| Photos (see all 11 | slideshow) | Videos (see all 19) |
Peter Straughan (screenplay)
Toby Young (book)
3 October 2008 (USA) more
Brace yourselves, America. more
A British writer struggles to fit in at a high-profile magazine in New York. Based on Toby Young's memoir "How to Lose Friends & Alienate People". full summary | full synopsis
DVD Playhouse--March 2009
(From The Hollywood Interview. 10 March 2009, 11:25 PM, PDT)
Huston's Sister-in-Law In Suicide Jump
(From WENN. 28 October 2008, 5:10 AM, PDT)
Predictable comic heroism. more (68 total)
| Kelan Pannell | ... | Young Sidney Young | |
| Janette Scott | ... | Mrs. Young | |
| Simon Pegg | ... | Sidney Young | |
| Megan Fox | ... | Sophie Maes | |
| Gillian Anderson | ... | Eleanor Johnson | |
| Kelly Jo Charge | ... | Apollo Awards Presenter | |
| Christian Smith | ... | Apollo Awards Guest | |
| Katherine Parkinson | ... | PR Woman | |
| Felicity Montagu | ... | Clipboard Nazi | |
| Thandie Newton | ... | Apollo Awards Guest | |
| John Lightbody | ... | Assistant Hotel Manager | |
| Ian Bonar | ... | Post Modern Review Staff #1 | |
| James Corden | ... | Post Modern Review Staff #2 | |
| Fenella Woolgar | ... | Post Modern Review Staff #3 | |
| Chris O'Dowd | ... | Post Modern Review Staff #4 | |
| Hugh Thompson | ... | Post Modern Review Staff #5 | |
| Emily Thorling | ... | Post Modern Review Staff #6 | |
| Jeff Bridges | ... | Clayton Harding | |
| Miquel Brown | ... | Clayton's Assistant | |
| Miriam Margolyes | ... | Mrs. Kowalski | |
| Nathalie Cox | ... | Bar Beauty | |
| Kirsten Dunst | ... | Alison Olsen | |
| Sam Douglas | ... | Barman | |
| Charlotte Devaney | ... | Bobbie | |
| Gillian King | ... | Sharp's Assistant | |
| Danny Huston | ... | Lawrence Maddox | |
| Margo Stilley | ... | Ingrid | |
| Isabella Calthorpe | ... | Anna | |
| Hannah Waddingham | ... | Elizabeth Maddox | |
| Diana Kent | ... | Rachel Petkoff | |
| Max Minghella | ... | Vincent Lepak | |
| Emily Denniston | ... | Maddox's Assistant | |
| Ashley Madekwe | ... | Vicky | |
| Lisa McAllister | ... | Sophie Maes' Assistant | |
| Julia West | ... | Mother Superior - Trailer | |
| Brona C. Titley | ... | Nun - Trailer | |
| Charles De Bromhead | ... | Young Priest - Trailer | |
| Jane Perry | ... | Mrs. Harding | |
| Connie Wheeler | ... | Harding Child #1 | |
| Lara Edmunds | ... | Harding Child #2 | |
| Allen Lidkey | ... | July 4th Party Guest #1 | |
| Robert B. Weide | ... | July 4th Party Guest #2 | |
| Nathan Nolan | ... | July 4th Party Waiter | |
| Andy Lucas | ... | Wizard / Dentist | |
| Bill Paterson | ... | Richard Young | |
| Alexandra Aitken | ... | Nightclub Girl | |
| Sarah Mennell | ... | Flight Desk Attendant | |
| Liat Baruch | ... | Couple on Blanket - Female | |
| Eivind Karlsen | ... | Couple on Blanket - Male | |
| rest of cast listed alphabetically: | |||
| Debbie Attwell | ... | Red Carpet Fan (uncredited) | |
| Michael Bennett | ... | Party Guest (uncredited) | |
| Serena Catapano | ... | Waitress (uncredited) | |
| Heather Snow Clark | ... | Beautiful Girl (uncredited) | |
| Daniel Craig | ... | Himself (uncredited) | |
| Giada Dobrzenska | ... | Fashion Party Girl (uncredited) | |
| James Fiddy | ... | Party Goer (uncredited) | |
| Tim Glanfield | ... | Bafta Awards Official (uncredited) | |
| Brian Austin Green | ... | Party Guest (uncredited) | |
| Chris Jameson | ... | Apollo Awards Guest (uncredited) | |
| Forbes KB | ... | Hotel Security (uncredited) | |
| Thor Knai | ... | Sharp's Party Celebrity (uncredited) | |
| Edward Lemont | ... | Sharps Magazine Receptionist (uncredited) | |
| Eliezer Meyer | ... | Newsstand Vendor (uncredited) | |
| Ben Morris | ... | BAFTA Crowd Member (uncredited) | |
| Tracy Redington | ... | Model (uncredited) | |
| Jenny Rieu | ... | Girl on Blanket - Female (uncredited) | |
| James Schram | ... | Doorman / Bouncer (uncredited) | |
| Robert Stone | ... | BAFTA Security (uncredited) | |
| Kate Winslet | ... | Herself (uncredited) | |
Directed by | |||
| Robert B. Weide | |||
Writing credits | ||
| Peter Straughan | (screenplay) | |
| Toby Young | (book) | |
Original Music by | |||
| David Arnold | |||
Cinematography by | |||
| Oliver Stapleton | |||
Film Editing by | |||
| David Freeman | |||
Casting by | |||
| Justine Baddeley | |||
| Kim Davis | |||
| Jina Jay | |||
Production Design by | |||
| John Beard | |||
Art Direction by | |||
| Ray Chan | (supervising art director) | ||
| Anthony Gasparro | |||
Set Decoration by | |||
| Sara Parks | |||
Costume Design by | |||
| Annie Hardinge | |||
Makeup Department | |||
| Ursula Adelhelm | .... | daily makeup trainee | |
| Tamsin Dorling | .... | hair stylist | |
| Tamsin Dorling | .... | makeup artist | |
| Nana Fischer | .... | dailies hair stylist | |
| Nana Fischer | .... | makeup artist | |
| Mandy Gold | .... | crowd makeup supervisor | |
| Persefone Karakosta | .... | makeup artist | |
| Peter King | .... | hair designer | |
| Peter King | .... | makeup designer | |
| Flora Moody | .... | hair trainee | |
| Flora Moody | .... | makeup trainee | |
| Susan Schectar | .... | additional hair stylist | |
| Lucy Sibbick | .... | makeup dailies | |
| Colleen Wheeler | .... | hair stylist | |
Production Management | |||
| Polly Duval | .... | post-production supervisor | |
| Sacha Guttenstein | .... | post-production delivery supervisor | |
| Louise Lovegrove | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Ethan Anderson | .... | additional second assistant director | |
| Simon Downes | .... | second assistant director | |
| Mark Hopkins | .... | crowd third assistant director | |
| Stuart Jones | .... | daily assistant director | |
| Alex Kaye-Besley | .... | third assistant director: second unit | |
| Henry Mackintosh | .... | assistant director | |
| Michelle McGrier | .... | dga trainee | |
| Matthew Penry-Davey | .... | first assistant director | |
| Charlie Reed | .... | third assistant director | |
| Rosemary Rodriguez | .... | second unit director | |
| Lance Roehrig | .... | key second assistant director | |
| Alfonso Trinidad | .... | second assistant director: second unit | |
| Mick Ward | .... | first assistant director: second unit | |
Sound Department | |||
| Hugo Adams | .... | foley editor | |
| Niv Adiri | .... | sound effects editor | |
| Orin Beaton | .... | boom operator | |
| Ed Colyer | .... | foley mixer | |
| James Corless | .... | sound mix technician | |
| Paul Cotterell | .... | sound re-recording mixer | |
| Norman Durance | .... | sound mixer | |
| Glenn Freemantle | .... | supervising sound editor | |
| Glen Gathard | .... | assistant foley mixer | |
| Judah Getz | .... | adr mixer | |
| Jim Greenhorn | .... | production sound mixer | |
| Lee Herrick | .... | dialog & adr editor | |
| Lawrence Loewinger | .... | sound mixer | |
| Andrew Morgado | .... | adr mixer | |
| Richard Pryke | .... | sound re-recording mixer | |
| Nadine Richardson | .... | assistant sound | |
| Jack Stew | .... | foley artist | |
| Richard Street | .... | sound re-recording mixer | |
Visual Effects by | |||
| Chris Bentley | .... | digital lab operator | |
| Alberto Buron | .... | digital lab operator | |
| James Clarke | .... | digital lab supervisor | |
| Tom Collier | .... | digital compositor | |
| Neil Culley | .... | lead compositor | |
| Stefan Drury | .... | head of visual effects | |
| Yanni Goudetsidis | .... | systems engineer | |
| Scott Goulding | .... | assistant colourist | |
| Katja Hollmann | .... | producer: Lipsync Post (as Katja Lazare) | |
| Lorea Hoye | .... | visual effects producer | |
| David Margolis | .... | digital compositor | |
| Aileen McIntosh | .... | digital lab operator | |
| Andrew Morley | .... | head of 3D: Lipsync Post | |
| Kevin Phelan | .... | head of post-production: Lip Sync Post | |
| Kate Porter | .... | lead compositor | |
| Angela Rose | .... | digital compositor | |
| Abigail Scollay | .... | digital compositor | |
| Jon Stanley | .... | senior systems engineer | |
| Paul Venn Stirling | .... | digital compositor: LipSync Post | |
| Daniel Tomlinson | .... | digital lab operator | |
| Samantha Tracey | .... | visual effects coordinator | |
| Sheila Wickens | .... | visual effects supervisor | |
| Blake Winder | .... | digital compositor: LipSync Post | |
| Dylan Wyn Owen | .... | digital compositor | |
Stunts | |||
| Dani Biernat | .... | stunt performer | |
| Loyd Catlett | .... | stunt double | |
| Nick Chopping | .... | stunt double | |
| Jamie Edgell | .... | stunt coordinator | |
| Roy Farfel | .... | stunt driver | |
| Bradley Farmer | .... | stunt performer | |
| Paul Herbert | .... | stunt coordinator | |
| Jason Hunjan | .... | stunt performer | |
| Sid Karne | .... | stunts | |
| Jo McLaren | .... | stunt performer | |
| Manny Siverio | .... | stunt coordinator: New York | |
Casting Department | |||
| Meredith Jacobson | .... | local extras casting | |
| Erin Mayhugh | .... | extras casting associate | |
| Adam Vincentz | .... | local extras casting | |
Costume and Wardrobe Department | |||
| Michael Anzalone | .... | costume supervisor | |
| Rebecca Hofherr | .... | assistant costume designer | |
| Kate Laver | .... | costume assistant | |
| Janine Marr | .... | costume assistant | |
| Holly Smart | .... | wardrobe assistant | |
| Gabrielle Spanswick | .... | costume supervisor | |
| Aaron Timperley | .... | costume assistant | |
Editorial Department | |||
| Mark Burton | .... | first assistant editor | |
| Stuart Fyvie | .... | digital colorist | |
| Sabine McDonald | .... | negative cutter | |
| Kelly Smith | .... | negative cutter | |
Music Department | |||
| Peter Clarke | .... | music editor | |
| Chris Cozens | .... | auricle control systems | |
| Duffy | .... | performer: "Enough Love" | |
| Karen Elliott | .... | music supervisor | |
| Isobel Griffiths | .... | orchestra contractor | |
| Stephen Hilton | .... | musician: programming and keyboards | |
| Rob Playford | .... | music programmer | |
Transportation Department | |||
| Jeff Hudson | .... | unit driver | |
| Nick Kenyon | .... | driver: cast | |
| Pete Newman | .... | unit driver | |
| Barrie Williams | .... | transportation captain | |
Thanks | |||
| Fabrizia Dal Farra | .... | thanks | |
| Janette Scott | .... | thanks | |
Rated R for language, some graphic nudity and brief drug material.
110 min
1.85 : 1 more
UK:15 | Ireland:15A | USA:R | South Korea:15 | Australia:M | Netherlands:12 | South Africa:16 | New Zealand:M | Germany:o.Al. | Czech Republic:U | Portugal:M/12 | Sweden:Btl | Singapore:NC-16 | Finland:K-13 | Mexico:B15 | Italy:T
Café de Paris, Coventry Street, Soho, London, England, UK more
The scene where Sidney leaves Elizabeth Maddox alone in the hallway after she tripped and fell is based on a similar incident involving Anna Wintour and a Vanity Fair intern. more
Errors in geography: Sidney's limo drives westbound past B.B. King's but the next shot is of Times Square which is to the east. more
Sidney Young: [to his father] You thought Brad Pitt was a cave in Yorkshire. more
References The Day of the Jackal (1973) more
For Reasons Unknown more
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Romantic comedy is not the correct way to describe "How to lose friends & alienate people". The underlying romance in the plot is, for the most part, displaced by a far more interesting "rags to riches" tale. Although the central line of the story is somewhat rushed passed, in several screen shots, it does have a sense of; getting the "nitty gritty" out of the way, focusing on those key relationships which make "office politics" and using those almost irrelevant scenes, used purely for comic effect. Yet it works so well, especially with Pegg in the front seat. The film is ultimately very clever, playing well on the trans-Atlantic relationship Pegg shares with his co-stars and merging the cross between the high and low -life society quite well and quite refreshingly in a storyline that despite predictability is somewhat of a unique journey. The different characters in the film are presented well and casting is definitely a plus point on the film. Both the "trading places" relationship between Pegg and Huston and the "love, hate" relationship between Pegg and Dunst do work so well in a story that is, for want of a better word, charming. Even Fox, whose main asset is of course sex appeal, shocks with what turns out to be quite a dark character and acts that "bimbo" role all to well. Its one of these films where every little detail does pay tribute to a great piece of work. From transsexual strippers to an amazing soundtrack it all meshes nicely into what can only be described as clever comedy.