| Videos (see all 3 NEW) |
| Christian Slater | ... | Michael Griffin | |
| Peter Facinelli | ... | Det. Frank Turner | |
| Laura Regan | ... | Dr. Maggie Dalton | |
| David McIlwraith | ... | Dr. William Reisner | |
| William MacDonald | ... | Col. Gavin Bishop | |
| Sarah Deakins | ... | Det. Lisa Martinez | |
| Jessica Harmon | ... | Heather Dalton | |
| Sonya Salomaa | ... | Trophy Wife | |
| Terri Anne Welyki | ... | Pearl Girl | |
| John Shaw | ... | Dr. Devin Villiers | |
| David Abbott | ... | Elderly Husband | |
| Hamish Cameron | ... | Washroom Man | |
| Colin Lawrence | ... | Captain Rollins | |
| Zara Taylor | ... | Ashley | |
| Nolan Gerard Funk | ... | Josh (as Nolan Funk) | |
| Jamie Bell | ... | Slum Resident (as James Bell) | |
| Bruce Dawson | ... | Capt. Tom Harrison | |
| Dean Paul Gibson | ... | Desk Officer | |
| Dean Redman | ... | Police Guard | |
| Mike Dopud | ... | Officer Chesley | |
| Alana Husband | ... | Reisner Aide | |
| Yee Jee Tso | ... | Lab Technician | |
| Michael Kopsa | ... | Man at Gas Station (as Mike Kopsa) | |
| Woody Jeffreys | ... | Agent Moore | |
| Chelah Horsdal | ... | Blind Secretary | |
| Darcy Belsher | ... | Math Head | |
| Darcy Laurie | ... | Timothy Laurents | |
| Ted Friend | ... | The Senator | |
| Dagmar Midcap | ... | Field Reporter | |
| Stefano Giulianetti | ... | Security Guard | |
| Karen Holness | ... | Saleslady | |
| Jianna Ballard | ... | Scared Little Girl in Store | |
| Mark Ferns | ... | SWAT Commander | |
| rest of cast listed alphabetically: | |||
| Carolyn Chiodini-Cable | ... | Blue Eye (uncredited) | |
| Joshua Kalef | ... | Green Guy (uncredited) | |
Directed by | |||
| Claudio Fäh | (as Claudio Faeh) | ||
Writing credits(WGA) | ||
| Joel Soisson | (screenplay) | |
| Gary Scott Thompson | (story) | |
| Gary Scott Thompson | (characters) and | |
| Andrew W. Marlowe | (characters) | |
Original Music by | |||
| Marcus Trumpp | |||
Cinematography by | |||
| Peter Wunstorf | |||
Film Editing by | |||
| Nathan Easterling | |||
Casting by | |||
| Sean Cossey | |||
| Amanda Harding | |||
| Amanda Koblin | |||
Production Design by | |||
| Brentan Harron | |||
Art Direction by | |||
| Liz Goldwyn | |||
Set Decoration by | |||
| Kate Marshall | |||
Makeup Department | |||
| Agnieszka Echallier | .... | project supervisor (as Agnieszka Kolakowska) | |
| Joel Echallier | .... | special makeup effects designer | |
| Vanessa Giles | .... | key makeup artist | |
| Ryan Nicholson | .... | special makeup effects artist | |
| Jessica Rain | .... | key hair stylist | |
| Bev Stewart | .... | assistant hair stylist | |
| Bev Wright | .... | assistant makeup artist | |
Production Management | |||
| Chris Foss | .... | production manager | |
| Adam Park | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Melissa Lee Anderson | .... | second assistant director (as melisssa Anderson) | |
| Gabriel Correa | .... | trainee assistant director | |
| Allan Harmon | .... | first assistant director | |
| Kevin Leeson | .... | third assistant director | |
Art Department | |||
| Andy Amoroso | .... | set designer | |
| Jerry Bingham | .... | storyboard artist | |
| Kerri Elliott | .... | assistant art director | |
| Denise Hutniak | .... | on-set dresser | |
| Dean McQuillen | .... | construction coordinator | |
| Tiara Motem | .... | property buyer | |
Sound Department | |||
| Randy Babajtis | .... | sound effects editor | |
| Jeremy Balko | .... | adr mixer | |
| Spencer Blair | .... | post-sound assistant | |
| Dhyana Carlton-Tims | .... | supervising dialogue & adr editor | |
| Ezra Dweck | .... | sound re-recording mixer | |
| Brent Findley | .... | foley editor | |
| Amy Giammarco | .... | adr supervisor: Vancouver | |
| Robert Hunter | .... | adr recordist: Vancouver | |
| Cody King | .... | sound effects editor | |
| Richard Kitting | .... | foley editor | |
| Shawn London | .... | sound editor | |
| Jonathan Miller | .... | supervising sound editor | |
| Andrew Morgado | .... | foley mixer | |
| Daniel Tripoli | .... | dialogue editor | |
| Jonathan Wales | .... | sound re-recording mixer | |
Special Effects by | |||
| Darren Marcoux | .... | special effects coordinator | |
Visual Effects by | |||
| Mauricio Baiocchi | .... | visual effects designer: Assemble | |
| Rodrigo Dorsch | .... | title designer: main title sequence | |
| Ben Grossmann | .... | visual effects supervisor | |
| Christopher Gwynne | .... | cg supervisor: Rooster Creative | |
| Asa Hammond | .... | visual effects designer: Assemble | |
| Zack Klinger | .... | digital artist | |
| Sean Konrad | .... | consultant | |
| Chris LeDoux | .... | digital compositor: One Hour VFX | |
| Rodrigo Teixeira | .... | CG supervisor: One Hour VFX | |
| Rodrigo Teixeira | .... | title designer: main title sequence | |
| Joel H. Thornton | .... | digital artist | |
| Amanda Zemke | .... | visual effects editor | |
Stunts | |||
| Ed Anders | .... | stunt coordinator | |
| Ed Anders | .... | stunt performer | |
| Curt Bonn | .... | stunt performer | |
| Joe Doserro | .... | stunt performer | |
| Lars Grant | .... | stunt performer | |
| Andrea Kinsky | .... | stunt performer | |
| Gerald Paetz | .... | stunt performer | |
| Ronald Robinson | .... | stunt performer (as Ron Robinson) | |
| Raymond Sammel | .... | stunt performer | |
| Darryl Scheelar | .... | stunt performer | |
| Kimani Ray Smith | .... | stunt performer | |
| Krista Bell | .... | stunts (uncredited) | |
| Crystal Dalman | .... | stunt double (uncredited) | |
| Joe Doserro | .... | stunt double (uncredited) | |
| Rob Hayter | .... | stunt performer (uncredited) | |
| Jovan Nenadic | .... | stunts (uncredited) | |
| Dan Redford | .... | stunt performer (uncredited) | |
| Darryl Scheelar | .... | stunt double (uncredited) | |
Camera and Electrical Department | |||
| Peter Carty | .... | assistant camera | |
| Rusty Deluce | .... | first assistant camera | |
| Gareth Farfan | .... | leadman grip | |
| Rick Laning | .... | key grip | |
| Paul T. Murakami | .... | dolly grip: second unit | |
| Brian C. Murphy | .... | director of photography: second unit | |
Casting Department | |||
| Sandra-Ken Freeman | .... | background casting | |
| Alicia Scott | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Petra Bergholz | .... | assistant costume designer | |
Editorial Department | |||
| Lorne Miess | .... | telecine colorist | |
| Amanda Zemke | .... | assistant editor | |
Music Department | |||
| Greg Hamilton | .... | music preparation | |
| Steve Kaplan | .... | score mix engineer | |
| Daryl B. Kell | .... | music editor | |
| Jason Brett Klein | .... | personal assistant to composer | |
| Perry La Marca | .... | orchestrator | |
| Brandon Roberts | .... | music preparation | |
| Jeff Toyne | .... | music proof reader (uncredited) | |
Other crew | |||
| Henya Bak | .... | accounting clerk | |
| David Beaumont | .... | production assistant | |
| Jessica Brajoux | .... | production assistant | |
| Ron Buck | .... | police technical advisor | |
| Garrick Dion | .... | assistant: David Lancaster, development | |
| Nina Aurora Jeerh | .... | trainee assistant location manager (as Nina Arora Jeerh) | |
| Sabrina Karine | .... | production assistant | |
| Jedrzej Kowalski | .... | location manager | |
| Lana Krotenko | .... | script supervisor | |
| Tricia Leigh | .... | assistant to producers | |
| Deborah Loven | .... | assistant accountant (as Debi Loven) | |
| Donald Munro | .... | production coordinator | |
| Ed Nesling | .... | location manager | |
| Dixie Plaxton | .... | assistant location manager | |
| Darren Robertson | .... | playback coordinator | |
| Jill Rosenblatt | .... | production accountant | |
| Peter Ruttan | .... | playback designer | |
| Paul Salamoff | .... | production executive | |
| Ryan Steacy | .... | armorer | |
| Christopher K. Stenberg | .... | computer/video playback assistant | |
| Bridget Tyler | .... | assistant: Rachel Shane | |
| Courtney Wieden | .... | assistant: Producer: Doug Wick | |
Thanks | |||
| Karri O'Reilly | .... | special thanks | |
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| The Terminator | Live Free or Die Hard | Wrong Turn 3: Left for Dead | Hollow Man | The Devil's Rejects |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
I thought I would give this a go, after spotting an advert for it in a well-known UK film magazine. I knew Hollow Man 2 was in production, and as a fan of the first movie I was a little non-plussed to find the sequel getting a Direct-to-DVD release.
So I wasn't really expecting much...
I was pleasantly surprised therefore to find an engaging little movie - very much in the spirit of the first (no brain, no logic, full speed ahead with cardboard characters and a plot straight from the back of a 40-year-old comic). It has many faults - Christian Slater just ain't up to the job any more (but seems to be enjoying himself), a long and overly-talky middle act, some extremely ropey visual effects (though it has to be said that there are many good ones despite the obviously low budget), a blatant re-use of a scene from the original Hollow Man not-very-well-disguised, and a conclusion that felt very rushed - dare I suggest the budget ran out?
On the plus side however the 2-dimensional characters are engaging, there are one or two great jump-out-of-seat moments, tips of the hat to not only the original movie but also HG Wells' novel "The Invisible Man", effective use of music (which is all new - not a rehash of Goldsmiths original) and an overall sense of fun (That's Executive Producer Paul Verhoeven shining through, I think) - despite the nasty moments!
To the people that are slating this saying "It's not as good as the first, really disappointed" etc etc, I simply have to wonder exactly what they were expecting! Shakespeare this ain't...
But to the people who are open-minded enough to give this an honest go, you will get out exactly what you put into it. It's not Shakespeare, but it certainly is Hollow Man.
If this is the future for the Hollow Man franchise (there is the obligatory - but well executed - set-up for a Hollow Man 3), it could be an awful, awful lot worse.
Bring 'em on!!