| Photos (see all 7 | slideshow) | Videos (see all 7 NEW) |
| Radha Mitchell | ... | Kate Ryan | |
| Michael Vartan | ... | Pete McKell | |
| Sam Worthington | ... | Neil Kelly | |
| Caroline Brazier | ... | Mary Ellen | |
| Stephen Curry | ... | Simon | |
| Celia Ireland | ... | Gwen | |
| John Jarratt | ... | Russell | |
| Heather Mitchell | ... | Elizabeth | |
| Geoff Morrell | ... | Allen | |
| Damien Richardson | ... | Collin | |
| Robert Taylor | ... | Everett Kennedy | |
| Mia Wasikowska | ... | Sherry | |
| Barry Otto | ... | Merv |
Directed by | |||
| Greg Mclean | |||
Writing credits(in alphabetical order) | ||
| Greg Mclean | writer | |
Produced by | |||
| Matt Hearn | .... | producer | |
| David Lightfoot | .... | producer | |
| Greg Mclean | .... | producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
Original Music by | |||
| Frank Tetaz | (as François Tataz) | ||
Cinematography by | |||
| Will Gibson | |||
Film Editing by | |||
| Jason Ballantine | |||
Casting by | |||
| Angela Heesom | |||
| Venus Kanani | |||
| Mary Vernieu | |||
Production Design by | |||
| Robert Webb | |||
Art Direction by | |||
| Lucinda Thomson | |||
Costume Design by | |||
| Nicola Dunn | |||
Makeup Department | |||
| Mark Cleary | .... | creature effects | |
| Tina Gordon | .... | makeup artist | |
| Jennifer Lamphee | .... | hair stylist | |
| Jennifer Lamphee | .... | makeup artist | |
Production Management | |||
| Ayisha Davies | .... | production manager: second unit | |
| Mark 'Sharky' Johnson | .... | unit manager | |
| Sue Wild | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Renata Blaich | .... | third assistant director | |
| Marshall Crosby | .... | first assistant director | |
| Todd Embling | .... | second assistant director | |
Art Department | |||
| Ben Barber | .... | props buyer | |
| Ben Barber | .... | set dresser | |
| Steven Carroll | .... | prop sculptor | |
| Ben Corless | .... | construction manager | |
| Justin Dix | .... | head sculptor | |
| Jennifer Donaldson | .... | set designer | |
| Alar Hordern | .... | greens foreman | |
| Peter Hordern | .... | head greensman | |
| Les Landon | .... | stand-by greensman | |
| Andy Robinson | .... | scenic artist | |
| Tuesday Stone | .... | art department assistant | |
| Scott Young | .... | assistant sculptor | |
Sound Department | |||
| Craig Carter | .... | sound designer | |
| Alan Freedman | .... | adr mixer: Los Angeles | |
| Chris Goodes | .... | adr mixer | |
| Jason Hancock | .... | foley recordist | |
| James Harvey | .... | adr editor | |
| Tom Heuzenroeder | .... | sound editor | |
| Des Keneally | .... | sound recordist | |
| Liam Price | .... | foley recordist | |
| John Simpson | .... | foley artist | |
| Luke Smiles | .... | sound editor | |
| Peter D. Smith | .... | sound re-recording mixer | |
Special Effects by | |||
| Don Brooker | .... | sculptor: John Cox's Creature Workshop | |
| John Cox | .... | animatronics supervisor: John Cox's creature Workshop | |
| Josh Head | .... | special effects technician | |
| Tobias Jahke | .... | ceature effects crew | |
| Lee O'Shaughnessy | .... | stunt team | |
| Ali Pearce | .... | special effects technician | |
| Brian Pearce | .... | special effects supervisor | |
| Cassie Pearce | .... | special effects technician | |
| Michael Plummer | .... | special effects technician | |
Visual Effects by | |||
| Dan Ashton | .... | film recording technician: Weta Digital | |
| Jason Bath | .... | visual effects producer | |
| Jason Billington | .... | compositor: Fuel International | |
| Marten Blumen | .... | digital compositor | |
| Nick Booth | .... | film recording supervisor: Weta Digital | |
| Kent Boswell | .... | visual effects producer: Fuel | |
| Romain Buignet | .... | digital effects artist | |
| Luke Cole | .... | systems administrator: FUEL International | |
| Sam Cole | .... | senior compositor: FUEL | |
| Nicholas Cross | .... | CG environments | |
| Dexter Davey | .... | digital compositor | |
| Chris Davies | .... | digital compositor | |
| Rahul Deshprabhu | .... | effects & lighting technical director | |
| Mark Dickson | .... | digital rig/wire removal | |
| Stéphanie Dubé | .... | creature texture painter | |
| Kane Elferink | .... | CG environments | |
| Lianne Forbes | .... | camera tracking supervisor | |
| Amelia Ford | .... | visual effects editor | |
| Matt Greig | .... | digital compositor | |
| Belinda Griffiths | .... | 3D surface artist | |
| Belinda Griffiths | .... | matte painter | |
| Kate Hagar | .... | on-set visual effects coordinator | |
| David Hampton | .... | film recording technician: Weta Digital | |
| Andrew Hellen | .... | visual effects supervisor | |
| Christian Liliedahl | .... | animator | |
| Grant Lovering | .... | digital compositor | |
| Olivia Lyne | .... | visual effects coordinator | |
| Roy Malhi | .... | effects animator | |
| Dave Morley | .... | visual effects supervisor | |
| An Nguyen | .... | system administrator/pipeline engineer: FUEL International | |
| Pawel Olas | .... | digital artist | |
| Michael Orbing | .... | modeler | |
| Nicole Papax | .... | matte painter | |
| Dylan Penhale | .... | systems administrator | |
| Marty Pepper | .... | colourist | |
| Marty Pepper | .... | visual effects compositor | |
| Richard Pritchard | .... | digital matte painter | |
| Richard Pritchard | .... | surfacing artist | |
| Craig Rowe | .... | digital compositor | |
| Murray Smallwood | .... | digital compositor | |
| David J. Smith | .... | lead animator | |
| Tim Sotiri | .... | visual effects artist: FUEL International | |
| Francois Sugny | .... | senior 3D programmer | |
| Damien Thaller | .... | matte painter | |
| Anders Thonell | .... | 3D supervisor | |
| Ray Van Steenwyk | .... | lead animator | |
| Grant Warwick | .... | modeler | |
| Pete Williams | .... | film recording manager: Weta Digital | |
| Matthew Wynne | .... | digital compositor | |
| Koji Yamaguchi | .... | compositor | |
Stunts | |||
| Jarrah Cocks | .... | stunt double | |
| Nash Edgerton | .... | stunt double: Michael Vartan | |
| Zev Eleftheriou | .... | stunt coordinator | |
| Amanda Graver | .... | stunts | |
| Beau Hurren | .... | stunt rigger | |
| Jon Kralt | .... | stunt rider | |
| Siros Niaros | .... | stunt rigger | |
Camera and Electrical Department | |||
| Craig Dusting | .... | key grip | |
| Karl Engeler | .... | gaffer | |
| Anthony Gerrish | .... | second grip | |
| Adrian Goodwin | .... | fourth grip | |
| Daniel Guerra | .... | still photographer | |
| John Le Roy | .... | key rigging grip: reshoot | |
| Henare Mato | .... | rigging gaffer | |
| Darren McAngus | .... | additional grip | |
| Jody Muston | .... | first assistant camera | |
| Jacko Panagiotou | .... | third grip | |
| Ruru Reedy | .... | electrician | |
| Justin Rodski | .... | video split operator | |
| Natalie van den Dungen | .... | second assistant camera | |
| Anthony Veith | .... | best boy | |
Animation Department | |||
| Gary Hebert | .... | title animator | |
| Joseph Kim | .... | animator: fuel | |
| Paul Lada | .... | animator | |
Casting Department | |||
| Julie Lewington | .... | casting | |
Costume and Wardrobe Department | |||
| Laurel Morgan | .... | costumer | |
| Polly Smyth | .... | costume stand-by | |
Editorial Department | |||
| Amelia Ford | .... | first assistant editor | |
Other crew | |||
| Cassandra Barbour | .... | rights and clearances | |
| Manuel Caracciolo | .... | production assistant | |
| Mason Curtis | .... | location manager | |
| Michele Davis | .... | script editor | |
| Jane Forbes | .... | script supervisor | |
| Alex Franklin | .... | development executive | |
| Robyn Good | .... | island construction supplier | |
| Tiny Good | .... | diver | |
| Tiny Good | .... | head scaffolder | |
| Tiny Good | .... | island construction supplier | |
| Michael Ienna | .... | stand-in | |
| Nick Jeffrey | .... | assistant accountant | |
| Nate Jones | .... | assistant: Ms. Mitchell | |
| Rosemary Lara | .... | manager of production: Lions Gate Film | |
| Julie Lewington | .... | production coordinator | |
| Andrew Lindley | .... | payroll accountant | |
| Robert M. Melnik | .... | executive vice president of business affairs | |
| Joe Pampanella | .... | safety supervisor | |
| James Paul | .... | puppet animatronic technician | |
| Laura Sevier | .... | rights and clearances | |
| Amanda Shamis | .... | business affairs coordinator | |
| Robbie Simons | .... | production assistant | |
| Monika Stankowski | .... | assistant accountant | |
| Aaron Sterns | .... | script editor | |
| Trudy Talbot | .... | financial controller | |
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| Black Water | Dèmoni | Poseidon | Dying Breed | Batoru rowaiaru |
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| News articles | IMDb Action section | IMDb Australia section |
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I saw Rogue this morning at a preview screening in Melbourne, I've been looking forward to this film for some time. I don't want to say that it was a disappointment as it is a solid effort. There is nothing that stands out as something I think should have been done differently.
Some wandering British and American accents from the mostly Australian cast can be forgiven.
The obvious difference between the locations in the Northern Territory and those in Victoria caused a brief chuckle (mainly because director Greg McLean introduced the film and commented that he hoped the transition would be seamless), though this may go unnoticed by foreign (non-Australian) audiences.
Visual effects were highly competent, I doubt that the average cinema-goer will pick the matte paintings or have an issues with the CG croc.
The main issue I have is that the film lacks the suspense and excitement of a truly great monster/horror film. Due to the nature of the material this will have to be compared to Jaws and Rogue will inevitably suffer. A fairer comparison has to be Lake Placid, and in that scenario Rogue also comes off second best. Rogue lacks the suspense and the humour of the American monster Croc effort.
This follow up to Wolf Creek was written long before the surprise Aussie hit, Rogue has the hallmarks of a first feature script, hitting all of the genre conventions without ever attaining any moments of originality.
If you enjoy this kind of monster movie (and I do) you'll find it a decent way to spend a couple of hours, you won't be missing much if you see it on DVD. Apart from Radha Mitchell looking great in khaki shorts, and believably playing a 28 yr old, though she has to be at least 35.
Nice job over all, good job, not great but good.