Anamorph (2007)

User Rating:

5.6/10   

Director:

Henry Miller

Writers:

Henry Miller (writer)
Tom Phelan (writer)

Release Date:

5 August 2008 (Netherlands)

Genre:

Thriller

Tagline:

Madness. Mayhem. Mutilation. The masterwork of a serial killer.

Plot:

A psychological thriller based on the concept of anamorphosis, a painting technique that manipulates the laws of perspective to create two competing images on a single canvas.

Plot Keywords:

Detective | Painting | New York | Art | Morgue

Cast

Willem Dafoe	...	Stan Aubray
Scott Speedman	...	Carl Uffner
Don Harvey	...	Michael C.
James Rebhorn	...	Chief Lewellyn Brainard
Peter Stormare	...	Blair Collet
Amy Carlson	...	Alexandra Fredericks
Yul Vazquez	...	Jorge 'George' Ruiz
Clea DuVall	...	Sandy Strickland
Samantha MacIvor	...	Crystal
Billy Wheelan	...	Young Man
Paz de la Huerta	...	Young Woman
Desiree Casado	...	Teenage Checkout Girl (as Desiree F. Casado)
Robert C. Kirk	...	Heavy-Set Detective
Robin Goldsmith	...	Stone-Faced Detective
Marcia Haufrecht	...	Diner Waitress

MPAA:

Rated R for disturbing grisly images, some violence and language.

Runtime:

107 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

SDDS | Dolby Digital | DTS

Certification:

USA:R | Australia:MA | Netherlands:16 | Finland:K-15 | Mexico:B15

Filming Locations:

Manhattan, New York City, New York, USA

Company:

Kamala Films

Goofs:

Continuity: When Stan meets his former partner, he rolls down the window of his car on the passenger's's side. During this scene the height of he window is changes in every shot.

Quotes:

Killer: A poison harms.
Stan: What?
Killer: A poison harms. It certainly does. You should know that - you've been poisoning yourself for years. Now that you've seen my work, I want some feedback. You and I both like the color blue, a pigment that was once quite precious. It's also the color of narcissism.

Psychological Thriller Nowhere Close to "Lambs"

A detective (Willem Dafoe) is on the hunt for a killer who transforms his victims into works of art. The cases grow more and more brutal, and some suspect the detective himself may somehow be involved (though, from the audience's point of view, this involvement is not apparent). Who is the killer, can he be caught?

I had low expectations for this film. Dafoe is an amazing actor, and has appeared in some great films (and some not-so-great but still popular ones). Typically, he wouldn't be in a film unless it was going to be huge. This being a straight-to-DVD title, I had to wonder... could it be good if they felt that Dafoe wasn't enough to carry it to the big screen? And the answer is simply: it's good, but not that good.

Dafoe is a great actor, and Peter Stormare ("Prison Break") is a good character actor (playing, as usual, a thuggish type here). But they are put in a plot that doesn't really have much depth. The writer was concerned about getting us from corpse to corpse, but that was about the extent of it. The directing, likewise, is good, but will do little to further a career -- a year from now, I'll be the only person to recall this film. The special effects were good and deserve credit. While not the most realistic corpses ever, there was plenty of time and thought involved... so cheers to you.

The one thing that stood out for me as quite good was the musical score. I have to say the composer hit the right nerves. I may already be mentally unbalanced -- this is true -- but the music hit me hard and gripped me, leaving me feeling dread and despair, which music will not often do. If the composer's goal was to create a mood of hopelessness and bleak darkness, I call this a success.

A philosophical question could be raised about whether the acts committed here were murder, art or both. Some might suggest that the death of one person may be a worthy sacrifice if the art produced is of significant value. If death can be used to justify some things, why not art? The film doesn't really explore this theme, and I'm inclined to believe that murder is hardly, if ever, justifiable. But a potential discussion exists here.

If you want to see a film about murder being turned into art, see the 1959 Roger Corman film "A Bucket of Blood". Or don't. But "Anamorph" will end up being an impulse rental that ultimately lets you down, I fear. 2008 is a slow year for horror and thrillers, so you may end up resorting to lesser fare to feed the addiction. Just be warned in advance that this is simply that and nothing more.