| Photos (see all 14 | slideshow) | Videos (see all 8 NEW) |
Directed by | |||
| Jake Kasdan | |||
Writing credits(WGA) | ||
| Jake Kasdan | (written by) | |
Original Music by | |||
| Michael Andrews | |||
Cinematography by | |||
| Uta Briesewitz | |||
Film Editing by | |||
| Tara Timpone | |||
Casting by | |||
| Anya Colloff | |||
| Amy McIntyre Britt | |||
Production Design by | |||
| Jefferson Sage | |||
Art Direction by | |||
| Lauren E. Polizzi | (as Lauren Polizzi) | ||
Set Decoration by | |||
| Dianna Freas | |||
Costume Design by | |||
| Debra McGuire | |||
Makeup Department | |||
| Susan Boyd | .... | assistant hair stylist | |
| Nina Paskowitz | .... | key hair stylist | |
| Peter Robb-King | .... | key makeup artist | |
| Heidi Seeholzer | .... | assistant makeup artist | |
Production Management | |||
| Jenifer Chatfield | .... | post-production supervisor | |
| Ben Ormand | .... | production supervisor | |
| Ron Schmidt | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Carey Dietrich | .... | assistant director | |
| Bradley Morris | .... | second assistant director | |
Art Department | |||
| Randy Brewer | .... | leadman (as John 'Randy' Brewer) | |
| Stephen Hoeger | .... | additional props assistant | |
| Ari Jacobs | .... | art department coordinator | |
| Kyle Johnstone | .... | on-set dresser | |
| Josh Logerot | .... | paint supervisor | |
| Chris Marneus | .... | construction coordinator | |
| Matthew Martin | .... | construction foreman (as Matt Martin) | |
| Scott Nifong | .... | property master | |
| Andrea Rennard | .... | art department assistant | |
| Matt Sazzman | .... | propmaker | |
| Steven Sutphen | .... | property assistant | |
| Brandon Vandagriff | .... | labor foreman | |
| Rebecca Young | .... | art department coordinator (as Becky Young) | |
Sound Department | |||
| Jesse Cairnie | .... | sound utility | |
| Stefan Fraticelli | .... | foley artist | |
| Eric Gotthelf | .... | adr mixer | |
| Robert Grieve | .... | sound designer | |
| Shaughnessy Hare | .... | sound editor | |
| E. Niles Klein | .... | sound editorial technical consultant | |
| Stephen Muir | .... | foley recordist | |
| Linda Murphy | .... | boom operator | |
| Barbara Noren | .... | assistant sound editor | |
| Steve Pederson | .... | sound re-recording mixer | |
| Jeena M. Phelps | .... | dialogue editor | |
| Troy Porter | .... | adr mixer | |
| David Raymond | .... | sound utility | |
| Brad Sherman | .... | sound re-recording mixer | |
| Joel Shryack | .... | supervising sound editor | |
| D. Chris Smith | .... | sound effects editor | |
| Nancy Tracy | .... | first assistant sound editor | |
| Randy Wilson | .... | foley recordist | |
| Marilee Yorston | .... | foley assistant | |
Visual Effects by | |||
| Paul Hill | .... | visual effects compositor | |
Casting Department | |||
| Judy Cook | .... | extras casting | |
| Irvin Gourgue | .... | extras casting assistant | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
| Michael V. Nicolo | .... | casting associate | |
Costume and Wardrobe Department | |||
| David Buckley | .... | costume supervisor | |
| Catherine Hahn | .... | costumer | |
| Fran Murphy | .... | set costumer | |
| Michael A. Russell | .... | key set costumer | |
Editorial Department | |||
| Patrick Bellanger | .... | on-line editor | |
| Julia Gandelsonas | .... | assistant editor | |
Music Department | |||
| Manish Raval | .... | music editor | |
| Manish Raval | .... | music supervisor | |
| Tom Wolfe | .... | music supervisor | |
Transportation Department | |||
| John W. Barbee | .... | driver (as John Barbee) | |
| Phil Blackaby | .... | driver | |
| Al Burton | .... | driver | |
| Roger Byrd | .... | driver | |
| Jose L. Cisneros | .... | driver | |
| Kelly Colgan | .... | driver | |
| David W. Dale | .... | driver: cast (as David Dale) | |
| Diane Glavin | .... | driver | |
| George Gowing | .... | driver (as George K. Gowing) | |
| Brad Harms | .... | driver | |
| Jeff Hatem | .... | driver (as Jeff Hattem) | |
| Gary Jackson | .... | driver | |
| Richard Maginnis | .... | driver (as Richard Maginnis Jr.) | |
| Kim Magruder | .... | driver | |
| Ted Moser | .... | transportation coordinator | |
| Bill Needham | .... | driver | |
| Shaun Ryan | .... | transportation captain | |
| Beverly Seifert | .... | driver | |
| Paul Smith | .... | driver | |
| Harold L. Woods | .... | driver generator operator | |
| Kim Magruder | .... | driver generator operator (uncredited) | |
| Lori Maxwell | .... | transportation dispatcher (uncredited) | |
Thanks | |||
| Stuart Cornfeld | .... | special thanks | |
| Nancy Kirhoffer | .... | thanks | |
|
|
|
|
|
| The Nines | 8½ | Synecdoche, New York | Permanent Midnight | The Bad and the Beautiful |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
| Add this title to MyMovies |
I can see how this film might not be for everybody, but I make my living writing for television and this movie is actually pretty dead on. The satire works because I felt they keep it real. Stuff that might seem absurd I have seen happen (actually real stuff that happens in the development of a pilot would make people shout at the screen and say "come on - that couldn't happen!!). The film is very well cast - everyone from Lindsay Sloane to Ion Gruffudd give strong performances. Many of my fellow writers begged me to see it, so I finally went and I thought Kasdan does an excellent job. But the film could pretty much play like a documentary - without fail, the nets will almost instantly try and change the ONE thing about a project that makes it unique - they want it to be like everything else (Weaver's character has the great line - "it seems original and original scares me!"). It is a real marathon filled with danger to get a pilot sold, then possibly get it filmed, then edited, then tested and then through literally winning a lottery - getting it on the air!! But at the end of the day - it is the viewers who decide what stays on - if something gets numbers, it stays - if it doesn't - it goes. And every now and then a unique and smart show will get on the air and more times than not - no one will watch it. Viewers SAY they want something different, but most of the time when you try to do that - they go "what the hell is this?? This is too different" and then they go back to watching Jim Belushi.