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| Marc Blucas | ... | David Lamont | |
| Joel Leffert | ... | Goodman | |
| Shiri Appleby | ... | Rebecca Fay | |
| Jeffrey Carlson | ... | Jared Thurber | |
| Reiko Aylesworth | ... | Audrey Levine | |
| Bethany Butler | ... | Female Caterer | |
| Andrew Weems | ... | Bobby Reed | |
| Alison McAtee | ... | Kathy Mahoni | |
| Derek Cecil | ... | Garret Rankin | |
| John Bedford Lloyd | ... | Detective Martin Soll | |
| Paul Urcioli | ... | Executive #1 | |
| Tina Benko | ... | Executive #2 | |
| John Di Benedetto | ... | Deputy (as John Dibenedetto) | |
| rest of cast listed alphabetically: | |||
| Rick Borgia | ... | Bar patron (uncredited) | |
| Jason Bushman | ... | Drunk Party Guest (uncredited) | |
| Lou D'Amato | ... | Corporate Executive (uncredited) | |
| Michelle Hopkins | ... | Restaurant Patron / Office Worker (uncredited) | |
| Roberta Maxwell | ... | Ms. Alimet (uncredited) | |
| Joe Pontillo | ... | Office Worker / Civilian (uncredited) | |
| Bria Roberts | ... | Party Girl 1 (uncredited) | |
Directed by | |||
| Gideon Raff | |||
Writing credits | ||
| Ryan Swanson | (written by) and | |
| Gideon Raff | (written by) | |
Produced by | |||
| Avi Arad | .... | executive producer | |
| Doug Liman | .... | executive producer | |
| Gideon Raff | .... | producer | |
| Ryan Swanson | .... | co-producer | |
| Eden Wurmfeld | .... | producer | |
Original Music by | |||
| Michael Wandmacher | |||
Cinematography by | |||
| Martina Radwan | (director of photography) | ||
Film Editing by | |||
| Annie L. Amie | |||
Casting by | |||
| Beth Bowling | |||
| Kim Miscia | |||
Production Design by | |||
| Beth Mickle | |||
Art Direction by | |||
| Mike Romano | |||
Set Decoration by | |||
| Kerith Creo | |||
Costume Design by | |||
| Erika Munro | |||
Makeup Department | |||
| Loretta Alston | .... | key hair stylist | |
| Paul Del Vecchio | .... | special makeup effects artist | |
| David Kalahiki | .... | makeup artist | |
| David Presto | .... | makeup artist | |
| Leo Won | .... | key makeup artist | |
Production Management | |||
| Beau J. Genot | .... | post-production supervisor | |
| Jennifer Grausman | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Nicholas R. Bell | .... | second assistant director | |
| Chris Carroll | .... | first assistant director | |
| Phillip Saxton | .... | second second assistant director | |
Art Department | |||
| Richard Bailey | .... | assistant art director | |
| Jeremy L. Balon | .... | property master | |
| Joey DePaolo | .... | art intern | |
| Brian Hynes | .... | art production assistant | |
Sound Department | |||
| Steven Avila | .... | sound effects editor | |
| Michael J. Fox | .... | supervising sound editor | |
| Jack Hutson | .... | production sound mixer | |
| Bill Jenkins | .... | sound re-recording mixer | |
| Thomas W. Jordan | .... | boom operator: additional crew | |
| Peter D. Lago | .... | sound effects editor | |
| Greg Mauer | .... | foley mixer | |
| Melissa Oivanki | .... | post sound coordinator | |
| Rick Owens | .... | foley artist | |
| Mark A. Rozett | .... | sound re-recording mixer | |
| Gabriel Sanders | .... | boom operator | |
| Ben Whitver | .... | first assistant sound editor | |
| Brian S.M. Wroth | .... | dialogue editor | |
Stunts | |||
| Roy Farfel | .... | stunts | |
| Christopher Place | .... | stunts | |
| Manny Siverio | .... | stunt coordinator | |
| Anthony Vincent | .... | stunts | |
Camera and Electrical Department | |||
| Abraham Altbuch | .... | set grip | |
| Luis Colon | .... | key grip | |
| Darren Frohlich | .... | best boy electric | |
| Sarah L. Hendrick | .... | first assistant camera | |
| Abby Linne | .... | second assistant camera | |
| Nick Maczka | .... | grip | |
| Alan McIntyre Smith | .... | gaffer | |
| Joseph Paolini | .... | best boy grip | |
| Alan Smith | .... | gaffer | |
| Jaclyn Solomon | .... | camera intern | |
| Walter Strafford | .... | best boy electric | |
| Walter Strafford | .... | electrician | |
Casting Department | |||
| Julie Schubert | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Zairi Malcolm | .... | costume intern | |
| Shannon Stanley | .... | assistant costume designer | |
Editorial Department | |||
| Rich Fox | .... | additional editor | |
| Nerina Penzhorn | .... | assistant editor | |
| Zara Roberts | .... | digital intermediate post supervisor | |
Music Department | |||
| Susie Bench | .... | conductor | |
| Susie Bench | .... | music scoring assistant | |
| Susie Bench | .... | orchestrator | |
| Mikael Carlsson | .... | executive soundtrack producer | |
| Micha Liberman | .... | music editor | |
Other crew | |||
| Greg Bernstein | .... | legal services | |
| Peyton Coles | .... | production assistant | |
| Christopher Corona | .... | production assistant | |
| Scott Ferlisi | .... | location manager | |
| Caryn Frankenfield | .... | assistant location manager | |
| Tim Gehling | .... | production assistant | |
| Jessie Hillyer | .... | craft service | |
| Nicole L. Karczewski | .... | additional location manager | |
| Anne Elora Keller | .... | script supervisor | |
| Jeremy David Lee | .... | production assistant | |
| Cira Pirozzi | .... | production assistant | |
| Cira M. Pirozzi | .... | production assistant | |
| Marissa Price | .... | production coordinator | |
| Julia M. Sauder | .... | assistant production office coordinator | |
| Nic van der Meer | .... | product placement | |
| Rachel Vine | .... | assistant to producer | |
Thanks | |||
| Nadav Streett | .... | special thanks | |
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| Single White Female | Perfect Stranger | Toolbox Murders | Kiss Tomorrow Goodbye | Sin City |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb USA section | Add this title to MyMovies |
Starting out pretty decent, about mid-way through the film starting going downhill, and really fizzled to a bomb at the end. Even with a good creepy tone set early on, the movie just doesn't seem to go anywhere and I eventually found myself just wishing it would end. The lead actor is not very convincing in his role and just seems like he's bored with the script. Unfortunately the other characters are rather one-dimensional as well. We really don't get to know these people enough to care what happens to them, and the predictable plot just doesn't leave much to the imagination. I give it a three out of ten; watch it only if you can't find something better.