| Photos (see all 34 | slideshow) | Videos (see all 9) |
| Queen Latifah | ... | Narrator | |
| rest of cast listed alphabetically: | |||
| Katrina Agate | ... | Kid in End Credits | |
| Zain Ali | ... | Kid in End Credits | |
| Preston Bailey | ... | Kid in End Credits | |
| Kwesi Boakye | ... | Kid in End Credits | |
| Michael Huang | ... | Kid in End Credits | |
| Sierra Marcoux | ... | Kid in End Credits | |
| Dante Pastula | ... | Kid in End Credits | |
| Peyton Pearson | ... | Kid in End Credits | |
| Isabella Peschardt | ... | Kid in End Credits | |
| Christina Robinson | ... | Kid in End Credits | |
| Lili Sepe | ... | Kid in End Credits | |
| Ke'ala Valencia | ... | Kid in End Credits | |
Directed by | |||
| Adam Ravetch | |||
| Sarah Robertson | |||
Writing credits(WGA) | ||
| Linda Woolverton | (narration) and | |
| Mose Richards | (narration) and | |
| Kristin Gore | (narration) | |
Produced by | |||
| Katie Bauer | .... | associate producer | |
| Kattie Evans | .... | co-producer | |
| Tim Kelly | .... | executive producer | |
| Adam Leipzig | .... | producer | |
| John Bard Manulis | .... | executive producer | |
| Kevin McCarey | .... | executive producer | |
| Chris Miller | .... | co-producer | |
| Chris Miller | .... | post-production producer: Visionbox Media Group | |
| Michael Rosenfeld | .... | executive producer | |
| Keenan Smart | .... | producer | |
Original Music by | |||
| Joby Talbot | |||
Cinematography by | |||
| Adam Ravetch | |||
Film Editing by | |||
| Beth Spiegel | |||
Production Management | |||
| Marc Ambrose | .... | production manager | |
| Marc Ambrose | .... | production supervisor | |
| Bill Newcomb | .... | post-production supervisor | |
Sound Department | |||
| Steve Kinsey | .... | sound mix technician | |
| Darrin Mann | .... | foley mixer | |
| Todd Murakami | .... | sound designer | |
| Richard Taylor | .... | supervising sound editor | |
Visual Effects by | |||
| Mandy Arnold | .... | digital effects artist | |
| Donnie Creighton | .... | digital intermediate producer | |
| Ryan Helsley | .... | digital intermediate producer | |
| Vincent Lavares | .... | data manager: Laser Pacific | |
| Michael Morreale | .... | executive producer: Amalgamated Pixels | |
| Phillip Palousek | .... | visual effects coordinator | |
| Matt Sell | .... | digital artist | |
| Mai Suzuki | .... | digital restoration artist | |
| Rainy Venne | .... | digital compositor | |
Animation Department | |||
| Gary Hebert | .... | title animator | |
Editorial Department | |||
| Kenny Becker | .... | color timer | |
| Mia Goldman | .... | editorial consultant | |
| Ryan Helsley | .... | digital intermediate producer | |
| Frank McGrath | .... | assistant editor | |
| Mike Sowa | .... | digital intermediate color timer | |
| Eric Stran | .... | assistant editor | |
| Cory Taylor | .... | second editor | |
| Pauline von Moos | .... | assistant editor | |
Music Department | |||
| Christopher Austin | .... | conductor | |
| Christopher Austin | .... | orchestrator | |
| Tom Calderaro | .... | orchestrator | |
| Ralph Sall | .... | executive music producer | |
| Ralph Sall | .... | soundtrack album producer | |
| Jim Schultz | .... | additional music editor | |
| Artem Vassiliev | .... | orchestrator | |
| Alice Wood | .... | music editor | |
| Gina Zimmitti | .... | orchestra contractor | |
Other crew | |||
| Dean Galanis | .... | production assistant | |
| Pamela B. Green | .... | main title producer | |
| Heather Holty | .... | digital laboratory project manager | |
| Jesse Kobayashi | .... | digital laboratory project manager | |
| Jill Léger | .... | senior research consultant | |
| Jarik Van Sluijs | .... | creative director: main titles | |
| Randy Weiss | .... | production executive: Visionbox Media Group | |
Thanks | |||
| Frank Marshall | .... | thanks | |
| Colin Robertson | .... | special thanks | |
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| Doctor Dolittle | Happy Feet | The Island at the Top of the World | It's Tough to Be a Bird | Eight Below |
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My wife wanted to rent this and watch it. It really is cute in some places, but there's nothing here that's any better than the Planet Earth episode on polar bears. In fact, the opening sequence of the bears emerging from their den is remarkably similar...
The storyline is contrived and the references to changing climate blatantly obvious.
It truly is sad that these magnificent animals die, but that's the essence of the natural world, right? Some animals prey on others, climate changes in natural cycles. Polar bears survived the last stint of global warming just fine. The ice sheets were so small 1000 years ago that crops could be grown in Greenland. Wine grapes were grown in England. Where were the polar bears then? This movie was not nearly as good as "March of the Penguins". I came away from that movie inspired. I came away from this one wanting to gag.