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Peter Morgan (screenplay)
Philippa Gregory (novel)
29 February 2008 (USA) more
The only thing that could come between these sisters... is a kingdom. more
Two sisters contend for the affection of King Henry VIII. full summary | full synopsis
3 nominations more
Elegantly Bubbly
(From FilmInk.com.au. 26 October 2009, 1:01 AM, PDT)
‘Betty Anne Waters’ gets score by Cantelon
(From MovieScore Magazine. 25 September 2009, 7:24 AM, PDT)
Outstanding New Historiacal film ..Go see more (208 total)
Directed by | |||
| Justin Chadwick | |||
Writing credits | ||
| Peter Morgan | (screenplay) | |
| Philippa Gregory | (novel) | |
Original Music by | |||
| Paul Cantelon | |||
Cinematography by | |||
| Kieran McGuigan | (director of photography) | ||
Film Editing by | |||
| Paul Knight | |||
| Carol Littleton | |||
Casting by | |||
| Karen Lindsay-Stewart | |||
Production Design by | |||
| John Paul Kelly | (as John-Paul Kelly) | ||
Art Direction by | |||
| David Allday | (supervising art director) | ||
| Matthew Gray | (as Matt Gray) | ||
| Emma MacDevitt | |||
| Kevin Phipps | |||
Set Decoration by | |||
| Sara Wan | |||
Costume Design by | |||
| Sandy Powell | |||
Makeup Department | |||
| Paul Gooch | .... | hair stylist | |
| Paul Gooch | .... | makeup artist | |
| Barbara Olvera | .... | hair stylist: Ms. Johansson | |
| Peter Owen | .... | wig designer | |
| Lisa Pickering | .... | hair stylist | |
| Lisa Pickering | .... | makeup artist | |
| Ivana Primorac | .... | hair designer | |
| Ivana Primorac | .... | makeup designer | |
| Nikita Rae | .... | makeup artist: Ms. Portman | |
| Heba Thorisdottir | .... | makeup artist: Ms. Johansson | |
| Christine Whitney | .... | hair stylist (as Chrissie Whitney) | |
| Christine Whitney | .... | makeup artist (as Chrissie Whitney) | |
| Suzanne Jansen | .... | crowd hair stylist (uncredited) | |
| Suzanne Jansen | .... | crowd makeup artist (uncredited) | |
| Camilla Kirk-Reynolds | .... | makeup trainee (uncredited) | |
| Andy Seston | .... | hair trainee (uncredited) | |
| Andy Seston | .... | makeup trainee (uncredited) | |
| Barbara Taylor | .... | crowd hair stylist (uncredited) | |
| Barbara Taylor | .... | crowd makeup artist (uncredited) | |
Production Management | |||
| Tania Blunden | .... | post-production supervisor | |
| Mally Chung | .... | unit manager | |
| Rachel Neale | .... | unit production manager | |
Art Department | |||
| Ken Barley | .... | hod plasterer (as Kenny Barley) | |
| Mark Goodman | .... | stand-by stagehand | |
| David Haberfield | .... | hod painter (as Dave Haberfield) | |
| Katy Harvey | .... | stand-by art director | |
| Catherine Haugh | .... | construction coordinator | |
| Springer Horrill | .... | property master (as David Springer Horrill) | |
| Thomas Martin | .... | construction manager | |
| Tom Martin | .... | construction manager | |
| Dan Maslen | .... | storyboard artist | |
| John McGee | .... | stand-by carpenter | |
| John O'Brien | .... | hod carpenter | |
| Alan Payne | .... | graphic artist | |
| Sui Rajakaruna | .... | assistant art director | |
| Claire Nia Richards | .... | leadman (as Claire Richards) | |
| Sophie Tyler | .... | assistant set decorator | |
| David Weller | .... | stand-by rigger (as Dave Weller) | |
| Penny White | .... | assistant property mistress | |
| Derek Whorlow | .... | hod stagehand | |
| Eddie Wolstencroft | .... | stand-by painter | |
| Giles Asbury | .... | storyboard artist (uncredited) | |
| Chris Cull | .... | property master: additional photography (uncredited) | |
| Laurent Ferrie | .... | drapesman (uncredited) | |
| Nick Gottschalk | .... | art director: additional photography (uncredited) | |
| Lee Hedges | .... | dressing prop daily (uncredited) | |
| Mark Hedges | .... | dressing prop daily (uncredited) | |
| Shay Leonard | .... | props key (uncredited) | |
| Niall Moroney | .... | supervising art director: additional photography (uncredited) | |
| Andrew Palmer | .... | junior draughtsman (uncredited) | |
| Stuart Read | .... | dressing props: dailies, additional photography (uncredited) | |
| Bill Thomas | .... | propmaker (uncredited) | |
| Remo Tozzi | .... | set designer (uncredited) | |
| Oli van der Vijver | .... | props (uncredited) | |
| Peter Woods | .... | chargehand dressing prop (uncredited) | |
| Jackie Yau | .... | assistant buyer (uncredited) | |
Sound Department | |||
| Peter Burgis | .... | foley artist (as Pete Burgis) | |
| Danny Crowley | .... | boom operator | |
| Andie Derrick | .... | foley artist (as Andi Derrick) | |
| Mike Dowson | .... | sound re-recording mixer | |
| Michael Fentum | .... | foley editor | |
| Paul Govey | .... | sound re-recording mixer | |
| Arthur Graley | .... | foley editor | |
| Charlotte Gray | .... | sound assistant | |
| James Harrison | .... | sound effects editor | |
| Nigel Heath | .... | sound re-recording mixer | |
| John Midgley | .... | production sound mixer | |
| Clive Osborne | .... | boom operator | |
| Julian Slater | .... | supervising sound editor | |
| Ian Wilkinson | .... | adr editor | |
| Ian Wilkinson | .... | dialogue editor | |
| Harry Barnes | .... | additional foley editor (uncredited) | |
| Antony Bayman | .... | adr recordist (uncredited) | |
| John Casali | .... | sound mixer: additional shooting (uncredited) | |
| Ed Colyer | .... | sound mixer (uncredited) | |
| James Corless | .... | sound mix technician (uncredited) | |
| Gary Dodkin | .... | boom operator: additional photography (uncredited) | |
| Robert Edwards | .... | adr recordist (uncredited) | |
| Glen Gathard | .... | assistant adr & foley mixer (uncredited) | |
| Ashley Haller | .... | sound mix technician (uncredited) | |
| Chris Murphy | .... | assistant sound: additional photography (uncredited) | |
Special Effects by | |||
| Stuart Brisdon | .... | special effects supervisor | |
| Joseph Geday | .... | special effects technician | |
| Mark Haddenham | .... | special effects senior technician | |
| Tez Palmer | .... | special effects technician (as Terry Palmer) | |
| Nigel Wilkinson | .... | special effects technician | |
| Paul Clancy | .... | special effects senior technician (uncredited) | |
| Steve Knowles | .... | senior special effects technician (uncredited) | |
| Ian Lowe | .... | senior special effects technician (uncredited) | |
Visual Effects by | |||
| Lucy Ainsworth-Taylor | .... | visual effects producer: Moving Picture Company | |
| Jonathan Attenborough | .... | visual effects lighting technical director: Moving Picture Company (as Jon Attenborough) | |
| Angela Barson | .... | visual effects supervisor: Moving Picture Company | |
| Stuart Bullen | .... | compositor: Moving Picture Company | |
| Jon Capleton | .... | matchmover: Moving Picture Company | |
| Helen Clare | .... | visual effects production coordinator: Moving Picture Company | |
| Michael Elson | .... | visual effects executive producer: Moving Picture Company | |
| Martin Hession | .... | visual effects modeler: Moving Picture Company | |
| John Leonti | .... | cg supervisor: Moving Picture Company | |
| Elliot Newman | .... | texture artist: Moving Picture Company | |
| Tony Peck | .... | compositor: Moving Picture Company (as Anthony Peck) | |
| Olivier Pron | .... | digital matte painter: Moving Picture Company | |
| Ollie Rankin | .... | visual effects animator: Moving Picture Company | |
| Steve J. Sanchez | .... | compositor: Moving Picture Company (as Steve Sanchez) | |
| Pat Wintersgill | .... | on-line editor | |
| Luke Butler | .... | roto/prep: MPC (uncredited) | |
| Ben Gillingham-Sutton | .... | paint and rotoscope artist (uncredited) | |
| Ryan Hutchings | .... | roto/prep artist: MPC (uncredited) | |
| Owen Jones | .... | matchmove artist (uncredited) | |
| Begoña Lopez | .... | digital lab producer: MPC (uncredited) | |
| Marlin McGlone | .... | data operative (uncredited) | |
| David Swift | .... | digital matte artist: MPC (uncredited) | |
| Neil Szymanski | .... | data operative (uncredited) | |
| Aaron Taylor | .... | data operative: MPC (uncredited) | |
| Adam Walker | .... | modeller (uncredited) | |
Stunts | |||
| Derek Lea | .... | stunts | |
| Tony Lucken | .... | stunts | |
| Gerard Naprous | .... | stunt coordinator | |
| Andy Butcher | .... | horse stunts (uncredited) | |
| Paul Hornsby | .... | horse stunts (uncredited) | |
| Paul Hornsby | .... | horse wrangler (uncredited) | |
| Lee Sheward | .... | stunt coordinator (uncredited) | |
Casting Department | |||
| Anna Cooper | .... | casting assistant | |
| Ilenka Jelowicki | .... | extras casting | |
Costume and Wardrobe Department | |||
| Sue Casey | .... | costumer | |
| Annie Hadley | .... | chief pattern cutter | |
| Helen Ingham | .... | costumer | |
| Joe Kowalewski | .... | assistant costume supervisor | |
| David Otzen | .... | costumer | |
| Debbie Scott | .... | assistant costume designer (as Deborah Lynn Scott) | |
| Sunita Singh | .... | costumer | |
| Clare Spragge | .... | costume supervisor | |
| Vanessa Woolgar | .... | wardrobe mistress | |
| Sheara Abrahams | .... | costume trainee (uncredited) | |
| David Bethell | .... | costume prop (uncredited) | |
| Barbara Brady | .... | costume assistant (uncredited) | |
| Simon Brindle | .... | costume props (uncredited) | |
| Rob Brown | .... | costume assistant (uncredited) | |
| Melanie Carter | .... | costume maker (uncredited) | |
| John Cowell | .... | head costume painter (uncredited) | |
| Sally Davis | .... | costume assistant (uncredited) | |
| Caroline Fallon | .... | costume production assistant (uncredited) | |
| Oliver Garcia | .... | costume assistant (uncredited) | |
| Rose Gardner | .... | costume trainee (uncredited) | |
| Vidya Krishnamurthy | .... | costume assistant: additional photography (uncredited) | |
| Linda Lashley | .... | costumer (uncredited) | |
| Charlotte Law | .... | costume assistant (uncredited) | |
| Jane Law | .... | costumes: Eric Bana and Ana Torent (uncredited) | |
| Rachel Lilley | .... | costume trainee (uncredited) | |
| Martin Mandeville | .... | costume coordinator (uncredited) | |
| Stephen Miles | .... | costume maker (uncredited) | |
| Liannah Pile | .... | costume trainee (uncredited) | |
| Lora E. Revitt | .... | junior costume assistant (uncredited) | |
| Sharon Robertson | .... | costume assistant (uncredited) | |
| Jackie Thomas | .... | costume assistant (uncredited) | |
| Wyn Vaughan-Humphreys | .... | costume assistant (uncredited) | |
| Michael Weldon | .... | costume assistant: additional photography (uncredited) | |
| Dominic Young | .... | costume maker (uncredited) | |
Editorial Department | |||
| Matthew Bristowe | .... | digital intermediate supervisor: Moving Picture Company | |
| Hannah Godwin | .... | post-production coordinator | |
| Mark Neale | .... | first assistant editor | |
| Rob Redford | .... | second assistant editor (as Robert Redford) | |
| Ben Renton | .... | second assistant editor | |
| Jean-Clement Soret | .... | digital colorist: Moving Picture Company | |
| Faye Stevens | .... | post-production coordinator | |
| Lorene Dewett | .... | apprentice editor (uncredited) | |
| Hanh Nguyen | .... | editor trainee (uncredited) | |
Music Department | |||
| Geoff Alexander | .... | orchestrator (as Geoffrey Alexander) | |
| Gary Chester | .... | score mixer | |
| Matt Dunkley | .... | orchestrator | |
| Matt Robertson | .... | music pre-production | |
| James Shearman | .... | conductor | |
| James Shearman | .... | orchestrator | |
| Graham Sutton | .... | music editor | |
| Youki Yamamoto | .... | music programmer | |
| Paul Cantelon | .... | musician (uncredited) | |
| Anne Pope | .... | score consultant (uncredited) | |
| Miroslav Vilímec | .... | musician (uncredited) | |
Transportation Department | |||
| Gary Birmingham | .... | transportation captain | |
| Jimmy Carruthers | .... | transportation co-captain (uncredited) | |
| Alan Emanuel | .... | unit driver (uncredited) | |
| Lee Isgar | .... | driver: Scarlett Johansson (uncredited) | |
| Roy Kirkman | .... | driver (uncredited) | |
Other crew | |||
| Sheara Abrahams | .... | production assistant | |
| Andy Brunskill | .... | assistant: Ms. Owen | |
| Noel Butler | .... | etiquette coach | |
| Roisin Carty | .... | dialect coach | |
| Francesca Castellano | .... | production coordinator | |
| Andrea Coles | .... | assistant: Mr. Rudin | |
| Taryn Cox | .... | assistant: Ms. Johansson | |
| Tom Crooke | .... | location manager | |
| Caroline Fallon | .... | production assistant | |
| Elton Farla | .... | medic | |
| Polly Fletcher | .... | assistant accountant | |
| Linda Gamble | .... | unit publicist | |
| Jen Gasson | .... | assistant: Mr. Bana | |
| Jacquie Glanville | .... | assistant: Mr. Chadwick | |
| Synnöve Godeseth | .... | production assistant | |
| Paul Harris | .... | choreographer | |
| Jo Harrop | .... | assistant production coordinator: Los Angeles | |
| Katie Heller | .... | assistant: Ms. Portman | |
| Emily Hobbs | .... | production assistant | |
| Martin Joy | .... | location manager | |
| Robert Karn | .... | production assistant | |
| Nathan Kelly | .... | assistant: Mr. Rudin | |
| Adam Klaff | .... | assistant: Mr. Rudin | |
| Rowan Laidlaw | .... | assistant: Mr. Cooper | |
| Alex Levenson | .... | assistant: Mr. Rudin | |
| Felix Levinson | .... | production assistant | |
| Duncan Manning | .... | chef | |
| Jill McCullough | .... | dialect coach | |
| Sanaz Missaghian | .... | assistant production coordinator | |
| Nathan Najor | .... | adr loop group | |
| Camilla Naprous | .... | assistant horse master | |
| Nathan Naylor | .... | loop group coordinator | |
| Emma Owen | .... | assistant: Mr. Chadwick | |
| Gill Raddings | .... | animal handler | |
| Norman Campbell Rees | .... | stand-in: eric banna: reshoots | |
| Lee Robertson | .... | assistant location manager | |
| Isaac Sananes | .... | assistant accountant | |
| Shruti Shah | .... | production controller | |
| Sam Smith | .... | production assistant | |
| Jayne Spooner | .... | script supervisor | |
| Ashley Tyas | .... | title designer: Moving Picture Company | |
| Ben Ward | .... | production assistant | |
| Rebecca Wolf | .... | assistant accountant | |
| Jack Yiokoumi | .... | chef | |
| Lorraine Bagshaw | .... | locations runner (uncredited) | |
| Linzi Baltrunas | .... | location scout (uncredited) | |
| Samantha Barber | .... | script supervisor: second unit (uncredited) | |
| Mona Benjamin | .... | production coordinator: additional shooting (uncredited) | |
| Charles Bodycomb | .... | armorer (uncredited) | |
| Vicky Chapman | .... | location assistant (uncredited) | |
| Rebecca Davis | .... | daily location assistant (uncredited) | |
| Gayle Dickie | .... | production assistant (uncredited) | |
| Farnaz Donovan | .... | assistant accountant (uncredited) | |
| Isabelle Duvoisin | .... | press attache: France (uncredited) | |
| Paul Fischer | .... | utility stand-in (uncredited) | |
| Tania Gordon | .... | crowd runner: dailies (uncredited) | |
| Tanya Gordon | .... | production assistant (uncredited) | |
| Will Haynes | .... | runner (uncredited) | |
| Dan Hillsdon | .... | assistant accountant (uncredited) | |
| Jérôme Jouneaux | .... | press attache: France (uncredited) | |
| Jennifer Lambert | .... | nurse (uncredited) | |
| Jamie Lengyel | .... | location manager: additional photography (uncredited) | |
| Sandrine Loisy | .... | set production assistant: Dailies (uncredited) | |
| James McGrady | .... | floor runner: additional photography (uncredited) | |
| Louise Melzack | .... | locations runner (uncredited) | |
| Alex Molden | .... | production runner: additional photography (uncredited) | |
| Gerard Naprous | .... | horse master (uncredited) | |
| Michael Northern | .... | location runner (uncredited) | |
| Finlay Pile | .... | assistant location manager: additional photography (uncredited) | |
| Holly Pullinger | .... | accommodation coordinator (uncredited) | |
| Matthieu Rey | .... | press attache: France (uncredited) | |
| Keleigh Slaight | .... | production coordinator: Studio (uncredited) | |
| Kelly Taylor-Dias | .... | assistant production coordinator: additional photography (uncredited) | |
| Anna Turner | .... | locations runner (uncredited) | |
Rated PG-13 for mature thematic elements, sexual content and some violent images.
115 min
1.85 : 1 more
Dolby Digital | DTS | SDDS
Ireland:15A | Germany:12 (f) | South Korea:15 | Netherlands:12 | Canada:14A (Alberta/British Columbia/Manitoba/Ontario) | Canada:G (Québec) | New Zealand:M | Australia:M | USA:PG-13 (certificate #43291) | Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of Geneva) | Singapore:NC-16 | Finland:K-7 | Philippines:PG-13 (MTRCB) | Hong Kong:IIA | Brazil:14 | Taiwan:PG-12 | UK:12A | France:U | Argentina:16 | Malaysia:U | Sweden:7 | Peru:14 | Mexico:B
Natalie Portman (Anne) and Scarlett Johansson (Mary) say that their costumes were extremely vital to knowing their character. Their dresses gave them good posture, and the colors helped represent their personality. With Anne, her bold and simple colors show that she wants a main goal. Mary's softer and much more complicated dress design shows that she is a more modest person and tries to be herself. more
Factual errors: In the film, Mary Boleyn's first child is a boy. In reality, her first child was a girl, Catherine. Henry was born several years later. more
Anne Boleyn:
Masters, I here humble submit to the law, as the law hath judged me. As for my offenses, God knows them, and I remit them to God, beseeching Him to have mercy on my soul. I beseech Jesus, save my Sovereign and master, the King, the goodliest and gentlest master there ever was.
[begins crying after seeing Mary read the King's note; takes off her hood, cape and necklace with shaking hands]
Anne Boleyn:
[kneeling] Sweet Jesus, my God, have mercy on me.
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Featured in "Siskel & Ebert & the Movies: (2008-03-01)" (2008) more
Westron Wynde more
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I was truly impressed today by the film, "The Other Boleyn Girl" for me its getting the new film year off to a very good start!! Weve known about Ann Boleyn and her beheading but this film gives new insight into reasons why ,and the amazing relationship between Ann and her sister Mary.. The plot line never gets dull and moves at a great pace..(usually historical films can be stodgy and boring) This one never lets up..The performances are wonderful , especially,Natalie Portman as Ann and Scarlett Johnansen as Mary... the entire supporting cast is outstanding..The sets and costumes are very authentic.,and the cinematography is beautiful Im not sure how historically accurate this film is ,but as a movie its well worth seeing Don't miss "The Other Boleyn Girl"