| Photos (see all 16 | slideshow) | Videos (see all 9 NEW) |
| William H. Macy | ... | Edmond | |
| Frances Bay | ... | Fortune Teller | |
| Rebecca Pidgeon | ... | Wife | |
| Joe Mantegna | ... | Man in Bar | |
| Denise Richards | ... | B-Girl | |
| Wendy Thompson | ... | Cocktail Waitress | |
| Vincent Guastaferro | ... | Club Manager | |
| Ling Bai | ... | Peep Show Girl | |
| Matt Landers | ... | Bystander | |
| Dulé Hill | ... | Sharper | |
| Russell Hornsby | ... | Shill | |
| Aldis Hodge | ... | Leafletter | |
| Debi Mazar | ... | Matron | |
| Mena Suvari | ... | Whore | |
| Jeffrey Combs | ... | Desk Clerk | |
| Barry Cullison | ... | Pawn Shop Customer | |
| George Wendt | ... | Pawn Shop Owner | |
| Marcus Thomas | ... | Window Man | |
| Lionel Mark Smith | ... | Pimp | |
| Julia Stiles | ... | Glenna | |
| Patricia Belcher | ... | Woman on Subway | |
| Wren T. Brown | ... | Preacher | |
| Bruce A. Young | ... | Policeman | |
| Dylan Walsh | ... | Interrogator | |
| Bokeem Woodbine | ... | Prisoner | |
| Jack Wallace | ... | Chaplain | |
| Michael Saad | ... | Library Guard | |
| rest of cast listed alphabetically: | |||
| Vanessa Born | ... | Kissing Girl in Elevator (uncredited) | |
| Michael Calder | ... | Deputy Sheriff (uncredited) | |
| Mary Castro | ... | Black Hair Beauty (uncredited) | |
| Annette Harper | ... | Stripper (uncredited) | |
| Elena Jovis | ... | Atlantic Club Girl (uncredited) | |
| Steven Littles | ... | Prisoner (uncredited) | |
| Ryan March | ... | Bar Patron (uncredited) | |
| Laurie Meghan Phelps | ... | Busty Hooker (uncredited) | |
| Blake Sherman | ... | Bystander (uncredited) | |
| Patrick M. Strong | ... | Bartender (uncredited) | |
| Alexander von Roon | ... | Bar Patron (uncredited) | |
Directed by | |||
| Stuart Gordon | |||
Writing credits(WGA) | ||
| David Mamet | (screenplay) | |
| David Mamet | (play) | |
Original Music by | |||
| Bobby Johnston | |||
Cinematography by | |||
| Denis Maloney | |||
Film Editing by | |||
| Andy Horvitch | |||
Casting by | |||
| Shannon Makhanian | |||
Production Design by | |||
| Alan E. Muraoka | |||
Set Decoration by | |||
| Kris Fuller | |||
Costume Design by | |||
| Carol Cutshall | |||
Makeup Department | |||
| Rocky Faulkner | .... | key makeup artist | |
| Michael Mosher | .... | makeup assistant | |
| Zena Shteysel | .... | additional makeup artist | |
Production Management | |||
| Michael O. Gallant | .... | unit production manager | |
| Michael H. Miller | .... | production supervisor | |
| Daniel Voltz | .... | post-production supervisor (as Dan Voltz) | |
Art Department | |||
| Joe Blecha | .... | swing | |
| Justin Blecha | .... | leadman | |
| Yolanda Chavez | .... | on-set dresser | |
| Mike Holley | .... | additional swing | |
| Kevin Hummel | .... | assistant propmaster | |
| Robert Hummel | .... | propmaster (as Bob Hummel) | |
| Shannon Kemp | .... | set constructor | |
| Kevin 'Chevy' Martinez | .... | additional swing (as Chevy Martinez) | |
| Kevin 'Chevy' Martinez | .... | set dresser | |
| Jeff Verges | .... | additional swing | |
Sound Department | |||
| Sarah F. Badiee | .... | sound editor (as Sarah Badiee) | |
| Peter S. Carlstedt | .... | sound re-recording mixer (as Peter Carlstedt) | |
| M.V.P. Clancy | .... | sound effects editor | |
| Casey A. Fife | .... | post-sound editor (as Casey Fife) | |
| Andrew Ing | .... | sound effects editor | |
| Alec James | .... | boom operator | |
| Sam C. Lewis | .... | adr editor (as Sam Lewis) | |
| Sam C. Lewis | .... | adr recordist (as Sam Lewis) | |
| Zsolt Magyar | .... | sound mixer | |
| Michael McDonald | .... | sound re-recording mixer | |
| Michael McDonald | .... | supervising sound editor | |
| Bruce Murphy | .... | dialogue editor | |
| John Sanacore | .... | adr editor | |
| John Sanacore | .... | foley recordist | |
| Alex Ullrich | .... | foley artist | |
| Brad Whitcanack | .... | sound effects editor | |
Visual Effects by | |||
| Tim Carras | .... | digital compositor | |
Stunts | |||
| Keith Davis | .... | stunts | |
| Hiro Koda | .... | stunt coordinator | |
| Kim Robert Koscki | .... | stunts (as Kim Koscki) | |
Camera and Electrical Department | |||
| Bazille | .... | still photographer | |
| Jeff Dorer | .... | electrician | |
| Josh Ellis | .... | second assistant camera | |
| Pete Escobar | .... | grip | |
| Thomas Hurn | .... | electrician | |
| Amos James | .... | key grip | |
| Caitlin Kazepis | .... | camera intern | |
| Alexandra Lucka | .... | additional assistant camera | |
| Denis Maloney | .... | camera operator | |
| Hilda Mercado | .... | first assistant camera | |
| Bill Mitchell | .... | additional photographer | |
| Chris Nicsinger | .... | electrician | |
| Matt Perry | .... | best boy grip | |
| Cass Rasmussen | .... | best boy electric | |
| Roberto Schein | .... | director of photography: second unit | |
| Roberto Schein | .... | gaffer | |
| Paige Thomas | .... | first assistant camera | |
| Martin Torner | .... | dolly grip (as Martin K. Torner) | |
| Nicholas Tredway | .... | dolly grip | |
| Marcus Turner | .... | camera loader | |
| Mira Velasco | .... | grip | |
| William M. Weberg | .... | key grip: new york | |
| Jason Wintz | .... | second assistant camera | |
Casting Department | |||
| Scott Blasko | .... | extras casting assistant | |
| Paula Fins | .... | casting assistant | |
| Tina Kerr | .... | extras casting | |
| Katie Piel | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Mira Jackson | .... | set costumer | |
Editorial Department | |||
| Travis Dutch | .... | tape to film colorist | |
| Bob Fredrickson | .... | color timer | |
| Nancy Wang | .... | assistant editor | |
Music Department | |||
| Bobby Johnston | .... | musician: score | |
| Rich Ragsdale | .... | composer: additional music | |
| Asdrubal Sierra | .... | musician: trumpet (as Asdru Sierra) | |
| Nita Sinaga | .... | musician: jazz piano | |
| Spiralmouth | .... | musician: gospel music | |
Transportation Department | |||
| William Cope | .... | transportation captain (as Bill Cope) | |
| Dale Lee | .... | transportation coordinator | |
| Robert Wood | .... | production driver | |
Thanks | |||
| Magi Berciano | .... | thanks | |
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| Midnight Cowboy | Rocco e i suoi fratelli | King of New York | Lola + Bilidikid | Sid and Nancy |
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At first glance, horror meister Stuart Gordon would not seem the obvious choice to direct an emotional psycho-drama cinematic rendering of a David Mamet play, yet with Edmond, he displays a deft touch for the material and allows the actors to carry the day.
Originally penned as a stage play, Edmond tells the story of namesake Edmond Burke (William H. Macy), a mundane white collar worker who has spent his entire life being a faceless cog in the big industrial machine. The rescheduling of a business appointment to 1:15 (a number which re-occurs in the film) propels him to idle away his time with a visit to a tarot reader who tells him he's not where he's supposed to be. From there he begins a slow spiral into depravity and insanity that begins with telling his wife he's leaving her and progresses to an outback-like dreamwalk into New York City's seedy underbelly of bars pimps and prostitutes.
Written in the wake of a divorce, Mamet infuses the script with racial discourse and epithets that are stunning in their caustic vulgarity as Edmond pours out years of pent up hatred on one of his muggers revealing a window into his shallow soul that only becomes more intensely evident as the movie reaches its conclusion.
In the scene where Edmond tells his wife their marriage is over, he explains to her that she hasn't satisfied him spiritually or emotionally for quite some time. Yet, after watching his progression trough the course of the story, it becomes clear that spiritually he has no soul, and emotionally he's a shallow but volatile cauldron of disjointed thoughts.
The film is a tour-de-force for Macy, who is in every scene and morphs from a character of Caspar Milquetoast proportions to unhinged bigoted psychopath and back again by the movie's end. Along the way he's complimented by solid performances from Joe Mantegna, Julia Stiles, Mena Suvari and Bokeem Woodbine. As if in a wink and nudge to his own work, Gordon even manages to insinuate longtime stalwart Jeffrey Combs into a small but telling scene during Edmond's descent into insanity.
By the time Edmond arrives at the end of that journey, however; at that place where he ought to be; I couldn't help but think he had merely wasted his life catching up to where his soul was long ago.