| Photos (see all 63 | slideshow) | Videos (see all 15 NEW) |
| Halle Berry | ... | Rowena Price | |
| Bruce Willis | ... | Harrison Hill | |
| Giovanni Ribisi | ... | Miles Haley | |
| Richard Portnow | ... | Narron | |
| Gary Dourdan | ... | Cameron | |
| Florencia Lozano | ... | Lieutenant Tejada | |
| Nicki Aycox | ... | Grace | |
| Kathleen Chalfant | ... | Elizabeth Clayton | |
| Gordon MacDonald | ... | Senator Sachs | |
| Daniella Van Graas | ... | Josie | |
| Paula Miranda | ... | Mia Hill | |
| Patti D'Arbanville | ... | Esmeralda | |
| Clea Lewis | ... | Gina | |
| Tamara Feldman | ... | Bethany | |
| Gerry Becker | ... | Jon Kirshenbaum | |
| Jared Burke | ... | Kenneth Phelps | |
| Jay Wilkison | ... | Jesse Drake | |
| Aaron Nauta | ... | Gunnar Hope | |
| Jane Bradbury | ... | Toni | |
| Jeffrey Bellamy | ... | Capital Policeman | |
| Charles Thomas | ... | Coroner | |
| Jason Antoon | ... | Bill Patel | |
| Heidi Klum | ... | Victoria's Secret Party Host | |
| Daniel A. Thomas | ... | District Attorney | |
| Jack Menz | ... | Defense Attorney | |
| Liliane Thomas | ... | Jury Foreman | |
| Todd Komarnicki | ... | CSI Witness | |
| Daniel Cheswick | ... | CSI Guy | |
| James Mazzola | ... | CSI Analyst | |
| Emma Heming | ... | Donna | |
| Kristy Hinze | ... | Carol Whittier | |
| Jay Coyle | ... | Banker | |
| Stephen J. Eads | ... | Photographer's Assistant (as Stephen Eads) | |
| Michael Tolan | ... | Judge | |
| Yvonna Kopacz Wright | ... | Ro's Mother (as Yvonna Kopacz) | |
| Jacqueline Cannon | ... | Rowena's Older Mother | |
| Vincent Lamberti | ... | Ro's Father | |
| Maya N. Blake | ... | 9-Year-Old Ro | |
| Nadine Jacobson | ... | 9-Year-Old Grace | |
| Jonathan Ave | ... | Reebok Executive | |
| Thomas Michael Sullivan | ... | Reebok Executive (as Thomas Sullivan) | |
| Pat Pritchett Lewis | ... | Human Resources Woman | |
| Gaetano Lisi | ... | Newsstand Vendor | |
| Brandhyze Stanley | ... | Coffee Stand Vendor | |
| Maurice Ballard | ... | Maurice Ballard | |
| Justin Ritson | ... | Man on Elevator | |
| Lauren Potter | ... | Client | |
| Robert L. Haber | ... | Client | |
| Mitch Giannunzio | ... | Client #3 | |
| John Heinlein | ... | NYPD Computer Tech | |
| Mike O'Brien | ... | Man in Bar | |
| Joe Paparone | ... | Hill's Doorman | |
| James 'D-Train' Williams | ... | Singer | |
| rest of cast listed alphabetically: | |||
| Ilana Becker | ... | H2A Secretary (uncredited) | |
| John Crann | ... | Waiter (uncredited) | |
| Tony Galtieri | ... | Victoria Secrets Employee (uncredited) | |
| Christy Bella Joiner | ... | Model at Party (uncredited) | |
| Amelia Kallman | ... | Allison (uncredited) | |
| Deirdre Lorenz | ... | Veronica - the office temp (uncredited) | |
| Loukas Papas | ... | Business CEO (uncredited) | |
Directed by | |||
| James Foley | |||
Writing credits(WGA) | ||
| Todd Komarnicki | (screenplay) | |
| Jon Bokenkamp | (story) | |
Produced by | |||
| Ronald M. Bozman | .... | executive producer (as Ron Bozman) | |
| Stephen J. Eads | .... | associate producer (as Stephen Eads) | |
| Elaine Goldsmith-Thomas | .... | producer | |
| Stephanie Langhoff | .... | co-producer | |
| Charles Newirth | .... | executive producer | |
| Deborah Schindler | .... | executive producer | |
| Daniel A. Thomas | .... | co-producer | |
Original Music by | |||
| Antonio Pinto | |||
Cinematography by | |||
| Anastas N. Michos | (director of photography) (as Anastas Michos) | ||
Film Editing by | |||
| Christopher Tellefsen | |||
Casting by | |||
| Todd M. Thaler | (as Todd Thaler) | ||
Production Design by | |||
| Bill Groom | |||
Art Direction by | |||
| Charley Beal | |||
Set Decoration by | |||
| Susan Bode | (as Susan Tyson) | ||
Costume Design by | |||
| Renee Ehrlich Kalfus | (as Renée Ehrlich Kalfus) | ||
Makeup Department | |||
| Linda Arnold | .... | hair stylist: Mr. Willis | |
| Richard Dean | .... | co-key makeup artist | |
| Richard Dean | .... | makeup artist: Mr. Willis | |
| Leslie Fuller | .... | co-key makeup artist | |
| Wayne Herndon | .... | department head hair | |
| Norma Hill-Patton | .... | makeup artist: Ms. Berry | |
| Paula Kelly | .... | additional makeup artist | |
| Frances A. Kolar | .... | makeup artist | |
| Barbara Lorenz | .... | hair stylist: Ms. Berry | |
| Diana Sikes | .... | key hair stylist | |
Production Management | |||
| Ronald M. Bozman | .... | unit production manager (as Ron Bozman) | |
| Paul A. Levin | .... | post-production supervisor | |
| Harvey Waldman | .... | unit production manager | |
Art Department | |||
| Rand Angelicola | .... | scenic artist | |
| Michael Auszura | .... | assistant art director | |
| Emily Beck | .... | assistant art director | |
| Brian Becker | .... | shop craft foreman | |
| Vince Biscano | .... | best boy construction grip (as Vincent J. Biscaino) | |
| Rolf H. Bortner | .... | key construction grip | |
| Steve Brennan | .... | on-set dresser | |
| Jason Brown | .... | set dresser (as Jason A. Brown) | |
| Lauren Buckley | .... | art department coordinator (as Judith L. Buckley) | |
| Stephen Caldwell | .... | scenic artist | |
| Ruth Deleon | .... | on-set dresser (as Riuth A. Deleon) | |
| Gerard J. Furey | .... | key shop craftsman (as Gerard Furey) | |
| David Scott Gagnon | .... | second set dresser (as D. Scott Gagnon) | |
| Steven Glazman | .... | storyboard artist | |
| Bruce Lee Gross | .... | leadman | |
| Heesoo Kim | .... | assistant art director | |
| Hank Liebeskind | .... | set dresser | |
| Todd MacNicholl | .... | key construction grip | |
| Vinny Mazzarella | .... | assistant property master | |
| James Mazzola | .... | property master (as Jim Mazzola) | |
| Lyvan A. Munlyn | .... | scenic foreman | |
| Joseph S. Patire | .... | shop craftsman | |
| Mark Pollard | .... | assistant art director | |
| Mark Pollard | .... | graphic artist | |
| Kevin L. Raper | .... | graphic artist | |
| Diane Rich | .... | scenic artist | |
| Charles Romanello | .... | shop craft foreman | |
| Maggie Ryan | .... | scenic foreperson | |
| Raymond M. Samitz | .... | construction coordinator | |
| David Shanker | .... | assistant property master (as Dave Shanker) | |
| Robert Topol | .... | master scenic artist | |
| M. Tony Trotta | .... | camera scenic artist | |
| James Whelan | .... | set dresser | |
| Tonero Williams | .... | assistant property master | |
| Alyssa Winter | .... | assistant set decorator | |
| Adam Jones | .... | scenic shopman (uncredited) | |
| Victor Littlejohn | .... | set dresser (uncredited) | |
| Eugene Paul Lynch | .... | key construction electric (uncredited) | |
| Eric M. Metzger | .... | set dresser (uncredited) | |
| Eric Pastore | .... | set dresser (uncredited) | |
| Ronnie Petagna | .... | carpenter (uncredited) | |
| Peter Regnier | .... | swing gang set dresser (uncredited) | |
| Jennifer Santucci | .... | set dresser (uncredited) | |
| Ajamu Walker | .... | scenic shopman (uncredited) | |
Sound Department | |||
| Gina Alfano | .... | supervising adr editor (as Gina R. Alfano) | |
| Michael Barry | .... | sound re-recording mixer | |
| Carlie Bergman | .... | adr recordist | |
| Chad Birmingham | .... | assistant sound editor | |
| Leslie Bloom | .... | foley artist | |
| Ron Bochar | .... | sound re-recording mixer | |
| Ron Bochar | .... | supervising sound editor | |
| Allan Byer | .... | sound mixer | |
| Kam Chan | .... | foley editor | |
| Heather Gross | .... | sound effects editor | |
| Eric Hirsch | .... | re-recording engineer | |
| George A. Lara | .... | foley engineer | |
| Marissa Littlefield | .... | adr editor | |
| Branka Mrkic | .... | dialogue editor (as Branka Mrkic-Tana) | |
| Douglas Murray | .... | adr mixer | |
| Mary Ellen Porto | .... | adr editor | |
| Serge Stanley | .... | apprentice sound editor | |
| Lidia Tamplenizza | .... | apprentice sound editor | |
| Alexa Zimmerman | .... | assistant sound editor | |
| Daniel McIntosh | .... | sound mixer: additional photography (uncredited) | |
| Paul Pouthier | .... | second boom operator (uncredited) | |
| Greg Zimmerman | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Mark Bero | .... | special effects coordinator | |
| Robert J. Scupp | .... | special effects foreman (as Bob Scupp) | |
| Douglas W. Beard | .... | special effects technician: re-shoot (uncredited) | |
| Phillip Beck | .... | special effects technician (uncredited) | |
| Richard Bryan Douglas | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Karen Bianca | .... | visual effects producer: RhinoFX (as Karen Bianca Bisignano) | |
| Kent Blocher | .... | visual effects editor | |
| Elena Casanova | .... | visual effects coordinator: RhinoFX | |
| Rodrigo de la Parra | .... | compositor: RhinoFX | |
| Chris DiFiore | .... | design lead: RhinoFX | |
| Mitchell Ferm | .... | visual effects associate producer: RhinoFX | |
| Camille Geier | .... | visual effects executive producer: RhinoFX | |
| Nitant Karnik | .... | compositor: RhinoFX | |
| Jeff Lopez | .... | lead animator: RhinoFX | |
| Krista Maryanski | .... | post production coordinator | |
| Arman Matin | .... | visual effects art director: RhinoFX | |
| Arman Matin | .... | visual effects supervisor: RhinoFX | |
| John Sosnovski | .... | visual effects producer (as John Sosnovsky) | |
| John J. Budion | .... | Flame artist: RhinoFX (uncredited) | |
| Chris Gelles | .... | visual effects executive producer: & Company (uncredited) | |
| David Isyomin | .... | visual effects supervisor: & Company (uncredited) | |
| Bogdan Mihajlovic | .... | visual effects onset supervisor: RhinoFX (uncredited) | |
| Vadim Turchin | .... | lead technical director (uncredited) | |
| Craig Veytia | .... | digital compositor (uncredited) | |
| Ji Hyun Yoon | .... | visual effects (uncredited) | |
Stunts | |||
| G.A. Aguilar | .... | stunt coordinator (as George Aguilar) | |
| John Cenatiempo | .... | stunt coordinator | |
| Anthony Vincent | .... | stunts | |
Camera and Electrical Department | |||
| Bill Almeida | .... | lamp operator | |
| Tony Arnaud | .... | grip | |
| Will Arnot | .... | Steadicam operator | |
| Will Arnot | .... | camera operator: "b" camera | |
| David Baney | .... | lamp operator | |
| Matt Blades | .... | dolly grip | |
| Kelly Britt | .... | lighting board operator | |
| Geb Byers | .... | first assistant camera: "b" camera | |
| Gregory Cahill | .... | dolly grip | |
| Patrick Capone | .... | camera operator | |
| Brian Carmichael | .... | video assist operator | |
| Ralph G. Crowley | .... | best boy electric (as Ralph Crowley) | |
| Andy Day | .... | gaffer | |
| James Domorski | .... | 24 frame video supervisor | |
| Kevin Flynn | .... | key rigging grip (as Kevin W. Flynn) | |
| Jamie Gallagher | .... | lamp operator | |
| Gerald Gloster | .... | grip | |
| Charlie Grubbs | .... | rigging gaffer (as Charles Grubbs) | |
| William Hines | .... | best boy rigging electric | |
| Amanda Hudson | .... | second assistant camera: "b" camera | |
| Michael Hunold | .... | lamp operator | |
| Chris Kilduff | .... | best boy grip | |
| William MacGhee | .... | lamp operator | |
| William D. Moran | .... | grip (as William Moran) | |
| Ed Nessen | .... | second assistant camera: "a" camera | |
| Heather Norton | .... | first assistant camera: "a" camera | |
| Balint Pinczehelyi | .... | grip | |
| Tom Prate | .... | key grip | |
| Noah Prince | .... | construction electric | |
| Peter Russell | .... | lamp operator | |
| Pierson Silver | .... | assistant camera | |
| Joseph Trammell | .... | video assist operator (as Joe Trammell) | |
| Joshua Van Praag | .... | lamp operator | |
| Barry Wetcher | .... | still photographer | |
| Franz Yeich | .... | best boy rigging grip (as Franz J. Yeich) | |
| Michael Appel | .... | lighting programmer (uncredited) | |
| Pamela Bertini | .... | camera operator: additional photography (uncredited) | |
| John-Paul Chase | .... | grip (uncredited) | |
| Peter Colavito | .... | electrician (uncredited) | |
| Chris Drechsler | .... | electrician (uncredited) | |
| Lauren E. Enfield | .... | rigging grip (uncredited) | |
| John Gatland | .... | additional grip (uncredited) | |
| Paul Goroff | .... | super technocrane operator (uncredited) | |
| Andrew Greve | .... | rigging electrician (uncredited) | |
| Kevin Groff | .... | rigging grip (uncredited) | |
| James Harker | .... | electrician (uncredited) | |
| Timothy Healy | .... | generator operator (uncredited) | |
| Gregory F. Johnson | .... | rigging grip (uncredited) | |
| Peter Kantor | .... | rigging grip (uncredited) | |
| James Klayer | .... | additional camera loader (uncredited) | |
| Denny Kortze | .... | additional second assistant camera (uncredited) | |
| John Krause | .... | rigging grip (uncredited) | |
| Michael A. Leo | .... | electrician (uncredited) | |
| Todd Lichtenstein | .... | electrician (uncredited) | |
| Lou Massa | .... | rigging grip (uncredited) | |
| Paul C. McKenna | .... | crane technician: Technocrane (uncredited) | |
| Christopher Murphy | .... | digital video assist operator (uncredited) | |
| Justin Panzanaro | .... | rigging grip (uncredited) | |
| Antonio Ponti | .... | first assistant camera (uncredited) | |
| Joe Sarao | .... | rigging grip (uncredited) | |
| Jonathan Stern | .... | additional rigging electrician (uncredited) | |
| Ryan Webb | .... | electrician (uncredited) | |
| John Woods | .... | rigging electrician (uncredited) | |
| J. Dan Wright | .... | electrician (uncredited) | |
Casting Department | |||
| Lee Genick | .... | background casting | |
| Philip Huffman | .... | casting assistant | |
| Sondra James | .... | adr voice casting | |
| Sylvia Fay | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Rhonney Greene | .... | key background costumer | |
| Joni M. Huth | .... | costume shop supervisor | |
| Nina Johnston | .... | dresser: Ms. Berry | |
| Mary Jo McGrath | .... | costume supervisor (as M.J. McGrath) | |
| Jennifer M. Moore | .... | key costumer | |
| Richard Schurkamp | .... | assistant costume designer | |
| Thomas Stokes | .... | costume supervisor | |
| Michelle Elaine Teague | .... | dresser: Mr. Willis (as Michelle Teague) | |
| Clifford Wray | .... | wardrobe assistant | |
| MacKenzie Fallon | .... | wardrobe intern (uncredited) | |
| Daniel Lawson | .... | assistant costume designer (uncredited) | |
| David Paulin | .... | costume ager/dyer (uncredited) | |
| Patrick Sarni | .... | wardrobe assistant (uncredited) | |
Editorial Department | |||
| Emery Anderson | .... | digital intermediate engineer: Technicolor | |
| Kent Blocher | .... | first assistant editor | |
| Dana Bloder | .... | digital intermediate producer: Technicolor | |
| Joe Gawler | .... | digital colorist: Technicolor | |
| Ann Gray | .... | post-production coordinator | |
| Jesse Morrow | .... | digital intermediate editor: Technicolor | |
| Chris Regan | .... | lab color timer: Technicolor | |
| John Sosnovski | .... | assistant editor (as John Sosnovsky) | |
| Michael P. Whipple | .... | digital intermediate engineer: Technicolor (as Mike Whipple) | |
Music Department | |||
| Gui Amabis | .... | additional music crew | |
| Gui Amabis | .... | music programmer | |
| Ed Cortês | .... | orchestrator | |
| Tony Finno | .... | music copyist | |
| Bruce Fowler | .... | conductor | |
| Marilia Franco | .... | score coordinator | |
| Mick Gormaley | .... | music editor | |
| John Kurlander | .... | score mixer (as John J. Kurlander) | |
| Denise Luiso | .... | music supervisor | |
| Sandra Park | .... | music contractor | |
| Nic Ratner | .... | music editor | |
| Matt Chiaravalle | .... | music producer (uncredited) | |
| Justin Reeve | .... | music coordinator (uncredited) | |
Transportation Department | |||
| Mike Buckman | .... | driver | |
| Joseph Buonocore | .... | driver (as Joseph J. Buonocore Jr.) | |
| Dan Connolly | .... | driver | |
| William 'Telly' Davis | .... | driver (as Telly Davis) | |
| Robert Dwyer | .... | driver (as Bob Dwyer) | |
| Billy Featherstone | .... | driver (as William Featherstone) | |
| Roy Fortier | .... | driver | |
| Brian Hogan | .... | driver | |
| Joseeph J. Parvis | .... | driver (as Joseph J. Parvis) | |
| Timothy Shannon | .... | driver (as Timothy J. Shannon) | |
| Timothy Shannon | .... | transportation co-captain (as Timothy J. Shannon) | |
| James Patrick Whalen Jr. | .... | transportation captain (as James P. Whalen Jr.) | |
| Donald Yeager | .... | driver | |
| Carl Hettling | .... | driver (uncredited) | |
Thanks | |||
| Mike Marcucci | .... | special thanks | |
| Dara McQuillan | .... | special thanks | |
| Larry Silverstein | .... | special thanks (as Larry A. Silverstein) | |
| Recent Posts (updated daily) | User |
|---|---|
| Miles/Giovanni Sexy? | smoriol |
| Jacket | rjther |
| who was the guy at the end ? | raj07011 |
| Bugging me since I watched the movie... | bsals |
| a few clarifications | exatera |
| Miles SPOILER | peter-r-odder |
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| La coda dello scorpione | Basic Instinct | The Last Seduction | I corpi presentano tracce di violenza carnale | Lo strano vizio della Signora Wardh |
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After viewing Perfect Stranger, I went on the film's page at the IMDb, and found out that there were three different endings filmed, each one with a different character being guilty. This does not surprise me at all. This is a movie that jerks us around simply for the sole fact that it wants to jerk us around. It doesn't want us to figure it out, and it doesn't play fair. When I realized that there was no point in following the clues and the movie simply plays to the demands of the filmmaker and which ending worked best with test audiences, it made me hate this shallow and silly excuse for a thriller even more.
The film centers on an investigative journalist named Rowena (Halle Berry) who specializes in going undercover and exposing corporate and political frauds with the help of her creepy best friend and co-worker Miles (Giovanni Ribisi) who seems to have a certain unhealthy obsession with her that is painfully obvious to the audience, yet Rowena seems blissfully ignorant to. Rowena's having a tough time after she quits her job due to one of her stories falling through and a childhood friend of hers named Grace (Nicki Aycox) turns up dead. The two women just happened to have a chance meeting in a subway shortly before Grace's murder, and she told Rowena about how she had been having an on-line affair with a powerful New York ad executive named Harrison Hill (Bruce Willis). Grace had mentioned that their relationship had recently soured, and that Harrison was no longer talking to her. When evidence pops up that Grace may have been pregnant, Harrison becomes all the more suspicious to Rowena, especially since the man is married and has a long history of past affairs. Deciding to investigate on her own, Rowena turns up at Harrison's corporate office as a Temp and tries to get close to him, with Miles trying to dig up more dirt on the guy. Naturally, things are not what they seem, and the movie has more red herrings than a fresh fish market to keep us guessing in sheer futility.
There's nothing exactly wrong with the concept behind Perfect Stranger, and director James Foley certainly gives the movie an attractive look. The problem lies with the screenplay by Todd Komarnicki. He seems to be trying to make an erotic murder thriller along the lines of Basic Instinct, but the movie is not very erotic nor is it very thrilling. The pace is leisurely to the point of being nearly stagnant, and the few sex scenes contained within the film are completely and instantly forgettable. I guess we're supposed to be enthralled by the twisting plot that casts everyone who plays a major role into a shadowy light. The movie stresses time and time again that everyone has dirty secrets, and yes, many secrets are exposed. The problem is almost all of these secrets exist simply to throw us off course. Not one leads to the correct answer. The answer exists simply in whatever of the three endings worked out the best. A thriller like this has to be planned out and lead to one true answer, not whatever answer the filmmakers feel like.
Long before we find out that the movie doesn't even want to play fair, Perfect Stranger never truly captures our attention to start with. The characters are murky at best and, as previously mentioned, exist simply to lead us in multiple directions. They are victims of a plot that knows it's clever. They have no personality and no real motivation other than to act as red herrings. A good example is the character of Harrison Hill, who is slimy simply because he is supposed to be slimy for the sake of the story. He cheats on his wife, he threatens his business enemies, and when he finds out that one of his employees has been leaking info to an outside source, he physically abuses him right in front of all the other employees. None of these actions truly matter. They have no motivation and they do not drive his character to any sort of goal. We can't become attached to these people, because they're not even human to start with.
Since winning the Oscar for Monster's Ball, Halle Berry seems to be on a strange single-minded quest to kill her career. Chalk up another loss for Berry. She's passable at best, but just about any other actress could have filled her shoes, and she brings nothing to the character. Same goes for Bruce Willis, who has absolutely no charisma, and we cannot understand why he is such a ladies man except for the fact that the movie tells us he is. The only performance that does stand out is Giovanni Ribisi as Miles, and it's for all the wrong reasons. He is immediately suspicious to us, because Ribisi plays up the weirdness of his character almost from the instant he walks onto the screen. This makes the fact that Berry's character does not even seem the least bit unnerved by him make her come across as a total idiot.
I will not reveal the ending of Perfect Stranger, but I will say this. When the ending comes, did you personally see anything during the course of the movie that could have led us to the conclusion it wants to lead us to? We don't get the full story beforehand. All the clues, all the evidence, all the paths it had led us down had nothing to do with anything. The movie is a great big exploding cigar that laughs at us when everything blows up in our face. There are no right and wrong answers. Just one very uninteresting movie that doesn't even have the nerve to play fair.