| Photos (see all 86 | slideshow) | Videos (see all 25) |
Directed by | |||
| Joe Carnahan | |||
Writing credits(WGA) | ||
| Joe Carnahan | (written by) | |
Original Music by | |||
| Clint Mansell | |||
Cinematography by | |||
| Mauro Fiore | (director of photography) | ||
Film Editing by | |||
| Robert Frazen | |||
Casting by | |||
| Amanda Mackey Johnson | (as Amanda Mackey) | ||
| Cathy Sandrich | (as Cathy Sandrich Gelfond) | ||
Production Design by | |||
| Martin Whist | |||
Art Direction by | |||
| Maria L. Baker | (as Maria Baker) | ||
Set Decoration by | |||
| Brana Rosenfeld | (as Brana Michelle Rosenfeld) | ||
Costume Design by | |||
| Mary Zophres | |||
Makeup Department | |||
| Anna Fleiner | .... | tattoo makeup artist | |
| Romy Fleming | .... | assistant hair stylist | |
| Mary Jo Fortin | .... | assistant hair stylist | |
| Greg Funk | .... | makeup artist: second unit | |
| Tony Gardner | .... | makeup effects designer | |
| Daniel Marc Goldstein | .... | key hair stylist (as Daniel Goldstein) | |
| Ketty Gonzalez | .... | assistant hair stylist | |
| Teressa Hill | .... | hair department head | |
| Sean Kenney | .... | contact lens technician | |
| Janine Rath | .... | hair stylist: Mr. Affleck (as Janine Rath-Thompson) | |
| Evelyn Rozenfeld | .... | assistant hair stylist | |
| Jackie Sachen | .... | key makeup artist | |
| Ashunta Sheriff | .... | makeup artist: Ms. Keys | |
| Rick Stratton | .... | tattoo designer | |
| Cindy J. Williams | .... | makeup department head (as Cindy Williams) | |
Production Management | |||
| Karen Ruth Getchell | .... | production supervisor | |
| Robert Graf | .... | unit production manager | |
| Jason Leib | .... | post-production supervisor | |
| Angela Morrison | .... | chief operating officer: Working Title | |
| Michelle Wright | .... | executive in charge of production: Working Title | |
Art Department | |||
| Renee Lee Alito | .... | propmaker (as Renée Lee Alito) | |
| Michelle Armitage | .... | paint decorator | |
| Victor Balogh | .... | paint decorator (as Victor 'Bingo Pajamas' Balogh) | |
| Ellis J. Barbacoff | .... | props (as Ellis Barbacoff) | |
| Cliff Berns | .... | decorator gang boss | |
| Tony Bonaventura | .... | property master | |
| Adam Braid | .... | set dresser | |
| William Branch | .... | propmaker | |
| Andrea Cantrell | .... | propmaster: second unit | |
| Alex Carrillo | .... | propmaker gang boss | |
| Javier Carrillo | .... | construction general foreman | |
| Javier Carrillo | .... | labor gang boss | |
| Peggy Casey | .... | lead buyer | |
| Mike Cunningham | .... | assistant property master | |
| Paul Cunningham | .... | set dresser | |
| Dave DeGaetano | .... | construction coordinator | |
| Mikey DeGaetano | .... | propmaker | |
| Jason Drennan | .... | art department production assistant | |
| Scott Field | .... | propmaker gang boss | |
| Ralph Fierro | .... | propmaker gang boss (as Ralph J. Fierro) | |
| Ed Galik | .... | propmaker (as Edward S. Galik) | |
| Juan Garcia | .... | propmaker | |
| Rickie Gee | .... | labor gang boss | |
| Brandon S. Gilgen | .... | paint decorator (as Brandon Shawn Gilgen) | |
| Michael A. Heath | .... | prop paperwork | |
| Natalie Hile | .... | paint decorator | |
| John K. Hill | .... | labor foreman | |
| Kevin J. Hill | .... | propmaker | |
| Kirk Hill | .... | labor | |
| Kevin Holcomb | .... | paint decorator | |
| Billy Hunter | .... | set designer | |
| Glenn Kobayashi | .... | propmaker | |
| Mark Kudra | .... | set dresser (as Mark R. Kudra) | |
| Jason Lopez | .... | plaster gang boss | |
| Ray Lopez | .... | plaster foreman (as Raymond 'Ray Ray' Lopez) | |
| Nancy Lowry | .... | set dresser | |
| Alex Mann | .... | decorator foreman | |
| Joseph Marquez | .... | labor gang boss | |
| John Hammer Maxwell | .... | on-set dresser (as John H. Maxwell) | |
| Richard N. McGuire | .... | propmaker | |
| Mark Moretti | .... | storyboard artist | |
| John Naehrlich | .... | leadman | |
| Greg Nestor | .... | set dresser | |
| Michael C. Paolone | .... | toolkeeper (as Michael Paolone) | |
| Mike Piccirillo | .... | art department coordinator | |
| Tracy Pikes | .... | propmaker gang boss (as Tracy Fikes) | |
| Steven Rigamat | .... | construction foreman (as Steven W. Rigamat) | |
| Darryl Robertshaw | .... | propmaker gang boss | |
| Lee Ross | .... | on-set painter (as Lee Steven Ross) | |
| Chuck Rousseau | .... | props: second unit | |
| Greg G. Sachen | .... | set dresser (as Greg Sachen) | |
| David Scott | .... | graphic designer (as David E. Scott) | |
| Josh Sheppard | .... | storyboard artist | |
| Andrew Smith | .... | draper (as Andy Smith) | |
| Catherine Smith | .... | set designer (as Cat Smith) | |
| Joseph B. Sullivan | .... | propmaker (as Joseph Sullivan) | |
| John Sweeney | .... | props | |
| Samuel J. Tell | .... | set dresser (as Sam Tell) | |
| Bryan Turk | .... | propmaker | |
| Daniel Turk | .... | propmaker (as Daniel E. Turk) | |
| Danny L. Turk | .... | propmaker | |
| Jesse Valdez | .... | on-set painter | |
| Greg Villalva | .... | propmaker | |
| Jesse D. Vogel | .... | paint decorator (as Jesse Vogel) | |
| Jesse Vogel | .... | paint decorator | |
| Kevan Weber | .... | set dresser | |
| Seth Wilder | .... | art department production assistant (as Michael 'Seth' Wilder) | |
| Christopher L. Williamson | .... | on-set dresser: second unit | |
Special Effects by | |||
| Larz Anderson | .... | special effects coordinator | |
| Chad Baalbergen | .... | special effects technician | |
| Gary D. Bierend | .... | special effects technician (as Gary Bierend) | |
| Mike Edmonson | .... | special effects foreman | |
| James Lorimer | .... | special effects technician | |
| Rodd Matsui | .... | special effects technician | |
| Jeff Miller | .... | special effects technician | |
Visual Effects by | |||
| Gary Abrahamian | .... | animation lead: CIS Hollywood | |
| Maura Alvarez | .... | paint artist: CIS Hollywood | |
| Jeremy Burns | .... | compositor: CIS Hollywood | |
| John Cassella | .... | lead effects artist: CIS Hollywood | |
| Craig Crawford | .... | compositor: CIS Hollywood | |
| Brandon Criswell | .... | compositor: CIS Hollywood | |
| Donald Fly | .... | general manager: CIS Hollywood (as Don Fly) | |
| Mathias Frodin | .... | compositor: CIS Hollywood | |
| Amy Garback | .... | CG artist: CIS Hollywood | |
| Larry Gaynor | .... | senior rotoscope and paint artist: CIS Hollywood | |
| Lyndal Heathwood | .... | paint artist: CIS Hollywood | |
| Linda Henry | .... | compositor: CIS Hollywood | |
| Heather Elisa Hill | .... | visual effects coordinator: CIS Hollywood | |
| Brian Holmes | .... | systems engineer: CIS Hollywood | |
| Meredith Hook | .... | paint artist: CIS Hollywood | |
| Jeffrey Kalmus | .... | digital compositing supervisor: CIS Hollywood | |
| Dan Kaufman | .... | look development supervisor: CIS Hollywood | |
| Patrick Kavanaugh | .... | compositor: CIS Hollywood | |
| J. Kitazaki | .... | production assistant: CIS Hollywood (as James Kitazaki) | |
| Krystine Lankenau | .... | rotoscope artist: CIS Hollywood (as Kristine Lankenau) | |
| Lisa Maher | .... | visual effects producer: CIS Hollywood | |
| Diana Miao | .... | texture artist: CIS Hollywood | |
| Robert Minsk | .... | research and development programmer: CIS Hollywood | |
| Marc Nanjo | .... | compositor: CIS Hollywood | |
| Gregory Oehler | .... | lead Inferno artist: CIS Hollywood | |
| Jim O'Hagan | .... | digital compositor: Pacific Title | |
| Julie Orosz | .... | executive producer: CIS Hollywood | |
| David Rey | .... | compositor: CIS Hollywood | |
| Chris Ryan | .... | lead CG artist: CIS Hollywood (as Christopher Ryan) | |
| Greg Shimp | .... | paint artist: CIS Hollywood | |
| Thomas J. Smith | .... | visual effects supervisor: CIS Hollywood | |
| Wilson Tang | .... | digital restoration | |
| Antonio Torres | .... | digital artist: Pacific Title | |
| Kyle Yamamoto | .... | research and development programmer: CIS Hollywood | |
Casting Department | |||
| Kate Bulpitt | .... | casting associate | |
| Elizabeth Dionne | .... | casting manager | |
| Farrah Fox-Collis | .... | casting associate | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting (as Caitlin McKenna) | |
| Leslie-Ann Reale | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Sandra Bojin-Sedlik | .... | set costumer | |
| Lori DeLapp | .... | costume supervisor (as Lori Delapp) | |
| Jenny Eagan | .... | assistant costume designer | |
| Ariel Gold | .... | costumer | |
| Delia Hauser | .... | costumer | |
| Krishna Ribeiro | .... | set costumer | |
| Nomi Shichor | .... | costumer | |
Editorial Department | |||
| Gordon Antell | .... | first assistant editor | |
| Bo Anzo | |||
| Jill Bogdanowicz | .... | supervising digital colorist | |
| Gary Burritt | .... | negative cutter | |
| Jason Fabbro | .... | video colorist | |
| Zack Howard | .... | post-production intern | |
| Joshua Moore | .... | laboratory contact | |
| Alex Nikolic | .... | tvc editor: Serbia, Montenegro | |
| Olatunde Osunsanmi | |||
| Katie Pastore | .... | editorial production assistant | |
| Gregg Schaublin | .... | digital intermediate producer | |
| Jonny Winograd | .... | first assistant editor | |
| Todd Zongker | .... | assistant editor | |
| April McMorris | .... | digital intermediate producer (uncredited) | |
| Mark Sahagun | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Nick Angel | .... | music supervisor | |
| Luis Conte | .... | musician: latin percussion, The Smokin' Band | |
| Mark Cross | .... | scoring digital recordist | |
| George Doering | .... | musician: guitar, The Smokin' Band | |
| Geoff Foster | .... | score mixer | |
| Geoff Foster | .... | score recordist | |
| Bruce Fowler | .... | conductor | |
| Bruce Fowler | .... | musician: trombone, The Smokin' Band | |
| Bruce Fowler | .... | orchestrator | |
| Walt Fowler | .... | additional orchestration (as Walter Fowler) | |
| Walt Fowler | .... | musician: trumpet, The Smokin' Band (as Walter Fowler) | |
| Rick Giovinazzo | .... | additional orchestration | |
| Alexandra Hill | .... | music coordinator: Working Title | |
| Jimmy Johnson | .... | musician: bass, The Smokin' Band | |
| Tiffany Jones | .... | music contractor | |
| Scott Kinsey | .... | musician: keyboards, The Smokin' Band | |
| Mike Landau | .... | musician: guitar, The Smokin' Band | |
| Charles Lane | .... | music consultant: Right Music Ltd. | |
| Kirsten Lane | .... | music consultant: Right Music Ltd. (as Kirsten) | |
| Clint Mansell | .... | score producer | |
| Yvonne S. Moriarty | .... | additional orchestration (as Suzette Moriarty) | |
| Kathy Nelson | .... | executive in charge of music: Universal Pictures | |
| Gary Novak | .... | musician: drums, The Smokin' Band | |
| Jim Schultz | .... | supervising music editor | |
| Justin Skomarovsky | .... | score arranger | |
| Justin Skomarovsky | .... | score programmer | |
| Steve Tavaglione | .... | musician: woodwinds, The Smokin' Band (as Steven Tavaglione) | |
| Booker White | .... | music preparation | |
| Vicki Williams | .... | music coordinator: Working Title | |
| Erich Stratmann | .... | additional music editor (uncredited) | |
Thanks | |||
| Sarieha Alsawaf | .... | special thanks | |
| Leah Carnahan | .... | special thanks | |
| Maile Carnahan | .... | special thanks | |
| Mary Carnahan | .... | special thanks (as Mary) | |
| Matthew Michael Carnahan | .... | special thanks | |
| Rockne Carnahan | .... | special thanks | |
| Woody Carnahan | .... | special thanks | |
| Christy Cordero | .... | special thanks | |
| Zack Howard | .... | special thanks | |
| Stuart Levy | .... | special thanks | |
| Patricia McCrone | .... | special thanks (as Tricia McCrone) | |
| Debbie Munch | .... | special thanks (as Deborah Munch) | |
| Harley Pasternak | .... | special thanks | |
| Ruby Turner | .... | special thanks | |
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There is a new genre infesting our nation's movie theaters. With apologies to Garrison Kellior, let's call it "guy noir". Films aimed directly at the young, hip male audience. Movies that are an unholy combination of old fashioned film noir and the modern action movie, as directed by the class clown. They offer fast paced entertainment, great character actors, twisty plot lines, explosions and more spent ordinance than used in a typical week in Baghdad. Even new genres breed clichés however and the original freshness heralded by Quentin Tarantino's Pulp Fiction is beginning to smell the slightest bit stale. This brings us to Smokin' Aces, a movie that isn't so smug as to be intolerable or so brilliant as to be ground breaking. Rather it is good, competent, workmanlike example of its genre, which is bad news for a movie that wants to be hip and edgy.
Smokin' Aces has the requisite twisty plot. Actually it has at least nine plots, all twisty. In fact it has so many plots the movie dissolves into a series of incidences strung together by a smattering of narrative glue. Aces, a card magician and mob nabob, turns federal stoolie and a dying Godfather posts a high dollar contract on him. Naturally every photogenic hit-man with the weekend free descends upon Ace's casino penthouse to do the job and collect the dough. Smokin' Aces tries hard and includes everything needed to qualify as guy noir. It even tries to incorporate the "Tarantino Digression". That is, extended expository flashbacks incorporated for no good reason except that they are fun to watch. Smoking Aces can't quite pull these off as they require a defter touch than the movie is capable of.
There aren't any real people in Smokin' Aces. All the characters are strictly stereotypes played for effect rather than reality. Jeremy Piven as Aces is the self loathing hop head, Alicia Keys and Georgia Sykes are the hot lesbian hit team, Ben Afleck is the hipster bounty hunter and so on. Everything you need to know about these guys you learn in the first split second they are on the screen. There is no star in Smokin' Aces. Afleck, the biggest name, has a relatively small part and is upstaged by his hat. You might remember Chris Pine, Kevin Durand and Maury Sterling as the Tremor brothers if only because they were the loudest, most violent bunch in a loud violent movie. The only actor who rises above caricature is Ray Liotta, who invests his FBI agent with quiet dignity and a touch of pathos and in doing so sticks out like a sore thumb. It takes a strange sort of movie for a review to criticize the one genuinely good performance in it but Liotta just doesn't fit.
Smokin' Aces manages to hold its whirly gig self together for the most part. There are a few problems. It goes on too long after the climatic blood bath wrapping up plot threads you probably didn't notice amongst the explosions. There is a denouement where a hero, brought in from way out in left field, makes an existential choice that is not nearly as agonizing as the movie thinks it is because we have no emotional investment in the fellow making it. Though the final plot twist is prepared for and makes as much sense as anything else in the film, still it feels flat and unsatisfying. Think of Smokin' Aces as a shaggy dog story. It's long, involved and fun to listen to but ultimately goes nowhere.