| Photos (see all 11 | slideshow) | Videos (see all 7) |
| Morgan Freeman | ... | Him | |
| Paz Vega | ... | Scarlet | |
| Jonah Hill | ... | Packy | |
| Anne Dudek | ... | Lorraine | |
| Francisca Hernandez | ... | Market Wife / Market Gossip #1 | |
| Nacho Pina | ... | Market Husband | |
| Hector Running-Hawk | ... | Squeezing Customer | |
| Alexis Hernandez | ... | Cowed Customer | |
| Silvia Curiel | ... | Shocked Customer | |
| Shawn Calizo | ... | Scared Customer | |
| Kumar Pallana | ... | Lee | |
| Rosa Diaz | ... | Market Gossip #2 | |
| Hector Atreyu Ruiz | ... | Low-riding Gang Banger | |
| Bobby Cannavale | ... | Bobby | |
| Leonardo Nam | ... | Kid at Target | |
| Jennifer Echols | ... | Tracey with an 'E' | |
| Alexandra Berardi | ... | Mop Lady | |
| Matthew Perales | ... | Carwash Kid | |
| Alfonso Gutierrez | ... | Carwash Manager | |
| Mary Vargas | ... | Carwash Cashier | |
| Jim Parsons | ... | Receptionist | |
| Eddie 'Piolin' Sotelo | ... | Radio DJ (voice) (as Piolin) | |
| Danny DeVito | ... | Big D | |
| Rhea Perlman | ... | Mrs. D | |
| rest of cast listed alphabetically: | |||
| Ski Carr | ... | Tony / Banger (uncredited) | |
| Vivianne Nacif | ... | (voice) (uncredited) | |
| Scott Norris | ... | Bison Member (uncredited) | |
| Emiliano Torres | ... | Gang Banger 2 (uncredited) | |
Directed by | |||
| Brad Silberling | |||
Writing credits(WGA) | ||
| Brad Silberling | (written by) | |
Produced by | |||
| Morgan Freeman | .... | executive producer | |
| Jill Goularte | .... | associate producer | |
| Julie Lynn | .... | producer | |
| Lori McCreary | .... | producer | |
| Brad Silberling | .... | producer | |
| Kelly Thomas | .... | co-producer | |
Original Music by | |||
| Antonio Pinto | |||
Cinematography by | |||
| Phedon Papamichael | (director of photography) | ||
Film Editing by | |||
| Michael Kahn | |||
Casting by | |||
| Avy Kaufman | |||
Production Design by | |||
| Denise Pizzini | |||
Art Direction by | |||
| Don 'Tex' Clark | |||
Set Decoration by | |||
| Kelly Berry | |||
Costume Design by | |||
| Isis Mussenden | |||
Makeup Department | |||
| Deena Adair | .... | key hair stylist | |
| Michael Hancock | .... | additional makeup artist | |
| Nancy Hancock | .... | key makeup artist (as Nancy Worthen-Hancock) | |
Production Management | |||
| Jill Goularte | .... | project manager: Revelations Entertainment | |
| Jonathan McCoy | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Scott Altpeter | .... | assistant director intern | |
| Ian Calip | .... | additional second second assistant director | |
| Rob Deege | .... | assistant director intern | |
| Brad Hansen | .... | assistant director intern (as Brad 'Iowa' Hansen) | |
| Michael Judd | .... | additional second second assistant director | |
| Rusty Mahmood | .... | second assistant director | |
| David Mendoza | .... | second assistant director | |
| Miguel Montoya | .... | assistant director intern | |
| Michele Panelli-Venetis | .... | first assistant director | |
| Denise Anderson Poore | .... | second second assistant director | |
| Frank Tignini | .... | additional second second assistant director (as Francesco Tignini) | |
Art Department | |||
| Chad 'Frenchie' Alburtis | .... | set dresser | |
| Bill Coggon | .... | set dresser | |
| Jack Cornelius | .... | leadman | |
| Randy Eriksen | .... | property master | |
| Ethan Goodwin | .... | set dresser: office | |
| Anne Hyvarinen | .... | painter | |
| R. Dean McCreary | .... | painter | |
| Martin Milligan | .... | on-set dresser | |
| Antonia Nunez | .... | assistant property master (as Antonia S. Nunez) | |
| Sarah Regan | .... | on-set painter | |
| Grady Schneider | .... | set dresser (as Grady N. Echneider) | |
| Bert Smith | .... | assistant property master | |
| Regina Tsasis | .... | art department intern | |
Stunts | |||
| Jophery C. Brown | .... | stunts (as Jophery Brown) | |
| Jennifer Caputo | .... | stunts | |
| Doug Coleman | .... | stunt advisor | |
| Jody Hart | .... | stunts | |
| Brian Machleit | .... | stunt coordinator | |
Casting Department | |||
| Cody P. Beke | .... | casting associate (as Cody Beke) | |
| Carol Grant | .... | extras casting | |
| Elizabeth Greenberg | .... | casting associate | |
| Barbara Harris | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Nicola Clegg | .... | costume supervisor | |
| Geeta Malik | .... | costume intern | |
| Cathie Valdovino | .... | costume supervisor | |
| Cathie Valdovino | .... | set costumer | |
Editorial Department | |||
| Sarah Broshar | .... | editorial apprentice | |
| Richard Byard | .... | assistant editor | |
| Patrick Crane | .... | assistant editor | |
| Mike Cuevas | .... | assistant editor | |
| Beth Dewey | .... | digital intermediate producer: Efilm | |
| Michael Eaves | .... | supervising digital colorist: EFilm (as Mike Eaves) | |
| Marc Fishman | .... | project manager: Deluxe | |
| Nathan R. Fitzgerald | .... | editorial supervisor: EFilm (as Nathan Fitzgerald) | |
| Nicholas Hasson | .... | editor: IQ | |
| Chris Jensen | .... | digital colorist assist: EFilm | |
| Esther Lee | .... | assistant digital intermediate producer: EFilm | |
| Curtis Lindersmith | .... | digital intermediate editor | |
| Janice Papadaki | .... | negative cutter: Negative People | |
| Jim Passon | .... | color timer: DeLuxe | |
| Chris Taft | .... | digital intermediate services coordinator: EFilm | |
| Leroy Wolf | .... | color timer (uncredited) | |
Music Department | |||
| Gui Amabis | .... | score programmer | |
| Steven Argila | .... | composer: theme music | |
| Brian Bulman | .... | music editor | |
| Dawn Soler | .... | music supervisor | |
| Tony Von Pervieux | .... | music supervisor | |
| Gina Zimmitti | .... | music contractor | |
Transportation Department | |||
| Alex E. Burns | .... | transportation captain | |
| Byron Carter | .... | driver: camera car | |
| Darin Chisholm | .... | driver: honeywagon | |
| Robert Gaskill | .... | driver: Morgan Freeman | |
| John Grissom | .... | driver (as John I. Grissom) | |
| Rene Guy | .... | driver | |
| Geno Hart | .... | transportation consultant | |
| Peter Helm | .... | driver | |
| Zoa Keith | .... | transportation office clerk | |
| Marty Osborne | .... | transportation co-captain | |
| Jose Prieto | .... | driver: catering | |
| Michael J. Riegle | .... | driver | |
| Carlos M. Serrano | .... | driver | |
| Meyer L. Shapiro | .... | driver | |
| Dave Wilson | .... | driver | |
| Seth Levine | .... | driver (uncredited) | |
Other crew | |||
| Joanna Adler | .... | assistant: Lori McCreary | |
| Tamir Ardon | .... | producer intern | |
| Stephanie Baltierra | .... | accounting clerk | |
| Gena Bravos | .... | script supervisor | |
| Erik Bright | .... | publicist: Insignia Inc. | |
| Emerson Bruns | .... | legal counsel | |
| Tina Canny | .... | digital projectionist | |
| Ernesto Chincgillas | .... | first assistant chef (as Ernesto Chinchillas) | |
| Richard Cohee | .... | stand-in: Morgan Freeman | |
| Vicki Davis | .... | adr loop group | |
| Gloria De Leon | .... | location intern | |
| Eric Fefferman | .... | office production intern | |
| Heather Fielding | .... | studio teacher | |
| Efrain Figueroa | .... | adr loop group | |
| Peter Flanigan | .... | legal counsel | |
| Rachel Fleischer | .... | assistant: Brad Silberling | |
| Stacy Foot | .... | production coordinator | |
| Alfonso Freeman | .... | adr loop group | |
| Maite Garcia | .... | stand-in: Paz Vega | |
| Wendy Geary | .... | key set production assistant (as Wendy A. Geary) | |
| Manuel Leon Gonzales | .... | language coach: Paz Vega | |
| Brian Griffith | .... | production assistant | |
| Justin Healy | .... | key assistant location manager | |
| Rufino Hernandez | .... | second assistant chef | |
| Karl Herrmann | .... | office production assistant | |
| Harry Hewland | .... | production office intern | |
| Tim Hillman | .... | location manager (as Timothy Hillman) | |
| Lonnie Johnson | .... | medic | |
| Barry McGuire | .... | location intern | |
| David Michie | .... | adr loop group | |
| Daniel Mora | .... | adr loop group | |
| Drew Mylrea | .... | production office intern | |
| Vivianne Nacif | .... | adr loop group | |
| Michael M. Piehler | .... | assistant production coordinator | |
| Quentin Pierre | .... | assistant: Morgan Freeman | |
| Janet Place | .... | production accountant | |
| Maggie Preciado | .... | office manager | |
| David Prior | .... | electronic press kit | |
| Rebecca Robertson | .... | script supervisor (as Rebecca Robertson-Szwaja) | |
| Ben Schoen | .... | title designer: Scarlet Ltters | |
| Matt Silas | .... | office production intern | |
| Kelley Sims | .... | first assistant accountant | |
| Kelley Sims | .... | post-production accountant | |
| Tony J. Solorzano | .... | additional medic | |
| Nick Spicer | .... | producer intern | |
| Megan Steinbeck | .... | production office intern | |
| Alex Uceda | .... | caterer | |
| Jeff Warden | .... | production office intern | |
| Alma Weaks | .... | craft service | |
| Ruth Zalduondo | .... | adr loop group | |
| Jesse Heiman | .... | stand-in (uncredited) | |
| Jessie Hope Salka | .... | unit publicist (uncredited) | |
Thanks | |||
| Ryan Dornbusch | .... | special thanks | |
| Eileen Godoy | .... | special thanks | |
| Tracy Mercer | .... | special thanks | |
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| Start Cheering | Clerks. | The Matador | Big Trouble in Little China | Thirteen |
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Morgan Freeman and Paz Vega are the mismatched pair who get in the car and go about doing errands according to the need of one or the other. Morgan Freeman is superbly human, relating with one and all, while Paz Vega is the edgy cashier behind the "10 Items or Less" check out line, intimidating customers and bored out of her mind. Together they explore, discover, and learn from each other. To do that of course they must be vulnerable, interested in change, and have a sense of humour, all of which they both have. I wish this film was realistic, I wish this type of story happened more often, I wish we didn't have to go to the movies to realize that we can indeed connect with each other even if we come from vastly different backgrounds. The film's message is based in the open heart, and makes us wonder about the possibility of another world where we meet each other from there - a world where peace could be a possibility.