| Dedee Pfeiffer | ... | Marla Collins | |
| Randall Batinkoff | ... | Nathan Collins | |
| Danny Woodburn | ... | Lawrence Van Allen | |
| Josh Hammond | ... | Avery | |
| Christine Lakin | ... | Katie | |
| Jeff Fahey | ... | General Remora | |
| Rachel Grodnik | ... | Roxie | |
| Whitney Sloan | ... | Mercedes | |
| Cricket Selna | ... | Mel | |
| Jana Kramer | ... | Carrie | |
| Angela Gots | ... | Tanya | |
| Fiona Gubelmann | ... | Alice | |
| Dave Thompson | ... | Harry | |
| Alex Barad | ... | Gate MP | |
| Evan Grayson | ... | LC | |
| Bennet Guillory | ... | Norm | |
| Galina Chtyrva | ... | Tina | |
| Gerald O'Donnell | ... | Delivery Man | |
| Andre Ware | ... | MP | |
| Andre Costa | ... | Beach Cop | |
| Raliegh Wilson | ... | Ed (as Raleigh Wilson) | |
| Scott Blackwood | ... | Jimmy | |
| Chelsea Bloch | ... | Jen |
Directed by | |||
| Daniel Grodnik | |||
Writing credits(in alphabetical order) | ||
| Daniel Grodnik | writer | |
| Lisa Morton | writer | |
| Ron Oliver | writer | |
| Brett Thompson | writer | |
Produced by | |||
| Jeffery Beach | .... | executive producer (as Jeff Beach) | |
| Daniel Grodnik | .... | producer | |
| Shahrook Oomer | .... | co-producer | |
| Robert Snukal | .... | executive producer | |
| Julia Stemock | .... | line producer | |
| Pat Williams | .... | executive producer | |
Original Music by | |||
| Christopher Farrell | |||
Cinematography by | |||
| Pat Williams | |||
Film Editing by | |||
| Stuart Bass | |||
Production Design by | |||
| Reuben Freed | |||
Art Direction by | |||
| Marcel Victor Prefontaine | |||
Set Decoration by | |||
| Amy Lee Wheeler | |||
| Kelley Wright | |||
Costume Design by | |||
| Oneita Parker | |||
Makeup Department | |||
| Erin Lippard | .... | assistant makeup artist | |
| Jill Ventimiglia | .... | key makeup artist | |
| Ellen Vieira | .... | assistant makeup artist | |
Second Unit Director or Assistant Director | |||
| Michael R. Holm | .... | first assistant director | |
| David Ralph | .... | second assistant director | |
| Joshua Stickler | .... | second second assistant director | |
Art Department | |||
| Abby Cobelli | .... | assistant set decorator | |
| Daavid Hawkins | .... | art department assistant | |
| Mark Knightley | .... | leadman | |
| Paolo Paci | .... | set dresser | |
| Georgia Schwab | .... | property master | |
| R.J. Turner | .... | on-set dresser | |
Sound Department | |||
| Dennis Grzesik | .... | sound recordist | |
| Chris Julian Irwin | .... | foley artist | |
| Chris Julian Irwin | .... | foley mixer | |
| Chris Julian | .... | sound post-production | |
| Gerard Vernice | .... | boom operator | |
| Stacey A. Washer | .... | boom operator | |
Visual Effects by | |||
| Bennique Blasini | .... | visual effects supervisor | |
| Steven M. Blasini | .... | visual effects supervisor | |
Stunts | |||
| Scott Blackwood | .... | stunt coordinator | |
| Joe Childs | .... | stunt double | |
| John Doherty | .... | stunts | |
| Cricket Selna | .... | stunts | |
| Dave Thompson | .... | stunts | |
| Raliegh Wilson | .... | assistant stunt coordinator | |
Camera and Electrical Department | |||
| Michael Budde | .... | best boy grip | |
| Chris Burgon | .... | electrician | |
| Marie Chao | .... | first assistant camera | |
| Markus Davids | .... | underwater camera operator | |
| John DeFazio | .... | dolly grip | |
| Bill Dow | .... | still photographer | |
| Josh Ellis | .... | second assistant camera | |
| Kevin M. Graves | .... | best boy grip | |
| Christian Grosselfinger | .... | best boy electric | |
| Vesa Holle | .... | gaffer | |
| Joshua Lee Huber | .... | grip | |
| Sunny Lee | .... | key grip | |
| Jeff Niggemeyer | .... | grip | |
| Mike Paterson | .... | video assistant | |
| K. James Peterson | .... | camera operator (as Ken Peterson) | |
| Kelly Richard | .... | second assistant camera | |
| James Takata | .... | first assistant camera | |
| Somsy Vejsiri | .... | best boy electric | |
Costume and Wardrobe Department | |||
| Lisa Coffey | .... | set costumer | |
| Katayoon Salimi | .... | costume supervisor | |
Editorial Department | |||
| David Herr | .... | assistant editor | |
Transportation Department | |||
| William Cope | .... | transportation | |
Other crew | |||
| Chris Beal | .... | location manager | |
| Joel Champagne | .... | production assistant | |
| Tom Martinez | .... | production assistant | |
| Brenton McCracken | .... | production assistant | |
| Tanya O'Quinn | .... | assistant location manager | |
| Dan Pringle | .... | key production assistant | |
| Joanna Ray | .... | production assistant | |
| Suzanne C. Swindle | .... | script supervisor | |
| Carl B. Thompson | .... | set production assistant | |
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| Hammerhead: Shark Frenzy | Shark Hunter | Red Water | Raging Sharks | The Lawnmower Man |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
Ah, Blue Demon. The direct-to-video shark movie that dares not have "shark" in the title. Nor quality in general. I love movies where people, while ensnared in rubber jaws, beat at the snout of giant plastic shark mouths while screaming for their life, with absolutely no blood squirting from their bodies just off the coast of AnyBeachTown, USA. I just enjoy them. However, this one sinned against me, and people of my type. They tried to "beat" all critics to the punch by making fun of the film themselves with a technique known as "tongue-in-cheek." Listen--don't make my shark movies tongue-in-cheek. Sharks don't have tongues, nor should your movies about them. So, sorry to disappoint you, but despite your best intentions, I am still going to make fun of your film.
Matthew McConaughey stunt butt man plays Dr. Collins, and Michelle Pfeiffer's little sister, Michelle Pfeiffer Jr., also plays Dr. Collins (for theirs is a union of matrimony and giant stink-fish). Also, Jeff Fahey plays the hammiest evil general this side of any movie that features an evil hammy general that directly parallels its badness to this badness. Just picture George C. Scott in Patton, then take away everything good about George C. Scott. And Patton. Then, you'll have it. Lastly, we have six genetically engineered Great White Sharks, the leader of this pack being named Red Dog, for reasons that remain unknown (and unfunny).
The plot? WELL, Dr. Collins and Dr. Collins are marine biologists (of course) and have been experimenting with Great White Sharks, attempting to manipulate them in order to use them as a defense mechanism (honestly, haven't we all considered trying this at one point?). Then, because these sharks are smarter than average sharks, they escape from their pen of chicken wire and good intentions. Darn, why can't these scientists ever learn to make these pens more secure?! Because there'd be no movie if the cartoon fish didn't escape, stupid. The escaped sharks terrorize many, and eat barely anyone. As Youngest Lambert Daughter from Step-By-Step (who has blossomed into her own successful career, in the sarcastic way) looks on after delivering her two lines, she watches as two maintenance divers in the water "fall victim" to the sharks. And by fall victim, I mean that one diver is kinda eaten, while the other diver simply disappears.
Soon after, we see an annoying dork child fishing on a dock with her father, and she catches the BIGGEST fish in her life...
...Bet you thought I was gonna say shark! Well, no, she caught a BASS! Haha! I LOVE jokes that people who produce direct-to-video movies make, because they're really good at things like intelligent comedy, or anything at all, ever.
Anyway, the father takes uses this opportunity to take his eyes away from the water and take out his camera, because his stupid daughter is so stupid that this stupid lame fish she caught will most likely be the most proud moment of her stupid life. While fidgeting with his camera, the big shark bursts out of the water, smashes its underbelly against the dock, and then slides retardedly back under the waves. The random shark pop-up attack invokes a true feeling not of shock, but of disappointment and frustration, because after witnessing how annoying this girl can be, you so desperately want her to be pulled underneath the water and eviscerated into 80 bajillion pieces, and then hopefully beaten with a large hammer that the shark could have on its person. After surviving the shark plop, the daughter randomly tells her father very flatly that she loves him. It's good for a laugh.
The sharks then move on to couple who end up "skinny dipping" (in bathing suits) in the water and as they share a kiss, exchange the following bewildering dialogue:
DUDE: That was my first kiss!
GIRL: I'm going to the moon! That was MY first kiss, too!
Huh? Who's going to the moon? What's stranger than that weird weird expression is that this couple appears to be in their mid-to-late twenties. I sure hope they can have some sex before they die of being 87.
Uh oh, looks like our main characters have been blamed for letting loose the sharks and are dubbed terrorists. They escape the lab and Matthew McConaughey stunt butt man makes a phone call to somewhere via payphone and says "I need to speak to whoever is in charge...of sharks." He is immediately hung up on. And drat, he can't make a call because he has no more change. He gets back in the car to see his wife with a tracking device she made to find the sharks...with her cell phone...a cell phone that he does not use to finish his call. Was this one of those "tongue-in-cheek" jokes? Or was this an illogical error? Who will know? Surely not I, for I hate almost everything.
We find out General Crazy is evil. Then we cut to Red Dog, stupid shark leader, swimming slowly with a giant bomb in his mouth, heading towards the San Francsico bridge. I forget why. I'd make up a reason, but it would be better than what the real reason was, and might make this film more plausible, which I don't want to happen. But don't worry, the shark comes back and blows itself and Jeff Fahey up. Then, you sigh.
WRAP UP:
Number of Sharks: 6
People Eaten: 2 (3, if you count the possibility of General Ham's exploded body.)
Seriously. Two people in a killer shark movie. That just blows.
So, all in all, if you long to see many scenes of people frantically typing on computers while looking bewildered and hordes of CGI sharks swimming quickly at the camera with the last shark's mouth "eating" the screen, you could do a lot worse.