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Directed by | |||
| Daniel Waters | |||
Writing credits(WGA) | ||
| Daniel Waters | (written by) | |
Produced by | |||
| Cary Brokaw | .... | producer | |
| Lizzie Friedman | .... | producer | |
| Aaron Geller | .... | executive producer | |
| Jerry P. Jacobs | .... | co-producer | |
| Greg Little | .... | producer | |
Original Music by | |||
| Rolfe Kent | |||
Cinematography by | |||
| Daryn Okada | |||
Film Editing by | |||
| Trudy Ship | |||
Casting by | |||
| Andrea Stone | |||
Production Design by | |||
| John Larena | |||
Art Direction by | |||
| Helen Harwell | |||
Set Decoration by | |||
| Peggy Paola | |||
Costume Design by | |||
| Julia Caston | |||
Makeup Department | |||
| Deborah K. Larsen | .... | makeup department head | |
| K.G. Ramsey | .... | hair department head | |
Production Management | |||
| Jerry P. Jacobs | .... | unit production manager | |
| Jeffrey M. Rose | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Leah King | .... | second second assistant director | |
| Eric A. Pot | .... | first assistant director | |
| Robert 'Skid' Skidmore | .... | second assistant director | |
Art Department | |||
| Sarah Geller | .... | on-set dresser | |
| Dallas Richard Hallam | .... | assistant property master | |
| Jason E. Hatfield | .... | set dresser | |
| Tony Howell | .... | set dresser | |
| Ben Lewis | .... | property master | |
| David Lloyd | .... | lead man | |
| Matt Pennington | .... | construction coordinator | |
| Brook Shafer | .... | on-set dresser | |
| Jeffrey K. Shu | .... | carpenter | |
| Jeffrey K. Shu | .... | propmaker | |
| Daniel Trainer | .... | set dresser | |
Sound Department | |||
| Gary Coppola | .... | sound re-recording mixer | |
| Gary Coppola | .... | supervising sound editor | |
| Frederick Howard | .... | sound effects editor | |
| Yagmur Kaplan | .... | adr mixer | |
| Maciek Malish | .... | dialogue editor | |
| Coleman Metts | .... | production sound mixer | |
| Jordan Pontell | .... | dialogue assembly | |
| Edward M. Steidele | .... | foley artist | |
| Chris Trent | .... | foley mixer | |
| Jerry Trent | .... | foley artist | |
| David Warburton | .... | post facility coordinator | |
| Mandell Winter | .... | sound effects editor | |
Visual Effects by | |||
| Christopher Dusendschon | .... | digital imaging supervisor: iO FILM | |
| Michael Mintz | .... | digital film colorist | |
Camera and Electrical Department | |||
| Steve Adcock | .... | camera operator: "a" camera | |
| Kevin Britton | .... | second assistant camera: "a" camera | |
| Nicole Dayton | .... | grip | |
| Eric Fletcher | .... | Steadicam operator | |
| Eric Fletcher | .... | camera operator | |
| P.J. Gaynard | .... | daily electrician | |
| Michael D. Gonzalez | .... | grip | |
| Joe Guzman | .... | grip | |
| Mike Hodges | .... | key grip | |
| Gigi Johnson | .... | camera production assistant | |
| Daniel Kauahi | .... | dolly grip | |
| Tommy James Lewis | .... | first assistant camera: "b" camera (as Tommy Lewis) | |
| Darin Necessary | .... | first assistant camera: "a" camera | |
| Doug Price | .... | second assistant camera: "a" camera | |
| Lacey Terrell | .... | additional still photographer | |
| Anders Yarbrough | .... | camera loader | |
Casting Department | |||
| Chris Bustard | .... | extras casting | |
Costume and Wardrobe Department | |||
| Jeannie H. Kelly | .... | wardrobe supervisor | |
| Michelle Margolis | .... | on-set costumer | |
Editorial Department | |||
| Nicholas 'Nikko' Tsiotsias | .... | first assistant editor | |
| Lee Wimer | .... | color timer | |
Music Department | |||
| Stephen Coleman | .... | music programmer | |
| Trevor Gilchrist | .... | music programmer: score | |
| Nick South | .... | music editor | |
| Greg Townley | .... | scoring mixer | |
Transportation Department | |||
| Ed Adams | .... | driver | |
| Rafael Baires | .... | driver | |
| Brian Eastveld | .... | driver | |
| Robert Fulps | .... | driver | |
| Dan Gearhart | .... | driver: honeywagon | |
| Frankie Gearhart | .... | driver | |
| Kelly Harkess | .... | driver | |
| Philip Henderson | .... | driver | |
| Curt Larson | .... | driver | |
| Calvin McDowell | .... | driver | |
| Jay Norof | .... | transportation captain | |
| Hugo Ocana | .... | driver | |
| Tony Ruiz | .... | transportation coordinator | |
| Don Williams | .... | driver: water truck | |
| Ali Yegahne | .... | driver | |
Other crew | |||
| Ed Adams | .... | fueler | |
| Emma Baksi | .... | assistant: Winona Ryder | |
| Brian Beard | .... | digital optical conformist | |
| Kristin Brokaw | .... | directorial assistant | |
| Yvonne Caycedo | .... | assistant to producers | |
| Lily Garcia | .... | set production assistant | |
| Andrew R. Gardiner | .... | key assistant location manager | |
| Judy Geletko | .... | post-production accountant | |
| Russell Gremillot | .... | location manager | |
| Ali Jazayeri | .... | production financing | |
| Lisa McNeil | .... | additional script supervisor | |
| Lindsey Mesa | .... | assistant: Ms. Friedman | |
| Bryan Meyers | .... | first assistant accountant | |
| Tracy L. Moody | .... | script supervisor | |
| Julie Morgan | .... | production coordinator | |
| Patrick Priest | .... | production assistant | |
| Shari Sontag | .... | key production accountant | |
| Ryan Tighe | .... | production assistant | |
| Alex L. Worman | .... | unit publicist | |
| Francie Brown | .... | dialect coach (uncredited) | |
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This movie was simply great - in that at no point did I feel like I had to figure things out.
Recently I read a review criticizing how childish this movie seemed to them. An exact quote from this review goes - "An interesting premise, with a plot twist that feels very predictable but ends in a surprising way, its still not enough for me to recommend it to anyone, as the film doesn't leave with you anything - no glowing feelings, no revelations, not even a basic contentment after watching a horror, thriller or romantic comedy." What is that suppose to mean? Just because this movie didn't leave you with a similar feeling to every other "mega-bucks Hollywood romantic (comedy)" out there you are saying it's not even worth recommending to anyone? Outrageous I tell you - outrageous.
Anyways, I loved this film simply because it was simple. Sex & Death takes you on an enjoyable ride among new faces and even throws in some laugh out loud moments. The whole premise of this film is set off for the audience not to take anything too seriously, but still keeps you in a real world environment while telling the story.
I definitely recommend this movie to anyone looking to sit back, relax, and have a good laugh. I would like to mention this is not a family movie in any sense of the term; good amount of nudity and language.
Have a great night!