| Photos (see all 81 | slideshow) | Videos (see all 4) |
| John Cusack | ... | Mike Enslin | |
| Samuel L. Jackson | ... | Gerald Olin | |
| Mary McCormack | ... | Lily | |
| Tony Shalhoub | ... | Sam Farrell | |
| Len Cariou | ... | Mike's Father | |
| Isiah Whitlock Jr. | ... | Hotel Engineer | |
| Jasmine Jessica Anthony | ... | Katie | |
| Paul Birchard | ... | Mr. Innkeeper | |
| Margot Leicester | ... | Mrs. Innkeeper | |
| Walter Lewis | ... | Book Store Cashier | |
| Eric Meyers | ... | Man #1 at Book Signing | |
| David Nicholson | ... | Man #2 at Book Signing | |
| Holly Hayes | ... | Lady at Book Signing | |
| Alexandra Silber | ... | Young Woman at Book Signing | |
| Johann Urb | ... | Surfer Dude | |
| Andrew Lee Potts | ... | Mailbox Guy | |
| Emily Harvey | ... | Secretary | |
| William Armstrong | ... | Clay the Lawyer | |
| Kim Thomson | ... | Desk Clerk | |
| Drew Powell | ... | Assistant Hotel Manager | |
| Noah Lee Margetts | ... | Bellboy | |
| Gil Cohen-Alloro | ... | Maitre D' | |
| Benny Urquidez | ... | Claw Hammer Maniac | |
| Ray Nicholas | ... | Factory Owner | |
| Tina Maskell | ... | 1950s Lady | |
| Paul Kasey | ... | Kevin O'Malley | |
| George Cottle | ... | Mailbox Worker | |
| Julian Spencer | ... | Mailbox Worker | |
| William Willoughby | ... | Mailbox Worker (as Will Willoughby) | |
| Angel Oquendo | ... | Taxi Cab Driver | |
| Thomas A. McMahon | ... | Cop #1 | |
| Anthony C. Mazza | ... | Cop #2 (as Anthony Mazza) | |
| Chris Carey | ... | Fireman | |
| Kevin Dobson | ... | Priest | |
| Lily Grace Alexander | ... | 10 Year Old Girl (in director's cut only) | |
| rest of cast listed alphabetically: | |||
| Peter Conboy | ... | Man outside Hotel Fire (uncredited) | |
| Bernadette Lords | ... | Hotel Guest (uncredited) | |
| Jacob White | ... | Bellboy (uncredited) | |
Directed by | |||
| Mikael Håfström | |||
Writing credits(WGA) | ||
| Matt Greenberg | (screenplay) and | |
| Scott Alexander | (screenplay) & | |
| Larry Karaszewski | (screenplay) | |
| Stephen King | (short story) | |
Original Music by | |||
| Gabriel Yared | |||
Cinematography by | |||
| Benoît Delhomme | (director of photography) (as Benoit Delhomme) | ||
Film Editing by | |||
| Peter Boyle | |||
Casting by | |||
| Elaine Grainger | |||
Production Design by | |||
| Andrew Laws | |||
Art Direction by | |||
| Stuart Kearns | |||
| Doug J. Meerdink | |||
| Mark Raggett | |||
Set Decoration by | |||
| Daniel B. Clancy | |||
| Marina Morris | |||
Costume Design by | |||
| Natalie Ward | |||
Makeup Department | |||
| Luisa Abel | .... | key makeup artist: Los Angeles | |
| Allan A. Apone | .... | makeup artist: Mr. Jackson (as Allan Apone) | |
| John Coppinger | .... | sculptor | |
| Victor DeNicola | .... | key hair stylist: New York (as Victor De Nicola) | |
| Karl Derrick | .... | makeup effects supervisor | |
| Karl Derrick | .... | special makeup designer | |
| Jo Emberson | .... | mould maker | |
| Cindy Gardner | .... | makeup artist: New York | |
| Linda Grimes | .... | key makeup artist: New York | |
| Anthony Gueli | .... | hair stylist: New York (as Anthony Guieli) | |
| Shaune Harrison | .... | effects makeup artist | |
| Catherine Heys | .... | hair stylist | |
| Catherine Heys | .... | makeup artist (as Catherine Heyes) | |
| Pauline Heys | .... | key makeup artist (as Pauline Heyes) | |
| Deborah Hyde | .... | makeup effects buyer | |
| Deborah Hyde | .... | makeup effects coordinator | |
| Giacomo Iovino | .... | senior mould maker | |
| James Kernot | .... | mould maker | |
| Douglas Noe | .... | makeup artist: Los Angeles | |
| Marie Salandra | .... | manicurist: New York | |
| Steve Scotton | .... | mould maker | |
| Robert L. Stevenson | .... | hair stylist: Mr. Jackson (as Robert Stevenson) | |
| Suzanne Stokes-Munton | .... | hair department head | |
| Suzanne Stokes-Munton | .... | makeup department head | |
| Xanthia White | .... | hair stylist: second unit | |
| Xanthia White | .... | makeup artist: second unit | |
| Pippa Woods | .... | effects makeup artist | |
| Denise Wynbrandt | .... | hair stylist: Mr. Cusack | |
| Denise Wynbrandt | .... | makeup artist: Mr. Cusack | |
Production Management | |||
| John Anthony | .... | production supervisor | |
| Mark Grimwade | .... | unit manager | |
| Michael Jackman | .... | executive in charge of post-production | |
| Dana Robin | .... | unit production manager | |
| Jessie Thiele | .... | post-production supervisor | |
| Gabriela Vázquez | .... | unit production manager | |
| Elena Zokas | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Daniela Barbosa | .... | second second assistant director: New York | |
| Sarah Brand | .... | third assistant director: second unit | |
| Joey Coughlin | .... | third assistant director | |
| John Greaves | .... | second unit director | |
| Sean Guest | .... | first assistant director (as Sean Cameron Guest) | |
| James Haven | .... | second assistant director | |
| Kyle Hollingsworth | .... | dga trainee | |
| Jessica Hurles-Laws | .... | first assistant director: second unit (as Jessica Hurles) | |
| Sarah MacFarlane | .... | second second assistant director | |
| John M. Morse | .... | second second assistant director: Los Angeles (as John Morse) | |
| Kenyon Noble | .... | additional second assistant director: New York | |
| Richard Oswald | .... | second assistant director: Los Angeles | |
| David 'Wex' Wechsler | .... | first assistant director: reshoots/additional photography | |
| Jane Chase Wells | .... | second assistant director: New York | |
Art Department | |||
| Scott Bauer | .... | property master: additional photography | |
| Tristan Carlisle-Kitz | .... | dressing props | |
| John Coppinger | .... | sculptor | |
| Julia Dehoff | .... | assistant art director | |
| Laura Dishington | .... | graphic designer | |
| Todd Ellis | .... | property master: Los Angeles | |
| Dave Fisher | .... | chargehand stand-by props | |
| Dean Fisher | .... | stand-by prop | |
| Gordon Fitzgerald | .... | propmaster | |
| Sarah Forbes | .... | assistant production buyer | |
| Colin H. Fraser | .... | construction manager | |
| Emma Godwin | .... | assistant production buyer | |
| John Greaves | .... | storyboard artist | |
| Kate Halsall | .... | art department assistant | |
| Lee Hedges | .... | dressing prop daily | |
| Mark Hedges | .... | prop storeman | |
| Roxy Konrad | .... | art department coordinator | |
| Dougie Lankston | .... | dressing prop daily | |
| Eric Luling | .... | on-set dresser: Los Angeles unit | |
| Nick Milner | .... | stand-by props: second unit | |
| Rhian Nicholas | .... | stand-by art director (as Rhian Nicolas) | |
| Steve Payne | .... | dressing prop | |
| Mike Piccirillo | .... | art department coordinator: re-shoots | |
| Chris Samp | .... | stand-by painter: Los Angeles unit | |
| Bob Sherwood | .... | chargehand dressing prop | |
| Julie Smith | .... | set decorator: Los Angeles | |
| Chris Snyder | .... | construction coordinator: re-shoots | |
| Adrian Start | .... | supervising painter | |
| Keith Stevenson | .... | props | |
| Eric Sundahl | .... | art director: Los Angeles | |
| Anthony Szuch | .... | drapes master | |
| Daniel Thompson | .... | stand-by carpenter | |
| Kate Venner | .... | production buyer | |
| Howard Weaver | .... | scenic artist | |
| Adam L. Barker | .... | paint supervisor: re-shoots (uncredited) | |
| Derek Scouler | .... | set dresser (uncredited) | |
Sound Department | |||
| Philip Alton | .... | adr editor | |
| Philip Alton | .... | dialogue editor | |
| Ricky Butt | .... | foley artist | |
| Tim Cavagin | .... | sound re-recording mixer | |
| Jeff Erdmann | .... | boom operator | |
| Amber Howorth | .... | cable person | |
| Craig Irving | .... | sound re-recording mixer | |
| Alex Joseph | .... | foley supervisor | |
| Richard Kondal | .... | assistant foley editor | |
| Mark Lafbery | .... | foley mixer | |
| Cecilia Lanzi | .... | sound | |
| Francis Ward Lindsay | .... | foley | |
| Conor Mackey | .... | assistant sound editor | |
| Steve Mayer | .... | sound effects editor | |
| Kevin McCue | .... | sound re-recording mixer | |
| Michael Miller | .... | adr mixer | |
| Nigel Mills | .... | sound designer | |
| Nigel Mills | .... | supervising sound editor | |
| Abel Schiro | .... | boom operator | |
| Brian Simmons | .... | sound mixer | |
| Steve Single | .... | sound re-recording mixer | |
| Greg Steele | .... | adr mixer | |
| Ruth Sullivan | .... | foley artist | |
| Colin Wood | .... | boom operator | |
| Greg Zimmerman | .... | adr recordist | |
Special Effects by | |||
| Andy Aitken | .... | special effects technician: second unit | |
| Mark Bero | .... | special effects coordinator: New York | |
| Caimin Bourne | .... | special effects technician | |
| Gordon Cave | .... | special effects engineer | |
| Lisa Chadwick | .... | special effects modeler | |
| Paige Chaytor | .... | special effects buyer | |
| Ryan Conder | .... | special effects assistant technician | |
| Ian Corbould | .... | special effects floor supervisor | |
| Jamie Corbould | .... | special effects trainee | |
| Christopher Corbould Jr. | .... | special effects trainee (as Chris Corbould Jr.) | |
| Paul Corbould | .... | special effects supervisor | |
| David Dunsterville | .... | senior special effects technician | |
| Joe Halford | .... | special effects technician (as Joseph Halford) | |
| Simon Hewitt | .... | special effects technician | |
| Matthew Horton | .... | senior special effects technician | |
| Robert Jones | .... | special effects technician | |
| Stuart Kerr | .... | special effects technician | |
| David Kirshoff | .... | special effects technician: New York | |
| Ian Lowe | .... | senior special effects technician | |
| Roger Mann | .... | special effects technician | |
| Jason McCameron | .... | special effects workshop supervisor | |
| Neil McKelvey | .... | assistant special effects buyer | |
| Huw Millar | .... | special effects assistant | |
| Hugh Miller | .... | special effects technician: second unit | |
| Tim Mitchell | .... | special effects senior technician (as Timothy Mitchell) | |
| Greg Morgan | .... | senior technician | |
| Roy Savoy | .... | special effects technician: New York | |
| Steve Scotton | .... | special effects makeup | |
| Ty Senior | .... | lead special effects technician | |
| Nigel Sinclair | .... | special effects engineer | |
| Steven Warner | .... | special effects floor supervisor: second unit (as Steve Warner) | |
| Steven Warner | .... | special effects technician | |
| Daniel Williams | .... | special effects engineer | |
| Gareth Wingrove | .... | special effects senior technician | |
Visual Effects by | |||
| Eri Adachi | .... | rotoscope artist: Rainmaker | |
| Lucy Ainsworth-Taylor | .... | visual effects | |
| Louie Alexander | .... | digital compositor: Framestore-CFC | |
| Paul Alexiou | .... | visual effects film editorial: MPC | |
| Kate Auld | .... | digital compositor: main opening title | |
| Richard Bain | .... | digital artist: BainVFX | |
| Graeme Baitz | .... | rotoscope artist: Rainmaker | |
| Ben Baker | .... | head of digital lab: Framestore-CFC DI | |
| Andrew Barker | .... | visual effects line producer | |
| Rodrigo Bernardo | .... | systems engineer | |
| Julian Blom | .... | animation coordinator: MPC | |
| William Blunden | .... | visual effects editor | |
| Turea Blyth | .... | visual effects editorial: Framestore | |
| Izet Buco | .... | compositing artist: MPC | |
| Andy Burrow | .... | scanning & recording manager | |
| Earle Stuart Callender | .... | visual effects producer: Rainmaker UK | |
| Francesca Canducci | .... | retouch and restoration | |
| Felipe Canfora | .... | digital artist | |
| James Clarke | .... | scanning and recording supervisor: LipSync Post | |
| Tom Collier | .... | digital compositor: LipSync Post | |
| Neil Culley | .... | compositing supervisor: LipSync Post | |
| Mark Curtis | .... | composite artist: MPC | |
| David Dozoretz | .... | visual effects supervisor: Persistence of Vision | |
| Nick Drew | .... | visual effects production manager: CIS London | |
| Stefan Drury | .... | head of film effects: LipSync Post | |
| Michael Elson | .... | executive producer: MPC | |
| Stephen Elson | .... | visual effects producer: Baseblack | |
| Sean Farrow | .... | visual effects supervisor (as Sean H. Farrow) | |
| Marco Fiorani Parenzi | .... | digital artist: The Senate VFX | |
| Richard Fox | .... | digital artist: The Senate VFX | |
| Adam Gascoyne | .... | visual effects supervisor: Rainmaker UK | |
| Adam Glasman | .... | DI colourist | |
| Richard Gomes | .... | CG artist: MPC | |
| Metin Gungor | .... | visual effects artist: Senate Visual Effects | |
| Jeremy Hall | .... | visual effects producer | |
| Alistair Hamer | .... | film mastering engineer | |
| Mick Harper | .... | digital artist: The Senate VFX | |
| Mark Harrison | .... | digital artist | |
| Pete Hartless | .... | visual effects coordinator: The Senate VFX (as Peter Hartless) | |
| Adam Hawkes | .... | digital compositor: Framestore-CFC | |
| James Heath | .... | visual effects artist: Senate Visual Effects | |
| Barrie Hemsley | .... | visual effects executive producer | |
| Sarah Hemsley | .... | visual effects producer: The Senate VFX | |
| Paul Hendriks | .... | roto artist | |
| Jeremy Hey | .... | digital compositor | |
| Matt Hicks | .... | visual effects supervisor: MPC | |
| Richard Higham | .... | digital artist: The Senate VFX | |
| Jan Hogevold | .... | executive producer: Framestore CFC | |
| Uel Hormann | .... | visual effects supervisor | |
| Greg Howe-Davies | .... | digital compositor: LipSync Post | |
| Lorea Hoye | .... | visual effects producer: LipSync Post | |
| Simon Hughes | .... | lead digital compositor: Rainmaker UK | |
| Henry Jefferson | .... | digital compositor: LipSync Post | |
| Christian Jelen | .... | digital artist | |
| Yan Jennings | .... | film mastering engineer | |
| Merrin Jensen | .... | visual effects producer: MPC (as Merrin Jenson) | |
| David Johnston | .... | digital lab operator | |
| Elaine Kieran | .... | software research and development: MPC | |
| Tom Kimberley | .... | compositor: Rainmaker UK | |
| Dean Koonjul | .... | digital compositor: Rainmaker UK | |
| Brian Krijgsman | .... | additional colourist: Framestore CFC | |
| Paul Kulikowski | .... | compositing artist: MPC | |
| Danius Kvedaras | .... | digital compositor: LipSync Post | |
| Sharon Lark | .... | visual effects producer | |
| Simon Leech | .... | visual effects supervisor: The Senate VFX | |
| Richard Little | .... | senior compositor: Baseblack | |
| David Lloyd | .... | head of film technology: LipSync Post | |
| Kevin Lowery | .... | high definition engineer | |
| Alasdair MacCuish | .... | scanning and recording producer: Lipsync Post | |
| Tom Mangat | .... | rotoscope artist | |
| Veronica Marcano | .... | scanning and recording operator: Framestore | |
| David Margolis | .... | visual effects artist: Senate Visual Effects | |
| Marlin McGlone | .... | data operative | |
| Andy Middleton | .... | CG artist: MPC | |
| Warren J. Mills | .... | roto artist: The Senate VFX (as Warren Mills) | |
| James Nicholl | .... | digital artist: LipSync Post | |
| Stuart Nippard | .... | conform editor | |
| Collette Nunes | .... | visual effects editor: Rainmaker UK | |
| Roma O'Connor | .... | executive producer: Rainmaker UK | |
| Jonathan Opgenhaffen | .... | lead CG artist: Rainmaker UK | |
| Kim Phelan | .... | visual effects line producer: LipSync Post | |
| Glen Pratt | .... | senior compositor: LipSync Post | |
| Ingo Putze | .... | lead matte painter | |
| Edward Randolph | .... | visual effects coordinator: Baseblack | |
| Gareth Repton | .... | digital artist: The Senate VFX | |
| Angela Rose | .... | digital compositor: LipSync Post | |
| Jimmy Saul | .... | scanning and recording | |
| Liz Scully | .... | lighting lead: MPC | |
| Ben Shepherd | .... | visual effects supervisor: Cinesite | |
| Jennifer Silver | .... | visual effects producer | |
| Samantha Spacey | .... | visual effects line producer: The Senate VFX | |
| Nick Stanley | .... | retouch and restoration | |
| Paul Venn Stirling | .... | digital compositor: LipSync Post | |
| Giuseppe Tagliavini | .... | digital compositor: MPC (as Guiseppe Tagliavini) | |
| Odean Thompson | .... | retouch and restoration: Framestore-CFC | |
| Matthew Tinsley | .... | digital compositor (as Mathew Tinsley) | |
| Luigi Tommaseo | .... | network and operations: The Senate VFX | |
| Samantha Tracey | .... | visual effects coordinator: LipSync Post | |
| Tom Truscott | .... | digital artist: The Senate VFX | |
| Adam Valdez | .... | CG artist: MPC | |
| John Van Hoey Smith | .... | digital compositor | |
| Val Wardlaw | .... | visual effects supervisor: Baseblack | |
| Simon Whalley | .... | producer: title sequence | |
| Sheila Wickens | .... | head of compositing: LipSync Post | |
| Robert A. Willis | .... | visual effects producer: MPC | |
| Doug Winder | .... | texture/matte painter | |
| Max Wood | .... | CG artist: MPC | |
| Rachel Wright | .... | digital artist: The Senate VFX | |
| Anton Yri | .... | digital artist: The Senate VFX | |
| Nikos Gatos | .... | digital artist: previz, The Senate VFX (uncredited) | |
| John Inch | .... | retouch and restoration (uncredited) | |
| Sam Lucas | .... | cg artist: Cinesite (uncredited) | |
| Dan Warder | .... | data operator (uncredited) | |
Stunts | |||
| Gregory J. Barnett | .... | stunt coordinator: Los Angeles (as Greg Barnett) | |
| Jeffrey G. Barnett | .... | stunts | |
| Christian Eric Billings | .... | stunt double | |
| Todd Bryant | .... | stunts | |
| Chris Carey | .... | stunts | |
| George Cottle | .... | stunt performer | |
| Jamie Edgell | .... | safety diver | |
| Sarah Franzl | .... | stunt performer | |
| David Garrick | .... | stunt double | |
| Paul Herbert | .... | stunt coordinator | |
| Rob Inch | .... | stunt performer | |
| Rob Inch | .... | utility stunts | |
| Rowley Irlam | .... | stunts | |
| Chris Kerner | .... | surf stunts | |
| Mark Kubr | .... | stunts and water safety | |
| Derek Lea | .... | stunt performer | |
| Tina Maskell | .... | stunts | |
| Tim Mikulecky | .... | stunt double | |
| Mark Mottram | .... | stunt performer | |
| Mark Mottram | .... | stunt supervisor: second unit | |
| Benny Urquidez | .... | stunts | |
| Bill Weston | .... | stunt performer | |
| William Willoughby | .... | stunts | |
Casting Department | |||
| Abigail Barbier | .... | adr voice casting | |
| Louis Elman | .... | adr voice casting (as Louis Ellman) | |
| Sylvia Fay | .... | extras casting: New York | |
| Lee Genick | .... | extras casting: New York | |
| Karen Meisels | .... | casting: Los Angeles | |
| Ali Merhi | .... | casting associate | |
| Kate Ringsell | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Jill Anderson | .... | costume supervisor: New York | |
| Natalie Arango | .... | costumer | |
| Nigel Boyd | .... | costume supervisor: Los Angeles | |
| Barbara Brady | .... | wardrobe assistant | |
| Mark Ferguson | .... | assistant costume designer | |
| Lotta Haggqvist | .... | costume fabricator (as Lotta Haggkvist) | |
| Askia Won-Ling Jacob | .... | dresser: Mr. Jackson (as Askia Jacob) | |
| Askia Won-Ling Jacob | .... | stylist: Mr. Jackson (as Askia Jacob) | |
| Amber Jordyn | .... | assistant to costume designer | |
| Rachel Leek | .... | set costumer: New York | |
| Veronica Murtagh | .... | costume fabricator | |
| David Otzen | .... | costume assistant | |
| Vicente Parada | .... | set costumer: Los Angeles | |
| Jane Petrie | .... | assistant costume designer | |
| Martin Rezard | .... | design illustrator | |
| Tara Sanovich | .... | set costumer: Los Angeles | |
| Laura Sewrey | .... | costumer | |
| Tamsin Wright | .... | wardrobe assistant | |
| Esme Young | .... | costume maker | |
Editorial Department | |||
| Alex Anstey | .... | second assistant editor | |
| William Blunden | .... | assistant editor: shoot only | |
| Stephen Boucher | .... | first assistant editor | |
| Cara Cheeseman | .... | post-production coordinator | |
| Adam Glasman | .... | digital film colourist | |
| Brian Krijgsman | .... | additional digital film colorist | |
| Kathryn Morey | .... | trainee assistant editor | |
| Maria Stroka | .... | digital intermediate producer | |
| Liz Richards | .... | assistant post-production coordinator (uncredited) | |
Music Department | |||
| Jeff Atmajian | .... | conductor | |
| Jeff Atmajian | .... | orchestrator | |
| Becky Bentham | .... | music coordinator | |
| Sophie Cornet | .... | music editor: temp music | |
| Crouch End Festival Chorus | .... | musician: choir | |
| Andrew Dudman | .... | music mixer | |
| Andrew Dudman | .... | music scoring engineer | |
| Isobel Griffiths | .... | orchestra contractor | |
| Allan Jenkins | .... | additional music editor | |
| Stephen Marshall | .... | assistant music engineer | |
| Gerard McCann | .... | music editor: temp music | |
| Jill Meyers | .... | music business affairs | |
| David Temple | .... | chorus master | |
| Charlotte Trinder | .... | assistant orchestra contractor | |
| Robin Urdang | .... | music consultant | |
| Kirsty Whalley | .... | music arranger | |
| Kirsty Whalley | .... | music editor | |
| Kirsty Whalley | .... | synthesizer programmer | |
| Rolf Wilson | .... | musician: violin solos | |
| Rolf Wilson | .... | orchestra leader | |
| Gabriel Yared | .... | music arranger | |
Other crew | |||
| Darren Agnew | .... | title designer | |
| Claire Alderton | .... | stand-in: Mary McCormack | |
| Catherine Allinson | .... | script supervisor | |
| Cassandra Barbour | .... | rights and clearances | |
| Holly Bates | .... | cashier | |
| Julian Beattie | .... | set runner | |
| Danielle Bennett | .... | production runner | |
| Caroline Bowker | .... | script supervisor: second unit | |
| Michael T. Brady | .... | marine safety: Los Angeles (as Mike Brady) | |
| Kate Brontë-Stewart | .... | set production assistant | |
| Briana Burke | .... | location manager | |
| Jennifer Clark | .... | accountant: re-shoot | |
| Susan d'Arcy | .... | unit publicist (as Sue Darcy) | |
| Doug Dearth | .... | assistant: Mr. Cusack | |
| Giles Edleston | .... | location scout | |
| Peter Edwards | .... | fire safety | |
| Adam Englander | .... | hands double | |
| Adam Feingold | .... | office production assistant: additional photography | |
| Ray Felipe | .... | clearances | |
| Paul Fischer | .... | work experience runner | |
| Dave Fishlock | .... | fire safety | |
| Russell Ford | .... | assistant: Mr. Håfström | |
| Lily Garcia | .... | set production assistant: Los Angeles | |
| Audra Gorman | .... | location manager | |
| David Hensher | .... | floor runner: Mr. Håfström | |
| Rick Hicks | .... | boat wrangler: Los Angeles | |
| Una Hill | .... | production coordinator | |
| Isabella Hyams | .... | assistant: Mr. di Bonaventura (as Izzy Hyams) | |
| Jim Jaffe | .... | product placement | |
| Kris A. Jeffrey | .... | marine safety: Los Angeles (as Kris Jeffrey) | |
| Stuart Johnson | .... | fire safety | |
| Pat Karam | .... | location manager | |
| Rita Kozma | .... | first assistant accountant | |
| Katie Kramer | .... | production assistant | |
| Ashley Kravitz | .... | clearances | |
| Alex Krimm | .... | marine technician: Los Angeles | |
| Francis Lambert | .... | construction medic | |
| Jennifer Lambert | .... | unit nurse | |
| Harry Lapham | .... | key unit production assistant | |
| Lee David Lee | .... | location scout | |
| Aurelie Levy | .... | assistant: Mr. Cusack | |
| Michael J. Linowes | .... | legal counsel | |
| Sandrine Loisy | .... | set production assistant | |
| Casey Madigan | .... | set production assistant | |
| Faya Madrid | .... | production: second unit | |
| Emma Mallett | .... | assistant production coordinator | |
| Aine McAteer | .... | chef: Mr. Cusack | |
| Tyrone McCoy | .... | assistant: Mr. Jackson (as Ty McCoy) | |
| Andrew McCulloch | .... | assistant production coordinator: additional photography | |
| Isaac Mejía | .... | set production assistant: Los Angeles | |
| Tenita Murray | .... | first accountant | |
| Jean Nakahara | .... | production coordinator: Los Angeles | |
| Laurence Newman | .... | fire safety | |
| Matthew H. O'Connor | .... | marine technician: Los Angeles (as Matt O'Connor) | |
| Lexie Otto | .... | assistant: Mr. Di Bonaventura | |
| Greg Outcalt | .... | production coordinator: New York | |
| Chris Papajohn | .... | marine coordinator: Los Angeles | |
| Michelle Pianca | .... | assistant location manager | |
| Linda Pianigiani | .... | assistant: Mr. di Bonaventura | |
| Julie Platner | .... | assistant production office coordinator | |
| Frances Richardson | .... | payroll accountant | |
| Tricia Ronten | .... | script supervisor | |
| Laura Sevier | .... | rights and clearances | |
| Colby Shrefler | .... | location assistant: New York | |
| Bertie Spiegelberg | .... | production secretary | |
| Roy Squires | .... | fire safety | |
| Suzy Strawn | .... | set tutor | |
| Taylor Thompson | .... | production assistant: re-shoots | |
| Kevin Tuffley | .... | fire safety | |
| Benny Urquidez | .... | personal trainer: Mr. Cusack (as Benny 'The Jet' Urquidez) | |
| Sara Webster | .... | office production assistant | |
| Simon Whalley | .... | title producer | |
| Nicole Willared | .... | product placement | |
| Gabe Caldera | .... | production assistant: additional photography (uncredited) | |
| Keegan Wilcox | .... | production assistant (uncredited) | |
Thanks | |||
| Wendy Neel Brogan | .... | special thanks | |
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| The Shining | The Living and the Dead | L'uccello dalle piume di cristallo | Mirrors | La coda dello scorpione |
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I've never seen a film quite like 1408. I suppose it's got to be one of the best horror movies ever made. But can you call this film a "horror"? Well, it's not the horror movie we're used to seeing in this day and age. The films that are supposed to scare us nowadays are made from the same recycled junk we've been seeing for years now. Nonsensical plots are dreamed up just to make use of the exciting range of CGI. Underdeveloped characters we don't care about are tortured/murdered by a psycho for no apparent reason. Most of the intended audience for these movies isn't even scared anymore.
Let me tell you, 1408 is different. Its main intention is not to scare you (though it undoubtedly will); it wants to tell you a story. It doesn't start out as a scary movie. John Cusack plays cult writer Mike Enslin, a man who visits supposed haunted spots in order to debunk their reputations in the mildly-successful books he writes with titles such as "10 Nights in Haunted Hotels". When the room 1408 at the Dolphin Hotel in New York is brought to his attention, research tells him that the death tally in the room is in the double digits. He sees the room as a solid ending chapter for the new book he's working on.
The film is based on a Stephen King short story, which I had the pleasure of reading before I saw the film. While the film does take its creative liberties, it never forgets where it comes from. Writers Matt Greenberg, Scott Alexander, and Larry Karazewski seem to be very well-read on the author, and the movie always feels just like Stephen King--if you've ever read him, you know what I'm talking about. There have been times when I've been reading a novel of his and had to tell myself, "Calm down, it's just a book." There are moments in this film of such mind-gnawing anxiety, such high-adrenaline terror that I had to tell myself, "Calm down, it's just a movie." (Note: Stephen King does recommend the film.)
Director Mikael Håfström never takes his audience's intelligence for granted. We're never beaten over the head with the same thing; the film is always headed somewhere new and exciting. The innovative ideas here are just terrific.
John Cusack is brilliant as the cynical writer with a tragic past. He's never unbelievable, and he always nails the character down perfectly. There was never a time when I wasn't rooting for Mike Enslin in 1408. There was never a time when I did not want him to get out of the room. Cusack's emotional range is really put into play here, and the casting could not have been any more dead-on.
Samuel L. Jackson gives a chilling performance as a manager who is intent on not letting Mike enter room 1408. His determination to convince Mike not to enter the room only fuels Mike's determination to enter it. Through him, we pick up on the facts about the room Mike's research couldn't provide. His warnings give us chill bumps but leave enough open so that we still don't know what we're in for.
And with room 1408, you never really know what you're in for. Who am I to ruin it for you? Just know that this is not a mystery. We will not come to understand why the room is the way it is. There are, of course, those who will be disappointed by 1408--because when all is said and done, they will find it's not a movie about a freaky hotel room, but rather the man who's trapped in that hotel room and what he finds there.