Marple: The Moving Finger (2006) (TV)

Director:

Tom Shankland

Writers:

Agatha Christie (novel)
Kevin Elyot (screenplay)

Release Date:

12 February 2006 (USA)

Genre:

Crime | Drama | Mystery | Romance | Thriller

Plot:

Troubled war veteran Jerry Burton and his sister Emily rent a cottage in a seemingly tranquil English village which is plagued by a spate of poison pen letters... and murder.

Plot Keywords:

Poison Pen Letter | Vicar | War Veteran | Miss Marple | English Village

Cast

Geraldine McEwan	...	Miss Marple
James D'Arcy	...	Jerry Burton
Ken Russell	...	Reverend Caleb Dane Calthrop
Frances de la Tour	...	Mrs. Maud Dane Calthrop
Thelma Barlow	...	Emily Barton
Jessica Hynes	...	Aimee Griffith (as Jessica Stevenson)
Sean Pertwee	...	Dr. Owen Griffith
Imogen Stubbs	...	Mona Symmington
Harry Enfield	...	Richard Symmington
Kelly Brook	...	Elsie Holland
John Sessions	...	Cardew Pye
Rosalind Knight	...	Partridge
Emilia Fox	...	Joanna Burton
Ellen Capron	...	Agnes
Talulah Riley	...	Megan Hunter
Angela Curran	...	Miss Ginch
Keith Allen	...	Inspector Graves
Stephen Churchett	...	Coroner

Directed by
Tom Shankland

Writing credits
Agatha Christie		(novel)
Kevin Elyot		(screenplay)

Produced by
Michele Buck	....	executive producer
Phil Clymer	....	executive producer: Chorion
Rebecca Eaton	....	executive producer: WGBH Boston
Matthew Read	....	producer
Bill Shephard	....	line producer
Damien Timmer	....	executive producer

Original Music by
Dominik Scherrer

Cinematography by
Cinders Forshaw		(director of photography)

Film Editing by
Tim Murrell

Casting by
Susie Parriss

Production Design by
Rob Harris

Art Direction by
Phil Harvey		(senior art director)

Set Decoration by
Claire Nia Richards		(as Claire Richards)

Costume Design by
Frances Tempest

Makeup Department
Ann Buchanan	....	makeup designer
Emma Sheldrick	....	makeup artist
Helen Speyer	....	makeup artist
Xanthia White	....	makeup artist

Production Management
David Campbell-Bell	....	unit manager
Kate Stannard	....	post-production supervisor

Second Unit Director or Assistant Director
Scott Bates	....	second assistant director
Adam Jenkins	....	third assistant director
Gareth Tandy	....	first assistant director

Art Department
Dave Channon	....	construction manager
Suzie Davies	....	stand-by art director
Garry Dawson	....	stand-by props
Mickey Lennon	....	prop master (as Micky Lennon)
Jo Riddell	....	assistant art director
Fanny Taylor	....	production buyer

Sound Department
Orin Beaton	....	boom operator
John Downer	....	supervising sound editor
Joanne Dunphy	....	sound assistant
Billy Mahoney	....	dubbing mixer
Sarah Morton	....	dialogue editor
Adam Powell	....	foley editor
Filipa Principe	....	foley editor
John Rodda	....	sound recordist
Nigel Squibbs	....	assistant dubbing mixer

Visual Effects by
Simon Blackledge	....	visual effects supervisor
Matt Wood	....	visual effects

Stunts
Andy Bradford	....	stunt coordinator
Rick English	....	stunt double

Camera and Electrical Department
David Bourke	....	best boy
John Cooling	....	stand-by rigger
Tom Gates	....	gaffer
Jeremy Hiles	....	camera operator
Dai Hopkins	....	grip
Nathan Mann	....	focus puller
Julian Morson	....	camera operator

Costume and Wardrobe Department
Jill Avery	....	wardrobe mistress
Nelle Ormrod	....	assistant costume designer
Adrian Simmons	....	wardrobe master

Editorial Department
Chris Beeton	....	telecine colorist
Simon Giblin	....	on-line editor
Ian Johnson	....	assistant editor

Music Department
Richard Hammarton	....	orchestrator: score

Other crew
Menna Bevan	....	production runner
Susannah Booker	....	supervising location manager (as Susie Booker)
Paula Casarin	....	script supervisor
Natalie Cheary	....	publicist
Duncan Flower	....	location manager
Catherine Golding	....	production secretary
Jennifer Lambert	....	unit nurse
Jude Liknaitzky	....	assistant script editor
Kate McKerrell	....	script editor
Justin Miller	....	assistant accountant
Tony Miller	....	production accountant
Kay Mitchell	....	production runner
Luke Morrison	....	publicist
Angela Pyle	....	production coordinator
Lee Russell	....	rushes runner
Patrick Smith	....	publicist
Tracey Waller	....	title designer
Jon Williams	....	production executive

Production Companies

• Agatha Christie
• Chorion (in association with)
• Granada Media
• WGBH

Distributors

• A&E Television Networks (2006) (UK) (TV)
• Independent Television (ITV) (2006) (UK) (TV)
• AcornMedia (2006) (USA) (DVD)
• Yleisradio (YLE) (2007) (Finland) (TV)

Special Effects

• 3sixtymedia

Other Companies

• Molinare Studio  sound post-production

Also Known As:

Agatha Christie - Marple: The Moving Finger (Australia) (DVD title)

Runtime:

93 min

Country:

UK | USA

Language:

English

Color:

Color

Certification:

Australia:M

Filming Locations:

Chilham Castle, Chilham, Kent, England, UK

Company:

Agatha Christie

Goofs:

Continuity: Mrs. Symmington can be seen quite clearly standing next to her husband attending the funeral for the murdered maid Agnes Brown. Mrs. Symmington was murdered and buried before Agnes Brown. In fact, Agnes attended Mrs. Symmington's funeral.

Quotes:

Jerry Burton: What's that?
Jerry Burton: [He looks at a photograph] Unh!
Emily Barton: It's a photograph of a diseased spleen. Owen gave it to me.
Jerry Burton: Was he out of chocolate?
Emily Barton: He thought I might be interested. I'm not entirely frivolous, you know.
Jerry Burton: Pretty ropey, I thought.
Emily Barton: Hmmmm. There's something on his mind.
Jerry Burton: Yes, a rotting spleen perhaps... or you?

Movie Connections:

Remake of The Moving Finger (1985) (TV)

Better than expected

There is many a war hero who has returned home asking the question...Why did I survive?...then suffering bouts of guilt, booze and depression, and thoughts of suicide. Such, presumably, is Jerry Burton's state of mind as he rides his motorcycle into a tree, escaping death, but incurring broken legs. (Or has he had a failed love affair? The script doesn't make the reason quite clear.) Recovering from the "accident", he completes his convalescence helped by his sister Joanne in the lovely idyllic village of Lymstock. Thus is an interesting deviation from the novel's flying accident theme. And for once in this series, given Agatha Christie's inclinations towards the use of psychology in her story-lines, I suspect the change might just have had her approval. It has no real bearing on the main plot of course, but gives a little more bite to Jerry's romance in it.

Unlike most of the episodes of the series "Marple", this adaptation of "The Moving Finger" stays, by and large, faithful to the original mystery, and I for one (after vilifying other episodes), must reluctantly confess that I rather enjoyed it, although more thought could have been given to the casting.

I was reared in an English village at the time that this story is supposed to take place. Never once did I see a vicar such as portrayed here by Ken Russell, either High Church or otherwise, wandering around dressed as if he'd just come from a "Barchester Chronicles" film set, and although Christie described his wife as "not at all like a vicar's wife", Francis de la Tour's interpretation also jars with the setting.

One of the main reasons that "whodunnits" are so popular, is that readers enjoy following the clues to reach the identity of the culprit before the "resident" sleuth. This is only possible if the clues are presented. The pivotal clue of Symmington's unfortunate maid is virtually hidden. (I know this story so well, and even I nearly missed it.) Perhaps I'm being a little picky, because as far as the series goes, this episode, and "A Murder is Announced", are the only two I've seen that wouldn't have poor Agatha spinning in her grave. However I still prefer the Joan Hickson version of this story, and that earlier series as a whole. I just cannot see Geraldine McEwan's somewhat brusque Jane Marple, as the one that the author envisaged. I'm sure Joan Hickson's more unobtrusive Jane Marple was. But if the mantle of the elderly sleuth must be borne, I suppose that Geraldine is as good a choice as could be made.

Has the message really got through to the scriptwriters at last, or is it that they've been advised from above to actually read the novels before adapting them? And/or deciding perhaps that Dame Agatha'a plots are fine just as she wrote them. One would hope this trend continues, but I still have my doubts about forthcoming productions. Time will tell.