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Directed by | |||
| Fred Savage | |||
Writing credits(WGA) | ||
| Geoff Rodkey | (screenplay) and | |
| J. David Stem | (screenplay) & | |
| David N. Weiss | (screenplay) | |
| Geoff Rodkey | (story) and | |
| Joel Cohen | (story) & | |
| Alec Sokolow | (story) | |
| Geoff Rodkey | (characters) | |
Original Music by | |||
| James Dooley | |||
Cinematography by | |||
| Geno Salvatori | |||
Film Editing by | |||
| Michel Aller | |||
Casting by | |||
| Lindsey Hayes Kroeger | |||
| Judi McKee | |||
| David Rapaport | |||
Production Design by | |||
| Eric Weiler | |||
Art Direction by | |||
| Mark J. Mullins | |||
Set Decoration by | |||
| Mark J. Mullins | |||
Costume Design by | |||
| Carolyn Leone | (as Carolyn Leone-Smith) | ||
Makeup Department | |||
| Julie Kreger | .... | key hair stylist | |
| Bern Kubiak | .... | assistant makeup artist | |
| Greg T. Moon | .... | key makeup artist | |
| Carol Strong | .... | assistant hair stylist (as Carole Strong) | |
Second Unit Director or Assistant Director | |||
| Brent Geisler | .... | second second assistant director | |
| Craig L. Steiner | .... | first assistant director | |
| Heather Toone | .... | second assistant director | |
Art Department | |||
| Nicole Eldredge | .... | storyboard artist | |
| Stephen Gurley | .... | leadman (as Steve Gurley) | |
| Adam Henderson | .... | set dresser | |
| Scotty Meek | .... | swing gang | |
| Matthew Morgan | .... | props | |
| Sean Rampton | .... | set dresser | |
| John H. Virgo | .... | on-set set dresser | |
Sound Department | |||
| Susan Cahill | .... | dialogue editor | |
| Noel Espinosa | .... | boom operator | |
| Sandy Gendler | .... | supervising sound editor | |
| Pamela Kahn | .... | foley artist | |
| Tateum Kohut | .... | sound re-recording mixer | |
| Kyle Rochlin | .... | foley mixer | |
Visual Effects by | |||
| Dave Isaac Santos Abuel | .... | digital compositor | |
| Landon Bootsma | .... | digital compositor: Technicolor | |
| Anthony Davis | .... | digital compositor | |
| Christopher Elke | .... | visual effects producer: Technicolor Vancouver | |
| Dana Marin Fisher | .... | visual effects coordinator | |
| John Follmer | .... | visual effects supervisor | |
| Jon Greenhalgh | .... | digital compositor: Michael Kaelin & Associates, Inc. | |
| Bruce Jones | .... | visual effects supervisor | |
| Michael Kaelin | .... | compositing supervisor: Michael Kaelin & Associates, Inc. | |
| Aaron Kaminar | .... | visual effects supervisor | |
| Jeremy Price | .... | visual effects | |
Stunts | |||
| Frank L. Bare II | .... | stunts | |
| Don Shanks | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Kurtis Burr | .... | first assistant camera | |
| Gary Johnson | .... | second assistant camera | |
| Kelly Klindt | .... | dolly grip | |
| Scott Leyse | .... | first assistant camera | |
| Jay Meyer | .... | camera helper | |
| Andrew Mitchell | .... | Steadicam operator | |
| Andrew Mitchell | .... | camera operator | |
| Jason Painter | .... | first assistant camera | |
| Roger Peterson | .... | grip | |
| Susie Ramos | .... | still photographer | |
| Jason Walser | .... | dolly grip | |
| Josh Wood | .... | camera loader | |
Casting Department | |||
| Gayle Minkovitch-Jensen | .... | extras casting | |
| Yong Yun | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Jennifer Breeden | .... | costume supervisor | |
| Natalie Pascual | .... | key set costumer | |
| Christina Phipps Johnson | .... | assistant costume designer | |
Editorial Department | |||
| Meagan Costello | .... | first assistant editor | |
| Christian Prejza | .... | digital intermediate producer | |
| David Townsend | .... | post-production coordinator | |
| Benjamin Wiser | .... | post-production assistant | |
Music Department | |||
| Kevin Babuder | .... | orchestrator | |
| Tim Davies | .... | conductor | |
| Jared Flamm | .... | music coordinator | |
| Isobel Griffiths | .... | orchestra contractor | |
| Andrew Kinney | .... | orchestrator | |
| Dana Niu | .... | orchestrator | |
| Manish Raval | .... | music supervisor | |
| Czarina Russell | .... | music studio manager: Remote Control Productions | |
| Tom Trafalski | .... | music editor | |
| Tom Wolfe | .... | music supervisor | |
Transportation Department | |||
| Scott Doleto | .... | driver: prop | |
| Brett Miller | .... | transportation coordinator | |
| Rick Spidell | .... | driver | |
| John Suttles | .... | driver | |
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Really, I'm only commenting because the original "most useful" comment was idiotic, and praised the movie. Upon seeing the case for the movie, I realized that Eddie Murphy was not in the movie. I turned the case around, and discovered that the same character was being played by another actor; an actor who shouldn't be in terrible sequels, playing an already well-known actors character, only a few years after the original had come out. The film itself delivers a lack-luster storyline and secondhand laughs. The acting isn't so great and the believability of the entire thing is low, much unlike most of the first movie. I'm going to have to say, for Oscar-winning Cuba Gooding Jr. to take a role such as this, he may have risked his entire career's great overview. The original itself wasn't exactly sequel prone, but at least it was watchable.