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Directed by | |||
| Harmony Korine | |||
Writing credits | ||
| Harmony Korine | (written by) & | |
| Avi Korine | (written by) | |
Original Music by | |||
| Jason Spaceman | |||
| The Sun City Girls | |||
Cinematography by | |||
| Marcel Zyskind | |||
Film Editing by | |||
| Valdís Óskarsdóttir | |||
| Paul Zucker | |||
Casting by | |||
| Sarah Crowe | |||
Production Design by | |||
| Richard Campling | |||
Art Direction by | |||
| Johnny Campling | |||
Costume Design by | |||
| Judy Shrewsbury | |||
Makeup Department | |||
| Jo Allen | .... | hair designer | |
| Jo Allen | .... | makeup designer | |
| Mark English | .... | hair stylist | |
Production Management | |||
| Dean O'Toole | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Sonia Delhaye | .... | trainee assistant director | |
| James Hagger | .... | first assistant director | |
| Anna Sheldrake | .... | second assistant director | |
Art Department | |||
| Robert Crewe | .... | construction manager | |
| Josh Fifarek | .... | set designer | |
| Alex Raine | .... | assistant art director | |
| Lee Whiteman | .... | props | |
| Lee Whiteman | .... | scenic artist | |
Sound Department | |||
| Julie Ankerson | .... | foley artist | |
| Vincent Arnardi | .... | sound re-recording mixer | |
| Tim Barker | .... | sound recordist: Panama crew | |
| Thomas Bernard | .... | sound recordist | |
| Ben Brazier | .... | sound editor | |
| Simon Bysshe | .... | playback operator | |
| Simon Bysshe | .... | sound assistant | |
| Adam Davidson | .... | adr recordist | |
| Jamie Gambell | .... | sound mixer | |
| Loïc Gourbe | .... | sound recordist | |
| Ben Greaves | .... | boom operator | |
| Mathew Knights | .... | sound re-recording mixer | |
| Julien Perez | .... | sound re-recording mixer | |
| Bruno Seznec | .... | mastering | |
| Anna Sulley | .... | sound effects editor | |
Visual Effects by | |||
| Paul Beard | .... | visual effects line producer | |
| Simon Carr | .... | visual effects design: Men-from-Mars | |
| Adam Christopher | .... | digital colourist | |
| Emma Clifton | .... | digital effects artist | |
| Harriet Donington | .... | visual effects producer | |
| Simon Frame | .... | visual effects supervisor | |
| Lionel Heath | .... | compositor: Men from Mars | |
| Rick Leach | .... | rotoscoper | |
| Tom Pegg | .... | digital effects artist | |
Camera and Electrical Department | |||
| Jens Lund-Larsen | .... | best boy | |
| Richard Miles | .... | electrician | |
| Jacob Østergaard | .... | gaffer | |
| Brent Stewart | .... | photographer | |
| Juergen Teller | .... | photographer | |
| Simon Tindall | .... | first assistant camera | |
Casting Department | |||
| Cassandra King | .... | casting associate | |
Costume and Wardrobe Department | |||
| Alan Flyng | .... | costume supervisor | |
Editorial Department | |||
| Andrew Haigh | .... | first assistant editor | |
| Jamie Rogers | .... | trainee assistant editor | |
| Matthew Streatfield | .... | assistant editor | |
| Alex Panton | .... | digital intermediate producer (uncredited) | |
Music Department | |||
| Liz Gallacher | .... | music supervisor | |
Other crew | |||
| Freya Beales | .... | production assistant | |
| Laure Bregevin | .... | script supervisor: UK and France | |
| Catia Di Giorgio | .... | production coordinator | |
| Samantha Gardner | .... | production secretary | |
| Paul Harris | .... | choreographer | |
| Richard Lormand | .... | unit publicist | |
| Richard McNeill | .... | production accountant | |
| Sylvia Parker | .... | script supervisor | |
| Manuel Pouet | .... | location scout | |
| Tracey Taylor | .... | assistant post-production accountant (uncredited) | |
Thanks | |||
| Abner Benaim | .... | special thanks | |
| Laura De Casto | .... | very special thanks | |
| Joshua Elrod | .... | special thanks (as Elbone) | |
| Alainée Kent | .... | special thanks | |
| Alexandra Stone | .... | thanks | |
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| Die Blechtrommel | The Pillow Book | My Own Private Idaho | 8½ | La science des rêves |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
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Mister Lonely is one of the most original films of this year, or any year and with a plot consisting of a young man who makes a living as a Michael Jackson impersonator, you would have to agree. Michael soon meets a woman who impersonates Marilyn Monroe and she invites him back to a commune in the hills where in a secluded village, everyone there lives as someone else and pretends to be them and their big delight comes from putting on talent shows for the other villages. Mister Lonely really made an impression on me when I watched it for more reasons than I can probably think of, so I will do my best to list all of them. First of all, the script and film itself is really unlike anything I have seen before because of it's original storytelling and concept. It is also one of the best looking films I have ever seen with luscious landscapes and backgrounds to gritty and natural settings as well. Whatever the film is capturing with it's lens, it looks fantastic. The performances were all right on key and the whole ensemble cast needs to be recognized for that. The film with it's music, slower pace and images of beauty and sometimes shots of absurd things going on, are shot in such a particular way and with the background music and the cinematography, I found a lot of the film to be peaceful, harmonious and quite something to behold. The story itself is an excellent character study and from my past reviews, you may be able to tell that those are the particular type of films that I enjoy. This look at characters who are unhappy with their own lives, so they have to resort to being someone else to make themselves feel significant is something I know I have dealt with in my life and I'm sure many readers of this have in their lifetime as well. The way the film dealt with these characters trying to cover up their sadness by putting on a different face and being someone else and concluding with a message that I truly found touching, inspirational and a brilliant way to end a film like this. The last part of this film, just like the rest of the film is poetic in it's style and beauty and I truly felt moved by emotions of happiness and sorrow with this film, but they were never bad feelings and were always totally appropriate to what was going on in the film. What an interesting concept of people having to be someone else in order to please themselves and what a wonderful message to get across in such a unique and creative way. Visually this film is stunning, the storytelling and pace as well as the acting all work out perfectly and create a fable that is truly one of a kind and probably has to be seen to be believed and it should definitely be seen. I know a lot of critics have not given this film all that positive reviews, but I think they missed the film's point completely because on an artistic level there is so much to admire here and if you are anything like me you are probably tired of all the same old clichéd story lines coming out of Hollywood and now we have this inventive, touching and truly unique film to come along and critics don't get it. Something is definitely wrong there. If you have ever been interested in independent, or experimental films then this film is a great place to start and for those tired of the same old Hollywood stuff that we see each week then definitely give this one a try as well. I only wished I lived in a bigger city where I got to review films like this all the time. A moving, beautiful and completely artistic overwhelming treat for your mind and eyes, Mister Lonely is the best film I have seen so far this year and one of the most important films of this decade, or any decade and deserves to be seen and studied by film students and film buffs for years to come. A wonderful achievement.