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| Ivana Baquero | ... | Ofelia | |
| Sergi López | ... | Captain Vidal | |
| Maribel Verdú | ... | Mercedes | |
| Doug Jones | ... | Fauno / Pale Man | |
| Ariadna Gil | ... | Carmen Vidal | |
| Álex Angulo | ... | Doctor | |
| Manolo Solo | ... | Garcés | |
| César Vea | ... | Serrano | |
| Roger Casamajor | ... | Pedro | |
| Ivan Massagué | ... | El Tarta | |
| Gonzalo Uriarte | ... | Francés | |
| Eusebio Lázaro | ... | Padre | |
| Francisco Vidal | ... | Sacerdote (as Paco Vidal) | |
| Juanjo Cucalón | ... | Alcalde | |
| Lina Mira | ... | Esposa del alcalde | |
| Mario Zorrilla | ... | Jefe de botiquín | |
| Sebastián Haro | ... | Captain of Civil Guard | |
| Mila Espiga | ... | Esposa del doctor | |
| Pepa Pedroche | ... | Conchita | |
| María Jesús Gattoo | ... | Jacinta | |
| Ana Sáez | ... | Paz | |
| Chani Martín | ... | Trigo | |
| Milo Taboada | ... | Joven | |
| Fernando Albizu | ... | Maquinista | |
| Pedro G. Marzo | ... | Encargado | |
| José Luis Torrijo | ... | Sargento Bayona | |
| Íñigo Garcés | ... | Young Guerrilla | |
| Fernando Tielve | ... | Second Young Guerrilla | |
| Federico Luppi | ... | Rey | |
| Chicho Campillo | ... | Anciano | |
| Pablo Adán | ... | Narrator / Faun (voice) (as Pablo Adan) | |
| rest of cast listed alphabetically: | |||
| Chema Ruiz | |||
| Eduardo Aránega | ... | Captain Vidal's Soldier (uncredited) | |
Directed by | |||
| Guillermo del Toro | |||
Writing credits | ||
| Guillermo del Toro | (written by) | |
Produced by | |||
| Víctor Albarrán | .... | line producer | |
| Belén Atienza | .... | executive producer | |
| Álvaro Augustín | .... | producer | |
| Alfonso Cuarón | .... | producer | |
| Edmundo Gil | .... | co-executive producer | |
| Elena Manrique | .... | executive producer | |
| Bertha Navarro | .... | producer | |
| Guillermo del Toro | .... | producer | |
| Frida Torresblanco | .... | producer | |
Original Music by | |||
| Javier Navarrete | |||
Cinematography by | |||
| Guillermo Navarro | |||
Film Editing by | |||
| Bernat Vilaplana | |||
Casting by | |||
| Sara Bilbatúa | |||
Production Design by | |||
| Eugenio Caballero | |||
Costume Design by | |||
| Lala Huete | |||
Makeup Department | |||
| David Martí | .... | sfx makeup artist | |
| José Quetglás | .... | key makeup artist | |
| Arjen Tuiten | .... | special makeup effects artist: DDT | |
Second Unit Director or Assistant Director | |||
| Jorge Calvo | .... | first assistant director (as Jorge Calvo González) | |
| Borja Grandio | .... | second assistant director | |
| Karin Marzocchini | .... | third assistant director | |
| Alberto Terrón | .... | second assistant director (as Alberto Terron) | |
| Jorge Vega | .... | third assistant director | |
Art Department | |||
| Javier Alvariño | .... | set draftsman | |
| Alicia Castro | .... | assistant art director | |
| Patricia Cuevas | .... | property master | |
| Héctor Gil | .... | property master | |
| Carlos Giménez | .... | sketches | |
| Gabriel Liste | .... | assistant art director | |
| Raúl Monge | .... | set draftsman | |
| Raúl Monge | .... | storyboard artist | |
| Pilar Revuelta | .... | set designer | |
| Iñaki Rubio | .... | key props buyer | |
| William Stout | .... | conceptual artist | |
| Raul Villares | .... | set draftsman | |
| Carlos Zaragoza | .... | assistant art director | |
Sound Department | |||
| Jaime Baksht | .... | sound re-recording mixer | |
| Dana Blanco | .... | sound effects editor | |
| Michelle Couttolenc | .... | sound recordist | |
| Sergio Diaz | .... | first sound editor | |
| Martín Hernández | .... | sound designer | |
| Martín Hernández | .... | supervising sound editor | |
| Miguel Ángel Polo | .... | sound (as Miguel Polo) | |
| Alejandro Quevedo | .... | first sound effects editor | |
| Roland N. Thai | .... | co-sound designer | |
| Roland N. Thai | .... | sound effects editor | |
| Carlos Zamorano | .... | foley artist | |
Special Effects by | |||
| César Abades | .... | special effects technician | |
| Óscar Abades | .... | special effects technician | |
| Reyes Abades | .... | special effects supervisor | |
| Javier Aliaga | .... | special effects crew: DDT SFX | |
| Ángel Alonso | .... | special effects coordinator | |
| Arturo Balceiro | .... | special effects makeup | |
| Xavi Bastida | .... | special effects makeup | |
| Nelly Guimaras | .... | special effects makeup | |
| Raquel Guirro | .... | special effects assistant | |
| Pau Loewe | .... | special effects crew | |
| David Martí | .... | special effects makeup | |
| José M. Meneses | .... | special effects technician: DDT | |
| Pablo Perona Navarro | .... | special effects makeup: DDT SFX Crew | |
| Montse Ribé | .... | special effects makeup | |
| Jose Manuel Rodrigo | .... | special effects technician | |
| Sergio Sandoval | .... | creatures | |
| Juan Serrano | .... | special effects technician: DDT SFX | |
| Aleix Torrecillas | .... | special makeup effects: DDT | |
| Joaquin Vergara | .... | special effects technician | |
Visual Effects by | |||
| Lindsay Anderson | .... | roto/paint artist | |
| Jeff Barnes | .... | production executive: CafeFX | |
| Ryan Bozajian | .... | rotoscope artist | |
| Mike Bozulich | .... | lead compositor: CafeFX | |
| Everett Burrell | .... | visual effects supervisor | |
| Kirk Cadrette | .... | technical director | |
| Jen Cantwell | .... | rotoscope artist | |
| Krishnamurti Costa | .... | character animator and rigger: CafeFX (as Kris Costa) | |
| Krishnamurti Costa | .... | texture artist: CafeFX | |
| Doug Cram | .... | digital compositor | |
| Steve Dellerson | .... | visual effects | |
| Dariush Derakhshani | .... | effects animator | |
| Domenic DiGiorgio | .... | technical animation supervisor | |
| David Ebner | .... | associate producer | |
| David Ebner | .... | production executive: CafeFX | |
| Alex Friderici | .... | visual effects lead | |
| Ron Friedman | .... | animation supervisor | |
| Vicki Galloway-Weimer | .... | visual effects executive producer: CafeFX (as Vicki Galloway Weimer) | |
| Phillip Giles | .... | lighting technical director (as Phil Giles) | |
| Soo Youn Han | .... | character animator | |
| Joseph Hoback | .... | modeler (as Joe Hoback) | |
| Wendy Hulbert | .... | visual effects coordinator | |
| Steve Hutchins | .... | paint/roto artist | |
| Vange Ingan | .... | office staff: CafeFX | |
| Edward Irastorza | .... | co-visual effects supervisor | |
| Edward Irastorza | .... | visual effects producer | |
| Tracy Nicole Irwin | .... | character rigger (as Tracy Irwin) | |
| Grzegorz Jonkajtys | .... | lead animator (as Greg Jonkajtys) | |
| Michael Kaelin | .... | rotoscope artist | |
| Michael Kennen | .... | digital compositor | |
| Alisa Loren Klein | .... | lighting technical director | |
| Derek Krauss | .... | digital paint & roto artist | |
| Scott Krehbiel | .... | character rigger | |
| Aaron Kupferman | .... | digital compositor: Cafe FX | |
| Chris LeDoux | .... | digital compositor | |
| Neil Lim Sang | .... | animator: CafeFX | |
| Debi Lyons | .... | technical director | |
| Chris MacKenzie | .... | digital opticals | |
| Szymon Masiak | .... | effects animator | |
| Laura Maynadé | .... | scanning coordinator | |
| Toby Newell | .... | roto artist | |
| Akira Orikasa | .... | CG supervisor: CafeFX | |
| Desi Ortiz | .... | visual effects senior editor: CafeFX | |
| Chris Pinto | .... | rotoscope artist | |
| Fernanda Plana | .... | visual effects set coordinator | |
| Lance Ranzer | .... | paint/roto artist: CafeFX | |
| Cory Redmond | .... | lead CG artist | |
| Richard R. Reed | .... | digital compositor: CafeFX (as Richard Reed) | |
| Ruben Rodas | .... | paint/roto artist: CafeFX | |
| Bernardo Rodriguez | .... | assistant visual effects editor | |
| Emilio Ruiz del Río | .... | miniature supervisor | |
| Patrice d.S. Saenz | .... | technical director (as Patrice Saenz) | |
| Mag Sarnowska | .... | dustbuster | |
| Aaron Singer | .... | digital compositor | |
| Eddie Soria | .... | paint/rotoscope artist | |
| Adam Stern | .... | digital compositor: Cafe FX | |
| Robert Stromberg | .... | matte painting supervisor | |
| Robert Tesdahl | .... | lead software developer | |
| Robert Tesdahl | .... | software development supervisor | |
| Jason Thielen | .... | character animator | |
| Danny Torres | .... | systems engineer | |
| Leigh van der Byl | .... | lighting technical: CafeFX | |
| Leigh van der Byl | .... | technical director | |
| Leigh van der Byl | .... | texture painter: CafeFX | |
| Tina Wallace | .... | rotoscope artist | |
| O.D. Welch | .... | executive producer: CafeFX | |
| W. Kale Whorton | .... | visual effects editor | |
| Melissa Widup | .... | roto/paint artist: Cafe FX | |
| Todd Widup | .... | digital animator | |
| Todd Widup | .... | lead creature technical director: Cafe FX | |
| Tom Williamson | .... | compositing supervisor | |
| Motassem Younes | .... | digital opticals | |
| Paul Griffin | .... | animation supervisor: pre-production, CafeFX (uncredited) | |
| Phillip Moses | .... | production operations: CafeFX (uncredited) | |
Stunts | |||
| Guiomar Alonso | .... | stunt double: Maribel Verdu | |
| Eduardo Aránega | .... | stunts | |
| Nuria Bueno | .... | stunt double | |
| Ricardo Rocca | .... | stunts | |
| César Solar | .... | stunts | |
| Cuco Usín | .... | stunts | |
Camera and Electrical Department | |||
| Sergio Delgado | .... | first assistant camera: "b" camera | |
| David Domínguez | .... | camera operator: "d" camera (as David Dominguez) | |
| Jon Elizegui | .... | second assistant camera: "a" camera | |
| Alvaro Garcia | .... | second assistant camera | |
| Paco Laso | .... | first assistant camera: "d" camera | |
| David Lee | .... | gaffer | |
| Juan Leyva | .... | first assistant camera: "a" camera (as Juan Leiva) | |
| Rodrigo López | .... | first assistant camera: "c" camera | |
| Pavel Proisl | .... | grip | |
| Bernardo Rossetti | .... | additional Steadicam operator (as Bernardo Rosetti) | |
| Bruce Saintclaire | .... | camera operator: "c" camera | |
| Isabel Seco Velasco | .... | video technician | |
| Jaromir Sedina | .... | Steadicam operator: "b" camera | |
| Bruce St. Clair | .... | camera operator: "c" camera (as Bruce Saintclaire) | |
| Rick Stribling | .... | key grip | |
| José Luis Torrecilla | .... | rigging gaffer | |
| Tom Williamson | .... | effects photography | |
Animation Department | |||
| Angie Jones | .... | animator: CafeFX | |
Casting Department | |||
| Cristina Perales | .... | casting assistant | |
| Macarena Pombo | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Usue Peña | .... | costume assistant | |
| Yolanda Urquiza | .... | seamstress | |
Editorial Department | |||
| Joe Fineman | .... | post-production consultant | |
| Francisco Amaro Gómez | .... | assistant editor | |
| Nick Iannelli | .... | digital intermediate producer | |
| Dave Muscat | .... | digital intermediate editor | |
| Laura Sanchez | .... | film scanner | |
| Evan Schiff | .... | assistant editor | |
| Chris Wallace | .... | digital intermediate colorist | |
| D. Todd Deeken | .... | post-production services: New Line (uncredited) | |
Music Department | |||
| Brian Howard | .... | conductor | |
| Marc Blanes Matas | .... | music recordist | |
| Marc Blanes Matas | .... | score mixer | |
| Chema Ruiz | .... | conductor | |
| Miguel Sanchez | .... | conductor | |
Other crew | |||
| Silvia Alonso | .... | production assistant | |
| Cristina Campos | .... | production assistant | |
| Marc De Blas | .... | production assistant | |
| Ana C. Izquierdo | .... | production assistant (as Ana Izquierdo) | |
| Yuriria Montero | .... | assistant: Guillermo Del Toro (as Yuri Montero) | |
| George Nicholis | .... | publicist | |
| Fernanda Plana | .... | production assistant | |
| Vivien Quetglas | .... | production secretary | |
| Carmen Soriano | .... | script supervisor | |
| Sally Steele | .... | publicist | |
| Tania Zarak | .... | production assistant | |
Thanks | |||
| Jesus de la Vega | .... | thanks | |
| Alejandro González Iñárritu | .... | thanks | |
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| The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | La battaglia di Algeri | Stardust | Batoru rowaiaru | Silent Hill |
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Everyone's been raving about this. My opinion doesn't differ too much. It did however suffer slightly from the overwhelmingly high expectations I'd developed based on how brilliant everyone said it was, and the whole "20min ovation at Cannes" thing. Really, who stands for that long? That said, it's an amazing work.
Skipping the plot recap (find the briefest synopsis you can if you need to be filled in), I'll go straight to the tech specs. I'm not a huge Del Toro fan, Cronos was interesting but lacked something for me. Mimic was dross. Hellboy was enjoyable and Ron Perlman is always great on screen. But here, the director really outdoes himself. By far. He has wrapped together some amazing elements and somehow maintains a balance, that doesn't tip into the mundane or the ridiculous for a moment. And this is no mean feat. The story is part historical drama, part fantasy, part family melodrama. When it dips out of the fantasy, it still enchants.
Sergi Lopez and Maribel Verdú really drive the story in the historical drama scenes. I haven't seen Lopez in anything other than a film called Lisbon, in which he played a character so completely opposite from the Captain. He is a fierce and terrifying guy but actually comes across as sympathetic in a couple of scenes. Verdu is incredible as Mercedes, the head housekeeper (or something) who is Ofelia's closest friend in the house. The scenes with these characters and the civil war subplot never fail to hold your attention. Ivana Baquero is excellent as the main character Ofelia, her performance is very mature and believable and she shares some beautiful scenes with her mother and Mercedes.
When the fairy tale elements return, it's astounding how naturally they fit into the story. I think that is the real magic of this film. The war drama and the fairy tale stem so naturally from each other.
One thing that most reviews haven't mentioned is the violence. I think it's been firmly established that this is an adult's fairytale, but at times it is a very intense and brutal film. There are a couple of scenes in particular which are very disturbing and difficult to watch. These do not distract from the tone and theme of the film however so they don't seem exploitative at all. If you are squeamish, it may get a bit much for you.
A final and obvious point I spose I can't get away without making: the set design, costumes and effects are superb. That's all.
I was perhaps expecting a little more fantasy, but the unique blend of genres is absolutely compelling. There wasn't a false note anywhere or a plot hole, which are too often present in fantasy films. I can't recall a good, original fantasy film from recent years. Fortunately this blows MirrorMask out of the water. It doesn't share any of the contrivances, vagueness or ineffectual characters with that film.
I just wish I'd seen it without already having read so much. I've tried very hard to not reveal any plot details at all as it does go to some surprising and unexpected places. Fortunately most of the reviews have done the same. I'd urge anyone with the chance to see it to do so immediately, and try not to read too much more.