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Directed by | |||
| Gil Cates Jr. | |||
Writing credits(in alphabetical order) | ||
| Gil Cates Jr. | writer | |
| Mark Weinstock | writer | |
Produced by | |||
| Michael Amato | .... | executive producer | |
| John J. Anderson | .... | co-producer | |
| Michael Arata | .... | producer | |
| Steve Austin | .... | producer | |
| Jerry Daigle | .... | associate producer | |
| Richard Gabai | .... | executive producer | |
| Nzinga Garvey | .... | executive producer | |
| Richard Iott | .... | co-associate producer | |
| Scott Lazar | .... | executive producer | |
| Greg McDonald | .... | executive producer | |
| Albert J. Salzer | .... | producer | |
| Marc Weinstock | .... | producer | |
Original Music by | |||
| Peter Rafelson | |||
Cinematography by | |||
| Tom Harting | (director of photography) | ||
Film Editing by | |||
| Jonathan Cates | |||
| Eric Strand | |||
Casting by | |||
| Amy Staub | |||
| Tommy Staub | |||
Production Design by | |||
| Frank Zito | |||
Makeup Department | |||
| Simone Almekias-Siegl | .... | personal makeup artist: Burt Reynolds | |
| Kimberley Kirkpatrick | .... | makeup artist | |
| Robin Mathews | .... | makeup department head | |
| Aimee Stuit | .... | makeup department head | |
Second Unit Director or Assistant Director | |||
| Steve Lonano | .... | second assistant director | |
| Sherman Shelton Jr. | .... | second second assistant director | |
| Gregory Kent Simmons | .... | first assistant director | |
Art Department | |||
| Elizabeth Herberg | .... | art coordinator | |
| Alexander Lasseigne III | .... | set dresser | |
| Twig Leveque | .... | graphic designer | |
| Trey Merrill | .... | on-set dresser | |
| Janna Roach | .... | assistant property master | |
| Michelle Rolland | .... | property master | |
| Brent Stewart | .... | foreman | |
Sound Department | |||
| Michael Brown | .... | foley artist | |
| Gary Coppola | .... | sound re-recording mixer | |
| John Fairlamb | .... | foley mixer | |
| Robert Hoehn | .... | sound designer | |
| Sylvain Loiseau | .... | post-production audio manager | |
| Ron Scelza | .... | production sound mixer | |
| Christopher Tiffany | .... | boom operator | |
| David Warburton | .... | first assistant sound editor | |
Visual Effects by | |||
| Rachel Clement | .... | digital cleanup artist | |
Camera and Electrical Department | |||
| Michael Applebaum | .... | additional camera operator | |
| James T. Bruce IV | .... | camera production assistant | |
| Benton Collinsworth | .... | camera production assistant | |
| Edward Darr | .... | grip | |
| Robert Foster | .... | camera operator: "a" camera | |
| Jerry M. Jacob | .... | Steadicam operator | |
| Yaron Levy | .... | director of photography: Los Angeles | |
| Louis Normandin | .... | best boy electric | |
| Joseph Paolucci Jr. | .... | lamp operator | |
| Patti Perret | .... | still photographer | |
| Kennith G. Smith | .... | dolly grip | |
| Michael L. Smith | .... | key grip | |
Casting Department | |||
| James Bearb | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Claire Hedlund | .... | set costumer | |
Editorial Department | |||
| Julius Friede | .... | digital intermediate colorist | |
| Dennis Little | .... | digital intermediate production coordinator | |
| Heather J. Morrison | .... | assistant editor | |
| Jon Pehlke | .... | on-line editor | |
| Sarah Priestnall | .... | production supervisor: digital intermediate | |
Music Department | |||
| Mason Cooper | .... | music supervisor | |
| Jerry Deaton | .... | composer: additional music | |
| Robert Hoehn | .... | music arranger | |
| Yagmur Kaplan | .... | music editor | |
Other crew | |||
| Prince Bagdasarian | .... | film and high definition coordinator | |
| Victor Brunette | .... | technical services | |
| Arvid Cristina | .... | assistant production coordinator | |
| Charlie French | .... | assistant to producer | |
| Lucia Hallett | .... | production assistant | |
| Russ Honican | .... | main title designer | |
| Ruth Kesler | .... | production coordinator | |
| Jeremy Kirkland | .... | production assistant | |
| Jerrold W. Lambert | .... | key accountant | |
| Matt McLellan | .... | assistant location manager | |
| Eric Min | .... | production executive | |
| Emily Pendas | .... | script supervisor | |
| Melissa Perret | .... | assistant accountant | |
| Erik William Smith | .... | production executive | |
| Chris Stiles | .... | production assistant | |
| John M. White | .... | production assistant | |
| Mandy White | .... | production assistant | |
| Paolo Paci | .... | production coordinator: Los Angeles (uncredited) | |
Thanks | |||
| Minnie Driver | .... | thanks | |
| James Woods | .... | thanks | |
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It would appear from the comments that this is the worst movie in history !!!!, well its not really. I am not going to say its award winning material because it is not. I watched the movie from start to finish and not once did i look at my watch thinking isn't it about time this finished.
Burt is looking old which is a shame as to me he will always be JJ from Cannonball Run with Capt Chaos (Dom DeLuise) for Company. Shannon Elizabeth is totally wasted, looked good though and why Jennifer Tilly was in this movie was beyond me.
the story was predictable with no great surprises. I could have written the finale 30 minutes into the film however it does keep you captivated. I felt you actually cared about the characters which is pretty unusual.
Watch it, enjoy it, forget about it would be my advice.