| Photos (see all 36 | slideshow) | Videos (see all 14) |
| Molly Shannon | ... | Peggy | |
| Laura Dern | ... | Bret | |
| Regina King | ... | Layla | |
| Thomas McCarthy | ... | Pier | |
| Josh Pais | ... | Robin | |
| John C. Reilly | ... | Al | |
| Peter Sarsgaard | ... | Newt | |
| Amy Schlagel | ... | Lissie | |
| Zoe Schlagel | ... | Lissie | |
| Dale Godboldo | ... | Don | |
| Inara George | ... | Holly | |
| Liza Weil | ... | Trishelle | |
| Jon Shere | ... | Pound Employee | |
| Christy Moore | ... | Als Girlfriend (as Christy Lynn Moore) | |
| Audrey Wasilewski | ... | Audrey | |
| Brenda Canela | ... | Brenda | |
| Craig Cackowski | ... | Craig | |
| Steve Berg | ... | Steve | |
| Susan Mackin | ... | Susan | |
| Chuck Duffy | ... | Jeff | |
| Sonya Eddy | ... | Nurse | |
| Ursula Brauner | ... | Dog Owner | |
| Giddle Partridge | ... | Blond Floozie | |
| Benjamin Koesling | ... | Benjy | |
| Dominik Koesling | ... | Benjy | |
| rest of cast listed alphabetically: | |||
| Jimmy the Dog | ... | Dog (uncredited) | |
Directed by | |||
| Mike White | |||
Writing credits(WGA) | ||
| Mike White | (written by) | |
Produced by | |||
| Dede Gardner | .... | producer | |
| Ben LeClair | .... | producer | |
| Nan Morales | .... | executive producer | |
| Brad Pitt | .... | executive producer | |
| Mike White | .... | producer | |
| Jack Black | .... | producer (uncredited) | |
Original Music by | |||
| Christophe Beck | |||
Cinematography by | |||
| Tim Orr | (director of photography) | ||
Film Editing by | |||
| Dody Dorn | |||
Casting by | |||
| Meredith Tucker | |||
Production Design by | |||
| Daniel Bradford | |||
Art Direction by | |||
| Macie Vener | |||
Set Decoration by | |||
| K.C. Fox | |||
Costume Design by | |||
| Nancy Steiner | |||
Makeup Department | |||
| Cydney Cornell | .... | hair stylist: Ms. Laura Dern | |
| Raqueli Dahan | .... | additional makeup artist | |
| Roma Goddard | .... | hair stylist | |
| Norma Lee | .... | key hair stylist | |
| Lisa Nash-Jones | .... | key makeup artist | |
| Dionne Smith | .... | makeup department head (as Dionne P. Smith) | |
| Mary Ann Valdes | .... | hair department head | |
Production Management | |||
| Ralph Bertelle | .... | executive in charge of production | |
| Teresa Kelly | .... | post-production supervisor | |
| Leigh Shanta | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Steven F. Beaupre | .... | second assistant director | |
| Scott Andrew Robertson | .... | first assistant director (as Scott Robertson) | |
| Nikki Swasey | .... | second second assistant director (as Nicole Swasey) | |
Art Department | |||
| John W. Baldwin | .... | toolperson | |
| Don Barker | .... | set dresser | |
| Steve Borgese | .... | greens supervisor | |
| Mark Boucher | .... | paint foreperson | |
| Christian Brennan | .... | art department assistant | |
| David Christopher Campbell | .... | propmaker foreperson (as David C. Campbell) | |
| Peggy Casey | .... | lead set buyer | |
| Juliane Crump | .... | art department assistant | |
| Todd Daniels | .... | set dresser | |
| Bruce Di Valerio | .... | construction coordinator | |
| Gerald Donahoe | .... | set dresser | |
| Philip Ginolfi | .... | labor foreperson | |
| Linda Griffis | .... | art department coordinator | |
| Jon Kazunaga | .... | propmaker foreperson | |
| Andy Knight | .... | propmaker foreperson | |
| Mike Malone | .... | on-set dresser | |
| Stephen McCumby | .... | property assistant | |
| 'Butch' Montgomery | .... | construction general foreperson (as Butch Montgomery) | |
| Roderick Nunnally | .... | paint supervisor (as Rod Nunnally) | |
| Kim Richey | .... | assistant property master | |
| Michelle Spears | .... | property master | |
| Scott B. Valdes | .... | on-set painter (as Scott Valdes) | |
| Heather L. Watson | .... | leadperson | |
| Chris Withrow | .... | foreperson | |
| Chris Withrow | .... | gangboss | |
| Rainer Wolf | .... | labor foreperson | |
| Jane Fitts | .... | graphic designer (uncredited) | |
Sound Department | |||
| Bradford Bell | .... | foley recordist | |
| Perry Dodgson | .... | boom operator | |
| Robert Eber | .... | sound mixer (as Robert D. Eber) | |
| Aaron Glascock | .... | sound re-recording mixer | |
| Aaron Glascock | .... | supervising sound editor | |
| Mary Jo Lang | .... | foley mixer | |
| Tim LeBlanc | .... | sound mix assistant | |
| Wayne Lemmer | .... | assistant sound editor | |
| Jared Marshack | .... | sound mix assistant | |
| Michael Mesirow | .... | cable person | |
| Alyson Dee Moore | .... | foley artist (as Alyson Moore) | |
| Scott Morgan | .... | foley recordist | |
| John Roesch | .... | foley artist | |
| Kira Roessler | .... | dialogue editor (as Kira) | |
| Curt Schulkey | .... | sound re-recording mixer | |
| Curt Schulkey | .... | supervising sound editor | |
| Greg Steele | .... | adr mixer | |
| John Joseph Thomas | .... | foley supervisor (as John Thomas) | |
| John Joseph Thomas | .... | sound effects editor (as John Thomas) | |
| James Wright | .... | sound consultant: Dolby | |
| Greg Zimmerman | .... | adr recordist | |
Special Effects by | |||
| Thomas Mertz | .... | special effects coordinator (as Tom Mertz) | |
Visual Effects by | |||
| Dick Edwards | .... | visual effects supervisor: Invisible Effects | |
Stunts | |||
| Billy Morts | .... | stunt coordinator | |
Casting Department | |||
| Tina Kerr | .... | background casting | |
| Ashley Slater | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Jeannine Bourdaghs | .... | on-set costumer | |
| Anita Louise Brown | .... | key costumer (as Anita Brown) | |
| Dana Griffin | .... | costume production assistant | |
| Stacy Horn | .... | costume supervisor (as Stacy M. Horn) | |
| Suzanne Robertson | .... | on-set costumer (as Suzy Robertson) | |
Editorial Department | |||
| Lori Ball | .... | additional editor | |
| Robert Benedict | .... | editorial production assistant | |
| George Chavez | .... | color timer | |
| Alexandra Leviloff | .... | assistant editor: avid | |
| Mary Nelson-Duerrstein | .... | negative cutter (as Mary Nelson-Fraser) | |
| Pablo Prietto | .... | assistant editor | |
| Chris Regan | .... | color timer | |
| James Gadd | .... | assistant editor (uncredited) | |
Music Department | |||
| Adam Blau | .... | score coordinator | |
| Fernand Bos | .... | additional music editor | |
| Linda Cohen | .... | music supervisor | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Andrew Hausmann | .... | music librarian (as Andrew Hauschild) | |
| Greg Hayes | .... | assistant score recording engineer | |
| Kevin Kliesch | .... | orchestrator | |
| Larry Mah | .... | additional score mixer | |
| Mike Nowak | .... | conductor: orchestra | |
| Peter Rotter | .... | orchestra contractor | |
| Noah Scot Snyder | .... | digital score recordist (as Noah Snyder) | |
| Casey Stone | .... | music scoring mixer | |
| Casey Stone | .... | music scoring recordist | |
| Ronald J. Webb | .... | music editor | |
| Terry Wilson | .... | music editor | |
Transportation Department | |||
| Jack R. Campbell | .... | transportation co-captain | |
| Bert Fernandez | .... | transportation dispatcher | |
| Mike Riportella | .... | transportation captain | |
| Wayne Williams | .... | transportation coordinator | |
| Rob Byer | .... | driver: fuel truck (uncredited) | |
| Bruce Callahan | .... | transportation (uncredited) | |
| Vicki Sousa | .... | driver (uncredited) | |
Thanks | |||
| Miguel Arteta | .... | thanks | |
| Matthew Greenfield | .... | thanks | |
| Alicia Silverstone | .... | thanks | |
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| La hija del caníbal | Lawless Heart | Music from Another Room | Sans toit ni loi | Giant |
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I like animals, I don't LOVE them. I don't even have a pet. However, that's not what this movie is about. Although many people will go expecting to see an animal lover's film or a hilarious comedy. The movie itself is not some screwball romantic comedy. And it certainly is NOT an animal rights propaganda film.
This is simply the story of woman who is like an animal that has been kept in a cage it's entire life and then, one day, was released into society. The uncertainty is so overwhelming that she reacts in irrational ways, "crazy" you might say. Genetically enhanced pigs are like this - they have panic attacks when released from their cages and a larger piece of the world becomes available. Peggy takes small, hesitant steps and slowly builds a life for herself that SHE wants, that makes her happy, where she can feel respected rather than relegated to the role of a mirror for the people around her. It took the death of a dog for her to realize that she was in an emotional cage.
Molly Shannon is truly perfection in this film. She's a joy and a study in wonderfully subtle film acting. Most won't see this compliment in her performance, but I noticed.
If you enjoy movies which make you think, than this is for you. If you want to see mindless, bubble gum entertainment (there's nothing wrong with that...sometimes) than stay away from this film. You just won't understand it.