| Joe Swanberg | ... | Tim | |
| C. Mason Wells | ... | Chris | |
| Kevin Bewersdorf | ... | Alex | |
| Brigid Reagan | ... | Ada | |
| Tipper Newton | ... | Walter | |
| Greta Gerwig | ... | Greta | |
| Kate Winterich | ... | Tessa | |
| rest of cast listed alphabetically: | |||
| Nathan Adloff | ... | Anonymous Internet Girl Watcher | |
| Laura Lippert | ... | Flirt at Party | |
| Anne Wells | |||
Directed by | |||
| Joe Swanberg | |||
Writing credits(in alphabetical order) | ||
| Kevin Bewersdorf | writer | |
| Joe Swanberg | writer | |
| C. Mason Wells | written by | |
Produced by | |||
| Joe Swanberg | .... | producer | |
Original Music by | |||
| Kevin Bewersdorf | |||
Cinematography by | |||
| Joe Swanberg | |||
Film Editing by | |||
| Joe Swanberg | |||
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| Four Eyed Monsters | Hannah Takes the Stairs | Nights and Weekends | Kissing on the Mouth | Luke and Brie Are on a First Date |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
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For a film shot entirely on standard definition video, LOL is surprisingly accessible. In fact, the low quality visuals only seem to add to the ambiance of the film, which deals with the "youtube generation" a group of people whose social interaction relies heavily on the internet and technology. Yes the film is slow, almost boring in parts, but this fact becomes completely forgivable when one realizes that what they are watching is a near accurate representation of real life. Standard Hollywood conventions are ignored and replaced by a truly pioneering cinematic style. The characters infuriate, in the way only real people can. It's like watching a friend self destruct after not getting their way. But how can these characters give or take all they need from relationships, when the very technology that is there to enhance communication, is in fact hindering it. There is no physical sex, the closest thing being the sending back and forth of sexual pictures between mobile phones. The film paints a grim portrait of the way social interaction is heading, becoming more and more distant as we rely more heavily on technology. Although the film is probably only relevant to a certain narrow demographic, the filmmakers certainly have their fingers on the pulse of that culture.