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Todd Phillips (screenplay) &
Scot Armstrong (screenplay)
(more)
29 September 2006 (USA) more
Too nice? Too honest? Too *you*? Help is on the way. more
A young guy short on luck, enrolls in a class to build confidence to help win over the girl of his dreams, which becomes complicated when his teacher has the same agenda. full summary | add synopsis
1 nomination more
More Hangover pics
(From JoBlo. 15 May 2009, 4:02 PM, PDT)
The Hangover trailer
(From JoBlo. 5 March 2009, 4:04 PM, PST)
Wasn't really feeling it more (89 total)
Directed by | |||
| Todd Phillips | |||
Writing credits(WGA) | ||
| Todd Phillips | (screenplay) & | |
| Scot Armstrong | (screenplay) | |
| Hal E. Chester | 1960 screenplay (uncredited) | |
| Patricia Moyes | 1960 screenplay (uncredited) | |
| Stephen Potter | novel "School for Scoundrels or How to Win Without Actually Cheating!" (uncredited) | |
Produced by | |||
| Scott Budnick | .... | co-producer | |
| Hal E. Chester | .... | executive producer (as Hal Chester) | |
| Daniel Goldberg | .... | producer | |
| Geyer Kosinski | .... | producer (as J. Geyer Kosinski) | |
| Craig Mazin | .... | executive producer | |
| JoAnn Perritano | .... | co-producer | |
| Todd Phillips | .... | producer | |
| Annette Savitch | .... | associate producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
Original Music by | |||
| Christophe Beck | |||
Cinematography by | |||
| Jonathan Brown | |||
Film Editing by | |||
| Leslie Jones | |||
| Dan Schalk | |||
Casting by | |||
| Jeanne McCarthy | |||
Production Design by | |||
| Nelson Coates | |||
Art Direction by | |||
| Scott Meehan | |||
Set Decoration by | |||
| Denise Pizzini | |||
Costume Design by | |||
| Louise Mingenbach | |||
Makeup Department | |||
| Rebecca DeHerrera | .... | additional makeup artist | |
| Lynne K. Eagan | .... | makeup artist: Mr. Thornton (as Lynne Eagan) | |
| Kathrine Gordon | .... | hair stylist | |
| Amy Lederman | .... | makeup artist | |
| Patricia Regan | .... | makeup artist: New York | |
| Keith Sayer | .... | makeup co-department head | |
| Janeen Schreyer | .... | makeup department head | |
| Kerrie Smith | .... | hair stylist: New York | |
| Rita Troy | .... | hair stylist department head | |
| Joani Yarbrough | .... | hair stylist: Mr. Thornton | |
Production Management | |||
| Tim Clawson | .... | executive in charge of physical production | |
| Jennifer Conroy | .... | production supervisor | |
| Patrick Esposito | .... | post-production supervisor | |
| Amy Herman | .... | unit production manager | |
| Michael Jackman | .... | executive in charge of post-production (as Michael A. Jackman) | |
| Rachel Levy | .... | executive in charge of music | |
| Tracy McGrath | .... | executive in charge of physical production | |
| JoAnn Perritano | .... | unit production manager | |
| Richard Saperstein | .... | executive in charge of production | |
| Sarah Sobel | .... | executive in charge of business and legal affairs | |
| Matthew Stein | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| G.A. Aguilar | .... | second unit director | |
| Kate Marie Boyle | .... | day player trainee assistant director | |
| Joe Camp III | .... | first assistant director | |
| Polly Ann Mattson | .... | second assistant director | |
| Michael T. Meador | .... | second second assistant director: New York (as Michael Meador) | |
| Andrea O'Connor | .... | additional second second assistant director: New York | |
| Joseph Payton | .... | dga trainee day player | |
| Shawn Pipkin | .... | second second assistant director | |
| Jennifer D. Wilkins | .... | dga trainee: New York (as Jennifer Wilkins) | |
Art Department | |||
| Felix Aguilar | .... | greensman | |
| Salvador Anaya | .... | plaster foreman | |
| Michael Berard Anderson | .... | junior set designer (as Michael B. Anderson) | |
| Andrew Baseman | .... | set decorator: New York | |
| Liz Bonaventura | .... | scenic charge: New York (as Elizabeth Bonaventure) | |
| Michael Boucher | .... | set dresser: New York | |
| Larry Clark | .... | paint supervisor | |
| Jack Cornelius | .... | set dresser | |
| Warren Drummond | .... | storyboard artist | |
| Matthew D. Egan | .... | propmaker gang boss | |
| Brad Einhorn | .... | property master | |
| Joan Finley | .... | set dresser: New York (as Joan Finlay) | |
| Mindy Frank | .... | construction buyer | |
| Gregonio P. Galicia | .... | labor foreman | |
| Scott C. Garrett | .... | drapery foreman | |
| Hector M. Gonzalez | .... | property assistant | |
| Ethan Goodwin | .... | set decoration coordinator | |
| Kater Gordon | .... | production assistant: design department, New York | |
| Robert Griffon Jr. | .... | property master: New York (as Robert Griffon) | |
| Steven Hanks | .... | greensman (as Steve Hanks) | |
| Michael A. Heath | .... | prop paperwork | |
| Richard Hebrank | .... | construction coordinator: New York (as Rich Hebrank) | |
| Eric Kagan | .... | set dresser | |
| James Kroning | .... | property assistant | |
| Robert Lucas | .... | lead person | |
| Alicia Maccarone | .... | set designer (as Alicia MacCarone) | |
| John McDonnell | .... | assistant property master: New York | |
| Robert 'Cass' McEntee | .... | carpenter | |
| Michael Miller | .... | set dressing gang boss (as Michael G. Miller) | |
| Martin Milligan | .... | on-set dresser | |
| Joey Newton | .... | set dresser | |
| Antonia Nunez | .... | set decoration buyer (as Anyonia Sherry-Nunez) | |
| Sherri O'Hara | .... | construction medic | |
| Chelsea Oliver | .... | art department assistant | |
| Eric P. Paczkowski | .... | set dresser | |
| Lars Petersen | .... | construction coordinator | |
| Stephan J. Pierano | .... | greens foreman (as Stephen J. Peirano) | |
| Neil David Pontecorvo | .... | on-set greensman | |
| Anthony Price | .... | set dresser | |
| Bjorn Reddington | .... | set dresser | |
| Lee Ross | .... | stand-by painter (as Lee Steven Ross) | |
| Ari David Schwartz | .... | on-set dresser: New York (as Ari D. Schwartz) | |
| Cathy Scorsese | .... | assistant property master: New York (as Catherine Scorcese) | |
| Christina Soletti | .... | design department coordinator | |
| Patricia Sprott | .... | stand-by scenic artist: New York | |
| David Stein | .... | art director: New York | |
| John L. Sullivan | .... | propmaker foreman (as John Sullivan) | |
| Bruce Swanson | .... | set dresser: New York (as Bruce E. Swanson) | |
| Dick Tice | .... | lead person: New York | |
| Ely Vegh | .... | set dressing gang boss | |
| Andy Visser | .... | design department assistant (as Andrew Visser) | |
| Steven C. Voll | .... | construction foreperson (as Steven Voll) | |
| Abraham Vorster | .... | set dresser | |
| Robert Zorella | .... | design department coordinator: New York | |
| Charles Jason Randolph | .... | set dresser (uncredited) | |
Sound Department | |||
| Joseph Adorisio II | .... | audio layback | |
| Michael Babcock | .... | sound designer | |
| Michael Babcock | .... | sound re-recording mixer | |
| Michael Babcock | .... | supervising sound editor | |
| Petra Bach | .... | dialogue editor | |
| Eddie Bydalek | .... | sound mix technician | |
| Ed Callahan | .... | dialogue editor | |
| Rick Canelli | .... | adr recordist (as Rick Caneli) | |
| Devendra Damon Cleary | .... | cable person (as Devandra Cleary) | |
| Avram D. Gold | .... | supervising adr editor (as Avram Gold) | |
| Avram D. Gold | .... | supervising dialogue editor (as Avram Gold) | |
| Eric Gotthelf | .... | adr mixer (as Eric Gotthels) | |
| Brian W. Jennings | .... | assistant sound editor (as Brian Jennings) | |
| Michael Minkler | .... | sound re-recording mixer | |
| Michael W. Mitchell | .... | sound effects editor | |
| Alyson Dee Moore | .... | foley artist | |
| Scott Morgan | .... | foley recordist | |
| Michael Novitch | .... | sound mix engineer (as Mike Novich) | |
| Thomas J. O'Connell | .... | adr mixer | |
| Kim H. Ornitz | .... | sound mixer | |
| John Roesch | .... | foley artist | |
| James J. Sabat Jr. | .... | utility sound: New York | |
| Jeff Sawyer | .... | foley supervisor | |
| Mychal Smith | .... | boom operator (as Mychal D. Smith) | |
| Bruce Tanis | .... | foley editor | |
| Carolyn Tapp | .... | adr recordist | |
Special Effects by | |||
| William Aldridge | .... | special effects coordinator | |
| Connie Brink | .... | special effects coordinator: New York (as Connie Brink Sr.) | |
| Conrad V. Brink Jr. | .... | special effects foreman: New York (as Conrad V. Brink) | |
| Burt Dalton | .... | special effects consultant | |
| Albert Delgado | .... | special effects foreman | |
| Edward Drohan IV | .... | special effects technician: New York (as Edward A. Drohan IV) | |
| Chris Jones | .... | special effects technician | |
| Donald Myers | .... | special effects technician | |
| Glenn Thomas | .... | special effects technician | |
Visual Effects by | |||
| Etienne Andlau | .... | digital artist | |
| Bill Church | .... | digital artist | |
| Anne Graham | .... | digital artist | |
| David D. Johnson | .... | visual effects supervisor: Pacific Vision Productions | |
| Sean Kennedy | .... | digital artist | |
| Steve Koch | .... | digital artist | |
| Greg Paddock | .... | digital artist | |
| Antonio Torres | .... | digital artist: Digital Intermediate, Pacific Title (uncredited) | |
Casting Department | |||
| Nicole Abellera | .... | casting associate | |
| Joanne Bloom | .... | casting assistant | |
| Deanna Gallucio | .... | extras casting assistant | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
| Tammy Smith | .... | extras casting: Smith and Webster-Davis | |
| Kristian Sorge | .... | background casting associate: New York | |
| David M. Waldron | .... | background casting associate | |
| Natasha Ward | .... | casting assistant | |
| Ryan Piers Williams | .... | casting assistant | |
| Katrina Wolfe | .... | executive in charge of casting | |
| Leslie Woo | .... | casting intern | |
Costume and Wardrobe Department | |||
| Pam Aaron | .... | assistant costume supervisor: New York | |
| Dain I. Kalas | .... | costumer: New York (as Dain Kalas) | |
| April Krueger | .... | set costumer | |
| Megan Lungerhausen | .... | costumer | |
| Robert Mata | .... | costumer: Mr. Stiller | |
| Ann Miller | .... | costumer: Mr.Thornton (as Annie Miller) | |
| Andrea Napier | .... | costumer: Mr. Heder (as Andrea Michelle Napier) | |
| Caroline Quiroga | .... | key costumer | |
| Carin Richardson | .... | assistant costume designer | |
| Robin Roberts | .... | costume supervisor | |
| Laisi Rogovin | .... | costumer: New York | |
| Senna Shanti | .... | costumer | |
| Jack Taggart | .... | costume ager/dyer | |
| Danny Vick | .... | costumer | |
| Adam Wiesner | .... | costume assistant: New York | |
| Susan J. Wright | .... | costume supervisor: New York | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Michael Campbell | .... | post-production assistant | |
| Sam Daley | .... | dailies colorist: New York | |
| Christopher Marino | .... | first assistant editor | |
| Jeff Mee | .... | post-production coordinator | |
| Joe Violante | .... | dailies advisor | |
| Lee Wimer | .... | color timer | |
Music Department | |||
| Christophe Beck | .... | music score producer | |
| Christine Bergren | .... | music clearance | |
| Adam Blau | .... | music score coordinator | |
| Adam Blau | .... | orchestrator | |
| Fernand Bos | .... | music editor | |
| David Gregory Byrne | .... | music preparation | |
| George Drakoulias | .... | music supervisor | |
| Jim Dunbar | .... | music coordinator | |
| Chris Fogel | .... | additional music score recordist | |
| Simon James | .... | orchestra contractor | |
| Randall Poster | .... | music supervisor | |
| Robert Puff | .... | music librarian | |
| Robert Puff | .... | music preparation | |
| Paul Rabjohns | .... | temporary music editor | |
| David Sabee | .... | orchestra contractor | |
| Casey Stone | .... | music scoring mixer | |
| Casey Stone | .... | music scoring recordist | |
| Joseph Pollard White | .... | conductor | |
Transportation Department | |||
| Francis Guevara | .... | driver: catering | |
| Tim Jensen | .... | transportation captain | |
| David Joseph | .... | driver: production van | |
| Anthony J. Mignano | .... | transportation | |
| Randy Musselman | .... | transportation coordinator | |
| Marty Osborne | .... | driver | |
| Dennis Salomone | .... | transportation captain: New York | |
| Dotti Thompson | .... | transportation co-captain (as Dotti V. Thompson) | |
| Chad Wadsworth | .... | production van driver: basecamp | |
| Kevin R. Wood | .... | transportation co-captain: New York | |
| Robert A. Wood | .... | driver | |
| Allan Yamauchi | .... | transportation co-captain | |
The Better Man (USA) (working title)
more
Rated PG-13 for language, crude and sexual content, and some violence.
100 min | USA:108 min (unrated version)
2.35 : 1 more
SDDS | Dolby Digital | DTS
USA:PG-13 | Ireland:12A | Australia:M | Singapore:PG | UK:12A | Portugal:M/12 | Finland:K-7 | USA:Not Rated (unrated version) | Germany:12 | Argentina:13 | Peru:14 | Netherlands:12
Ben Stiller's cameo was shot in 2 days in California because he was not able to fly to New York for filming due to a scheduling conflict. more
Factual errors: A defibrillator delivers one instantaneous jolt, not an extended current. Once the paddles discharge through a conductor (like the human body), they are no longer electrified until he machine is activated again and can build up a charge. more
Features "The Tony Danza Show" (2004) more
Lovely Day more
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I was a bit let down by this movie. Hearing that Billy bob thorton and Jon Heder were in it, (aswell as sarah silverman) I was expecting to get some quality laughs out of this, but what I got was pretty weak. Not that movies like this have incredible stories or plots, but this one was pretty bad, and it moved at an awkward pace to me, that made it even more unbelievable than the genre usually is, As a fan of this sort of platform for a comedy, maybe I'm being to hard on it by other peoples standards, so I don't want to all out not recommend it, but Don't expect as many laughs as the other Billy bob thorton flicks like bad santa, it's light comedy. I usually tend to enjoy these comedies a few times over, but one viewing of this will be enough for me.
5/10