| Photos (see all 57 | slideshow) | Videos (see all 9 NEW) |
Directed by | |||
| John Moore | |||
Writing credits(WGA) | ||
| David Seltzer | (written by) | |
Produced by | |||
| Giovanni Lovatelli | .... | line producer: Italy | |
| John Moore | .... | producer | |
| Jeffrey Stott | .... | executive producer | |
| Peter Veverka | .... | associate producer | |
| Glenn Williamson | .... | producer | |
Original Music by | |||
| Marco Beltrami | |||
Cinematography by | |||
| Jonathan Sela | (director of photography) | ||
Film Editing by | |||
| Dan Zimmerman | |||
Casting by | |||
| Susie Figgis | |||
| Jessica Horáthová | |||
Production Design by | |||
| Patrick Lumb | |||
Art Direction by | |||
| Katerina Kopicová | (as Katerina Kopicova) | ||
| Martin Kurel | |||
Set Decoration by | |||
| Patrick Smith | (as Patrick 'Paki' Smith) | ||
Costume Design by | |||
| George L. Little | |||
Makeup Department | |||
| Chris Burgoyne | .... | prosthetic makeup application | |
| Fiona Connon | .... | makeup department head | |
| Desideria Corridoni | .... | key hairdresser: Rome/Matera (as Desiree Corridoni) | |
| Aurelio Guzman | .... | prosthetic lab work | |
| Matthew Jorgensen | .... | prosthetic lab work (as Matt Jorgenson) | |
| Barbara Kichi | .... | key hairdresser | |
| Barbara Kichiova | .... | hair stylist | |
| Rich Knight | .... | prosthetic lab work | |
| Kris Kobzina | .... | prosthetic lab work | |
| Aaron Koons | .... | makeup effects lab technician | |
| Tomás Kuchta | .... | hair stylist | |
| Tomás Kuchta | .... | makeup artist | |
| Ryan McDowell | .... | prosthetic lab technician | |
| Ryan McDowell | .... | prosthetic sculptor | |
| Scott McGowan | .... | special makeup effects artist | |
| Matthew W. Mungle | .... | prosthetic and makeup effects designer | |
| Ruzena Novotna | .... | makeup artist | |
| Gabriela Polakova | .... | key makeup artist | |
| Glenn Pulliam | .... | special makeup effects artist | |
| Stephen Rose | .... | department head hair | |
| Eddie Vargas | .... | prosthetic lab work | |
| Brian Wade | .... | special makeup effects artist | |
Sound Department | |||
| James Ashwill | .... | foley mixer | |
| Benjamin Beardwood | .... | sound editor | |
| Jim Brookshire | .... | supervising adr editor | |
| Chris Carpenter | .... | sound re-recording mixer | |
| John T. Cucci | .... | foley artist | |
| Adriano Di Lorenzo | .... | utility sound: italy | |
| David Farmer | .... | additional sound effects designer | |
| Simon Firsht | .... | boom operator | |
| Kevin Globerman | .... | digital recordist | |
| Doc Kane | .... | adr mixer | |
| Andy Koyama | .... | sound re-recording mixer | |
| Martin Lonek | .... | second boom operator | |
| Skip Longfellow | .... | first assistant sound editor | |
| Bill Meadows | .... | sound recordist | |
| Timothy Nielsen | .... | sound effects designer | |
| Dan O'Connell | .... | foley artist | |
| Frank Smathers | .... | sound editor | |
| Bruce Tanis | .... | sound effects editor | |
| Ian Voigt | .... | production sound mixer | |
| Jay Wilkinson | .... | supervising sound editor | |
| Jean McGrath | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Chris Fitzgerald | .... | animatronic sculptor | |
| Jan Holub | .... | special effects crew | |
| Lukas Jaromersky | .... | special effects technician | |
| Martin Oberlander | .... | special effects director | |
| Ondrej Pryca | .... | special effects technician | |
| Otto Requette | .... | prosthetic assistant | |
| Jirí Vater | .... | special effects technician | |
| Ian Wingrove | .... | special effects supervisor | |
Visual Effects by | |||
| Joe Arnold | .... | 3D artist: Cinesite | |
| Dave Bannister | .... | digital compositor: Cinesite | |
| Andrew Bardusk | .... | visual effects: Chains | |
| Karel Benes | .... | visual effects | |
| Dan Beresford | .... | production support | |
| Mike Bryant | .... | digital I/O: Cinesite | |
| Kevin Campbell | .... | software developer | |
| Warwick Campbell | .... | digital compositor: Cinesite | |
| Martin Caulton | .... | computer and video technician | |
| Laurent Cordier | .... | 3D artist: Cinesite | |
| Aimee Dadswell-Davies | .... | visual effects producer: Cinesite | |
| Jose Fernandez de Castro | .... | digital compositor: Cinesite | |
| Keith Devlin | .... | digital compositor: Cinesite | |
| Dave Early | .... | matte painting: Cinesite | |
| Guy Elson | .... | digital compositor: Cinesite | |
| Julia Frey | .... | visual effects producer | |
| Matt Johnson | .... | visual effects supervisor | |
| Richard Kratt | .... | digital compositor | |
| Steven Lawrence | .... | 3D artist: 11: 11 MediaWorks | |
| Christopher Learmonth | .... | visual effects editor | |
| Simon Maddocks | .... | 3D technical director: Cinesite | |
| Tom Martinez Jr. | .... | visual effects | |
| Jon Miller | .... | 3D artist: Cinesite | |
| Denisa Mrackova | .... | visual effects: previz | |
| Karen M. Murphy | .... | visual effects producer | |
| Robert Nall | .... | digital artist | |
| Roger Nall | .... | digital compositor | |
| Jonathan Neill | .... | CG supervisor: Cinesite | |
| Guy Nesfield | .... | digital I/O | |
| Artemis Oikonomopoulou | .... | 3D artist: Cinesite | |
| Chris Perschky | .... | technical services: Cinesite | |
| Daniel Pettipher | .... | production manager: Cinesite | |
| Glen Pratt | .... | digital compositor: Cinesite | |
| David Richardson | .... | technical services: Cinesite | |
| Gillian Roberts | .... | production: Cinesite | |
| Alexander Savenko | .... | 3D technical director: Cinesite | |
| Rasha Shalaby | .... | visual effects artist | |
| Jeff M. Sharar | .... | visual effects artist | |
| Marc Stevenson | .... | 3D artist: Cinesite | |
| Courtney Vanderslice | .... | production: Cinesite | |
| Karen Wand | .... | digital compositor: Cinesite | |
| Thom Wickes | .... | render/data wrangler: Cinesite | |
| Kathy Wise | .... | digital I/O: Cinesite | |
| Aviv Yaron | .... | 2D technical director: Cinesite | |
| Keith Barton | .... | production support: Cinesite (uncredited) | |
| Jamie Baxter | .... | digital artist (uncredited) | |
| Rick Cortes | .... | Inferno artist (uncredited) | |
| Tiffany Cullum | .... | 3D manager: Cinesite (uncredited) | |
Stunts | |||
| Jakub Berdich | .... | stunts | |
| Radek Bruna | .... | stunts | |
| Pavel Cajzl | .... | stunt coordinator | |
| Frantisek Deak | .... | stunts | |
| Zuzana Drdacka | .... | stunts | |
| Pavel Dvorscik | .... | stunts | |
| Petr Hnetkovsky | .... | stunts | |
| Jindrich Klaus | .... | stunts | |
| Jiri Kraus | .... | stunts | |
| Ladislav Lahoda | .... | stunt supervisor | |
| Robert Lahoda | .... | stunt rigger | |
| Miroslav Lhotka | .... | stunt double | |
| Jan Loukota | .... | stunts | |
| Ivan Mares | .... | stunts | |
| David Mottl | .... | stunts | |
| Jan Petrina | .... | stunt double: Liev Schreiber | |
| Jan Petrina | .... | stunts | |
| Jaroslav Psenicka | .... | stunts | |
| Jan Schmied | .... | stunts | |
| Tomas Tobola | .... | stunts | |
| Karel Trojan | .... | stunts | |
| Miroslav Valka | .... | stunts | |
| Kamila Zenkerová | .... | stunts | |
Casting Department | |||
| Nancy Bishop | .... | location casting | |
| Deborah Maxwell Dion | .... | casting: Los Angeles | |
| Jirí Hrstka | .... | extras casting | |
| Isabella Hyams | .... | casting assistant | |
| Matthew Lessall | .... | casting executive | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Zuzana Bursíková | .... | set costumer (as Zuzana Bursikova) | |
| Gracie Cox | .... | costume production assistant | |
| Bela Friedlová | .... | set costumer (as Bela Friedlova) | |
| Gabriela Horská | .... | assistant costume designer (as Gabriela Horska) | |
| Maria Hubackova | .... | set costumer | |
| Carlane Passman | .... | assistant costume designer (as Carlane Passman Little) | |
| Mary Lou Reinbold | .... | costumer | |
| Patricie Soptenková | .... | set costumer (as Patricie Soptenkova) | |
| Dita Valentinova | .... | costume coordinator | |
| Adam Watt | .... | additional costume production assistant | |
| Sarka Zvolenska | .... | costume supervisor | |
Editorial Department | |||
| Tzarina V. Edillon | .... | first assistant editor | |
| Skip Kimball | .... | digital intermediate colorist | |
| Vít Komrzy | .... | post-production | |
| Jim Passon | .... | color timer | |
| Chris Regan | .... | color timer | |
| Gary Burritt | .... | negative cutter (uncredited) | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Pete Anthony | .... | orchestrator | |
| Marco Beltrami | .... | music arranger | |
| William Boston | .... | music arranger | |
| William Boston | .... | orchestrator | |
| Jeff Carson | .... | preview music editor | |
| Chris Cozens | .... | auricle control systems | |
| Alex Gibson | .... | supervising music editor | |
| Isobel Griffiths | .... | orchestra contractor | |
| John Kurlander | .... | score mixer | |
| Dana Niu | .... | orchestrator | |
| Roy Prendergast | .... | music editor | |
| Buck Sanders | .... | score co-producer | |
| Marcus Trumpp | .... | orchestrator | |
Transportation Department | |||
| Massimiliano Rocchetti | .... | transportation coordinator: Italy | |
| Tony Vizina | .... | driver: cast | |
| Pavel Voracek | .... | transportation captain | |
Other crew | |||
| Andrea Alunni | .... | location manager: Italy | |
| Cecilia Alvarenga | .... | production coordinator: Italy | |
| Peter Arpesella | .... | adr voice group | |
| Lauren Barnhart | .... | assistant: Liev Schreiber | |
| Bostic Beard | .... | clip researcher | |
| Michaela Berková | .... | assistant: Glenn Williamson (as Michaela Berkova) | |
| Lorenzo Caccialanza | .... | adr loop group | |
| Vera Cerbara | .... | dialogue coach | |
| Vera Cerbara | .... | translator: Italian | |
| Sarka Cimbalova | .... | accommodation coordinator | |
| Hana Duplinska | .... | assistant: John Moore (as Hanka Duplinska) | |
| Michal Engrth | .... | assistant accountant | |
| Sam Feuer | .... | adr voice | |
| Stephen French | .... | consultant: internet | |
| Stephen French | .... | documentary filmmaker | |
| Stephen French | .... | newsreel sequences | |
| Yasmine Hanani | .... | adr loop group | |
| Zarko Ivkovic | .... | location manager: Cro unit | |
| Petr Kavalek | .... | assistant production coordinator | |
| Alice Kheilova | .... | interpreter | |
| Alice S. Kim | .... | assistant: Jeffrey Stott | |
| Karel Kubis | .... | key set production assistant | |
| Kym Langlie | .... | unit publicist | |
| Eric Layne | .... | production accountant | |
| Lenka Marsalkova | .... | production coordinator | |
| Natalie Mathes | .... | post-production accountant | |
| Sharon Milton | .... | tutor | |
| Joey Naber | .... | adr voice | |
| Lanny Nenicka | .... | cashier | |
| Kamila Ostra | .... | production assistant | |
| Kamila Ostra | .... | set production assistant | |
| Nada Pinter | .... | script supervisor | |
| Lucie Pokorná | .... | assistant: Jeffrey Stott | |
| Marketa Poruba | .... | production secretary | |
| Denisa Pugliova | .... | assistant: John Moore | |
| Eda Raban | .... | set caterer | |
| Alya Sako | .... | adr voice | |
| Brian Schornak | .... | assistant: Glenn Williamson | |
| Cristiano Sebastianelli | .... | cashier | |
| Jan Seidl | .... | key production assistant | |
| Faujja Singh | .... | armorer | |
| Valerio Stano | .... | set production assistant | |
| Charline St. Charles | .... | clearances coordinator | |
| Andy Stephens | .... | aerial operations manager: Flying Pictures Ltd. | |
| Michael Swan | .... | location manager: additional unit | |
| Barney Wrightson | .... | aerial operations assistant: Flying Pictures Ltd. | |
Thanks | |||
| Richard Donner | .... | special thanks | |
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| The Omen | Rosemary's Baby | The Final Conflict | Breakfast on Pluto | Die Blechtrommel |
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This remake is like listening to a cover version of a Beatles song. You like it but really want to hear the original again. The original Omen is such a terrific film, convincing, beautifully cast and with a great, raw Brit Gothic feel to it. The remake is a slightly glossier affair which is enjoyable enough but doesn't really take the story in any new directions, although it hints that it will. Opening images of 9/11 and the Asian tsunami promise a new take on the tale, but with the exception of the very final scene, this doesn't really happen. The set pieces of the original were beautifully done - here they're well done but don't seem to last long enough; they don't feel 'special' enough. The cast is good but, again, it lacks the gravitas of the original. This ambassador is no Gregory Peck. Overall, this isn't a bad way to spend two hours in the cinema - it's a hundred times better and more cinematic than The Da Vinci Code for instance - but could have been a lot more than it is.