| Photos (see all 86 | slideshow) | Videos (see all 26) |
Directed by | |||
| Joe Carnahan | |||
Writing credits(WGA) | ||
| Joe Carnahan | (written by) | |
Original Music by | |||
| Clint Mansell | |||
Cinematography by | |||
| Mauro Fiore | (director of photography) | ||
Film Editing by | |||
| Robert Frazen | |||
Casting by | |||
| Amanda Mackey Johnson | (as Amanda Mackey) | ||
| Cathy Sandrich | (as Cathy Sandrich Gelfond) | ||
Production Design by | |||
| Martin Whist | |||
Art Direction by | |||
| Maria L. Baker | (as Maria Baker) | ||
Set Decoration by | |||
| Brana Rosenfeld | (as Brana Michelle Rosenfeld) | ||
Costume Design by | |||
| Mary Zophres | |||
Makeup Department | |||
| Anna Fleiner | .... | tattoo makeup artist | |
| Romy Fleming | .... | assistant hair stylist | |
| Mary Jo Fortin | .... | assistant hair stylist | |
| Greg Funk | .... | makeup artist: second unit | |
| Tony Gardner | .... | makeup effects designer | |
| Daniel Marc Goldstein | .... | key hair stylist (as Daniel Goldstein) | |
| Ketty Gonzalez | .... | assistant hair stylist | |
| Teressa Hill | .... | hair department head | |
| Sean Kenney | .... | contact lens technician | |
| Janine Rath | .... | hair stylist: Mr. Affleck (as Janine Rath-Thompson) | |
| Evelyn Rozenfeld | .... | assistant hair stylist | |
| Jackie Sachen | .... | key makeup artist | |
| Ashunta Sheriff | .... | makeup artist: Ms. Keys | |
| Rick Stratton | .... | tattoo designer | |
| Cindy J. Williams | .... | makeup department head (as Cindy Williams) | |
Production Management | |||
| Karen Ruth Getchell | .... | production supervisor | |
| Robert Graf | .... | unit production manager | |
| Jason Leib | .... | post-production supervisor | |
| Angela Morrison | .... | chief operating officer: Working Title | |
| Michelle Wright | .... | executive in charge of production: Working Title | |
Art Department | |||
| Renee Lee Alito | .... | propmaker (as Renée Lee Alito) | |
| Michelle Armitage | .... | paint decorator | |
| Victor Balogh | .... | paint decorator (as Victor 'Bingo Pajamas' Balogh) | |
| Ellis J. Barbacoff | .... | props (as Ellis Barbacoff) | |
| Cliff Berns | .... | decorator gang boss | |
| Tony Bonaventura | .... | property master | |
| Adam Braid | .... | set dresser | |
| William Branch | .... | propmaker | |
| Andrea Cantrell | .... | propmaster: second unit | |
| Alex Carrillo | .... | propmaker gang boss | |
| Javier Carrillo | .... | construction general foreman | |
| Javier Carrillo | .... | labor gang boss | |
| Peggy Casey | .... | lead buyer | |
| Mike Cunningham | .... | assistant property master | |
| Paul Cunningham | .... | set dresser | |
| Dave DeGaetano | .... | construction coordinator | |
| Mikey DeGaetano | .... | propmaker | |
| Jason Drennan | .... | art department production assistant | |
| Scott Field | .... | propmaker gang boss | |
| Ralph Fierro | .... | propmaker gang boss (as Ralph J. Fierro) | |
| Ed Galik | .... | propmaker (as Edward S. Galik) | |
| Juan Garcia | .... | propmaker | |
| Rickie Gee | .... | labor gang boss | |
| Brandon S. Gilgen | .... | paint decorator (as Brandon Shawn Gilgen) | |
| Michael A. Heath | .... | prop paperwork | |
| Natalie Hile | .... | paint decorator | |
| John K. Hill | .... | labor foreman | |
| Kevin J. Hill | .... | propmaker | |
| Kirk Hill | .... | labor | |
| Kevin Holcomb | .... | paint decorator | |
| Billy Hunter | .... | set designer | |
| Glenn Kobayashi | .... | propmaker | |
| Mark Kudra | .... | set dresser (as Mark R. Kudra) | |
| Jason Lopez | .... | plaster gang boss | |
| Ray Lopez | .... | plaster foreman (as Raymond 'Ray Ray' Lopez) | |
| Nancy Lowry | .... | set dresser | |
| Alex Mann | .... | decorator foreman | |
| Joseph Marquez | .... | labor gang boss | |
| John Hammer Maxwell | .... | on-set dresser (as John H. Maxwell) | |
| Richard N. McGuire | .... | propmaker | |
| Mark Moretti | .... | storyboard artist | |
| John Naehrlich | .... | leadman | |
| Greg Nestor | .... | set dresser | |
| Michael C. Paolone | .... | toolkeeper (as Michael Paolone) | |
| Mike Piccirillo | .... | art department coordinator | |
| Tracy Pikes | .... | propmaker gang boss (as Tracy Fikes) | |
| Steven Rigamat | .... | construction foreman (as Steven W. Rigamat) | |
| Darryl Robertshaw | .... | propmaker gang boss | |
| Lee Ross | .... | on-set painter (as Lee Steven Ross) | |
| Chuck Rousseau | .... | props: second unit | |
| Greg G. Sachen | .... | set dresser (as Greg Sachen) | |
| David Scott | .... | graphic designer (as David E. Scott) | |
| Josh Sheppard | .... | storyboard artist | |
| Andrew Smith | .... | draper (as Andy Smith) | |
| Catherine Smith | .... | set designer (as Cat Smith) | |
| Joseph B. Sullivan | .... | propmaker (as Joseph Sullivan) | |
| John Sweeney | .... | props | |
| Samuel J. Tell | .... | set dresser (as Sam Tell) | |
| Bryan Turk | .... | propmaker | |
| Daniel Turk | .... | propmaker (as Daniel E. Turk) | |
| Danny L. Turk | .... | propmaker | |
| Jesse Valdez | .... | on-set painter | |
| Greg Villalva | .... | propmaker | |
| Jesses Vogel | .... | paint decorator (as Jesse Vogel) | |
| Kevan Weber | .... | set dresser | |
| Seth Wilder | .... | art department production assistant (as Michael 'Seth' Wilder) | |
| Christopher L. Williamson | .... | on-set dresser: second unit | |
Special Effects by | |||
| Larz Anderson | .... | special effects coordinator | |
| Chad Baalbergen | .... | special effects technician | |
| Gary D. Bierend | .... | special effects technician (as Gary Bierend) | |
| Mike Edmonson | .... | special effects foreman | |
| James Lorimer | .... | special effects technician | |
| Rodd Matsui | .... | special effects technician | |
| Jeff Miller | .... | special effects technician | |
Visual Effects by | |||
| Gary Abrahamian | .... | animation lead: CIS Hollywood | |
| Maura Alvarez | .... | paint artist: CIS Hollywood | |
| Jeremy Burns | .... | compositor: CIS Hollywood | |
| John Cassella | .... | lead effects artist: CIS Hollywood | |
| Craig Crawford | .... | compositor: CIS Hollywood | |
| Brandon Criswell | .... | compositor: CIS Hollywood | |
| Donald Fly | .... | general manager: CIS Hollywood (as Don Fly) | |
| Mathias Frodin | .... | compositor: CIS Hollywood | |
| Amy Garback | .... | CG artist: CIS Hollywood | |
| Larry Gaynor | .... | senior rotoscope and paint artist: CIS Hollywood | |
| Lyndal Heathwood | .... | paint artist: CIS Hollywood | |
| Linda Henry | .... | compositor: CIS Hollywood | |
| Heather Elisa Hill | .... | visual effects coordinator: CIS Hollywood | |
| Brian Holmes | .... | systems engineer: CIS Hollywood | |
| Meredith Hook | .... | paint artist: CIS Hollywood | |
| Jeffrey Kalmus | .... | digital compositing supervisor: CIS Hollywood | |
| Dan Kaufman | .... | look development supervisor: CIS Hollywood | |
| Patrick Kavanaugh | .... | compositor: CIS Hollywood | |
| J. Kitazaki | .... | production assistant: CIS Hollywood (as James Kitazaki) | |
| Krystine Lankenau | .... | rotoscope artist: CIS Hollywood (as Kristine Lankenau) | |
| Lisa Maher | .... | visual effects producer: CIS Hollywood | |
| Diana Miao | .... | texture artist: CIS Hollywood | |
| Robert Minsk | .... | research and development programmer: CIS Hollywood | |
| Marc Nanjo | .... | compositor: CIS Hollywood | |
| Gregory Oehler | .... | lead Inferno artist: CIS Hollywood | |
| Jim O'Hagan | .... | digital compositor: Pacific Title | |
| Julie Orosz | .... | executive producer: CIS Hollywood | |
| David Rey | .... | compositor: CIS Hollywood | |
| Chris Ryan | .... | lead CG artist: CIS Hollywood (as Christopher Ryan) | |
| Greg Shimp | .... | paint artist: CIS Hollywood | |
| Thomas J. Smith | .... | visual effects supervisor: CIS Hollywood | |
| Wilson Tang | .... | digital restoration | |
| Antonio Torres | .... | digital artist: Pacific Title | |
| Kyle Yamamoto | .... | research and development programmer: CIS Hollywood | |
Casting Department | |||
| Kate Bulpitt | .... | casting associate | |
| Elizabeth Dionne | .... | casting manager | |
| Farrah Fox-Collis | .... | casting associate | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting (as Caitlin McKenna) | |
| Leslie-Ann Reale | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Sandra Bojin-Sedlik | .... | set costumer | |
| Lori DeLapp | .... | costume supervisor (as Lori Delapp) | |
| Jenny Eagan | .... | assistant costume designer | |
| Ariel Gold | .... | costumer | |
| Delia Hauser | .... | costumer | |
| Krishna Ribeiro | .... | set costumer | |
| Nomi Shichor | .... | costumer | |
Editorial Department | |||
| Gordon Antell | .... | first assistant editor | |
| Bo Anzo | |||
| Jill Bogdanowicz | .... | supervising digital colorist | |
| Gary Burritt | .... | negative cutter | |
| Jason Fabbro | .... | video colorist | |
| Zack Howard | .... | post-production intern | |
| Joshua Moore | .... | laboratory contact | |
| Olatunde Osunsanmi | |||
| Katie Pastore | .... | editorial production assistant | |
| Gregg Schaublin | .... | digital intermediate producer | |
| Jonny Winograd | .... | first assistant editor | |
| Todd Zongker | .... | assistant editor | |
| Mark Sahagun | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Nick Angel | .... | music supervisor | |
| Luis Conte | .... | musician: latin percussion, The Smokin' Band | |
| Mark Cross | .... | scoring digital recordist | |
| George Doering | .... | musician: guitar, The Smokin' Band | |
| Geoff Foster | .... | score mixer | |
| Geoff Foster | .... | score recordist | |
| Bruce Fowler | .... | conductor | |
| Bruce Fowler | .... | musician: trombone, The Smokin' Band | |
| Bruce Fowler | .... | orchestrator | |
| Walt Fowler | .... | additional orchestration (as Walter Fowler) | |
| Walt Fowler | .... | musician: trumpet, The Smokin' Band (as Walter Fowler) | |
| Rick Giovinazzo | .... | additional orchestration | |
| Alexandra Hill | .... | music coordinator: Working Title | |
| Jimmy Johnson | .... | musician: bass, The Smokin' Band | |
| Tiffany Jones | .... | music contractor | |
| Scott Kinsey | .... | musician: keyboards, The Smokin' Band | |
| Mike Landau | .... | musician: guitar, The Smokin' Band | |
| Charles Lane | .... | music consultant: Right Music Ltd. | |
| Kirsten Lane | .... | music consultant: Right Music Ltd. (as Kirsten) | |
| Clint Mansell | .... | score producer | |
| Yvonne S. Moriarty | .... | additional orchestration (as Suzette Moriarty) | |
| Kathy Nelson | .... | executive in charge of music: Universal Pictures | |
| Gary Novak | .... | musician: drums, The Smokin' Band | |
| Jim Schultz | .... | supervising music editor | |
| Justin Skomarovsky | .... | score arranger | |
| Justin Skomarovsky | .... | score programmer | |
| Steve Tavaglione | .... | musician: woodwinds, The Smokin' Band (as Steven Tavaglione) | |
| Booker White | .... | music preparation | |
| Vicki Williams | .... | music coordinator: Working Title | |
| Erich Stratmann | .... | additional music editor (uncredited) | |
Thanks | |||
| Sarieha Alsawaf | .... | special thanks | |
| Leah Carnahan | .... | special thanks | |
| Maile Carnahan | .... | special thanks | |
| Mary Carnahan | .... | special thanks (as Mary) | |
| Matthew Michael Carnahan | .... | special thanks | |
| Rockne Carnahan | .... | special thanks | |
| Woody Carnahan | .... | special thanks | |
| Christy Cordero | .... | special thanks | |
| Zack Howard | .... | special thanks | |
| Stuart Levy | .... | special thanks | |
| Patricia McCrone | .... | special thanks (as Tricia McCrone) | |
| Debbie Munch | .... | special thanks (as Deborah Munch) | |
| Harley Pasternak | .... | special thanks | |
| Ruby Turner | .... | special thanks | |
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Buddy "Aces" Israel is in trouble. A Vegas entertainer once, he got to know the local mob and was taken by the lifestyle to the point that he began his own crew. Unfortunately for him and everyone he knows, it has caught up with him and he now finds himself targeted by all sides and in the hands of the FBI, desperately trying to make a deal with them from the security of the penthouse floor of a luxury hotel. However the FBI pick up wind of a hit called in by Sparazza with a strict time limit, a $1,000,000 bounty and cut out Buddy's heart. It is not long before a handful of bounty hunters are heading towards the hotel with one aim to be the first.
On a transatlantic flight during the day I had time for one more film before landing. As I was just trying to relax I was looking for undemanding stuff just to distract and entertain me. The film I watched first was Shooter and I mention this deliberately. Shooter was only an OK film but what it did was lay out its stall and make it very clear what it was going to do and how it was going to do it not necessarily in terms of plotting but more in terms of style and approach. It wasn't great but it worked. I assumed that Smokin' Aces would do the same as the trailer made it look like a comic hit-man film with hyper filming, lots of stars and lots of action.
Now, if you're thinking that I shouldn't assume then you're right, but this is how the film starts and it is how it is at various stages across the film. However it goes from being a bit like Guy Richie (freeze frames, names on screen etc) to being an all out action fest, with guns everywhere and people surviving the way that they only do in action films. The suddenly in the final third it decides that it not going to be superficially comic or superficially action-packed and suddenly seemed to have an emotional side and expected me to care about the characters and their plights like it had been a serious drama all along (although I'm not sure how I'm supposed to take the ADD kid with the erection in that context).
In doing this it does still do just about enough to keep a story going but to be honest I started to get bored as it changed tone based on whatever it want to do. Another problem I had with it was the violence it was very brutal throughout, which I don't have a problem with but the mixed tone meant it was confused. With the comic feel the violent death of characters is really jarring, likewise with the action section it just seemed too much and made it hard to enjoy. The final turn of tone actually makes the violence work because the extent of it works when you actually are expected to feel it however by then it was too little too late.
Keeping this in mind it is no surprise that nobody is really that good. Piven goes from ham to tragic figure; it is a nice try but the film doesn't go with him and he is left exposed. Reynolds is reasonably good on the level he works on, a good presence I've never seen him in anything that good but I generally like him when I see him. Affleck, Berg, Garcia, Liotta and a few others are solid enough but not anything special. Keys is good-looking but she is helped by Henson who is sassy and cute at the same time. The real stand out for me was Common. He dropped out of a big tour to make this and I felt bad that he seemed to be going down the "rapper goes to Hollywood to be in action movie" path. However he is actually one of the few who impressed me; not throughout the film perhaps but in the one scene he has with Piven in the bathroom I did think that he showed potential to do more than just be in this sort of thing. Time will tell if he can move away form just being a good looking guy with a deep voice, but he did seem in touch with his character here.
Overall though, the film is nothing to write home about. With an inconsistent approach that sees approach markedly changed abruptly not once but twice, the film is hard to stick with. It probably offers enough noise and narrative to please those looking for noise and violence but personally I was disappointed and found it hard to care that much about.