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Sex and Death 101 (2007)
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Overview
User Rating:
Director:
Writer (WGA):
Daniel Waters (written by)
Release Date:
22 February 2008 (USA)
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Tagline:
One Man. One List. 101 Women. Some Fantasies Are Too True to Be Good.
Plot:
A guy's life is turned around by an email, which includes the names of everyone he's had sex with and ever will have sex with. His situation gets worse when he encounters a femme fatale (Ryder) who targets men guilty of sex crime. full summary | add synopsis
Awards:
1 win
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NewsDesk:
(5 articles)
Winona Ryder Makes a Comeback in Aronofsky's Black Swan
(From ReelzChannel. 10 November 2009, 1:06 PM, PST)
Can Winona Ryder make a final comeback with 'Black Swan'?
(From Hitfix. 10 November 2009, 1:22 AM, PST)
(From ReelzChannel. 10 November 2009, 1:06 PM, PST)
Can Winona Ryder make a final comeback with 'Black Swan'?
(From Hitfix. 10 November 2009, 1:22 AM, PST)
User Comments:
A Lady Called Death
more (25 total)
Cast
(in credits order)
Directed by | |||
| Daniel Waters | |||
Writing credits(WGA) | ||
| Daniel Waters | (written by) | |
Produced by | |||
| Cary Brokaw | .... | producer | |
| Lizzie Friedman | .... | producer (as Elizabeth Zox Friedman) | |
| Aaron Geller | .... | executive producer (as Aaron Craig Geller) | |
| Jerry P. Jacobs | .... | co-producer | |
| Greg Little | .... | producer | |
Original Music by | |||
| Rolfe Kent | |||
Cinematography by | |||
| Daryn Okada | (director of photography) | ||
Film Editing by | |||
| Trudy Ship | |||
Casting by | |||
| Andrea Stone-Brokaw | (as Andrea Stone) | ||
Production Design by | |||
| John Larena | |||
Art Direction by | |||
| Helen Harwell | |||
Set Decoration by | |||
| Peggy Paola | |||
Costume Design by | |||
| Julia Caston | |||
Makeup Department | |||
| Merc Arceneaux | .... | makeup artist | |
| Diana Brown | .... | makeup artist | |
| Suzanne Diaz | .... | makeup artist (as Suzy Diaz-Westmore) | |
| Deborah K. Larsen | .... | makeup department head | |
| Lisa Meyers | .... | hair stylist (as Lisa J. Meyers) | |
| K.G. Ramsey | .... | hair department head | |
Production Management | |||
| Jerry P. Jacobs | .... | unit production manager | |
| Jeffrey M. Rose | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Leah King | .... | second second assistant director | |
| Eric A. Pot | .... | first assistant director | |
| Robert 'Skid' Skidmore | .... | second assistant director | |
Art Department | |||
| Sarah Geller | .... | on-set dresser | |
| Andrew Guinn | .... | set dresser | |
| Dallas Richard Hallam | .... | assistant property master | |
| Jason E. Hatfield | .... | set dresser | |
| Tony Howell | .... | set dresser | |
| Tom Humphrey | .... | on-set dresser (as Tom Humphrey) | |
| Ben Lewis | .... | property master | |
| David Lloyd | .... | lead man | |
| Matt Pennington | .... | construction coordinator | |
| Anthony Price | .... | on-set dresser | |
| Brook Shafer | .... | on-set dresser | |
| Jeffrey K. Shu | .... | carpenter | |
| Jeffrey K. Shu | .... | propmaker | |
| Daniel Trainer | .... | set dresser | |
Sound Department | |||
| Gary Coppola | .... | sound re-recording mixer | |
| Gary Coppola | .... | supervising sound editor | |
| Frederick Howard | .... | sound effects editor | |
| Yagmur Kaplan | .... | adr mixer | |
| Maciek Malish | .... | dialogue editor | |
| Coleman Metts | .... | production sound mixer | |
| Jordan Pontell | .... | dialogue assembly | |
| Edward M. Steidele | .... | foley artist | |
| Chris Trent | .... | foley mixer | |
| Jerry Trent | .... | foley artist | |
| David Warburton | .... | post facility coordinator | |
| Ace Williams | .... | boom operator | |
| Mandell Winter | .... | sound effects editor | |
Visual Effects by | |||
| Christopher Dusendschon | .... | digital imaging supervisor: iO FILM | |
| Michael Mintz | .... | digital film colorist | |
Casting Department | |||
| Chris Bustard | .... | extras casting | |
Costume and Wardrobe Department | |||
| Jamie Bresnan | .... | wardrobe assistant | |
| Rani Cunningham | .... | costumer (as Rani Self) | |
| Pamela Havens | .... | costume supervisor | |
| Jeannie H. Kelly | .... | wardrobe supervisor | |
| Laura E. Little | .... | costumer (as Laura Liz Little) | |
| Michelle Margolis | .... | on-set costumer | |
| Christina Mongini | .... | costume assistant | |
Editorial Department | |||
| Nicholas 'Nikko' Tsiotsias | .... | first assistant editor | |
| Lee Wimer | .... | color timer | |
Music Department | |||
| Stephen Coleman | .... | music programmer | |
| Trevor Gilchrist | .... | music programmer: score | |
| James Sall | .... | music supervisor | |
| Ralph Sall | .... | executive music producer | |
| Dan Savant | .... | music contractor | |
| Nick South | .... | music editor | |
| Greg Townley | .... | scoring mixer | |
Transportation Department | |||
| Ed Adams | .... | driver | |
| Rafael Baires | .... | driver | |
| Brian Eastveld | .... | driver | |
| Robert Fulps | .... | driver | |
| Dan Gearhart | .... | driver: honeywagon | |
| Frankie Gearhart | .... | driver | |
| Kelly Harkess | .... | driver | |
| Philip Henderson | .... | driver | |
| Curt Larson | .... | driver | |
| Calvin McDowell | .... | driver | |
| Jay Norof | .... | transportation captain | |
| Hugo Ocana | .... | driver | |
| Tony Ruiz | .... | transportation coordinator | |
| Don Williams | .... | driver: water truck | |
| Ali Yegahne | .... | driver | |
Other crew | |||
| Ed Adams | .... | fueler | |
| Emma Baksi | .... | assistant: Winona Ryder | |
| Brian Beard | .... | digital optical conformist | |
| Kristin Brokaw | .... | directorial assistant | |
| Yvonne Caycedo | .... | assistant to producers | |
| Lily Garcia | .... | set production assistant | |
| Andrew R. Gardiner | .... | key assistant location manager | |
| Judy Geletko | .... | post-production accountant | |
| Russell Gremillot | .... | location manager | |
| Ali Jazayeri | .... | production financing | |
| Lisa McNeil | .... | additional script supervisor | |
| Lindsey Mesa | .... | assistant: Ms. Friedman | |
| Bryan Meyers | .... | first assistant accountant | |
| Tracy L. Moody | .... | script supervisor | |
| Julie Morgan | .... | production coordinator | |
| Patrick Priest | .... | production assistant | |
| Shari Sontag | .... | key production accountant | |
| Ryan Tighe | .... | production assistant | |
| Alex L. Worman | .... | unit publicist | |
| Francie Brown | .... | dialect coach (uncredited) | |
Production CompaniesDistributors
- Anchor Bay Entertainment (2007) (USA) (theatrical)
- Hoyts Distribution (2008) (New Zealand) (theatrical)
- Top Film (2007) (Russia) (theatrical)
- Anchor Bay Entertainment (2008) (USA) (DVD)
- Anchor Bay Entertainment (2008) (USA) (DVD) (Blu-ray)
- Spentzos Film Home Video (2008) (Greece) (DVD)
- Transeuropa Video Entertainment (TVE) (2009) (Argentina) (DVD)
- Central Casting extras casting
- Departure Studios post-production audio services
- Eisner & Frank production legal
- NovaStar Digital sound post-production
- ShowBiz Studios studio
- Sound Satisfaction sound post-production
Additional Details
MPAA:
Rated R for strong sexual content and language.
Parents Guide:
Runtime:
Germany:100 min (European Film Market) | USA:100 min | USA:117 min (Starz)
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Filming Locations:
Company:
Fun Stuff
Trivia:
On "The List", the #86 girl on it is named Phoebe Caulfield. This is the name of the younger sister of Holden Caulfield in the novel The Catcher in the Rye.
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Goofs:
Factual errors: The school bus driver's nametag has a commonly misspelled word: "Your" instead of "You're".
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Movie Connections:
Featured in "Siskel & Ebert & the Movies: (2008-04-05)" (2008)
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FAQ
This FAQ is empty. Add the first question.more (25 total)
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Conceptually, the film actually doesn't hit its point until the final twenty minutes in which Baker finally confronts Ryder and accepts his fate. The final coffee shop scene and discussion conjures memories of Daniel Waters' impeccable dialogue and pace ever-present in 1989's "Heathers". Yes, this isn't "Heathers" and thankfully, it isn't "Hudson Hawk" either, however, "Sex & Death 101", unlike both of the aforementioned films, doesn't stay with you, for better or worse. Again, the final scenes are well worth the wait and highlight exactly why Winona Ryder is everybody's favourite outsider. Her ability to present warped innocence and make it seem endearing is wonderful to watch. The moment that we see Death Nell writing in her journal (a throwback to Veronica Sawyer in Heathers) really emphasises this...Ryder's representation of the madness of youth and sex and sadness, all connected in one bizarre character. So, as a film, "Sex & Death 101" isn't great, but as an example of good screen writing and character development (in the case of Death Nell), it is interesting to experience.