| Photos (see all 2 | slideshow) |
| Gretchen Krich | ... | Mother | |
| Sullivan Brown | ... | Young Guy Maddin | |
| Maya Lawson | ... | Sis | |
| Katherine E. Scharhon | ... | Chance Hale / Wendy Hale | |
| Todd Moore | ... | Father | |
| Andrew Loviska | ... | Savage Tom | |
| Kellan Larson | ... | Neddie | |
| Erik Steffen Maahs | ... | Older Guy Maddin | |
| Cathleen O'Malley | ... | Young Mother | |
| Clayton Corzatte | ... | Old Father | |
| Susan Corzatte | ... | Old Mother | |
| Megan Murphy | ... | Murderous Sister | |
| Annette Toutonghi | ... | Murderous Sister | |
| David Lobo | ... | Oarsman | |
| Eric Lobo | ... | Oarsman | |
| Sarah Harlett | ... | Adopting Couple | |
| Dan Tierney | ... | Adopting Couple | |
| David Armo | ... | Orphan | |
| Erica Badgely | ... | Orphan | |
| Riley Calcagno | ... | Orphan | |
| Jesa Chiro | ... | Orphan | |
| Munya Chiro | ... | Orphan | |
| Bailey Gibart | ... | Orphan | |
| Frank Hughes | ... | Orphan | |
| AnnieRose Kafer | ... | Orphan | |
| Emma Kelley | ... | Orphan | |
| Eleanor Kopf | ... | Orphan | |
| Sam Kopf | ... | Orphan | |
| Charlie Lachow | ... | Orphan | |
| Sam Lachow | ... | Orphan | |
| Maia Lee | ... | Orphan | |
| Emma Mercer | ... | Orphan | |
| Lucia Moser | ... | Orphan | |
| Madeleine Moser | ... | Orphan | |
| Eli Pruzan | ... | Orphan | |
| Connor Russell | ... | Orphan | |
| Electra Fire Scott | ... | Orphan | |
| Vincent Scott | ... | Orphan | |
| Iris Seiwerath | ... | Orphan | |
| Ruby Seiwerath | ... | Orphan | |
| Olivia Spokoiny | ... | Orphan | |
| Maya Sugarman | ... | Orphan | |
| Augustine Vanden Brulle | ... | Orphan | |
| rest of cast listed alphabetically: | |||
| Isabella Rossellini | ... | Narrator | |
| Clara Grace Svenson | ... | Baby Mother | |
| Anna Wichman | ... | Orphan | |
Directed by | |||
| Guy Maddin | |||
Writing credits(in alphabetical order) | ||
| Guy Maddin | writer | |
| Louis Negin | narration | |
| George Toles | writer | |
Original Music by | |||
| Jason Staczek | |||
Cinematography by | |||
| Benjamin Kasulke | |||
Film Editing by | |||
| John Gurdebeke | |||
Casting by | |||
| Joy Fairfield | |||
Production Design by | |||
| Tania Kupczak | |||
Art Direction by | |||
| Noel Paul | (co-art director) | ||
| Apryl Richards | (co-art director) | ||
Set Decoration by | |||
| Jennifer Labbienti | |||
Costume Design by | |||
| Laura Catigniani | |||
| Nina Moser | |||
| K.D. Schill | |||
Makeup Department | |||
| Denise Giago | .... | key hair stylist | |
| Denise Giago | .... | key makeup artist | |
| Daniel Wolcott | .... | makeup artist | |
| Daniel Wolcott | .... | special makeup effects artist | |
Production Management | |||
| Joy Fairfield | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Benjamin Kasulke | .... | second unit director | |
| Tyson Theroux | .... | second assistant director | |
| Anna Waggoner | .... | assistant director | |
Art Department | |||
| Rena Bussinger | .... | props manager | |
| John Deshazo | .... | set/prop builder | |
| Wing Gee | .... | tech designer | |
| Tom Phillips | .... | props | |
| Sean Porter | .... | tech designer | |
| Tivon Rice | .... | props | |
| Alan Strathmann | .... | props | |
| Curtis Taylor | .... | set designer | |
Sound Department | |||
| John Bosch | .... | sound recordist | |
| Caoimhe Doyle | .... | live foley artist | |
| Stefan Fraticelli | .... | live foley artist | |
| Goro Koyama | .... | live foley artist | |
| Andy Malcolm | .... | live foley artist | |
| Anna Malkin | .... | foley recording assistant | |
| Ron Malligers | .... | foley mixer | |
| Murray Trider | .... | sound recordist | |
| Don White | .... | foley recording mixer | |
| Don White | .... | live foley mixer | |
Editorial Department | |||
| Cheryll Hidalgo | .... | additional editor | |
| Michelle Witten | .... | assistant editor | |
Music Department | |||
| Timothy Huling | .... | orchestrator | |
| Bob Ingalls | .... | orchestrator | |
Other crew | |||
| Mike Casassa | .... | production coordinator | |
| S.J. Chiro | .... | craft service | |
| Andy Spletzer | .... | script supervisor | |
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| Mulholland Dr. | My Winnipeg | Persepolis | Die Blechtrommel | Clean, Shaven |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
First of all, I have to say: finally! I was almost positive that I was going to have to wait for DVD for this one, and God knows how long that was going to take. Secondly, I have to speak my only criticism of the film up front: the live show experiment might have been something truly awesome. I'll never know. But I do know that the disembodied voice of Isabella Rossellini, which you'll find in the general release, and presumably on the DVD, is extremely distracting. It works once in a while, but I would much prefer Maddin to have had a slightly separate version that was only silent. Unfortunately, several sequences wouldn't be comprehensible without the spoken narration, so I doubt we'll find it gone on the DVD (though I do hope that they might include some of the other narrators they used in the live show). Thankfully, as the film progresses, she pops up less and less. If not for this, I would have had no problem calling this a masterpiece.
What to say about Brand Upon the Brain!? It's a Maddin film, and if you've seen his other films, you know pretty much what to expect. Not that his style hasn't varied between films (although all of his films since his first huge success, Heart of the World, have existed in a similar silent film milieu), but he is just so far beyond what anyone else has ever done, his style can be called entirely unique. As are all of the director's films, Brand is a hilarious nightmare. Maddin creates situations that can only ever exist in the subconscious. The plot of this one includes a lighthouse orphanage, a mad scientist and his sexually repressed wife, teenage detectives à la Nancy Drew or the Hardy Boys, lesbian erotica, incest and the haunting presence of dead memories. Maddin is sometimes criticized as being little more than a snarky jokester, but the more I watch his films, the more I disagree with that assessment. His films are, of course, comedies. All of his films are meant to be funny. But I can also feel the pain, the yearning and emotional honesty behind his work. If the movies illustrate tapestries of the dreamworld, as I am certain they do, then the moods behind them, though melodramatized to high heaven, contain glimpses of the deeper truth. I think David Lynch is a rather similar director. Only where Lynch seems to look at the nightmares from the inside, Maddin's point of view is from that of a man who has just awoken. Nightmares sure are scary when we're in them, but they sure can seem ridiculous when recalled.