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| Vitéz Ábrahám | ... | Alex | |
| Ernõ Fekete | ... | Dad | |
| Dóra Létay | ... | Mom |
Directed by | |||
| Attila Szász | |||
Writing credits(in alphabetical order) | ||
| Attila Szász | writer | |
Produced by | |||
| Dalma Hidasi | .... | producer | |
| Tamás Keményffy | .... | co-producer | |
| Attila Szász | .... | co-producer | |
Cinematography by | |||
| Tamás Keményffy | |||
Film Editing by | |||
| László Hargittai | |||
Production Design by | |||
| Ibolya Bárdosi | |||
Set Decoration by | |||
| Anikó Selmeczy | |||
Costume Design by | |||
| Ibolya Bárdosi | |||
Makeup Department | |||
| Hildegard Haide | .... | makeup artist | |
Production Management | |||
| Kálmán Antal | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Anikó Dunaveczky | .... | assistant director | |
Sound Department | |||
| Csaba Major | .... | sound | |
Stunts | |||
| Zoltán Gulyás Kiss | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Gábor Hevesi | .... | best boy | |
| Balázs Révész | .... | Steadicam operator | |
| Árpád Szirmai | .... | gaffer | |
Editorial Department | |||
| Gabriella Für | .... | video colorist | |
| Judit Szép | .... | film grader | |
Other crew | |||
| Gabriella Für | .... | digital grader | |
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| Az utolsó blues | I Am Legend | Rag Doll | Honogurai mizu no soko kara | Téli mese |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Hungary section | Add this title to MyMovies |
Just saw this at the Cackalacky Film Festival in Charlotte, NC. It's hard to imagine a more concentrated and haunting portrait of dread (overwhelming all the way up to the revelation), grief, loss, fear, and isolation.
It's so potent that I can't imagine many people wanting to watch it several times - probably just twice in order to appreciate how they put everything together. This is the kind of movie that still delivers an emotional punch (right to the gut) when you think about it days (weeks? months?) later. The performances are subtle, nuanced, and powerful - very believable for this situation.
The filming and editing show great skill and an awareness of how and when to use jarring and "edgy" stuff **in order to serve the story and emotional arc** No flashy or pretentious "style for style's sake."
The short version of this all is: see this film. Not many other films (or songs, or paintings, etc.) have captured what "Now You See Me" captures. It is brave and true.