IMDb > "Burke's Law" Who Killed the Strangler? (1965)
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"Burke's Law" Who Killed the Strangler? (1965)



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Overview

User Rating:
(awaiting 5 votes)
Director:

Sam Freedle

Writers:

Larry Gordon (writer) and
Frank D. Gilroy (creator)

Original Air Date:

6 January 1965 (Season 2, Episode 16)

Plot:

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User Comments:

Annette Funicello as a go-go dancing murder suspect with a split personality! more (2 total)


Cast

  (Episode Cast overview, first billed only)
Gene Barry ... Capt. Amos Burke
Gary Conway ... Det. Tim Tilson
Regis Toomey ... Det. Les Hart
Leon Lontoc ... Henry
Frankie Avalon ... Ralph Hirt
Jeanne Crain ... Lorraine Turner

Annette Funicello ... Anna Najensky
Una Merkel ... Mrs. Thomas Barrett
Robert Middleton ... Ezekiel Kindworth aka 'Rocky Mountain'

Quinn O'Hara ... Sally Lou
Margaret Muse ... Madame Tamrovia
Michael Fox ... Coroner George McLeod
Sharyn Hillyer ... Rosie Belle
Michelle Breeze ... Cora Lee
Joy Harmon ... Barbara Sue
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FAQ

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2 out of 2 people found the following comment useful.
Annette Funicello as a go-go dancing murder suspect with a split personality!, 26 May 2008
6/10
Author: moonspinner55 from redlands, ca

Typically pithy and self-amused episode of the popular 1960s TV series produced by Aaron Spelling has millionaire detective Amos Burke called in when a championship wrestler is murdered in the ring during a bout. Seems a poison dart was fired from one of the $5000 seats, which gives Burke precisely five suspects. Jeanne Crain is the first to be interrogated; she loved the Strangler but hated him at the same time, and when Burke comes calling, she's right in the middle of a game of darts! Other suspects: Frankie Avalon as a sports columnist and Annette Funicello, sister of the deceased and a budding ballerina. Annette gets interrogated twice (making her the star of this show), explaining to Amos her split personality, one of which is as a hot go-go dancer in white fringe ("Go, man, go!"). Funicello later wrote that this role pretty much convinced her an actress she was not--especially in the "new" Hollywood where morals were suddenly loose--yet she's just about flawless here, cast against type and talking like a sexy toughie. The mystery angle in the script is wrapped up almost second-handedly when Burke, ever so blasé, puts the pieces together and goes to arrest his prey with help from a bluff. It doesn't leave the viewer with much to ponder, except for the fact guest star Funicello was an interesting, underrated performer.

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