| Photos (see all 57 | slideshow) | Videos (see all 10) |
Directed by | |||
| John Moore | |||
Writing credits(WGA) | ||
| David Seltzer | (written by) | |
Produced by | |||
| Giovanni Lovatelli | .... | line producer: Italy | |
| John Moore | .... | producer | |
| Jeffrey Stott | .... | executive producer | |
| Peter Veverka | .... | associate producer | |
| Glenn Williamson | .... | producer | |
Original Music by | |||
| Marco Beltrami | |||
Cinematography by | |||
| Jonathan Sela | (director of photography) | ||
Film Editing by | |||
| Dan Zimmerman | |||
Casting by | |||
| Susie Figgis | |||
| Jessica Horáthová | |||
Production Design by | |||
| Patrick Lumb | |||
Art Direction by | |||
| Katerina Kopicová | (as Katerina Kopicova) | ||
| Martin Kurel | |||
Set Decoration by | |||
| Patrick Smith | (as Patrick 'Paki' Smith) | ||
Costume Design by | |||
| George L. Little | |||
Makeup Department | |||
| Chris Burgoyne | .... | prosthetic makeup application | |
| Fiona Connon | .... | makeup department head | |
| Desideria Corridoni | .... | key hairdresser: Rome/Matera (as Desiree Corridoni) | |
| Aurelio Guzman | .... | prosthetic lab work | |
| Matthew Jorgensen | .... | prosthetic lab work (as Matt Jorgenson) | |
| Barbara Kichi | .... | key hairdresser | |
| Barbara Kichiova | .... | hair stylist | |
| Rich Knight | .... | prosthetic lab work | |
| Kris Kobzina | .... | prosthetic lab work | |
| Aaron Koons | .... | makeup effects lab technician | |
| Tomás Kuchta | .... | hair stylist | |
| Tomás Kuchta | .... | makeup artist | |
| Ryan McDowell | .... | prosthetic lab technician | |
| Ryan McDowell | .... | prosthetic sculptor | |
| Scott McGowan | .... | special makeup effects artist | |
| Matthew W. Mungle | .... | prosthetic and makeup effects designer | |
| Ruzena Novotna | .... | makeup artist | |
| Gabriela Polakova | .... | key makeup artist | |
| Glenn Pulliam | .... | special makeup effects artist | |
| Stephen Rose | .... | department head hair | |
| Eddie Vargas | .... | prosthetic lab work | |
| Brian Wade | .... | special makeup effects artist | |
Sound Department | |||
| James Ashwill | .... | foley mixer | |
| Benjamin Beardwood | .... | sound editor | |
| Jim Brookshire | .... | supervising adr editor | |
| Chris Carpenter | .... | sound re-recording mixer | |
| John T. Cucci | .... | foley artist | |
| Adriano Di Lorenzo | .... | utility sound: italy | |
| David Farmer | .... | additional sound effects designer | |
| Simon Firsht | .... | boom operator | |
| Kevin Globerman | .... | digital recordist | |
| Doc Kane | .... | adr mixer | |
| Andy Koyama | .... | sound re-recording mixer | |
| Martin Lonek | .... | second boom operator | |
| Skip Longfellow | .... | first assistant sound editor | |
| Bill Meadows | .... | sound recordist | |
| Timothy Nielsen | .... | sound effects designer | |
| Dan O'Connell | .... | foley artist | |
| Frank Smathers | .... | sound editor | |
| Bruce Tanis | .... | sound effects editor | |
| Ian Voigt | .... | production sound mixer | |
| Jay Wilkinson | .... | supervising sound editor | |
| Jean McGrath | .... | adr recordist (uncredited) | |
| John Soukup | .... | sound transfer (uncredited) | |
Special Effects by | |||
| Chris Fitzgerald | .... | animatronic sculptor | |
| Jan Holub | .... | special effects crew | |
| Lukas Jaromersky | .... | special effects technician | |
| Martin Oberlander | .... | special effects director | |
| Ondrej Pryca | .... | special effects technician | |
| Otto Requette | .... | prosthetic assistant | |
| Jirí Vater | .... | special effects technician | |
| Ian Wingrove | .... | special effects supervisor | |
Visual Effects by | |||
| Joe Arnold | .... | 3D artist: Cinesite | |
| Dave Bannister | .... | digital compositor: Cinesite | |
| Andrew Bardusk | .... | visual effects: Chains | |
| Karel Benes | .... | visual effects | |
| Dan Beresford | .... | production support | |
| Mike Bryant | .... | digital I/O: Cinesite | |
| Kevin Campbell | .... | software developer | |
| Warwick Campbell | .... | digital compositor: Cinesite | |
| Martin Caulton | .... | computer and video technician | |
| Laurent Cordier | .... | 3D artist: Cinesite | |
| Aimee Dadswell-Davies | .... | visual effects producer: Cinesite | |
| Jose Fernandez de Castro | .... | digital compositor: Cinesite | |
| Keith Devlin | .... | digital compositor: Cinesite | |
| Dave Early | .... | matte painting: Cinesite | |
| Guy Elson | .... | digital compositor: Cinesite | |
| Julia Frey | .... | visual effects producer | |
| Matt Johnson | .... | visual effects supervisor | |
| Richard Kratt | .... | digital compositor | |
| Steven Lawrence | .... | 3D artist: 11: 11 MediaWorks | |
| Christopher Learmonth | .... | visual effects editor | |
| Simon Maddocks | .... | 3D technical director: Cinesite | |
| Tom Martinez Jr. | .... | visual effects | |
| Jon Miller | .... | 3D artist: Cinesite | |
| Denisa Mrackova | .... | visual effects: previz | |
| Karen M. Murphy | .... | visual effects producer | |
| Robert Nall | .... | digital artist | |
| Roger Nall | .... | digital compositor | |
| Jonathan Neill | .... | CG supervisor: Cinesite | |
| Guy Nesfield | .... | digital I/O | |
| Artemis Oikonomopoulou | .... | 3D artist: Cinesite | |
| Chris Perschky | .... | technical services: Cinesite | |
| Daniel Pettipher | .... | production manager: Cinesite | |
| Glen Pratt | .... | digital compositor: Cinesite | |
| David Richardson | .... | technical services: Cinesite | |
| Gillian Roberts | .... | production: Cinesite | |
| Alexander Savenko | .... | 3D technical director: Cinesite | |
| Rasha Shalaby | .... | visual effects artist | |
| Jeff M. Sharar | .... | visual effects artist | |
| Marc Stevenson | .... | 3D artist: Cinesite | |
| Courtney Vanderslice | .... | production: Cinesite | |
| Karen Wand | .... | digital compositor: Cinesite | |
| Thom Wickes | .... | render/data wrangler: Cinesite | |
| Kathy Wise | .... | digital I/O: Cinesite | |
| Aviv Yaron | .... | 2D technical director: Cinesite | |
| Keith Barton | .... | production support: Cinesite (uncredited) | |
| Jamie Baxter | .... | digital artist (uncredited) | |
| Rick Cortes | .... | Inferno artist (uncredited) | |
| Tiffany Cullum | .... | 3D manager: Cinesite (uncredited) | |
Stunts | |||
| Jakub Berdich | .... | stunts | |
| Radek Bruna | .... | stunts | |
| Pavel Cajzl | .... | stunt coordinator | |
| Frantisek Deak | .... | stunts | |
| Zuzana Drdacka | .... | stunts | |
| Pavel Dvorscik | .... | stunts | |
| Petr Hnetkovsky | .... | stunts | |
| Jindrich Klaus | .... | stunts | |
| Jiri Kraus | .... | stunts | |
| Ladislav Lahoda | .... | stunt supervisor | |
| Robert Lahoda | .... | stunt rigger | |
| Miroslav Lhotka | .... | stunt double | |
| Jan Loukota | .... | stunts | |
| Ivan Mares | .... | stunts | |
| David Mottl | .... | stunts | |
| Jan Petrina | .... | stunt double: Liev Schreiber | |
| Jan Petrina | .... | stunts | |
| Jaroslav Psenicka | .... | stunts | |
| Jan Schmied | .... | stunts | |
| Tomas Tobola | .... | stunts | |
| Karel Trojan | .... | stunts | |
| Miroslav Valka | .... | stunts | |
| Kamila Zenkerová | .... | stunts | |
Casting Department | |||
| Nancy Bishop | .... | location casting | |
| Deborah Maxwell Dion | .... | casting: Los Angeles | |
| Jirí Hrstka | .... | extras casting | |
| Isabella Hyams | .... | casting assistant | |
| Matthew Lessall | .... | casting executive | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Zuzana Bursíková | .... | set costumer (as Zuzana Bursikova) | |
| Gracie Cox | .... | costume production assistant | |
| Bela Friedlová | .... | set costumer (as Bela Friedlova) | |
| Gabriela Horská | .... | assistant costume designer (as Gabriela Horska) | |
| Maria Hubackova | .... | set costumer | |
| Carlane Passman | .... | assistant costume designer (as Carlane Passman Little) | |
| Mary Lou Reinbold | .... | costumer | |
| Patricie Soptenková | .... | set costumer (as Patricie Soptenkova) | |
| Dita Valentinova | .... | costume coordinator | |
| Adam Watt | .... | additional costume production assistant | |
| Sarka Zvolenska | .... | costume supervisor | |
Editorial Department | |||
| Tzarina V. Edillon | .... | first assistant editor | |
| Skip Kimball | .... | digital intermediate colorist | |
| Vít Komrzý | .... | post-production | |
| Jim Passon | .... | color timer | |
| Chris Regan | .... | color timer | |
| Gary Burritt | .... | negative cutter (uncredited) | |
| Zara Roberts | .... | digital intermediate producer (uncredited) | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Pete Anthony | .... | orchestrator | |
| Marco Beltrami | .... | music arranger | |
| William Boston | .... | music arranger | |
| William Boston | .... | orchestrator | |
| Jeff Carson | .... | preview music editor | |
| Chris Cozens | .... | auricle control systems | |
| Alex Gibson | .... | supervising music editor | |
| Isobel Griffiths | .... | orchestra contractor | |
| John Kurlander | .... | score mixer | |
| Dana Niu | .... | orchestrator | |
| Roy Prendergast | .... | music editor | |
| Buck Sanders | .... | score co-producer | |
| Marcus Trumpp | .... | orchestrator | |
Transportation Department | |||
| Massimiliano Rocchetti | .... | transportation coordinator: Italy | |
| Tony Vizina | .... | driver: cast | |
| Pavel Voracek | .... | transportation captain | |
Other crew | |||
| Andrea Alunni | .... | location manager: Italy | |
| Cecilia Alvarenga | .... | production coordinator: Italy | |
| Peter Arpesella | .... | adr voice group | |
| Lauren Barnhart | .... | assistant: Liev Schreiber | |
| Bostic Beard | .... | clip researcher | |
| Michaela Berková | .... | assistant: Glenn Williamson (as Michaela Berkova) | |
| Lorenzo Caccialanza | .... | adr loop group | |
| Vera Cerbara | .... | dialogue coach | |
| Vera Cerbara | .... | translator: Italian | |
| Sarka Cimbalova | .... | accommodation coordinator | |
| Hana Duplinska | .... | assistant: John Moore (as Hanka Duplinska) | |
| Michal Engrth | .... | assistant accountant | |
| Sam Feuer | .... | adr voice | |
| Stephen French | .... | consultant: internet | |
| Stephen French | .... | documentary filmmaker | |
| Stephen French | .... | newsreel sequences | |
| Yasmine Hanani | .... | adr loop group | |
| Zarko Ivkovic | .... | location manager: Cro unit | |
| Petr Kavalek | .... | assistant production coordinator | |
| Alice Kheilova | .... | interpreter | |
| Alice S. Kim | .... | assistant: Jeffrey Stott | |
| Karel Kubis | .... | key set production assistant | |
| Kym Langlie | .... | unit publicist | |
| Eric Layne | .... | production accountant | |
| Lenka Marsalkova | .... | production coordinator | |
| Natalie Mathes | .... | post-production accountant | |
| Sharon Milton | .... | tutor | |
| Joey Naber | .... | adr voice | |
| Lanny Nenicka | .... | cashier | |
| Kamila Ostra | .... | production assistant | |
| Kamila Ostra | .... | set production assistant | |
| Nada Pinter | .... | script supervisor | |
| Lucie Pokorná | .... | assistant: Jeffrey Stott | |
| Marketa Poruba | .... | production secretary | |
| Denisa Pugliova | .... | assistant: John Moore | |
| Eda Raban | .... | set caterer | |
| Alya Sako | .... | adr voice | |
| Brian Schornak | .... | assistant: Glenn Williamson | |
| Cristiano Sebastianelli | .... | cashier | |
| Jan Seidl | .... | key production assistant | |
| Faujja Singh | .... | armorer | |
| Valerio Stano | .... | set production assistant | |
| Charline St. Charles | .... | clearances coordinator | |
| Andy Stephens | .... | aerial operations manager: Flying Pictures Ltd. | |
| Michael Swan | .... | location manager: additional unit | |
| Barney Wrightson | .... | aerial operations assistant: Flying Pictures Ltd. | |
| Vladimir Kesl | .... | computer technician (uncredited) | |
Thanks | |||
| Richard Donner | .... | special thanks | |
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| The Omen | The Ruling Class | Rosemary's Baby | Damien: Omen II | The Final Conflict |
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I can't understand this remake binge Hollywood has gone on. Has everyone just gotten too lazy to come up with any original ideas? Some remakes that improve on the original might be worth the time, money, and effort to produce (not to mention our hard-earned money to go see), but not this one! The original The Omen is a horror classic and one of the scariest movies of all time. There was no way they could have topped it. So why did they do it? Like in almost every horror movie, some characters die. The deaths in the original are, to say the least, imaginative. In the remake, the deaths are either watered down copies of the original or changed in such a way that they take away from the story or just aren't as effective, and one death near the beginning of the movie doesn't even make any sense. Who is this person and what does he have to do with anything? Absolutely no explanation, just a disembodied scene that has no connection whatsoever to the plot that I could see.
The atmosphere in the original builds and builds, and is very creepy. In the remake, the atmosphere is kind of blah. And what about Damien? The kid says like three words in the entire movie. And he just doesn't have the presence of the little boy who played Damien in the original.
There's a lot to gripe about and almost nothing good to say about this one. There's probably only one scene in the entire movie that I enjoyed, only because it looked a bit more realistic than in the original. But why pay 4 or 5 dollars to rent a movie out for only one scene? It's just not worth it.
I can only hope that they don't remake Damien: Omen 2, my personal favorite of the Omen trilogy (I don't count the fourth one they made with the little girl in the starring role of the AntiChrist, which is a joke). It would be adding insult to injury!