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| Tue. Nov. 17 | 12:30 PM | SHOW |
| Daniel Day-Lewis | ... | Daniel Plainview | |
| Martin Stringer | ... | Silver Assay Worker | |
| Matthew Braden Stringer | ... | Silver Assay Worker | |
| Jacob Stringer | ... | Silver Assay Worker | |
| Joseph Mussey | ... | Silver Assay Worker | |
| Barry Del Sherman | ... | H.B. Ailman | |
| Harrison Taylor | ... | Baby H.W. Plainview | |
| Stockton Taylor | ... | Baby H.W. Plainview | |
| Paul F. Tompkins | ... | Prescott | |
| Dillon Freasier | ... | Young H.W. Plainview | |
| Kevin Breznahan | ... | Signal Hill Man | |
| Jim Meskimen | ... | Signal Hill Married Man | |
| Erica Sullivan | ... | Signal Hill Woman | |
| Randall Carver | ... | Mr. Bankside | |
| Coco Leigh | ... | Mrs. Bankside | |
| Paul Dano | ... | Paul Sunday / Eli Sunday | |
| Ciarán Hinds | ... | Fletcher | |
| Sydney McCallister | ... | Young Mary Sunday | |
| David Willis | ... | Abel Sunday | |
| Christine Olejniczak | ... | Mother Sunday | |
| Kellie Hill | ... | Ruth Sunday | |
| James Downey | ... | Al Rose | |
| Dan Swallow | ... | Gene Blaize | |
| Robert Arber | ... | Charlie Wrightsman | |
| Bob Bell | ... | Geologist | |
| David Williams | ... | Ben Blaut | |
| Joy Rawls | ... | Eli Follower | |
| Louise Gregg | ... | Eli Follower | |
| Amber Roberts | ... | Eli Follower | |
| John W. Watts | ... | Oil Worker | |
| Robert Caroline | ... | Oil Worker | |
| Barry Bruce | ... | Oil Worker | |
| Irene G. Hunter | ... | Mrs. Hunter | |
| Hope Elizabeth Reeves | ... | Elizabeth | |
| John Chitwood | ... | Little Boston Doctor | |
| Kevin J. O'Connor | ... | Henry | |
| David Warshofsky | ... | H.M. Tilford | |
| Tom Doyle | ... | J.J. Carter | |
| Colton Woodward | ... | William Bandy | |
| John Burton | ... | L.P. Clair | |
| Hans Howes | ... | Mr. Bandy | |
| Robert Barge | ... | Bartender | |
| Ronald Krut | ... | Standard Oil Man | |
| Huey Rhudy | ... | Standard Oil Man | |
| Steven Barr | ... | Standard Oil Man | |
| Robert Hills | ... | H.W. Plainview's Interpreter | |
| Colleen Foy | ... | Adult Mary Sunday | |
| Russell Harvard | ... | Adult H.W. Plainview | |
| Bob Bock | ... | Priest (as Reverend Bob Bock) | |
| Vince Froio | ... | Plainview Servant | |
| Phil Shelly | ... | Plainview Servant | |
| rest of cast listed alphabetically: | |||
| Mary Elizabeth Barrett | ... | Fanny Clark | |
| Misha Bugaev | ... | Young man (uncredited) | |
| Brad Carr | ... | Signal Hill Man (uncredited) | |
| Rhonda Reeves | ... | Elizabeth's Mother (uncredited) | |
| Arne Starr | ... | Signal Hill Resident (uncredited) | |
Directed by | |||
| Paul Thomas Anderson | |||
Writing credits(WGA) | ||
| Paul Thomas Anderson | (screenplay) | |
| Upton Sinclair | (novel "Oil!") | |
Original Music by | |||
| Jonny Greenwood | |||
Cinematography by | |||
| Robert Elswit | (director of photography) | ||
Film Editing by | |||
| Dylan Tichenor | |||
Casting by | |||
| Cassandra Kulukundis | |||
Production Design by | |||
| Jack Fisk | |||
Art Direction by | |||
| David Crank | |||
Set Decoration by | |||
| Jim Erickson | |||
Costume Design by | |||
| Mark Bridges | |||
Makeup Department | |||
| Kim Ayers | .... | makeup artist: Los Angeles (as Kimberly Ayers) | |
| John Blake | .... | makeup department head | |
| Catherine Conrad | .... | makeup artist | |
| Lupe Devine | .... | hair stylist | |
| Sharon Ray Ely | .... | hair stylist (as Sharon Ely) | |
| Linda D. Flowers | .... | hair department head (as Linda Flowers) | |
| Yesim 'Shimmy' Osman | .... | key hair stylist: Los Angeles | |
| David Larson | .... | hair stylist: Los Angeles (uncredited) | |
Production Management | |||
| Erica Frauman | .... | post-production supervisor | |
| Jamey Pryde | .... | post-production supervisor | |
| Will Weiske | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Eric Richard Lasko | .... | second assistant director (as Eric Lasko) | |
| Jenny Nolan | .... | second second assistant director | |
| Richard Oswald | .... | second assistant director | |
| Adam Somner | .... | first assistant director | |
| Ian Stone | .... | second assistant director: Los Angeles | |
| Jeff Habberstad | .... | second unit director (uncredited) | |
Art Department | |||
| Keith Alexander | .... | propmaker | |
| Steve Allen | .... | propmaker foreperson | |
| Richard 'Frog' Bain | .... | propmaker | |
| Craig Baron | .... | property assistant | |
| Brad Blei | .... | set dresser | |
| Glen Bohls | .... | laborer | |
| Mark 'Finn' Borg | .... | welder | |
| Lewis Bowen | .... | paint foreperson | |
| David Bringas | .... | propmaker supervisor | |
| Robert Brown | .... | propmaker | |
| Ryan Bust | .... | stand-by greens | |
| Marco A. Campos | .... | propmaker supervisor (as Marco Campos) | |
| Bridget Cardenas | .... | stand-by painter: Los Angeles | |
| Raul Carrera | .... | greens | |
| Michael Casey | .... | set dresser: Los Angeles (as Michael P. Casey) | |
| Dirk Clark | .... | propmaker | |
| Jack Colmenero | .... | set dresser | |
| Ronald Cox | .... | propmaker supervisor | |
| Laurence B. Davis | .... | propmaker | |
| Jeffrey DeBell | .... | greens foreperson (as Jeff DeBell) | |
| Ruth De Jong | .... | art department production assistant | |
| Patricia Dillon | .... | set dresser | |
| Derek Drewes | .... | propmaker (as Derek Drews) | |
| Jerry Farrell | .... | propmaker | |
| Tony Farrell | .... | propmaker | |
| Christopher Flournoy | .... | propmaker | |
| Neil Gahm | .... | propmaker supervisor | |
| Franco Georgianna | .... | propmaker | |
| Keith Giller | .... | set dresser: Los Angeles | |
| Sara Giustini | .... | art department production assistant | |
| Billy Guerro | .... | painter | |
| Archie Hankins | .... | carpenter | |
| Mark Hanks | .... | set dresser | |
| Claire Hassig | .... | scenic artist | |
| Kenneth Heimer | .... | propmaker | |
| Jourdan Henderson | .... | art department coordinator | |
| Eric Henshaw | .... | first greens | |
| Clint Higginbotham | .... | propmaker | |
| Allan Holder | .... | propmaker (as Allen Holder) | |
| Bill Holmquist | .... | construction coordinator | |
| Steven Curtis Husch | .... | assistant property master (as Steven C. Husch) | |
| Dean F. Janik | .... | paint foreperson | |
| Steven Kerlagon | .... | paint supervisor | |
| Jerry Kilber | .... | propmaker foreperson | |
| Garry Kirks | .... | propmaker | |
| Jim Krase | .... | propmaker | |
| Andree Lago | .... | scenic artist | |
| Peter J. Lakoff | .... | set dresser: Los Angeles (as Peter Lakoff) | |
| Amy Lamendola | .... | production assistant: Los Angeles | |
| David Lawrence | .... | paint laborer | |
| Eric Luling | .... | on-set dresser | |
| P.K. MacCarthy | .... | storyboard artist | |
| Douglas Machala | .... | leadperson: Los Angeles | |
| Michael C. Magno | .... | set dresser: Los Angeles | |
| Chandra Malone | .... | propmaker | |
| Patrick J. Martin | .... | propmaker supervisor | |
| Walt Mikolwski | .... | construction foreperson (as Walter Mikowlski) | |
| John W. Morgan | .... | scenic painter | |
| Matthew Murphy | .... | set dresser: Los Angeles (as Matt Murphy) | |
| Tyler Noel | .... | laborer | |
| Natalie Palasota | .... | set dresser: Los Angeles | |
| Anthony D. Parrillo | .... | set designer: Los Angeles (as Anthony D. Parillo) | |
| Pavel Pesta | .... | scenic artist | |
| Steve Pfauter | .... | set dresser: Los Angeles | |
| Stuart Rankine | .... | property master | |
| Jack Reeves | .... | stand-by painter | |
| Jeffrey A. Rice | .... | laborer | |
| Michael Riviere | .... | propmaker (as Mickey Riviere) | |
| David Rodriguez | .... | laborer | |
| Steve Roll | .... | propmaker foreperson (as Stephen Roll) | |
| Kyle Safarick | .... | propmaker | |
| Steve Sawhill | .... | leadperson | |
| Charles Seale | .... | propmaker | |
| Chad Simpson | .... | general paint foreperson (as Chad 'Chadwick' Simpson) | |
| Vaughn Rick Smith | .... | propmaker | |
| Michael Smothers | .... | laborer | |
| Robin Spoon | .... | paint coordinator | |
| Jason W. Spradling | .... | propmaker | |
| Carl J. Stensel | .... | set designer (as Carl Stensel) | |
| William Sterling | .... | propmaker | |
| Bobby Thomas | .... | additional assistant property master | |
| Kevin Tomasiello | .... | laborer | |
| John E. Townes | .... | paint laborer | |
| Alex Walker | .... | set dresser: Los Angeles | |
| Leon Wallace | .... | painter | |
| Robert K. Weinberger | .... | propmaker foreperson (as Robert Weinberger) | |
| Amy Wells | .... | assistant set decorator: Los Angeles | |
| Bradly V. Williams | .... | laborer | |
| Don Williams | .... | propmaker | |
| Raul V. Carrera | .... | greens foreman (uncredited) | |
| Michael Goss | .... | labor (uncredited) | |
Special Effects by | |||
| David Blitstein | .... | special effects set foreman | |
| Steve Cremin | .... | special effects coordinator | |
| Christian Eubank | .... | special effects technician (as Christian F. Eubank) | |
| Jay King | .... | special effects technician (as Jay B. King) | |
| William D. Lee | .... | special effects foreman (as William Lee) | |
| Lee McConnell | .... | special effects rigging foreman (as Lee Alan McConnell) | |
| Brandon K. McLaughlin | .... | special effects technician (as Brandon McLaughlin) | |
| Glenn Thomas | .... | special effects technician | |
| Dennis Yeager II | .... | special effects technician | |
| Douglas D. Ziegler | .... | special effects technician (as Douglas Ziegler) | |
Visual Effects by | |||
| Joy Carmeci | .... | visual effects producer: ILM (as Joy Carmecy) | |
| Mark Casey | .... | digital effects artist | |
| John G. Chalfant | .... | CG support | |
| Grady Cofer | .... | visual effects supervisor: ILM | |
| Amit Dhawal | .... | digital artist: Digital Backlot | |
| Christina Graff | .... | visual effects producer | |
| Paul Graff | .... | visual effects supervisor: Digital Backlot | |
| Susan Greenhow | .... | visual effects producer | |
| Sarah Grossmann | .... | compositor: Digital Backlot (as Sarah Grossman) | |
| Elizabeth Hirsch | .... | visual effects production manager: Digital Backlot | |
| Michael Honrada | .... | digital effects artist | |
| Llyr Tobias Johansen | .... | production assistant | |
| Sam Khorshid | .... | lead cgi artist: Digital Backlot (as Samir Khorshid) | |
| Erin D. O'Connor | .... | visual effects coordinator: ILM (as Erin O'Connor) | |
| Ari Sachter-Zeltzer | .... | 3D artist: Digital Backlot | |
| Gregory S. Scribner | .... | compositor: Digital Backlot | |
| Robert Stromberg | .... | visual effects designer | |
| Chad Taylor | .... | digital artist | |
| David Washburn | .... | digital artist: ILM | |
| Adam Watkins | .... | computer graphics supervisor: Digital Backlot | |
Stunts | |||
| Brian Avery | .... | stunt performer | |
| Jeff Habberstad | .... | stunt coordinator | |
| Ryan Happy | .... | stunt performer | |
| Keii Johnston | .... | stunt performer | |
| Mike Justus | .... | stunt performer | |
| Jay King | .... | stunt performer (as Jay B. King) | |
| Shawn Lane | .... | stunt performer | |
| Frank Lloyd | .... | stunt performer | |
| Jake Lombard | .... | stunt performer | |
| Mark Munoz | .... | stunt performer | |
| Denney Pierce | .... | stunt performer | |
| Myke Schwartz | .... | stunt coordinator | |
| Larry M. Shorts | .... | stunt performer (as Larry Shorts) | |
| Paul Sklar | .... | stunt performer | |
| Scott Sproule | .... | stunt performer | |
| Sean Graham | .... | stunts (uncredited) | |
Casting Department | |||
| Sande Alessi | .... | extras casting | |
| Kristan Berona | .... | extras casting | |
| Toni Cobb Brock | .... | location casting | |
| Barbara Harris | .... | adr voice casting | |
| Sally Allen | .... | location casting associate (uncredited) | |
| John Barba | .... | casting associate (uncredited) | |
| Annie Hedgpeth | .... | location casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Kimberly Adams-Galligan | .... | assistant costume designer (as Kimberly Adams) | |
| Eden Clark Coblenz | .... | costume supervisor (as Eden Coblenz) | |
| Elizabeth Galindo | .... | costume intern | |
| Brad Holtzman | .... | on-set costumer | |
| Kathy Kiatta | .... | key costumer (as Kathleen Kiatta) | |
| Elspeth Lauder Mickel | .... | seamstress (as Elspeth Lauder) | |
| Natasha Paczkowski | .... | costume manufacturing foreperson | |
| Andrew Slyder | .... | on-set costumer: Los Angeles | |
| Stephanie A. Steel | .... | on-set costumer | |
| Michelle Elaine Teague | .... | costumer (as Michelle Teague) | |
| Maria Tortu | .... | assistant costume designer: Los Angeles (as Maria K. Tortu) | |
| Catherine Wall | .... | cutter/fitter | |
| Yvonne Wilburn | .... | costumer | |
Editorial Department | |||
| Kenny Becker | .... | color timer | |
| John Campuzano | .... | digital opticals coordinator | |
| Paula Greatbatch | .... | first assistant editor: film (as Paula Suhy) | |
| Peter McNulty | .... | additional editor | |
| Heather Mullen | .... | dailies assistant editor | |
| Mary Nelson-Duerrstein | .... | negative cutter (as Mary Nelson-Fraser) | |
| Tatiana S. Riegel | .... | second editor | |
| Brendan Walsh | .... | second assistant editor | |
| Tristan Mathews | .... | post-production assistant (uncredited) | |
Music Department | |||
| Fiona Bonds | .... | musician: viola | |
| Martin Burgess | .... | musician: violin | |
| Linda Cohen | .... | music supervisor | |
| Caroline Dale | .... | musician: cello | |
| Michael Dussek | .... | musician: piano | |
| Clare Hayes | .... | musician: violin | |
| Lewis Jones | .... | assistant music engineer | |
| Paul Rabjohns | .... | music editor | |
| Simon Rhodes | .... | score recordist | |
| William Schofield | .... | musician: cello | |
| Graeme Stewart | .... | music engineer: additional score | |
| Graeme Stewart | .... | score mixer: additional score | |
| Graeme Stewart | .... | score recordist: additional score | |
| Rudolf Werthen | .... | conductor | |
| Robert Ziegler | .... | conductor | |
Thanks | |||
| Robert Altman | .... | dedicatee | |
| Gary Bolen | .... | thanks | |
| Mark Graziano | .... | special thanks | |
| Richard Grigsby | .... | thanks | |
| David Lanman | .... | thanks (as Mayor David Lanman of Marfa, TX) | |
| Betty MacGuire | .... | thanks | |
| Sam Rinehart | .... | thanks | |
| Troy Rinehart | .... | thanks | |
| Dale Rittenhouse | .... | thanks | |
| Tom Sherak | .... | thanks | |
| Roy Williams | .... | thanks | |
| Gil Wilson | .... | thanks | |
| Brendon Woodtaylor | .... | thanks | |
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The year I was born was the same year Predator and Robocop came out. When I was finally old enough to appreciate films, Little Nicky was in theaters. I know, believe me, I know; rocky start. And often I would watch older films, or specials on older films, and be dazzled. You know the ones. Remember when they made Spartacus? Remember sitting in the movies and watching Gregory Peck play Atticus Finch in To Kill A Mockingbird? Remember the first time you heard "I could've been a contender" through theater speakers? Well I sure as hell don't. But I'll tell you what, now I feel somewhat caught up. Let's begin with the obvious. Daniel Day Lewis. No one's arguing about this. The man is a veritable God among ants on the screen. He takes his role by the reigns and I don't doubt him for a second. In fact, at times, I was downright afraid of the man. Lewis gives what is easily, EASILY the best performance of the past five years. But let's get serious about it. Lewis' Daniel Plainview is the most convincing, awe-inspiring, and downright mortifying character to take the big screen that I can remember. Here, perfectly in his element and at his best, Lewis could go toe to toe with Brando and Kinski, playing a part that oozes enough skill and pathos to earn him a place among Hollywood's, and perhaps the world's, greatest performances of all time. He gives those of us who missed out on the craft, depth of character, and technique of classic cinema a chance to admire a tour de force portrayal of a memorable, identifiable, and completely despicable character, and it's so damned refreshing that I can't stop singing the man's praises. Paul Dano has been taking a lot of fire for this whole thing. People continue to spout their disapproval of the film's casting, saying that Dano has no business rivaling the seasoned Lewis on the screen. Listen, lay down your swords a minute and consider the obvious. The guy was cast opposite the performance of the decade, he's not going to outshine Lewis and you'd be crazy to expect him to. In fact, I think that he and Lewis' back-and-forths are the films highlights, as we see the juxtaposition not only in the characters themselves, but also in their acting techniques. And the cinematography? Welcome to the old days of film. The glory days of Hollywood. Anderson gives us one of the most beautifully shot and directed films in recent memory, truly at the top of his craft on this one. Every moment feels more epic than the last, until the film becomes such a towering cinematic spectacle that the end leaves the viewer exhausted. It's truly an experience not to be missed. Yeah, we missed out on A Street Car Named Desire. And Casablanca isn't gonna be in theaters again any time soon. But in the meantime, There Will Be Blood is just about as good, and will likely haunt our generation as much as the Hollywood studio epics of the past...