| Photos (see all 11 | slideshow) | Videos (see all 7) |
Directed by | |||
| Roger Michell | |||
Writing credits | ||
| Hanif Kureishi | (written by) | |
Produced by | |||
| Miles Ketley | .... | executive producer | |
| Kevin Loader | .... | produced by | |
| Charles Moore | .... | executive producer | |
| Rosa Romero | .... | line producer | |
| Tessa Ross | .... | executive producer | |
| Scott Rudin | .... | executive producer | |
Cinematography by | |||
| Haris Zambarloukos | (director of photography) | ||
Film Editing by | |||
| Nicolas Gaster | |||
Casting by | |||
| Fiona Weir | |||
Production Design by | |||
| John Paul Kelly | (as John-Paul Kelly) | ||
Art Direction by | |||
| Emma MacDevitt | (as Emma Mac-Devitt) | ||
Set Decoration by | |||
| Sophie Phillips | |||
Costume Design by | |||
| Natalie Ward | |||
Makeup Department | |||
| Nana Fischer | .... | hair stylist | |
| Nana Fischer | .... | makeup artist | |
| Daniel Phillips | .... | hair designer | |
| Daniel Phillips | .... | makeup designer | |
Production Management | |||
| Alistair Hopkins | .... | post-production supervisor | |
| Gerardine O'Flynn | .... | production manager | |
| Josh Yudkin | .... | unit manager | |
| Sean Cooney | .... | post-production executive (uncredited) | |
Art Department | |||
| Rob Anderson | .... | construction manager | |
| David Calitz | .... | carpenter | |
| David Chettleborough | .... | carpenter (as Dave Chettleborough) | |
| John Folly | .... | carpenter | |
| Kate Halsall | .... | art department assistant | |
| Katy Harvey | .... | standby art director | |
| Springer Horrill | .... | prop master (as David 'Springer' Horrill) | |
| Guy Hunt | .... | standby construction | |
| Roger Kiff | .... | carpenter | |
| Shay Leonard | .... | prop hand | |
| Gert Rademeyer | .... | carpenter | |
| Sui Rajakaruna | .... | assistant art director | |
| Pete Taylor | .... | carpenter | |
| Penny White | .... | dressing props | |
| Steve Wilson | .... | carpenter | |
| Peter Woods | .... | dressing props | |
| Jackie Yau | .... | prop buyer | |
Sound Department | |||
| Tim Alban | .... | re-recording mixer | |
| Christopher Atkinson | .... | sound assistant (as Chris Atkinson) | |
| Chris Atkinson | .... | sound assistant | |
| Nick Baldock | .... | sound effects editor | |
| Peter Baldock | .... | supervising sound editor | |
| Ben Carr | .... | assistant sound editor | |
| Adele Fletcher | .... | assistant dialogue editor | |
| Danny Hambrook | .... | sound recordist | |
| James Hamilton | .... | foley supervisor | |
| Adam Laschinger | .... | production sound maintenance | |
| Jessie Taylor | .... | assistant re-recording mixer | |
| Chris Treble | .... | foley editor | |
| Adele Fletcher | .... | adr editor (uncredited) | |
Visual Effects by | |||
| Ben Bradley | .... | digital artist | |
| Stephen Elson | .... | visual effects producer | |
| Garrett Honn | .... | digital compositor | |
| Per Karefelt | .... | digital compositor | |
| Donal Nolan | .... | digital compositor | |
| Tristan Porter | .... | digital compositor | |
| Petra Schwane | .... | digital compositor | |
| Val Wardlaw | .... | visual effects supervisor | |
| Per Karefelt | .... | r&d support: Baseblack (uncredited) | |
| John Kozak | .... | r&d support: Baseblack (uncredited) | |
| Chris Panton | .... | digital compositor: Baseblack (uncredited) | |
Camera and Electrical Department | |||
| Simon Baker | .... | camera operator: "a" camera | |
| Tony Byrne | .... | clapper loader: "b" camera | |
| Emmet Cahill | .... | grip | |
| Tristam Cones | .... | first assistant camera: "b" camera | |
| Alex Crowe | .... | camera trainee (as Alexander Crowe) | |
| Nicola Dove | .... | stills photographer | |
| Hamish Doyne-Ditmas | .... | first assistant camera: "a" camera | |
| Brian Fawcett | .... | electrician | |
| Brian Fawcett | .... | lighting trainee | |
| Dan Lowe | .... | rigging gaffer | |
| Sally Low | .... | second assistant camera: "a" camera | |
| Iain Mackay | .... | second assistant camera: "b" camera | |
| Nathan Matthews | .... | additional electrician | |
| Jem Morton | .... | key grip | |
| Luke Redgrave | .... | camera operator: "b" camera | |
| Lewis Ronald | .... | video assist | |
| Tony Rowland | .... | grip: "b" camera | |
| Ricky Stelling | .... | rigger | |
| Nick Wall | .... | additional stills | |
| Julian White | .... | chief lighting technician | |
| Matt Wilson | .... | electrician | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting (uncredited) | |
| Brendan Donnison | .... | adr voice casting (uncredited) | |
| Alice Searby | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Martin Chitty | .... | costume assistant | |
| Charlotte Sewell | .... | additional costume assistant | |
| Tamsin Wright | .... | wardrobe mistress | |
Editorial Department | |||
| Stephen Bearman | .... | digital film scanning | |
| John Claude | .... | digital colorist | |
| Kim Gaster | .... | associate film editor | |
| Paul Shore | .... | digital data manager | |
| Greg Barrett | .... | senior digital grade producer (uncredited) | |
Music Department | |||
| David Arnold | .... | composer: additional music | |
| David Arnold | .... | musician: additional bass guitars/keyboards | |
| David Arnold | .... | score producer | |
| Steve Chrisanthou | .... | producer: Idle Studio | |
| Isobel Griffiths | .... | musician contractor | |
| Jake Jackson | .... | assistant music engineer | |
| Steve Orchard | .... | score recordist | |
| Rob Playford | .... | music technician | |
| Corinne Bailey Rae | .... | composer: additional music | |
| Emily Rogers | .... | music editor | |
| Rob Playford | .... | music programmer (uncredited) | |
Transportation Department | |||
| Douigie Andrews | .... | driver: camera car | |
| Gavin Bolton | .... | driver: minibus | |
| Paul M. Brennan | .... | driver (as Paul Brennan) | |
| Karl Caffrey | .... | driver | |
| Mark Clancy | .... | driver: minibus | |
| Tim Hambley | .... | driver: minibus | |
| Kevin Jones | .... | driver: minibus | |
| Phil Mallot | .... | driver: Ms. Redgrave (as Phil Mallett) | |
| Mickey McKenna | .... | driver: minibus (as Mickey Mckenna) | |
| John Ott | .... | driver: grip | |
| Bob Parker | .... | driver | |
| Johnny Scotty | .... | driver: minibus | |
| Brian Tame | .... | driver: props | |
| Lewis Wakefield | .... | driver: minibus | |
| Ron Wheeler | .... | driver: minibus | |
| Paul Wise | .... | driver: minibus | |
| Carmen Saccone | .... | driver: catering (uncredited) | |
Other crew | |||
| Luis Miguel Antunes | .... | catering assistant (as Miguel Antunes) | |
| Joanna Bacon | .... | unit nurse | |
| Paul M. Brennan | .... | runner (as Paul Brennan) | |
| Colin Burrows | .... | electronic press kit producer | |
| Karl Caffrey | .... | runner | |
| Sally Caplan | .... | head of premiere fund: UK Film Council | |
| Roger Contina | .... | catering assistant | |
| Jonah Coombes | .... | location manager | |
| Chris Cullum | .... | health & safety officer | |
| Matt Curtis | .... | titles designer (as Matt Curtis AP) | |
| Rod Dewinter | .... | location security | |
| Graham Easton | .... | completion bond: Film Finances | |
| Will Evans | .... | head of business affairs: UK Film Council | |
| Synnöve Godeseth | .... | trainee: FT2 | |
| Paul Grindey | .... | business affairs: FilmFour | |
| Michael Groom | .... | production assistant | |
| Danny Heffermen | .... | location security | |
| Sue Hills | .... | script supervisor | |
| Vinnie Holden | .... | head of production finance: UK Film Council (as Vince Holden) | |
| Nick Hussey | .... | aide-de-camp: Mr O'Toole | |
| Josh Hyams | .... | production co-coordinator | |
| Chris Irvine | .... | business affairs: FilmFour | |
| Vinnie Jassal | .... | location assistant | |
| Steve Joberns | .... | auditor: Shipleys LLP | |
| Tracey Josephs | .... | head of production: FilmFour | |
| Michael Luisi | .... | business affairs: Miramix Films | |
| Leila McAlister | .... | caterer | |
| Charles McDonald | .... | unit publicity | |
| Peter McPartlin | .... | business affairs: Miramax Films | |
| Liz Miller | .... | unit publicity | |
| Fiona Morham | .... | head of production: UK Film Council | |
| Jamie Newton | .... | electronic press kit director | |
| Clive Noakes | .... | laboratory contact | |
| Kevin O'Shea | .... | insurance: AON/Albert G Ruden | |
| Bob Parker | .... | runner | |
| Lewis Partovi | .... | IT supporter | |
| Shreepali Patel | .... | electronic press kit director | |
| Rose Pomeroy | .... | catering assistant | |
| Mike Reaney | .... | assistant production co-ordinator | |
| Megan Roberts | .... | floor runner | |
| Javier Rodiguez | .... | catering assistant | |
| Alexander Ross | .... | production legal services: Wiggin LLP | |
| Carmen Saccone | .... | catering assistant | |
| Matthew Sanders | .... | unit publicity | |
| Asha Sharma | .... | location assistant | |
| Simon Shepard | .... | physiotherapist | |
| Guy Sheppard | .... | production legal services: Wiggin LLP | |
| Anthony Stagles | .... | location security (as Ant Stagles) | |
| Shane Stanfield | .... | location security | |
| Tracey Taylor | .... | assistant production accountant | |
| Sarah Teboul | .... | production accountant | |
| Peter Touche | .... | unspecified: Ingenious Media | |
| Lucy Villiers | .... | assistant: Mr O'Toole | |
| Lisa Williams | .... | assistant to producer | |
| Lesley Wise | .... | unspecified: Ingenious Media | |
| Joy Wong | .... | international head: The Works | |
| David J. Groom | .... | production runner: dailies (uncredited) | |
Thanks | |||
| Rosemary Allan | .... | acknowledgement: Pembrokeshire Beach painting by | |
| Eleanor Brooks | .... | acknowledgement: Valerie's paintings by | |
| Gary Davies | .... | thanks | |
| Mr. Dometakis | .... | thanks | |
| Kristin Jones | .... | thanks | |
| Patrick McEnellay | .... | thanks (as Pat McEnallay) | |
| Bob Miller | .... | thanks | |
| Louise Seymour | .... | thanks | |
| Hugh Whittaker | .... | thanks | |
| Esme Young | .... | thanks | |
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If Peter O'Toole's mesmerizing, fearless, and endearing performance was the only positive aspect of Venus, it would still be well worth seeing.
I was pleasantly surprised that the sharp wit and general delightfulness promised by the theatrical trailer for this film delivered the goods.
Like the critically acclaimed and popular film from 2004, Sideways, this well-written bittersweet comedy celebrates what is means to be fully human by presenting us with complex, flawed characters who don't always behave the way they should- and our hearts end up bleeding for them as much when they're bad as when they're good.
With the simple story line about an aging British stage actor who develops an "interest" in his best friend's great niece, Venus artfully widens into a realistic exploration of how different relationships in our lives fulfill some needs, but not all, and how aging threatens aspects of our identity, but leaves other core pieces intact.
The scenes with "Maurice" and his actor friends are absolutely delightful and perfectly executed. The two wonderful scenes between "Maurice" and his estranged wife (a marvel of a performance by Vanessa Redgrave) are both heartwarming and heartbreaking.
The core of the story- the not-so-kosher, yet not-nearly-as-revolting as-you-might-think relationship between "Maurice" and "Jessie" (an impressive Jodie Whitaker) avoids all clichés and predictability found in Hollywood movies, and presents the viewers with a believable, engrossing slice of life, and fully invests them with an emotional stake in these characters' outcomes.
Venus is an expertly acted, beautifully written little gem that hopefully will not get lost among the more hyped (and over-blown) late year offerings. If The Academy decides to reward Mr. O'Toole with an Oscar for this performance, it will be one that is well deserved and won't be dismissed as "the sentimental choice." Treat yourself to the best adult comedy of 2006, and one of the best performances of the year.