| Photos (see all 27 | slideshow) | Videos (see all 10 NEW) |
| Hannah Bailey | ... | Herself | |
| Colin Clemens | ... | Himself | |
| Geoff Haase | ... | Himself | |
| Megan Krizmanich | ... | Herself | |
| Jennifer Lucht | ... | Herself | |
| Mitch Reinholt | ... | Himself | |
| Jennifer Sheopherd | ... | Herself | |
| Jake Tusing | ... | Himself | |
| Ali Wikalinska | ... | Herself |
Directed by | |||
| Nanette Burstein | |||
Writing credits(in alphabetical order) | ||
| Nanette Burstein | writer | |
Original Music by | |||
| Michael Penn | |||
Cinematography by | |||
| Robert Hanna | |||
| Wolfgang Held | |||
| Laela Kilbourn | |||
Film Editing by | |||
| Nanette Burstein | |||
| Thomas Haneke | (as Tom Haneke) | ||
| Mary Manhardt | |||
Casting by | |||
| Tamra Barcinas | |||
Production Management | |||
| Greg Orselli | .... | production supervisor | |
Art Department | |||
| Junko Shimizu | .... | sets/props: animation (segment "Hannah's Depression") | |
| Mäns Swanberg | .... | art director: animation (segment "Kiss") | |
| Paige Travis | .... | sets/props: animation (segment "Hannah's Depression") | |
Sound Department | |||
| Mark Binder | .... | sound editor | |
| Mark Binder | .... | sound re-recording mixer | |
| Mike Chock | .... | sound designer (as Michael Chock) | |
| Mike Chock | .... | supervising sound editor (as Michael Chock) | |
| Ken Dabek | .... | additional sound mixer | |
| Stefan Fraticelli | .... | foley artist | |
| Mark A. Mangini | .... | sound editor (as Mark Mangini) | |
| Mark A. Mangini | .... | sound re-recording mixer (as Mark Mangini) | |
| Dave Plowman | .... | foley assistant | |
| Matthew Reale | .... | sound mix technician | |
| Anna Rieke | .... | sound mixer | |
| John Sievert | .... | foley artist | |
| Byron Smith | .... | additional sound mixer | |
| Randy Wilson | .... | foley mixer | |
| Rebecca Cammisa | .... | sound recordist (uncredited) | |
| Mark Coffey | .... | first assistant sound editor (uncredited) | |
Visual Effects by | |||
| Micha Boström | .... | CG artist (segment "Love") | |
| Micha Boström | .... | cg artist (segment "Fight") | |
| Cecilia Chien | .... | additional flame artist (segment "Nerd") | |
| Wyeth Hansen | .... | additional motion graphics artist (as Wyeth Hanson) | |
| Matthew W. Johnson | .... | smoke artist: Post Logic Studios | |
| David Kelley | .... | motion graphics artist | |
| Stefan Lagerstam | .... | lighting and rendering (segment "Fight") (segment "Love") | |
| Kristian Rydberg | .... | CG artist (segment "Love") | |
| Kristian Rydberg | .... | cg artist (segment "Fight") | |
| Adam Sackett | .... | motion graphics assistant | |
| Lutz Vogel | .... | 3D animator (segment "Nerd") | |
| Lutz Vogel | .... | flame artist (segment "Nerd") | |
| Roger P. Wasson | .... | motion graphics assistant | |
Camera and Electrical Department | |||
| Tamas Bojtor | .... | additional photography | |
| Axel Bowman | .... | additional photography | |
| Rebecca Cammisa | .... | additional photography | |
| Sam Henriques | .... | additional photography (as Samson Hanriques) | |
| David Lobser | .... | cinematographer: animation (segment "Hannah's Derpression") | |
| Ed Marritz | .... | additional photography (as Edward Morritz) | |
| Vasco Nunes | .... | additional photography | |
| James Rexroad | .... | still photographer | |
| Eliot Rockett | .... | additional photography (as Elliot Rockett) | |
| Brett Wiley | .... | additional photography | |
Animation Department | |||
| Ariadne Binderl | .... | paints and textures (segment "Jocks - BBall") | |
| Aaron Bjork | .... | animator (segment "Notre Dame") | |
| Cecilia Carlstedt | .... | illustrator: animation (segment "Kiss") | |
| Matthew Encinas | .... | animator (segment "Notre Dame") | |
| Paul Hwang | .... | creative lead (segment "Notre Dame") | |
| Diogo Kalil | .... | animator (segment "Jocks - BBall) | |
| Diogo Kalil | .... | creative lead (segment "Jocks - BBall) | |
| George Katz | .... | animator (segment "Notre Dame") | |
| Ben Lee | .... | creative lead (segment "Notre Dame") | |
| Alex Lins | .... | character designer (segment "Jocks - BBall") | |
| Alex Lins | .... | modeler (segment "Jocks - BBall") | |
| Shu-Chen Lin | .... | modeler (segment "Hannah's Depression") | |
| David Lobser | .... | animator (segment "Hannah's Depression") | |
| David Lobser | .... | creative lead (segment "Hannah's Depression") | |
| Aron Ögren | .... | animator (segment "Fight") (segment "Love") | |
| Derek Picken | .... | creative lead (segment "Fight") (segment "Love") | |
| Alli Sadegiani | .... | animator (segment "Fight"_) (segment "Love") | |
| Cecilia Skedinger | .... | animator (segment "Fight") (segment "Love") | |
| Sean Starkweather | .... | animator (segment "Notre Dame") | |
| Mäns Swanberg | .... | creative lead (segment "Kiss") | |
| Lutz Vogel | .... | 2D animator (segment "Nerd") | |
| Lutz Vogel | .... | animation designer (segment "Nerd") | |
| Lutz Vogel | .... | creative lead (segment "Nerd") | |
| Zoe Wishart | .... | 2D animator (segment "Nerd") | |
| Zoe Wishart | .... | animation designer (segment "Nerd") | |
| Zoe Wishart | .... | creative lead (segment "Nerd") | |
| Steve Woodruff | .... | animator (segment "Fight") (segment "Love") | |
Editorial Department | |||
| Kris Santa Cruz | .... | colorist: high definition | |
| Doug Delaney | .... | digital intermediate colorist | |
| Jonathan Giraldo | .... | assistant editor | |
| Jason M. Harvey | .... | assistant editor (as Jason Harvey) | |
| Jennifer Lee | .... | assistant editor (as Jenny Lee) | |
| Timothy Lozada | .... | assistant editor (as Tim Lozada) | |
| Gregory Maratea | .... | digital intermediate producer: Post Logic Studios | |
| Rebecca Merle | .... | post-production coordinator | |
| Katie Schulz | .... | post-production coordinator (as Katie Schultz) | |
| William Lehman | .... | assistant editor (uncredited) | |
| Cyril Merle | .... | assistant editor (uncredited) | |
| Jaron White | .... | contributing editor (uncredited) | |
Music Department | |||
| Jay Bellerose | .... | musician: drums and percussion (as Jay Belrose) | |
| Caroline Buckman | .... | musician: viola | |
| Matthew Cooker | .... | musician: cello (as Matt Cooker) | |
| Marcy Dicterow-Vaj | .... | musician: violin (as Marcy Vaj) | |
| Richard Dodd | .... | musician: cello | |
| Chris Douridas | .... | music supervisor | |
| Ryan Freeland | .... | music recording engineer: The Pass | |
| Terry Glenny | .... | musician: violin | |
| Eric Gorfaine | .... | musician: violin (as Eric Gorfain) | |
| Leah Katz | .... | musician: viola | |
| James King | .... | musician: saxophone | |
| John Krovoza | .... | musician: cello | |
| Marisa Kuney | .... | musician: violin | |
| Joe Lisanti | .... | music editor | |
| Bruce MacFarlane | .... | music recording engineer: Mimeograph (as Bruce Macfarlane) | |
| Craig MacIntyre | .... | musician: drums and percussikon | |
| Peter Nevil | .... | musician: clarinet | |
| Dan Ostermann | .... | musician: trombone | |
| Dan Ostermann | .... | musician: tuba | |
| Alyssa Park | .... | musician: violin | |
| Michael Penn | .... | musician: keyboards, guitar, bass, various and sundry | |
| Nic Rainer | .... | music editor | |
| Melissa Reiner | .... | musician: violin | |
| Jim Schultz | .... | music editor | |
| The Section Quartet | .... | musicians: quartet | |
| Niko Toubia | .... | assistant music supervisor | |
| Patrick Warren | .... | musician: keyboards | |
| Patrick Warren | .... | orchestrator | |
| Amy Wickman | .... | musician: violin | |
| Alwyn Wright | .... | musician: violin | |
Other crew | |||
| Claire Chandler | .... | intern/logger | |
| Kelsey Coleman | .... | intern/logger | |
| Vincent J. Cook III | .... | intern/logger (as Vincent James Cook III) | |
| Alfred DeGrand | .... | intern/logger | |
| Jacqueline Eckhouse | .... | legal services: Sloss Eckhouse Brennan | |
| Andrew Esterly | .... | intern/logger | |
| Nicholas Feitel | .... | office intern | |
| John B. Finn | .... | accountant: JFA (as John Finn) | |
| Ted Gesing | .... | production coordinator | |
| Brian Hayashi | .... | intern/logger | |
| Pete Hayes | .... | accountant: JFA | |
| Alex J. Johnson | .... | production assistant (as Alex Johnson) | |
| David Kelley | .... | title designer | |
| Paul Kresge | .... | intern/logger | |
| Daniel Manco | .... | production assistant (as Dan Manco) | |
| Adam Mandel | .... | legal services: Sloss Eckhouse Brennan | |
| Adam Messenger | .... | intern/logger | |
| Bernard Moor-Jankowski | .... | intern/logger (as Bernard Moor Jankowski) | |
| Chris Ohlson | .... | production coordinator | |
| Keith Overton | .... | intern/logger | |
| Erin Owens | .... | production assistant | |
| Emily Radecki | .... | production assistant | |
| Adam Sackett | .... | title design assistant | |
| Jared Sales | .... | intern/logger | |
| Michael Smith | .... | intern/logger | |
| Melody Storm | .... | intern/logger | |
| Roger P. Wasson | .... | title design assistant | |
| A.M. Peters | .... | assistant to director (uncredited) | |
Thanks | |||
| Hannah Bailey | .... | special thanks | |
| Colin Clemens | .... | special thanks | |
| Geoff Haase | .... | special thanks | |
| Megan Krizmanich | .... | special thanks | |
| Jennifer Lucht | .... | special thanks | |
| Mitch Reinholt | .... | special thanks | |
| Jennifer Shepherd | .... | special thanks | |
| Jake Tusing | .... | special thanks | |
| Ali Wikalinska | .... | special thanks | |
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| River's Edge | The Last Picture Show | Notes on a Scandal | American Beauty | Is It College Yet? |
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In the documentary "American Teen," which had its Regional Premiere here at the 2008 SXSW Film Festival on the heels of an auspicious Sundance debut, filmmaker Nanette Burstein chronicles a year in the life of a group of high school students from Warsaw, Indiana.
On the face of it, it seems like we've seen this before -- the popular girl, All-American jock, shy pimply geek, and wild child -- growing up and dealing with the overwrought, overblown, magnified time of life that is adolescence in rural America. But this is 2008, and issues that were never raised in the past, or were overlooked -- mental health, self-acceptance, peer pressure and the need to fit in -- take on a new, frightening reality in this day of Columbines and nooses and hatred taken to unheard of levels. The consequences of ignoring what our teens are saying are more frightening than ever before.
Yet Burstein's subjects are a refreshing dose of a reality we don't see on television -- yes, these kids are troubled and in need of support, but they also demonstrate an impressive capacity to heal themselves. They are smart, streetwise, and comfortable in their own skin. They are smart, funny, and adorable. They have more to teach us about the importance of being able to laugh at ourselves than we may be willing to admit.
Ultimately, they grow on us because we've all been there, if not one then a combination. There are more awww moments than one can count and, in the end, we want to stay there in Warsaw, Indiana.