| Photos (see all 19 | slideshow) | Videos (see all 10) |
Directed by | |||
| Cory Edwards | |||
| Todd Edwards | (co-director) | ||
| Tony Leech | (co-director) | ||
Writing credits | ||
| Cory Edwards | (screenplay) & | |
| Todd Edwards | (screenplay) and | |
| Tony Leech | (screenplay) | |
| Todd Edwards | (story) & | |
| Cory Edwards | (story) | |
Produced by | |||
| Katie Hooten | .... | associate producer | |
| Maurice Kanbar | .... | producer | |
| David Lovegren | .... | producer (as David K. Lovegren) | |
| Sue Bea Montgomery | .... | producer | |
| Preston Stutzman | .... | producer | |
Original Music by | |||
| John Mark Painter | |||
| Kristin Wilkinson | |||
Film Editing by | |||
| Tony Leech | |||
Production Management | |||
| Dan Malvin | .... | production supervisor | |
Visual Effects by | |||
| Rahul Deshprabhu | .... | visual effects | |
| Glenn Neufeld | .... | 3D and CG supervisor | |
| Stuart Neumann | .... | executive production manager: Digital Eye Candy Studio | |
| Lawrence Pasion | .... | digital artist | |
| Nachiket Pujari | .... | hair / fur lead | |
| Nachiket Pujari | .... | visual effects | |
| G.K. Raghunandan | .... | lighter | |
| Patel Ravindra | .... | lighting artist | |
| Ramsai Rayanapati | .... | senior lighting artist | |
| David Rosenthal | .... | digital film I/O supervisor: Fotokem Film & Video | |
| Robert Schajer | .... | visual effects producer (uncredited) | |
Animation Department | |||
| Peter Bedgood | .... | character designer | |
| Dennis Leech | .... | character designer | |
Editorial Department | |||
| Mo Henry | .... | negative cutter | |
| John Nicolard | .... | digital intermediate supervisor | |
| Bill Schultz | .... | digital intermediate executive | |
| Walter Volpatto | .... | digital intermediate colorist | |
| Chris DeLaGuardia | .... | color timer (uncredited) | |
Music Department | |||
| Todd Edwards | .... | composer: original music | |
| Joshua J. Greene | .... | composer: song "Runaway" | |
| Tom Maydeck | .... | music editor | |
| Daniel Rogers | .... | composer: song "Little Boat" | |
Other crew | |||
| Cassandra Barbour | .... | rights and clearances | |
| David Booth | .... | laser film recording | |
| Mike Lane | .... | client services | |
| Dennis Leech | .... | digital review supervisor | |
| Gordon Ng | .... | client services | |
| Eva Porter | .... | client services | |
| Melissa Ray | .... | production office coordinator | |
| Laura Sevier | .... | rights and clearances | |
| Megan Tompkins | .... | client services | |
Thanks | |||
| Daniel Beahm | .... | special thanks | |
| Chana Keefer | .... | special thanks | |
| Matt Steele | .... | special thanks | |
| Bob Weinstein | .... | thanks | |
| Harvey Weinstein | .... | thanks | |
|
|
|
|
|
| Shrek the Third | Woman in Distress | Who Framed Roger Rabbit | The Night of the Hunter | The Dancer Upstairs |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb USA section |
| Add this title to MyMovies |
Hoodwinked is an ultra low budget affair compared to the average 3D CGI-animated film (it was shot for a reported 15 million vs 70 to 90 million for films like Finding Nemo or Shrek 2). If you want a fairer comparison in terms of animation quality, you'd have to look at something like Jimmy Neutron (30 million budget).
What really made the animation work in terms of style is...the style. Hoodwinked almost looks like a revved up Rankin-Bass stop motion animated film in the vein of Rudolph the Red-Nosed Reindeer. Once you get absorbed in the world of Hoodwinked, you stop comparing it to Pixar and simply enjoy the magic little world the creators obviously put so much care into creating.
And the film is indeed absorbing! It starts a little slow, but once the story picks up steam, it is non-stop fun. It's clear that the writers weren't going to let a lower budget stop them from writing a clever and often laugh-out-loud funny script. My kids, aged 12, 8, and 3, giggled throughout the film. Your kids will LOVE the squirrel, the granny, and the singing goat, and adults will pick up more culture references in terms of homage scenes (not in adult content) to pictures like Fletch, Kill Bill, and the Matrix.
One thing comes across very clearly in Hoodwinked--love of the craft. So many seemingly throw away gags end up being very important to the story later on. Enjoy this little gem of an "indie" animated film, and imagine what these young guys could do with a bigger budget next time around!