| Jannik Lorenzen | ... | Allan | |
| Jesper Asholt | ... | Far | |
| Hanne Hedelund | ... | Mor | |
| Julie Kolbech | ... | Sanne (as Julie Kolbeck) | |
| rest of cast listed alphabetically: | |||
| Rita Angela | ... | Bedste | |
| Bjarne Henriksen | ... | Budde | |
| Thomas Knuth-Winterfeldt | ... | Asger | |
| Camilla Metelmann | |||
| Gitte Siem | ... | Faster Didde | |
| Sune Thomsen | ... | Per | |
| Lene Tiemroth | ... | Psykiater | |
| Hans Henrik Voetmann | ... | Dr. Madsen | |
| Laura Kamis Wrang | ... | Fru Budde | |
| Kasper Nissen | ... | Smoking boy in car / ball participant (uncredited) | |
| René Frelle Petersen | ... | Late night shopper (uncredited) | |
Directed by | |||
| Peter Schønau Fog | |||
Writing credits(in alphabetical order) | ||
| Bo Hr. Hansen | screenplay | |
| Erling Jepsen | novel | |
Produced by | |||
| Thomas Stenderup | .... | producer | |
| Nikolaj Tarp | .... | line producer | |
Original Music by | |||
| Karsten Fundal | |||
Cinematography by | |||
| Harald Gunnar Paalgard | |||
Film Editing by | |||
| Anne Østerud | |||
Casting by | |||
| René Frelle Petersen | |||
| Tine Sætter-Lassen | |||
Production Design by | |||
| Søren Krag Sørensen | |||
Set Decoration by | |||
| Arvid Berg-Ørnbak | |||
| Lars Michael Reiff | |||
Costume Design by | |||
| Margrethe Rasmussen | |||
Makeup Department | |||
| Emilie Grossos Aabye | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Antony Naur Castle | .... | first assistant director | |
| René Frelle Petersen | .... | assistant director | |
Sound Department | |||
| Morten Holm | .... | dialog editor | |
| Morten Holsted | .... | boom operator | |
| Mark Kenna | .... | consultant: Dolby film sound | |
| Henry J. Michaelsen | .... | sound recordist (as Henry John Michaelsen) | |
| Peter Schultz | .... | sound | |
Stunts | |||
| Deni Jordan | .... | stunt coordinator | |
| Deni Jordan | .... | stunts | |
Camera and Electrical Department | |||
| Morten Kastberg | .... | lighting technician | |
| Aslak Lytthans | .... | gaffer | |
| Jens Peder Pedersen | .... | grip | |
| Fredrik Sundbye | .... | camera loader: additional photography | |
Other crew | |||
| Andreas Caspersen | .... | runner | |
| Stine Monty Freddie | .... | script supervisor | |
| Casper Jakobsen | .... | production coordinator | |
| Maria Kristensen | .... | production assistant | |
| Julie Rix Petersen | .... | runner | |
| Marie Peuliche | .... | production assistant | |
| Jette Søndergaard | .... | runner | |
| Kasper Wilhelmsen | .... | runner | |
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| What's Eating Gilbert Grape | Rabbit-Proof Fence | Bridge to Terabithia | October Sky | The Mighty |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Denmark section | Add this title to MyMovies |
I had the privilege of watching this at its world premiere at the Toronto International Film Fest, and it's always great to discover new talent. Here, it's not just the discovery of Peter Schonau Fog, but also of the tremendous cast, especially young Jannik Lorenzen, who plays 11-year-old Allan to perfection with his cheeky bewilderment, and eventually with a heavy disappointment that accompanies his loss of innocence. The film reminds me of Schlondorff's The Tin Drum with its rather disturbing, yet comical theme of children growing up entirely too quickly, although The Art of Crying is, in my opinion, far more beautifully poignant as it is told through Allan's eyes.
Henry (Jesper Asholt) is a milkman whose nightly suicide attempts and constant hysterics have driven his wife to taking sleeping pills every night to avoid him, and his son to university out of their sleepy rural village in Denmark. Henry's young son Allan (Lorenzen) adores him, and begins performing a series of bizarre acts in order to win his father's happiness, seeing nothing wrong with his father's manipulative actions and dysfunctional family dynamics.
I enjoyed this portrayal of the tension between the rural and the urban, seen in Henry's interactions with his educated son Asger, his daughter Sanne's boyfriend the "moped rowdy" Per, and his neighbour the Buddes, who have introduced self-service at their rival grocery store. It's a compelling tale, grippingly suspenseful as you wait to see what Henry and Allan will do next, yet disturbingly funny as you watch Allan delight in the most unpleasant things (just as long as they make Henry happy). Strong performances all around, and a neat debut for Schonau Fog!