (DVD rating) | Italy:VM14 (DVD release) | Argentina:18

Filming Locations:

Ashiocho, Tochigi, Japan

Company:

IDT Entertainment

Trivia:

Shimako Iwai, the author of the novel on which the film is based, appears as the sadistic torturer.

Quotes:

The Woman: This island isn't in the human world; demons and whores are the only ones living here.

Movie Connections:

Referenced in Imprinting: The Making of 'Imprint' (2006) (V)

Quite good, but a bit too short

As a frequent viewer of Miike's production, I was waiting to see his first series episode designed for American/occidental market. Well, luckily, he stays true to himself and doesn't restraint his powerful, violent and destructed way to direct. That is for the good point.

The bad point, to me, is that he seems to have try to make a mix from his best scenes and some new ideas, condensed in one "single package". There are many good elements in this episode, but to much is to much (maybe one hour was just too short?).

I don't speak about the degree of violence (which was fairly high), but the efficiency of it. Out of the context, the torture scene of "imprint" is as powerful as the famous one from "Audition", for example, but what make the one from Audition so special, is certainly due to the quiet first hour of the film, and the contrast between the story and its end.

This time, the succession of powerful sequences is too condensed to give any scene a special status, and therefore the whole story looses itself onto a violent patchwork.

Anyway, this way to proceed is quite effective in some way: the over-exaggerated misfortune of the character is more comic (ok, a very dark humor), than dramatic. But once again, it was treated more efficiency in Visitor Q. The point of the episode isn't very clear either: is it supposed to be comic, nonsensical, oneiric, fantastic, gore or even erotic? Maybe all of the above, maybe it isn't supposed to be anything at all, but certainly, I is a Miike Takashi, and that's why I like his work so much: plurality.

To conclude, I would say that I liked it, but there was to much to say in a to short period, and therefore it results in a lack of contrast and a feeling of frustration.(mhh, if we could have stay longer in the mood of the final sequence...)