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Directed by | |||
| Jason Reitman | |||
Writing credits(WGA) | ||
| Diablo Cody | (written by) | |
Produced by | |||
| Joseph Drake | .... | executive producer (as Joe Drake) | |
| Daniel Dubiecki | .... | executive producer | |
| Lianne Halfon | .... | producer | |
| Nathan Kahane | .... | executive producer | |
| Kelli Konop | .... | co-producer | |
| John Malkovich | .... | producer | |
| Jim Miller | .... | co-producer | |
| Mason Novick | .... | producer | |
| Russell Smith | .... | producer | |
| Brad Van Arragon | .... | co-producer | |
Original Music by | |||
| Matt Messina | (as Mateo Messina) | ||
Cinematography by | |||
| Eric Steelberg | (director of photography) | ||
Film Editing by | |||
| Dana E. Glauberman | |||
Casting by | |||
| Kara Lipson | |||
| Mindy Marin | |||
Production Design by | |||
| Steve Saklad | |||
Art Direction by | |||
| Michael Diner | |||
| Catherine Schroer | |||
Set Decoration by | |||
| Shane Vieau | |||
Costume Design by | |||
| Monique Prudhomme | |||
Makeup Department | |||
| Sandy Cooper | .... | makeup artist | |
| Victoria Down | .... | key makeup artist | |
| Monica Huppert | .... | makeup artist | |
| Toby Lindala | .... | special makeup effects artist | |
| Sherry Linder-Gygli | .... | key hair stylist (as Sherry Gygli) | |
| Ann Pala | .... | makeup artist: J. Garner | |
| Robert A. Pandini | .... | hair stylist (as Robert Pandini) | |
| Lance Webb | .... | special makeup effects artist | |
Production Management | |||
| Jack Schuster | .... | post-production supervisor | |
| Michael Williams | .... | unit production manager | |
Art Department | |||
| John Beatty | .... | construction coordinator | |
| Josephine Bleuer | .... | key greensperson (as Josi Bleuer) | |
| Mike Carter | .... | greens person | |
| Michael Church | .... | set dresser (as Mike Church) | |
| Alex Cram | .... | assistant property master | |
| Doug Currie | .... | paint coordinator | |
| Paul Arthur Hartman | .... | set dresser (as Paul Hartman) | |
| Michael Jovanovski | .... | set dresser | |
| Dusty Kelly | .... | lead painter | |
| Bryan Korenberg | .... | property master | |
| Sergio Lavilla | .... | set dresser | |
| Johanna Manders | .... | greens person | |
| Dale Menzies | .... | carpenter (as Dale Manzies) | |
| D.J. Miller | .... | greens person | |
| Melissa Olson | .... | assistant set decorator (as Melissa Grace Olson) | |
| Susan Spaid | .... | set dresser (as Susan Spade) | |
| Kevin Tomecek | .... | lead carpenter | |
| Lori West | .... | art department coordinator | |
| Christopher Wishart | .... | set dresser | |
Sound Department | |||
| Barney Cabral | .... | supervising adr editor | |
| Rickley W. Dumm | .... | sound editor | |
| Richard Dwan Jr. | .... | sound editor | |
| Richard Dwan Jr. | .... | supervising dialogue editor | |
| J. Stanley Johnston | .... | sound re-recording mixer | |
| Bradley Kita | .... | sound assistant (as Brad Kita) | |
| Michael Kreple | .... | foley mixer | |
| James Kusan | .... | sound mixer | |
| Travis MacKay | .... | adr recordist | |
| Nick Neutra | .... | foley supervisor | |
| Rick Owens | .... | foley artist | |
| Ken S. Polk | .... | sound re-recording mixer | |
| Andy Potvin | .... | sound consultant: dolby | |
| Perry Robertson | .... | supervising sound editor | |
| Scott Sanders | .... | sound re-recording mixer | |
| Scott Sanders | .... | supervising sound designer | |
| Gabriel J. Serrano | .... | sound mix recordist (as Gabe Serrano) | |
| Frederick H. Stahly | .... | sound editor (as Fred Stahly) | |
| Eric Thompson | .... | adr mixer | |
| Tony Wyman | .... | boom operator | |
| Kevin Zimmerman | .... | first assistant sound editor (as Kevin A. Zimmerman) | |
| David Hingorany | .... | sound mix engineer (uncredited) | |
Special Effects by | |||
| Michael Bolan | .... | special effects technician (as Mike Bolan) | |
| Rory Cutler | .... | special effects technician | |
| Ian Korver | .... | special effects technician | |
| Ken Reynolds | .... | special effects technician | |
| John Sleep | .... | special effects supervisor | |
| Attila Vaski | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Go Aoyama | .... | CG artist: CosFX | |
| Cosmas Paul Bolger Jr. | .... | visual effects supervisor: CosFX | |
| James Chu | .... | CG artist: CosFX | |
| Patrick Clancey | .... | digital opticals: Efilm (as Pat Clancey) | |
| Brandon Flyte | .... | CG artist: CosFX | |
| Owen Holdren | .... | CG supervisor: CosFX | |
| Ken Locsmandi | .... | visual effects production coordinator: CosFX | |
| Sharon Stetzel | .... | visual effects producer: CosFX | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Danita Slaughter | .... | digital opticals editor (uncredited) | |
Stunts | |||
| Scott J. Ateah | .... | stunt coordinator (as Scott Ateah) | |
Casting Department | |||
| Heike Brandstatter | .... | casting: Vancouver | |
| Coreen Mayrs | .... | casting: Vancouver | |
| Tiffany Mak | .... | casting assistant (uncredited) | |
| Trica Thompson | .... | casting coordinator: Canada (uncredited) | |
Costume and Wardrobe Department | |||
| Maria Bradley | .... | costumer: J. Garner | |
| Christine Coutts | .... | assistant costume designer | |
| Summer Eves | .... | truck costumer | |
| Lise Hache | .... | costumer | |
| Paul Lavigne | .... | costume set supervisor (as J. Paul Lavigne) | |
Editorial Department | |||
| Yanosh Cuglove | .... | editorial intern | |
| Omar Hassan-Reep | .... | post-production assistant | |
| Tim Krubsack | .... | digital intermediate consultant: Efilm | |
| Natasha Leonnet | .... | colorist | |
| Loan Phan | .... | digital intermediate producer: Efilm | |
| Martha Pike | .... | digital intermediate editor: Efilm | |
| Clay Rawlins | .... | first assistant editor | |
| Tom Reiser | .... | color timing assistant: Efilm | |
Music Department | |||
| Peter Afterman | .... | music supervisor | |
| Jason Faulkner | .... | guitar teacher | |
| Oren Hadar | .... | score mixer | |
| Hodges | .... | guitar teacher | |
| Alison Litton | .... | music coordinator | |
| Nick South | .... | music editor | |
| Margaret Yen | .... | music supervisor | |
| Robert Scott Crane | .... | music engineer (uncredited) | |
Transportation Department | |||
| Scott Delaplace | .... | transportation captain | |
| Clif Kosterman | .... | transportation coordinator | |
| Shawn O'Hearn | .... | transportation co-captain | |
Other crew | |||
| Rachel Chapman | .... | assistant: Mr. Kahane | |
| Samantha Christian | .... | assistant chef | |
| Sandra Cinelli | .... | chef | |
| Peter Cummings | .... | clearance coordinator | |
| Dave Daniels | .... | production assistant | |
| Shelly Darden | .... | assistant: Mr. Mudd (as Shelley Darden) | |
| Alex Dias | .... | production assistant | |
| Karyn Edwards | .... | production legal: Canada | |
| Helen Estabrook | .... | assistant: Mr. Dubiecki | |
| Helen Estabrook | .... | assistant: Mr. Reitman | |
| Evan Godfrey | .... | assistant: Mr. Reitman | |
| Saskia Gould | .... | stand-in | |
| Soo Hugh | .... | assistant: Mr. Drake | |
| Kris Kadzielski | .... | trainee assistant location manager | |
| Krista Kelloway | .... | on-set assistant to producers | |
| Katya Krotenko | .... | stand-in | |
| Sidney LeClaire | .... | assistant accountant | |
| Jenny Lee | .... | title designer | |
| Mary Lee | .... | creative executive: Mandate Pictures | |
| Sue Levens | .... | production accountant | |
| Christopher McDonell | .... | location scout (as Christopher MacDonnell) | |
| Emily Millard | .... | assistant: Ms. Garner | |
| Keli Moore | .... | location coordinator | |
| Darrin Pearson | .... | security coordinator (as Darren Pearson) | |
| Corby-Lynn Pinder | .... | production assistant (as Corby Pinder) | |
| Holly Pinder | .... | key location production assistant | |
| Matthew Reis | .... | assistant: Mr. Novick (as Matt Reis) | |
| Melissa Repka | .... | stand-in | |
| Sheryl Rhodes | .... | assistant production coordinator | |
| Kyle Riefsnyder | .... | stand-in (as Kyle Reifsnyder) | |
| Lawra Robertson | .... | on-set assistant to producers | |
| Neil Robertson | .... | location manager | |
| Tania Rosa | .... | assistant accountant | |
| Stephanie Rossel | .... | script supervisor | |
| Ari Sachter-Zeltzer | .... | main title producer | |
| Helen Sideris | .... | post accounting | |
| Rhonda Simpson | .... | craft service (as Ronda Simpson) | |
| Rhonda Simpson | .... | first aid (as Ronda Simpson) | |
| Troy Sitter | .... | on-set assistant to producers | |
| Gareth Smith | .... | title designer | |
| E. Michael Stankevich | .... | assistant: Mr. Mudd (as Michael Stankevich) | |
| Chris Thoma | .... | assistant location manager (as Christian Thoma) | |
| Nicole Vaughan | .... | assistant chef | |
| Jeremy Walker | .... | unit publicist | |
| Trevor Westerhoff | .... | production coordinator | |
| Terri Willan | .... | craft service | |
| Terri Willan | .... | first aid | |
| Terry Wong | .... | production assistant | |
| Jeff Wonnenberg | .... | second assistant production coordinator | |
| Claudia Costa | .... | assistant to producers (uncredited) | |
| Claudia Costa | .... | production assistant to assistant director (uncredited) | |
| Ryan Mains | .... | assistant location manager: re-shoots (uncredited) | |
| Shaun Moskie | .... | key production assistant (uncredited) | |
| John T.L. Tang | .... | production assistant (uncredited) | |
| Jeff Warden | .... | production assistant (uncredited) | |
Thanks | |||
| Ethan Berger | .... | thanks | |
| David Choe | .... | thanks | |
| Rick Clark | .... | special thanks | |
| Melissa Havard | .... | thanks | |
| Angie Hensley | .... | thanks | |
| Eddie Lin | .... | thanks | |
| Tara McPherson | .... | thanks | |
| Eleanor O'Connor | .... | thanks | |
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| Palindromes | For Keeps? | Smart People | Georgy Girl | Across the Universe |
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Following all of the hype, it was impossible for me to not want to see Juno. Everyone has raved about it for months, and I waited patiently for it to be released somewhere nearby. And the wait definitely made it worthwhile.
Juno chronicles the story of the titular sixteen-year-old girl (played by Ellen Page), and the fallout of her accidental pregnancy. After deciding to not have an abortion, Juno decides that she will give the baby up for adoption to would-be parents Vanessa and Mark Loring (Jennifer Garner and Jason Bateman) after finding an ad in the local classified section of the newspaper.
It may not sound like a deep film, but right from moment one, the film draws you into Juno's bizarre world of teenage angst and wonderment. It progresses through the stages of her pregnancy (and the seasons that pass), and through the various problems and issues that arise as a result of the pregnancy.
This is aided almost exclusively by the commanding presence of Page. Her work here is simply astounding, and watching her mature as the film goes on is the stuff of movie magic. She plays Juno with a chip on her shoulder, and a keen sense of tongue in cheek. She is very in tune with the role, and even though it is not wholly original, she makes it her own and gives it a grand sense of earnestness (and pathos when needed). She plays it even better during the more hormonal aspects of the pregnancy, and she makes her undeniable mark on the movie-going public as she does. After seeing her intense, calculating and downright terrifying work in Hard Candy, I knew that she would be a presence to be reckoned with. And in seeing Juno, I now know that she truly will continue to grow into a great actress.
Supporting turns from just about everyone only further complement Page's terrific acting. Garner and Bateman, while not as well written as Page, do great as the would-be adoptive parents. While Bateman taps into his not so over-the-top side (which he used to his great advantage in scene-stealing roles in Smokin' Aces and The Ex), and gives a great character performance, Garner does even better as the over-domineering wife. She gives the role a slightly creepy tinge in a few cases, but for the most part, delivers one of her best performances. While not as commanding as he was in Superbad, Michael Cera, as the father of Juno's baby, gives his character a glossy sense of naivety as the film begins, but slowly falls into a grander sense of geeky goodness as the film goes on. His shy teenage chemistry with Page is astounding, and helps give the film its greatest moments of heartfelt drama. J.K. Simmons and Allison Janney round out the cast, lending the film some of its deeply funny and dramatic moments as Juno's parents, and relative newcomer Olivia Thirlby does very well as Juno's best friend.
But for how great the cast was, what I was really anticipating was the screenplay, by current sensation Diablo Cody. I was a little apprehensive at wanting to jump on the bandwagon of praising her, but the script is truly wonderful. While the start of the film feels a little forced with its witty and sarcastic banter, the film gradually progresses into a very fair balance of hilarity and drama. Its gradual depth does not go unnoticed, and as the film packs into its most dramatic scenes, it really becomes apparent that Cody has a great sense of how to write really well. First time screenwriters (or even screen writing hopefuls) can take notes in how well expressed the wording is here (and how obscure pop culture references can still be funny), and just how greatly written the film is. When dialogue comes so natural to some of these characters, it becomes very obvious that the writer knows what they are doing. If she keeps up like this, than I think she could truly be the prodigy that everyone is making her out to be (although Jennifer's Body really does not sound like a step in the right direction).
I think what only slows the film down is the near forced relationship between Page and Bateman that grows as the film goes on. I understand its importance to the film and understand why it is here, but I just think they play it a little too loosely and way too longish to make it feel as worthwhile as it needs to be. The two work off of each other well, yes (although not nearly as well as Page and Cera, or even Bateman and Garner), but the dialogue and scenes between them just sound like an afterthought, and do not seem in sync with the rest of the film. They have the humour, they have the references (maybe a few too many), but they just do not jive nearly as solidly as they should. Maybe a little less focus on these scenes, and more with the likes of Cera (who is not underused, but probably could have been used a bit more) or Simmons or Thrilby (who are not used nearly enough) could have helped make the movie even better than it already is.
Juno is not perfect, but it is heartwarming and bittersweet all the same. I laughed and almost got choked up by how exquisitely written and how superbly acted the film was. Page is marvellous in the lead role, and Cody just might be on the right path to be true greatness. If only all small Indies could be nearly as memorable or nearly as astonishing as this one is. An obvious candidate for being one of the best (and funniest) films of the year.
9/10.