|
| William Armstrong | .... | consultant: Inspector, San Francisco Police Dept. (ret. ) |
| Mark Arneson | .... | private investigator |
| George Bawart | .... | technical advisor: Detective, Vallejo Police Dept. (ret. ) |
| Gretchen Belli | .... | consultant (as Gretchen Belli and the Belli Family) |
| Pierre Bidou | .... | consultant: Chief of Police, Benicia Police Dept. (ret. ) |
| Lennie Bleecher | .... | assistant: Mark Ruffalo |
| Robby D. Bruce | .... | ADR loop group |
| Shelbie Bruce | .... | ADR loop group |
| Robert D. Brugger | .... | set medic (as Robert Brugger) |
| Doug Burch | .... | adr voice |
| Russell T. Butterbach | .... | consultant: Sergeant, Solano County Sheriff (ret. ) |
| Michael Butterfield | .... | consultant |
| Brad Carr | .... | research assistant: San Francisco |
| Kelly Carroll | .... | consultant: Inspector, San Francisco Police Dept. |
| John Cefalu | .... | location manager |
| Donald Cheney | .... | consultant |
| Joseph M. Chiechi | .... | staff assistant (as Joseph Chiechi) |
| Brian Clark | .... | rigging medic |
| Scott Cler | .... | assistant production coordinator |
| David Collins | .... | consultant: Detective Sergeant, Napa County Sheriff (ret. ) |
| Roy Conway | .... | consultant: Captain, Vallejo Police Dept. (ret. ) |
| Don DiStefano | .... | consultant: Sergeant, Vallejo Police Dept. (ret. ) |
| Scott Dropkin | .... | sparrow head technician |
| Jim Dunbar | .... | consultant |
| Eric Dvorsky | .... | technician: Pictorvision XR |
| Brent Ekstrand | .... | video and computer engineer |
| Scott Fitzgerald | .... | key assistant location manager |
| Donald Fouke | .... | consultant: Sergeant Inspector, San Francisco Police Dept. (ret. ) |
| Aaron Graysmith | .... | consultant |
| Margot Graysmith | .... | consultant |
| Melanie Graysmith | .... | consultant |
| Robert Graysmith | .... | technical advisor |
| Nicole Greely | .... | consultant: Lieutenant, San Francisco Police Dept. |
| Sean Paul Hackett | .... | development intern |
| Shepard Hall | .... | staff assistant |
| Marc A. Hammer | .... | production office coordinator |
| Daryl Anthony Harper | .... | adr loop artist |
| Amanda Harrington | .... | staff assistant |
| Benjamin Hartnell | .... | consultant |
| Bryan C. Hartnell | .... | technical advisor |
| Jonathan Hartnell | .... | consultant |
| Monica Hartnell | .... | consultant |
| David Henri | .... | computer/video operator |
| Richard Hoffman | .... | consultant: Detective, Vallejo Police Dept. (ret. ) |
| Pam Huckaby | .... | consultant |
| David Jackson | .... | consultant: Captain, Vallejo Police Dept. |
| Mark Jacyszyn | .... | production supervisor: Captive Audience Prod. |
| Saisie M. Jang | .... | assistant location manager: San Francisco |
| Holly Kang | .... | assistant: David Fincher |
| Michael Kelleher | .... | consultant |
| Kristine Kelly | .... | script supervisor (as Kristy Kelly) |
| Cosmos Kiindarius | .... | staff assistant |
| Jim Knell | .... | assistant: MUFX producer |
| Kenneth Ko | .... | production assistant |
| Meti Kusari | .... | craft service |
| Derrick Landry | .... | assistant production accountant |
| Kevin Landry | .... | production accountant (as Kevin E. Landry) |
| Teri Lang | .... | production secretary: San Francisco |
| Tammy S. Lee | .... | staff assistant (as Tammy Lee) |
| Chris Lerude | .... | hands double |
| Richard Lonergan | .... | consultant: Under-Sheriff, Napa County Sheriff (ret. ) |
| Stephen Mapel | .... | location manager (as Steve Mapel) |
| Tim Marion | .... | assistant: Mike Medavoy |
| Jadi McCurdy | .... | staff assistant |
| Kyle McGatlin | .... | production secretary |
| Andrea McKee | .... | staff assistant |
| Gerald McMenamin | .... | consultant |
| Ken Narlow | .... | technical advisor: Captain, Napa County Sheriff (ret. ) |
| Ryan Neely | .... | production assistant |
| Cindy Nevins | .... | payroll accountant |
| Melvin H. Nicolai | .... | consultant: Special Agent, Dept. of Justice (ret. ) |
| Jason Ninness | .... | production coordinator: Phoenix Pictures |
| Bill Oaks | .... | assistant accountant |
| Peter K. Orr | .... | armorer |
| Sandy Panzarella | .... | consultant |
| Terrence Pascoe | .... | consultant |
| Valarie Payne | .... | assistant: Jake Gyllenhaal (as Valerie Payne) |
| Armond Pelissetti | .... | technical advisor: Sergeant Inspector, San Francisco Police Dept. (ret. ) |
| Jeremiah Pitman | .... | staff assistant |
| Neal Prosansky | .... | staff assistant |
| Ron Puckett | .... | assistant: Arnie Messer |
| Lorraine Putnam | .... | animal wrangler |
| Barry J. Ratcliffe | .... | stand-in |
| Michael Renault Mageau | .... | consultant |
| Shawn Renee-Cadichon | .... | assistant: Bradley Fischer |
| Jimmy Rich | .... | assistant: Robert Downey Jr. |
| Matthew Riutta | .... | assistant location manager: San Francisco |
| John Robertson | .... | consultant: Captain, Napa County Sheriff (ret. ) |
| Mike Rodelli | .... | consultant |
| Deandre 'Silky' Russell | .... | staff assistant (as DeAndre Russell) |
| Ed Rust | .... | consultant: Lieutenant, Vallejo Police Dept. (ret. ) |
| Caren Sachs | .... | assistant: Kelley Smith-Wait |
| Janine Schiro | .... | second assistant accountant |
| Jim Schiro | .... | key second assistant accountant |
| Bruce Schluter | .... | title designer |
| Richard Schuler | .... | location manager (as Rick Schuler) |
| Derek Schweickart | .... | data capture assistant |
| Jonathan Shedd | .... | location manager: San Francisco |
| David Slaight | .... | consultant: Commander, Napa County Sheriff (ret. ) |
| Nancy Slover | .... | consultant: Vallejo Police Dept. (ret. ) |
| David Smith | .... | consultant |
| Hal Snook | .... | consultant: Sergeant, Napa County Sheriff (ret. ) |
| Gene Starzenski | .... | rigging medic |
| Paula Stier | .... | assistant production coordinator: re-shoots |
| Todd Stolarski | .... | staff assistant |
| Leo Suennan | .... | consultant |
| Jason Suhrke | .... | technocrane assistant |
| Candice Taylor | .... | assistant: Cean Chaffin |
| Wayne Tidwell | .... | supervising engineer (as Wayne R. Tidwell) |
| David Toschi | .... | technical advisor: Inspector, San Francisco Police Dept. (ret. ) |
| Andreas Wacker | .... | digital workflow specialist |
| Nancy Wong | .... | key assistant location manager: San Francisco |
| Kirk Worley | .... | assistant location manager |
| Joe Biggins | .... | inflatable mannequins (uncredited) |
| Robert Boas | .... | i/o support (uncredited) |
| Rich Bokides | .... | film runner (uncredited) |
| Lucie Bourgeau | .... | office staff assistant: re-shoots (uncredited) |
| Ritchie Steven Filippi | .... | set staff assistant: re-shoots (uncredited) |
| Marcy Guiragossian | .... | set production assistant: San Francisco (uncredited) |
| Seth William Hansen | .... | set staff assistant: re-shoots (uncredited) |
| Travis Huff | .... | production assistant (uncredited) |
| Dalon Huntington | .... | stand-in: Donal Logue (uncredited) |
| William P. Kelly | .... | stand-in (uncredited) |
| Tony McNitt | .... | staff assistant (uncredited) |
| Timothy Meehan | .... | staff assistant (uncredited) |
| Aimee Pierson | .... | staff assistant (uncredited) |
| Lisa Russey | .... | staff assistant (uncredited) |
| Brian Sampson | .... | stand-in (uncredited) |
| Gregory Santoro | .... | set staff assistant: re-shoots (uncredited) |
| Yovel Schwartz | .... | staff assistant (uncredited) |
| John H. Tobin | .... | photo double (uncredited) |
| Mike Tsucalas | .... | set staff assistant: re-shoots (uncredited) |
| |
I am tired of people writing comments like this, "Not Fincher's best". Honestly who cares. We all agree that Fincher's best is either Seven or Fight Club, two outstanding masterpieces. There is a big margin between a film like one of those and a terrible film, and people don't seem to realize that. These people even do this with other filmmakers like Spielberg or Scorsese, the fact that these filmmakers don't reproduce Schindler's List or Raging Bull doesn't mean that their new stuff isn't good, or worth seeing. I think it is a stupid way to comment on a film, eliminating the critic's credibility. I was lucky enough to catch an advanced screening of Zodiac last night, and I must say that at first I was discouraged by two things, some of the comments I have read and the running time. However I am glad to say that I enjoyed this film, very much. It is a solid suspense thriller that pins you to your seat. Being a true story adds quite a lot to the experience, and besides, Fincher did a wonderful job is staying loyal to the story and at the same time adding his unique flavor to it. The cinematography, like every Fincher film, is great, the darkness and griddiness of the story are perfectly portrayed in the film's visual elements. I was surprised by the picture quality of the Viper, the digital camera with which this film was shot. Many people have been criticizing this choice, but I respect it, he is embracing a new technology and making it work. Of course its still not a match to 35 mm, but if quality filmmakers don't start experimenting with it, it will never be. Now the reason why this film falls behind Seven and Fight Club, I think, is because of a problem with the characters. They seem to be a little weak at times. The performances were great, especially Robert Downey Jr., but I think that this film falls short, when it comes to a true exploration of complex characters, which is the key to Fincher's previous films.
So... my advice to everyone is to ignore most of the negative comments and see the film yourself. I found it to be a great story told in a remarkable way, very entertaining, with great performances, and wonderful direction.