| Jürgen Vogel | ... | Theo | |
| Sabine Timoteo | ... | Nettie | |
| André Hennicke | ... | Sascha | |
| Manfred Zapatka | ... | Nettie's father | |
| Judith Engel | ... | Anja Schattschneider | |
| Anna Brass | ... | Raped woman in the dunes | |
| Anne-Kathrin Golinsky | ... | Seller in department store | |
| Maya Bothe | ... | Sybille | |
| Frank Wickermann | ... | Michael | |
| Anna De Carlo | ... | Waitress | |
| Bernadette Büllmann | ... | Singer of "Ave Maria" | |
| Andreas Laurenz Maier | ... | Marius (as Andreas L. Maier) | |
| rest of cast listed alphabetically: | |||
| Marcel Batangtaris | ... | Toni | |
Directed by | |||
| Matthias Glasner | |||
Writing credits(in alphabetical order) | ||
| Judith Angerbauer | writer | |
| Matthias Glasner | writer | |
| Jürgen Vogel | writer | |
Produced by | |||
| Frank Döhmann | .... | producer | |
| Matthias Glasner | .... | producer | |
| Christian Granderath | .... | producer | |
| Andrea Hanke | .... | co-producer | |
| Markéta Polednová | .... | junior producer | |
| Andreas Schreitmüller | .... | co-producer | |
| Jürgen Vogel | .... | producer | |
Cinematography by | |||
| Matthias Glasner | |||
| Ingo Scheel | |||
Film Editing by | |||
| Mona Bräuer | |||
| Matthias Glasner | |||
| Julia Wiedwald | |||
Casting by | |||
| Simone Bär | |||
Production Design by | |||
| Tom Hornig | |||
| Conny Kotte | (as Conni Kotte) | ||
Costume Design by | |||
| Sabine Keller | |||
Production Management | |||
| Kathrin Laugalies | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sarah Altmann | .... | assistant director | |
Sound Department | |||
| Hubert Bartholomae | .... | sound mixer | |
| Michael Müller | .... | foley editor | |
| Jörn Poetzl | .... | foley artist (as Joern Poetzl) | |
| Claudia Schuhmacher | .... | sound assistant (as Claudia Schumacher) | |
| Philipp Sellier | .... | foley recordist | |
| Stefan Soltau | .... | sound | |
| Stefan Soltau | .... | supervising sound editor | |
| Tini Tüllmann | .... | sound assistant | |
| Björn Wiese | .... | sound editor | |
Special Effects by | |||
| Karl-Heinz Bochnig | .... | special effects | |
| Volker Lorig | .... | special effects | |
| Niklas Voigt | .... | special effects | |
Visual Effects by | |||
| Wolf Bosse | .... | digital intermediate | |
| Lutz Lemke | .... | credits | |
| Frieda Oberlin | .... | digital intermediate supervisor | |
| Philipp Orgassa | .... | digital intermediate colorist | |
| Gerhard Spring | .... | film recording | |
| Christian Tröger | .... | digital intermediate finisher | |
| Ralf Wacker | .... | digital intermediate supervisor | |
Stunts | |||
| Jason Oettle | .... | assistant stunt coordinator | |
| Rainer Werner | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Kai Stichel | .... | assistant camera | |
Editorial Department | |||
| Sergej Range | .... | on-line editor | |
| Bianca Stumpf | .... | color timer | |
| Adi Wolotzky | .... | assistant editor | |
| Silke Zirnité | .... | assistant editor | |
Music Department | |||
| Karin Gatzke | .... | music consultant | |
| Karin Gatzke | .... | music coordinator | |
| Björn Wiese | .... | composer: additional music | |
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| La pianiste | Wonderland | L'été meurtrier | Boy A | A Life Interrupted |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Germany section |
| Add this title to MyMovies |
I would not like to give a summary of the impulsive scenes or the techniques used in the film. I do refrain from talking about the movie as a logical construction. Anyway, that is exactly what was done at Ludwigshafen's 'Festival des Deutschen Films' - trying to pull the discussion onto a more emotional level, the director himself and the two protagonists failed. which stands for the extreme distance people (and eve the cast) seem to be able to keep having watched the movie. This lets me conclude that the movie, although displaying one part of human life/struggle, was unable to move people's substance.. This is the first movie that made me doubt, if the medium 'movie' can really reach people's core. Not even the realistic display of rape seems to be enough to touch people.