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Directed by | |||
| Susanne Bier | |||
Writing credits(WGA) | ||
| Allan Loeb | (written by) | |
Produced by | |||
| Pippa Harris | .... | executive producer | |
| Barbara Kelly | .... | co-producer | |
| Allan Loeb | .... | executive producer | |
| Sam Mendes | .... | producer | |
| Sam Mercer | .... | producer | |
Original Music by | |||
| Johan Söderqvist | (score by) | ||
Cinematography by | |||
| Tom Stern | (director of photography) | ||
Film Editing by | |||
| Pernille Bech Christensen | |||
| Bruce Cannon | |||
Casting by | |||
| Debra Zane | |||
| Heike Brandstatter | (uncredited) | ||
| Coreen Mayrs | (uncredited) | ||
Production Design by | |||
| Richard Sherman | |||
Art Direction by | |||
| Geoff Wallace | |||
Set Decoration by | |||
| Dominique Fauquet-Lemaitre | |||
Costume Design by | |||
| Karen L. Matthews | (as Karen Matthews) | ||
Makeup Department | |||
| Ian C. Ballard | .... | key hair stylist (as Ian Ballard) | |
| Rick Glassman | .... | dental special effects: Mr. Del Toro (as Rick Glassman, D.D.S.) | |
| Norma Hill-Patton | .... | makeup artist: Ms. Berry | |
| Connie Parker | .... | key makeup artist | |
| Jessica Rain | .... | assistant hair stylist | |
| Gail Rowell-Ryan | .... | hair stylist: Mr. Del Toro (as Gail Ryan) | |
| Debra Wiebe | .... | hair stylist: Ms. Berry | |
| C.J. Wills | .... | assistant makeup artist | |
Production Management | |||
| Abby Callahan | .... | post-production supervisor (as Abigail Callahan) | |
| Barbara Kelly | .... | unit production manager | |
| Paul A. Levin | .... | post-production supervisor (as Paul Levin) | |
Art Department | |||
| Don Anderson | .... | property buyer | |
| Victoria Balharry | .... | graphic artist | |
| Derek Bobroff | .... | on-set painter | |
| Raul Casillas | .... | lead set dresser | |
| Anthony Chruszcz | .... | set dresser | |
| Graham Coutts | .... | property master | |
| Jennifer Donaldson | .... | assistant art director (as Jenny Donaldson) | |
| Keith Esch | .... | paint foreperson | |
| Larry Gonsalves | .... | set dresser | |
| Gillian Goodman | .... | assistant property master (as Gill Goodman) | |
| Jim Green | .... | chief greensperson | |
| Alan Hemsworth | .... | lead greensperson | |
| Scott Holburn | .... | set dresser | |
| Randal Holden | .... | construction foreperson (as Randal James Holden) | |
| Sheri Hunter-Locke | .... | assistant set decorator | |
| Leonardo Lara | .... | on-set dresser | |
| Shannon McFarlane | .... | set dresser | |
| Chris Thompson | .... | construction coordinator | |
| Mario Tomas-Niedworok | .... | paint coordinator (uncredited) | |
Special Effects by | |||
| Alex Burdett | .... | special effects coordinator | |
| Adam Tayler | .... | special effects technician | |
| Kai Hirvonen | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Danny Albano | .... | digital compositor: Technicolor Digital Services | |
| Mary E. Manning | .... | pre-visualization artist: Illusion Arts | |
| Erin L. Nelson | .... | digital restoration | |
| Wilson Tang | .... | digital restoration | |
Stunts | |||
| James Bamford | .... | stunts | |
| Simon Burnett | .... | stunts | |
| Jon Kralt | .... | stunt coordinator | |
| Gerald Paetz | .... | stunts | |
| Wade Simmons | .... | stunts | |
Camera and Electrical Department | |||
| Sandes Ashe | .... | first assistant photographer | |
| Tony Derkach | .... | dolly grip operator | |
| Glen A. Dickson | .... | camera operator (as Glen Dickson) | |
| Gareth Farfan | .... | on-set rigger | |
| Rod Feldmeier | .... | chief rigging technician | |
| Jeremy Giles | .... | grip | |
| Doane Gregory | .... | still photographer | |
| Sean M. Harding | .... | first assistant photographer (as Sean Harding) | |
| Carl Jensen | .... | second company grip | |
| Andrei Jercan | .... | camera trainee | |
| Dave Joshi | .... | video coordinator | |
| Saubrie Mohamed | .... | assistant chief lighting technician (as Saubrie Said Mohamed) | |
| Kevin O'Leary | .... | generator operator | |
| Jason Raschke | .... | second company grip | |
| Jean-Marc Saldini | .... | second assistant photographer | |
| Pawel Sedzimir | .... | assistant chief lighting technician | |
| Bryce Shaw | .... | dolly grip | |
| Morten Søborg | .... | camera operator (as Morten Soborg) | |
| Bill Stefandis | .... | grip (as Bill Stefanidis) | |
| Owen Taylor | .... | chief lighting technician | |
| Tony Thorpe | .... | grip | |
| John Westerlaken | .... | first company grip | |
| Tyler Woeste | .... | second assistant photographer (as Tyler L. Woeste) | |
| Ian Seabrook | .... | underwater camera operator (uncredited) | |
| Leon Serginson | .... | leadman grip (uncredited) | |
Casting Department | |||
| Andrea Brown | .... | background casting | |
| Leslee Feldman | .... | casting executive | |
| Tiffany Mak | .... | casting assistant | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
| Peter Mulholland | .... | extras casting assistant | |
| Leah Nelson | .... | casting assistant | |
| Trica Thompson | .... | casting assistant | |
| Tannis Vallely | .... | casting associate | |
| Adam Cook | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Marnie Ander | .... | costumer | |
| Steve Holloway | .... | costume supervisor | |
| Jana MacDonald | .... | assistant costume designer (as Jana Rayne MacDonald) | |
Editorial Department | |||
| Jill Bogdanowicz | .... | digital intermediate colorist: Technicolor Digital Intermediate | |
| Gary Burritt | .... | negative cutter | |
| Rasmus Gitz | .... | assistant editor (as Rasmus Gitz-Johansen) | |
| Shaun Paul Gordon | .... | post-production coordinator (as Shaun Gordon) | |
| Julia Iriarte | .... | editing production assistant | |
| Bruce Lomet | .... | digital intermediate producer: Technicolor Digital Intermediate | |
| Julia Nessling-Douglas | .... | digital intermediate producer: Technicolor Digital Intermediate (as Julia Nessling) | |
| Francis Power | .... | post-production coordinator | |
| Carrie Puchkoff | .... | assistant editor | |
| Steve Sheridan | .... | color timer | |
| Shelly Theaker | .... | assistant editor | |
| Everette Webber | .... | digital intermediate editor: Technicolor Digital Intermediate (as Everette Jbob Webber) | |
| Justin Bourret | .... | first assistant editor (uncredited) | |
| Thor Roos | .... | colorist: dailies (uncredited) | |
Music Department | |||
| David Richard Campbell | .... | conductor (as David Campbell) | |
| David Richard Campbell | .... | score arranger (as David Campbell) | |
| John Carbonara | .... | assistant music editor | |
| Troy Halderson | .... | score recordist | |
| Susan Jacobs | .... | music supervisor | |
| Anibal Kerpel | .... | score co-producer | |
| Anibal Kerpel | .... | score recordist | |
| Wolfram Koessel | .... | contractor | |
| Suzana Peric | .... | music editor (as Suzana Períc) | |
| Bettie Ross | .... | supervising music copyist | |
| Gustavo Santaolalla | .... | composer: themes | |
| Gustavo Santaolalla | .... | performer: ronroco and guitars | |
Transportation Department | |||
| Jake Callihoo | .... | transportation coordinator (as Jake Calihoo) | |
| Dean Rama | .... | transportation captain | |
| Fred Stephens | .... | transportation co-captain | |
| Terence Chase | .... | driver (uncredited) | |
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| The Kite Runner | Broken Flowers | Mysterious Skin | 8½ | Lantana |
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Greetings again from the darkness. Very good melodrama from Scandanavian director Susanne Bier. The film is intentionally slow moving ... just like real life tragedy. Although we could have been beaten over the head with the cute as heck kids, the story is actually more focused on the heroin addicted best friend played by Benecio del Toro. This makes the point that strength can come from many sources.
Halle Berry gives her best performance since "Monster's Ball" (yes even better than "Catwoman"). We feel her happiness, pain, desperation and hope. The cute kids are played by an amazing 11 yr old Alexis Llewellyn and Micah Berry (not her real life son). Also strong is Alison Lohman, who just doesn't work enough these days. However the strongest performance is by Benecio. I am not sure if the role was written for him or if he just perfectly captures best friend Jerry. It is most complicated role and requires enormous depth.
I definitely recommend the film thanks to its basis in reality and fine performances and terrific direction. However, I will qualify it by saying that I don't believe it is quite in the class of "21 Grams"