| Photos (see all 15 | slideshow) | Videos (see all 8) |
| Keir O'Donnell | ... | The Laugh | |
| Katheryn Winnick | ... | Tabitha | |
| Laura Breckenridge | ... | Shelby | |
| Jessica Lucas | ... | Lisa | |
| Tad Hilgenbrink | ... | Rob (as Tad Hilgenbrinck) | |
| Reid Scott | ... | Dan | |
| Rena Owen | ... | Psychiatrist | |
| Kevin Gage | ... | Tryton | |
| Brennan Bailey | ... | Danny | |
| Preston Bailey | ... | Max | |
| Shauna Duggins | ... | Woman In Truck | |
| Fernanda Dorogi | ... | Cat | |
| Eyad Kurd-Misto | ... | Child Laugh | |
| Karley Scott Collins | ... | Child Tabitha | |
| Jadin Gould | ... | Child Shelby | |
| Alisha Boe | ... | Child Lisa | |
| David Steven Waine | ... | Puppeteer | |
| rest of cast listed alphabetically: | |||
| Ashley Arnold | ... | School Girl (uncredited) | |
| David Arnold | ... | Playground Boy (uncredited) | |
Directed by | |||
| John Simpson | |||
Writing credits(WGA) | ||
| Jake Wade Wall | (written by) | |
Produced by | |||
| Neal Edelstein | .... | producer | |
| Merideth Finn | .... | executive producer | |
| Mike Macari | .... | producer | |
| Udi Nedivi | .... | co-producer | |
Original Music by | |||
| Marco Beltrami | |||
Cinematography by | |||
| Mark Garret | (director of photography) (as Mark Garrett) | ||
Film Editing by | |||
| David Handman | |||
| Chris G. Willingham | (as Chris Willingham) | ||
Casting by | |||
| Johanna Ray | |||
Production Design by | |||
| Craig Stearns | |||
Art Direction by | |||
| Bence Erdelyi | |||
| Mihály Molnár | |||
Costume Design by | |||
| Andrea Flesch | |||
Makeup Department | |||
| Jake Garber | .... | special makeup effects artist: additional photography | |
| Hildegard Haide | .... | key makeup artist | |
| Éva Kozma | .... | makeup artist | |
| Iván Pohárnok | .... | special makeup effects artist | |
| K.G. Ramsey | .... | hair department head | |
| John Rosengrant | .... | special makeup effects supervisor: Stan Winston Studio | |
Production Management | |||
| Balázs Harmati | .... | unit manager | |
| Erik Holmberg | .... | executive in charge of production | |
| Norbert Kroó | .... | assistant unit manager | |
| Jody Levin | .... | executive in charge of post-production | |
| Udi Nedivi | .... | unit production manager | |
| Frank Salvino | .... | post-production supervisor | |
| Matthew Spiegel | .... | production supervisor | |
| Miklós Tóth | .... | production manager | |
Art Department | |||
| Laura Evans | .... | set decorator: additional photography | |
| Zsuzsa Kismarty-Lechner | .... | draughtsperson | |
| Péter Koronghy | .... | set dresser | |
| Péter Kovács | .... | construction coordinator | |
| Attila Digi Kovari | .... | on-set dresser | |
| Szalay Marton | .... | set dresser | |
| Dim McRemnant | .... | graphic artist | |
| László Nagyidai Jr. | .... | construction manager | |
| Szilvia Paros | .... | art department coordinator | |
| Zsolt Sajgó | .... | construction manager | |
| Lajos E. Szabó | .... | stand-by painter | |
| Csaba Vásári | .... | stand-by carpenter | |
| Jeffry C. Voorhees | .... | on-set dresser: additional photography | |
Sound Department | |||
| Christopher Alba | .... | first assistant sound editor | |
| Anita Cannella | .... | foley artist | |
| Rob Cunningham | .... | utility sound technician: Los Angeles | |
| Klair Ethridge | .... | boom operator: Los Angeles | |
| Alan Freedman | .... | adr mixer | |
| Gary Gegan | .... | sound re-recording mixer | |
| Jonathan Golodner | .... | foley editor | |
| Paul Hackner | .... | dialogue editor | |
| Matthew Iadarola | .... | supervising re-recording mixer | |
| Amy Kane | .... | foley artist | |
| János Köporosy | .... | sound mixer | |
| Mark Larry | .... | supervising sound editor | |
| Mike Marino | .... | foley mixer | |
| Michael C. Moore | .... | sound mixer: Los Angeles | |
| Steve Schatz | .... | sound mixing recordist | |
| Peter Schulteisz | .... | assistant sound | |
| Szabolcs Stella | .... | boom operator | |
| Eric Thompson | .... | adr mixer | |
| Bryan O. Watkins | .... | sound effects editor | |
Special Effects by | |||
| Veronika Dobos | .... | special effects assistant | |
| Damian Fisher | .... | special effects technician | |
| István Gittinger | .... | pyrotechnician | |
| Gyula Krasnyánszky | .... | pyro supervisor | |
| Lindsay MacGowan | .... | effects coordinator: Stan Winston Studio | |
| Norbert Orosz | .... | pyrotechnician | |
| László Pintér | .... | pyrotechnician | |
| Lino Stavole | .... | special effects technician: KNB Effects Group | |
| David Waine | .... | special effects coordinator | |
Visual Effects by | |||
| Mandy Arnold | .... | digital effects artist | |
| Ronald Arredondo | .... | visual effects gaffer: Cinema Production Services, Inc. | |
| Greg Baxter | .... | visual effects producer | |
| Daniel Birnbaum | .... | digital compositor | |
| Chris Dawson | .... | motion control camera operator | |
| Giovanni Dulay | .... | visual effects: Cinema Production Services, Inc. | |
| Tim Fescoe | .... | compositor | |
| Scott Hankel | .... | digital effects artist | |
| Balázs Harmati | .... | motion control operator | |
| Matt Hennessy | .... | visual effects | |
| Bob Hurrie | .... | visual effects producer: Cinema Production Services, Inc. | |
| Christopher Johnson | .... | visual effects: Cinema Production Services Inc | |
| John Joyce | .... | visual effects coordinator: Cinema Production Services, Inc. | |
| Michael Joyce | .... | visual effects supervisor: Cinema Production Services, Inc. | |
| Morgan McDermott | .... | visual effects | |
| Dennis McHugh | .... | visual effects director of photography: Cinema Production Services, Inc. | |
| Daniel Molina | .... | digital compositor | |
| Csaba Nemesházi | .... | visual effects | |
| Corinne Pooler | .... | visual effects producer: Digital Dream | |
| Jerry Pooler | .... | visual effects supervisor: Digital Dream | |
| Ariel Velasco-Shaw | .... | visual effects supervisor (as Ariel Velasco Shaw) | |
Stunts | |||
| Endre Botka | .... | stunts | |
| Krisztián Botka | .... | stunts | |
| Erika Cziráky | .... | stunts | |
| Shauna Duggins | .... | stunts | |
| Balázs Farkas | .... | stunts | |
| Kinga Gavalda | .... | stunt double: Katheryn Winnick | |
| Kinga Gavalda | .... | stunt double: Tabitha | |
| Zoltán Gulyás Kiss | .... | stunt coordinator: Hungary | |
| Zoltán Gulyás Kiss | .... | stunt double: Rob | |
| Craig Jensen | .... | stunts | |
| Rob King | .... | stunt coordinator | |
| György Kökényesi | .... | stunts | |
| Gergely Korpácsi | .... | stunts (as Gergely Horpácsi) | |
| László Kósa | .... | stunt double: Keir O'Donnel | |
| Norbert Kovács | .... | stunts | |
| Zsolt Viktor Magyari | .... | stunt driver | |
| Kristóf Párdányi | .... | stunt driver | |
| Kristóf Párdányi | .... | stunts | |
| Gábor Pesta | .... | stunts | |
| Tamás Pintér | .... | stunts (as Tamás 'Oroszlán' Pintér) | |
| Dennis Scott | .... | stunts (as Dennis Ray Scott) | |
| Kinga Trimmel | .... | assistant stunt coordinator | |
| László Ujvári | .... | stunts | |
| Tyler Vogt | .... | stunts | |
Camera and Electrical Department | |||
| László Bille | .... | camera operator | |
| Attila Bogyai | .... | electrician | |
| Ryan Bradley | .... | grip | |
| Zsolt Büti | .... | rigging gaffer | |
| Craig Cooper | .... | dolly grip | |
| Riley Garrett | .... | camera trainee | |
| Doane Gregory | .... | still photographer | |
| György Horváth | .... | focus puller: third camera | |
| János Kiss | .... | key grip | |
| Christopher TJ McGuire | .... | MK-V AR operator | |
| 'Kis Gromek' László Molnár | .... | electrician | |
| Attila Pfeffer | .... | Steadicam assistant | |
| Michael Pinkey | .... | camera operator: additional unit | |
| Péter Rácz Tiger | .... | video assist operator | |
| István Török | .... | grip | |
| Chris Updegrave | .... | grip | |
| Balázs Várszegi | .... | video assist operator: second unit | |
| Ádám Wallner | .... | assistant camera | |
Casting Department | |||
| Jenny Jue | .... | casting associate | |
| Tamás Kertész | .... | extras casting | |
Costume and Wardrobe Department | |||
| Mari Csáki | .... | dresser / set supervisor | |
| Mónika Matyi | .... | assistant costume designer | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Christopher Johnston | .... | first assistant editor | |
| Gyula István Mózes | .... | assistant editor | |
| Harry Muller | .... | color timer | |
| Mike Sowa | .... | digital intermediate colorist | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Pete Anthony | .... | orchestrator | |
| Johnny Caruso | .... | music editor | |
| Rossano Galante | .... | orchestrator | |
| Jim Honeyman | .... | orchestrator | |
| John Kurlander | .... | music recording engineer | |
| John Kurlander | .... | score mixer | |
| Michael John Mollo | .... | orchestration assistant | |
| Dana Niu | .... | music arranger | |
| Peter Rotter | .... | music contractor | |
| Buck Sanders | .... | musical sound designer | |
| Dennis Smith | .... | composer: additional music | |
| Jamie Steele | .... | ProTools engineer: music recording | |
| Ceiri Torjussen | .... | composer: additional music | |
| Marcus Trumpp | .... | composer: additional music | |
Transportation Department | |||
| L. Chip Crosby Jr. | .... | transportation captain: second unit, Los Angeles | |
| James Lowder | .... | transportation coordinator | |
| Eniko Orosz | .... | transportation assistant | |
| Enikö Orosz | .... | transportation coordinator assistant | |
| Zsolt Somogyi | .... | transport coordinator | |
| Sandor Tabanyi | .... | picture car coordinator | |
| Kristen Wadsworth | .... | driver | |
Thanks | |||
| D.L. Smith | .... | very special thanks | |
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| Mystic River | Wanted | My Bloody Valentine | Halloween II | The Last House on the Left |
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To give this movie an above average rating is a waste of stars. Sure, visually the movie looks nice and like most people mentioned the Clown Segment is pretty creepy... BUT like everything else in this movie its totally ripped off and leads nowhere. The whole basic premise of "Amusement" with the subplots just doesn't work at all... Car lost in the woods, Babysitter home alone and stalked by crazy guy, old abandoned hotel with crazy people in it... you've seen it all before and it isn't even bound together by a clever script. Far from that... Chicks get abducted by some crazy guy, then some strange interrogation in a FBI Cell takes place ... I guess just because they needed some reason for the flashback sequences. Beside that the whole part is idiotic... how could a psychologist fall for a crazy guy in FBI dress with an interrogation room in an old flooded cellar??
"Amusement" is basically just a collection of ideas stuffed into a messy script... Let's make a horror movie with beautiful chicks and a crazy guy! OK, but I want a clown in there and Joyride was fun, so let's also put that in and have some people being stabbed in the eye. If we make the crazy guy an inventor with killer gimmicks and some Dr. Giggles laughter I am in! OK, deal... but we need a psychologist in there plus some unexpected twist and a moral ending to at least make it look smart on first sight.
Phew...things build up, the whole reason for the movie title is unfolded and pretty meaningless, the characters get killed in most uninspired ways possible, the flashbacks are clumsy and don't explain much and we never learn why people are sown into mattresses or crazy guy has a fetish for pulling living things open. It just happens.. random shreds of stolen ideas like in a cheesy clip show.
THIS IS A MESS!! For the few scenes that work its 90 Minute too much wasted and the ending should make anybody angry. Avoid!