| Photos (see all 22 | slideshow) | Videos (see all 7 videos) |
| Kate Beckinsale | ... | Amy Fox | |
| Luke Wilson | ... | David Fox | |
| Frank Whaley | ... | Mason | |
| Ethan Embry | ... | Mechanic | |
| Scott G. Anderson | ... | Killer | |
| Mark Casella | ... | Truck Driver (as Mark Cassella) | |
| David Doty | ... | Highway Patrol | |
| Norm Compton | ... | Snuff Victim | |
| Caryn Mower | ... | Snuff Victim | |
| Meegan Godfrey | ... | Snuff Victim (as Meegan E. Godfrey) | |
| Kym Stys | ... | Snuff Victim | |
| Andrew Fiscella | ... | Snuff Victim | |
| Dale Waddington Horowitz | ... | Snuff Victim | |
| Ernest Misko | ... | Snuff Victim (as Ernie Misko) | |
| Bryan Ross | ... | Snuff Victim | |
| Chevon Hicks | ... | Snuff Victim | |
| rest of cast listed alphabetically: | |||
| Richie Varga | ... | Snuff Guy #3 (uncredited) | |
Directed by | |||
| Nimród Antal | |||
Writing credits(WGA) | ||
| Mark L. Smith | (written by) | |
Produced by | |||
| Stacy Cramer | .... | executive producer (as Stacy Kolker Cramer) | |
| Glenn S. Gainor | .... | executive producer | |
| Hal Lieberman | .... | producer | |
| Brian Paschal | .... | executive producer | |
Original Music by | |||
| Paul Haslinger | |||
Cinematography by | |||
| Andrzej Sekula | |||
Film Editing by | |||
| Armen Minasian | |||
Casting by | |||
| Lindsey Hayes Kroeger | |||
| David Rapaport | |||
Production Design by | |||
| Jon Gary Steele | |||
Art Direction by | |||
| Chris Cornwell | |||
Costume Design by | |||
| Maya Lieberman | |||
Makeup Department | |||
| Michelle Bühler | .... | key makeup artist (as Michelle Buhler) | |
| Cydney Cornell | .... | hair stylist: Ms. Beckinsale | |
| Yvonne Depatis-Kupka | .... | key hair stylist | |
| Robert Hall | .... | special makeup effects designer: Almost Human | |
| Eric Koo | .... | sculptor: Almost Human | |
| Scott Patton | .... | special makeup effects concept designer | |
| Erik Porn | .... | lab technician: Almost Human | |
| Darnell Shepherd | .... | hair/lab technician: Almost Human Inc. | |
| Vasilios Tanis | .... | makeup artist: Ms. Beckinsale | |
Production Management | |||
| Glenn S. Gainor | .... | unit production manager | |
| Nicolas Stern | .... | production supervisor | |
Art Department | |||
| Tony Bohorquez | .... | lead model maker | |
| Claudia Bonfe | .... | set dressing buyer | |
| Max E. Brehme | .... | property master | |
| Paul Cunningham | .... | gang boss | |
| David Eckert | .... | assistant art director | |
| Todd Harris | .... | storyboard artist | |
| Brock Helfer | .... | set dresser | |
| Vinson Jae | .... | stand-by painter | |
| Mark Kelly | .... | props assistant | |
| Eric Koo | .... | sculptor | |
| Holiday Landa | .... | art coordinator | |
| Candice Muriedas | .... | art assistant | |
| John Naehrlich | .... | lead man | |
| Joe Ondrejko | .... | construction coordinator | |
| Christopher Schultz | .... | assistant property master | |
| Trey Shaffer | .... | graphic designer | |
| Kevan Weber | .... | set dresser | |
Sound Department | |||
| Bill W. Benton | .... | supervising sound mixer | |
| Gaston Biraben | .... | dialogue editor | |
| Anthony J. Ciccolini III | .... | supervising sound editor (as Chic Ciccolini III) | |
| Rickley W. Dumm | .... | sound effects editor (as Rickley Dumm) | |
| Linda Folk | .... | adr supervisor | |
| Vincent Guisetti | .... | foley artist | |
| Jeffrey J. Haboush | .... | sound re-recording mixer | |
| Pamela Kahn | .... | foley artist | |
| Kurt Peterson | .... | boom operator | |
| Kyle Rochlin | .... | foley mixer | |
| Lynn Sable | .... | assistant sound editor | |
| Ed White | .... | sound mixer | |
| Brian Williams | .... | sound designer | |
Special Effects by | |||
| Jason Dodd | .... | special effects foreman | |
| William N. Greene III | .... | special effects foreman | |
| John C. Hartigan | .... | special effects coordinator (as John Hartigan) | |
| Roger Lifsey | .... | special effects foreman | |
| Chris Walkowiak | .... | special effects coordinator (as Christopher Walkowiak) | |
Visual Effects by | |||
| Casey Allen | .... | Flame artist | |
| Raoul Bolognini | .... | visual effects producer (as Raoul Y. Bolognini) | |
| Kristen Branan | .... | head of production | |
| Doug Cram | .... | digital compositor | |
| An H. Dang | .... | technical assistant (as An Dang) | |
| Spence Fuller | .... | digital compositor | |
| Scott Gregory | .... | digital film colorist | |
| Paul Hill | .... | digital compositor | |
| Chris Ingersoll | .... | Flame artist | |
| Chris John Jones | .... | creative director: Zoic Studios | |
| Darren MacKay | .... | digital compositor | |
| Brian Nugent | .... | Inferno artist | |
| Brian Nugent | .... | digital compositor | |
| Rocco Passionino | .... | visual effects supervisor | |
| R. Matt Smith | .... | compositing supervisor | |
| Jakris Smittant | .... | visual effects coordinator | |
| Trevor Strand | .... | digital compositor | |
| Sean Wallitsch | .... | Inferno artist | |
| Loeng Wong-Savun | .... | visual effects artist | |
| Zachariah Zaubi | .... | digital compositor | |
| Thomas Nittmann | .... | visual effects producer: Lola Visual Effects (uncredited) | |
| Edson Williams | .... | visual effects supervisor: Lola Visual Effects (uncredited) | |
| Ryan Zuttermeister | .... | visual effects coordinator: Lola Visual Effects (uncredited) | |
Stunts | |||
| Marvin Francis | .... | stunt rigger | |
| Lance Gilbert | .... | stunt coordinator | |
| Meegan Godfrey | .... | stunts | |
| Tracy Keehn-Dashnaw | .... | stunt double | |
| Diana R. Lupo | .... | stunt double: Kate Beckinsale | |
| T. Ryan Mooney | .... | stunt double: Frank Whaley | |
| Caryn Mower | .... | stunts | |
| Peter B. Simpson | .... | stunt rigger | |
| Kym Stys | .... | stunt performer | |
| Jason Shupe | .... | utility stunts (uncredited) | |
Camera and Electrical Department | |||
| Jake Avignone | .... | second assistant camera: second unit | |
| Gary Bevans | .... | camera loader | |
| Julian de la Pena | .... | electrician | |
| Matthew Fabian | .... | grip | |
| Michael Herron | .... | digital video assist operator | |
| Joe Hill | .... | grip | |
| Mark Hochman | .... | computer/24 frame video engineer | |
| Valentine Marvel | .... | first assistant camera: "a" camera | |
| Niles McElroy | .... | lighting technician | |
| Marc Meisenheimer | .... | gaffer | |
| Riggs Murdock | .... | camera operator | |
| Riggs Murdock | .... | director of photography: second unit | |
| Dwayne Platz | .... | additional grip | |
| David Schmalz | .... | second video assist operator | |
| Abel Soto | .... | best boy grip: second unit | |
| Abel Soto | .... | grip | |
| Suzanne Tenner | .... | still photographer | |
| James 'Biff' Thomsen | .... | electrician | |
| Henry Tirl | .... | steadicam operator | |
| Lance Jay Velazco | .... | additional video assist operator | |
| Robert Zullo | .... | key grip | |
| Sean Tuell | .... | grip (uncredited) | |
Costume and Wardrobe Department | |||
| Amy Haffner | .... | costumer | |
| Leah Katznelson | .... | costumer | |
| Courtney Ormond | .... | key costumer | |
| Kanani Wolf | .... | set costumer | |
Editorial Department | |||
| Scott Gregory | .... | digital film colorist | |
| Blair Miller | .... | editorial production assistant | |
| David Reale | .... | first assistant editor | |
Music Department | |||
| Mark Curry | .... | scoring mixer | |
| John Jacobellis | .... | assistant music editor | |
| Tracy McKnight | .... | executive soundtrack producer | |
| Dave Porter | .... | composer: additional music | |
| Brian Richards | .... | music editor | |
| Brian Williams | .... | composer: additional music | |
Transportation Department | |||
| James G. Brill | .... | driver | |
| J. Armin Garza II | .... | driver: camera car | |
| Irv Press | .... | driver generator operator | |
| Mike Storc | .... | transportation | |
| John Yarbrough | .... | driver | |
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| News articles | IMDb Horror section | IMDb USA section |
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The theater was packed more so than usual and why not as Vacancy was a very entertaining thrillride.Kate Beckinsale is great in her first Horror film and Luke Wilson is great in pretty much his first serious role as these two squabbling spouses can feed off of each others talent.Remember when we had nothing but slasher movies being intentionally funny, you know the days where Jason X, Wrong Turn, Scream, Freddy vs Jason, and I Know What You Did Last Summer well that is slowly coming to an end as Vacancy aligns itself with Saw, Texas Chainsaw Massacre, and The Hills Have Eyes as a great serious slasher that doesn't have ridiculous humour or one liners.Vacancy has a simple enough storyline that has indeed been done before but the best thing about it is that unlike so many other slasher movies this one has a lot of character development as these characters aren't the typical teenager or cop whose name you don't remember or care about you know damn well who the Fox couple is, why they're having problems, and you end up rooting for them to survive.To say Vacancy is scary is a bit of a stretch but to say Vacancy is a great thriller would be about accurate.The storyline progresses at a fast pace but none of it is half @$$ed or out of nowhere everything makes sense in the end.Vacanc's pacing gets you're adrenaline pumping in the same way that any good quality thriller does.Vacancy has has a much more realistic and believable story as you know full well these killers are everyday people they aren't a monstrous man with a flesh disease like in Texas Chainsaw or House Of Wax and it's not some campy undead serial killer like Freddy Krueger or Jason Vorhees.I think what added to the effect of the creepy atmosphere was having pretty much the whole film take place at night as it really gave you a cold feeling that something was lurking out their.Again my only complaints are that the dialogue is sometimes not well delivered, the plot is at times over the top, and it borrows a lot of elements from Psycho and Saw.
The Good -Overall good acting -Doesn't rely solely on gore or jump scares -Good amount of character development -Excellent pace that keeps the adrenaline pumping
The Bad -Some bad line delivery -Plot tends to get a little over the top -Various horror clichés eg. the car breaks down