| Photos (see all 3 | slideshow) |
| Sun. May 25 | 2:45 AM | SHOW |
| Frank Alvarez | ... | Gangster #1 | |
| Clifton Collins Jr. | ... | Officer Armando Sancho | |
| Brittany Daniel | ... | Tatiana | |
| Keith David | ... | Captain Spain | |
| Robert Flores | ... | Gangster #4 | |
| Aimee Garcia | ... | Rita | |
| Cesar Garcia | ... | Gangster #3 | |
| Nicholas Gonzalez | ... | Officer Rodriguez | |
| Cuba Gooding Jr. | ... | Salim Adel | |
| Kevin Grevioux | ... | Daddy | |
| Wood Harris | ... | Brax | |
| Cole Hauser | ... | Lieutenant | |
| Wyclef Jean | ... | Baine | |
| Pat Healy | ... | Ronnie | |
| Tory Kittles | ... | Wallace | |
| Terry Kennedy | ... | Terry | |
| Robert LaSardo | ... | Roland | |
| Jennifer Martinez | ... | Jen | |
| Gates McFadden | ... | Wife | |
| Joseph McKelheer | ... | Canadian #1 | |
| Mo | ... | Tiptoes (as Maurice Rae) | |
| Edward Meza | ... | Gangster #2 | |
| Chris Mulkey | ... | Carlson | |
| Jim Ortlieb | ... | Husband | |
| Marina Palmier | ... | Mexican Woman (as Marina Gonzalez Palmier) | |
| Nate Parker | ... | Duster | |
| Tracy Jerome Phillips | ... | Dancer (as Tracy Phillips) | |
| Dax Ramgoolam | ... | Elijah | |
| Judy Reyes | ... | Bryant | |
| Bret Roberts | ... | Canadian #2 | |
| Nichole Mercedes Robinson | ... | Boom Boom (as Nichole Robinson) | |
| Tre Rogers | ... | Pee Wee | |
| Soledad St. Hilaire | ... | Sancho's Mom | |
| Lobo Sebastian | ... | Manny | |
| Telisha Shaw | ... | Judith | |
| Taboo | ... | Ramirez | |
| Khleo Thomas | ... | Splooge | |
| Mike Trenholme | ... | White Kid | |
| Peter Mark Vasquez | ... | Chef (as Pete Vasquez) | |
| Domingo Vela | ... | Grandpa | |
| Brian J. White | ... | Sayed (as Brian White) | |
| Marc D. Wilson | ... | Black Waiter (as Marc Wilson) | |
| rest of cast listed alphabetically: | |||
| Sarah Flannery | ... | Yoga Girl | |
| Casey LaBow | ... | Girl in BMW (uncredited) | |
| Carlos Love | ... | Extra (uncredited) | |
| Tracy Phillips | ... | Dancer (uncredited) | |
| Katie Piel | ... | White Couple's Daughter (uncredited) | |
Directed by | |||
| Chris Fisher | |||
Writing credits(in alphabetical order) | ||
| Chris Fisher | written by | |
| Gil Reavill | written by | |
| Eric Saks | written by | |
Produced by | |||
| Barry Brooker | .... | executive producer | |
| Brian Han | .... | assistant producer | |
| David Hillary | .... | producer | |
| Richard Middleton | .... | line producer | |
| Timothy Wayne Peternel | .... | producer | |
| Ash R. Shah | .... | producer | |
| Sundip R. Shah | .... | executive producer | |
| Tierre Turner | .... | co-producer | |
Original Music by | |||
| Ryan Beveridge | |||
Cinematography by | |||
| Eliot Rockett | (director of photography) | ||
Film Editing by | |||
| Tom Sanders | |||
| Miklos Wright | |||
Casting by | |||
| Shannon Makhanian | |||
Production Design by | |||
| Anthony R. Stabley | |||
Art Direction by | |||
| Chris Davis | |||
Set Decoration by | |||
| Thomas Betts | |||
Costume Design by | |||
| Johnny Wujek | |||
Makeup Department | |||
| Kokeeta Douglas | .... | assistant hair stylist | |
| LaFaye Francisco | .... | assistant hair stylist | |
| Robin Glaser | .... | key makeup artist | |
| Robert Hall | .... | special makeup effects: Almost Human Inc. | |
| Elvis Jones | .... | on-set makeup effects: Almost Human, Inc | |
| Denise Pugh-Ruiz | .... | key hair stylist | |
| Darnell Shepherd | .... | hair technician: Almost Human | |
| Michelle Tabor | .... | assistant makeup artist | |
| Christopher Burdett | .... | special makeup designer (uncredited) | |
| Robert Hall | .... | special effects makeup designer (uncredited) | |
| James Ojala | .... | special makeup effects lab technician: Almost Human (uncredited) | |
Production Management | |||
| Aaron Ezolt | .... | unit production manager: re-shoots | |
| Richard Middleton | .... | unit production manager | |
| Douglas Salkin | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| David Allen Cluck | .... | first assistant director (as David Cluck) | |
| W. Alex Korp | .... | second assistant director (as Alex Korp) | |
| Sarah Mayer | .... | second second assistant director | |
| Tanner Minnis | .... | second second assistant director | |
Sound Department | |||
| Ethan Beigel | .... | sound mix technician | |
| Stephanie Brown | .... | adr editor | |
| Sean Byrnes | .... | sound utility | |
| Nick Carbone | .... | boom operator | |
| Christopher Eakins | .... | adr editor | |
| Paul Hackner | .... | dialogue editor (as Paul Hackner, M.P.S.E.) | |
| Joshua Johnson | .... | sound assistant | |
| Eric Justen | .... | sound re-recording mixer | |
| Shawn Kennelly | .... | foley mixer | |
| Eric Lalicata | .... | sound editor | |
| Bruce MacFarlane | .... | adr mixer | |
| Laura Macias | .... | foley walker | |
| John Marquis | .... | sound designer | |
| John Marquis | .... | supervising sound editor | |
| Vince Nicastro | .... | foley walker | |
| Benjamin Patrick | .... | sound mixer (as Ben Patrick) | |
| Jeffrey Perkins | .... | sound re-recording mixer | |
| Eryne Prine | .... | foley supervisor | |
| Steve Schatz | .... | sound mix engineer | |
| Tim Young | .... | sound editor | |
| Greg Ward | .... | dialogue editor (uncredited) | |
Special Effects by | |||
| Chris Bailey | .... | special effects coordinator | |
| Robert Hall | .... | special effects makeup | |
| Elvis Jones | .... | puppeteer | |
Visual Effects by | |||
| Young Lim Choi | .... | visual effects artist | |
| Patrick Clancey | .... | digital opticals | |
| Brian Han | .... | digital intermediate assistant producer | |
| Chris Jensen | .... | digital intermediate color assistant | |
| Min Hee Lee | .... | visual effects artist | |
| Seung Yong Lee | .... | lead visual effects artist | |
| Young-ki Lee | .... | visual effects producer | |
| Eun-Young Park | .... | visual effects coordinator | |
| Min Su Park | .... | visual effects director | |
| David Van Woert | .... | titles | |
| Leo Vezzali | .... | titles and opticals supervisor | |
Stunts | |||
| Eddie J. Fernandez | .... | stunt double: Lobo Sebastain/Clifton Collins Jr. | |
| Gloria O'Brien | .... | stunts (as Gloria O'Brien-Fontenot) | |
| Jimmy Ortega | .... | stunts | |
| Robert Powell | .... | stunt double: Cuba Gooding Jr. | |
| Darryl Reeves | .... | stunts | |
| Dain Turner | .... | stunt coordinator | |
| Gene Williams | .... | stunts | |
Casting Department | |||
| Debe Waisman | .... | extras casting | |
Costume and Wardrobe Department | |||
| James McClune | .... | wardrobe assistant | |
| Andrea Sweet | .... | costume supervisor | |
| Sara Walbridge | .... | key set costumer | |
Editorial Department | |||
| George Chavez | .... | color timer | |
| Michael Eaves | .... | digital intermediate colorist (as Mike Eaves) | |
| Bob Fernley | .... | digital intermediate producer | |
| Josh Hunt | .... | assistant editor | |
| Martha Pike | .... | digital intermediate editor | |
Music Department | |||
| Carl Araneta | .... | musician: dj | |
| Jeff Babko | .... | musician: keyboards | |
| Ryan Beveridge | .... | musician: percussion | |
| Gerry Cueller | .... | music supervisor | |
| Greg Danlyshyn | .... | music supervisor | |
| Greg Danylyshyn | .... | music supervisor | |
| Ian Hattwick | .... | musician: guitar | |
| Tad Jacobs | .... | musician: guitar | |
| Dan Lutz | .... | musician: bass | |
| Mike McDonald | .... | score mixer | |
| Greg Sweeney | .... | dj | |
| Derek Syverud | .... | musician: percussion | |
| Mike McDonald | .... | score producer (uncredited) | |
Transportation Department | |||
| Randy Aiwohi | .... | driver | |
| Eric Ayers | .... | driver | |
| Leo Maka Bauutista | .... | driver (as Leo Maka Bautista) | |
| William Cope | .... | driver | |
| Anthony Detiege | .... | driver | |
| Natalie Gerona | .... | driver | |
| James R. Guillory | .... | driver (as James Guillory) | |
| Richard Jones | .... | driver | |
| Billy Kane | .... | transportation coordinator (as Bill Kane) | |
| George A. Miki | .... | transportation captain (as George Miki) | |
| Donald Parker | .... | driver | |
| Eddie Santana | .... | driver (as Edward Santana) | |
| John Suttles | .... | driver | |
| Aaron Torres | .... | driver | |
| Ron Volpe | .... | driver | |
| James Wade | .... | driver | |
| Greg Weinbrecht | .... | driver | |
| Alfred White Jr. | .... | driver | |
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| Training Day | The Departed | Léon | Reservoir Dogs | Wonderland |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb USA section | Add this title to MyMovies |
Dirty will unfortunately draw comparison to Training Day, but if you can get past the similarities of the cover of this book, the content will come back strong and stand alone as a polished original. This movie reminds you that with decisive, deliberate direction, an excellent score and solid performances, a routine storyline can serve as the boilerplate foundation for the more difficult aspects of film-making to shine.
Collins has always been a favorite of mine to watch; almost singlehandedly destroying stereotypes of Latino actors while simultaneously stewing in the shallow pool of roles offered him. His stand out performances in 187 and Tigerland have only been improved in Dirty with his ability to bring humanity and sincerity to his otherwise bland characters. Gooding pulls it off in the end, almost through the sheer pleasure of watching him portray such an off-type character that the "over the top" performance was a necessity to draw your attention away from the believability of his playing the role. It was as if with every screamed expletive he was daring you to not take him seriously.
Dirty is a poster child film for how a director through what would appear to be either deliberate, clever and wise choices for the cast and crew or was very lucky in the outcome. But to this writer that is the magic of film-making. The end result of this film looks like a seamless collaboration of professionals turning out what is an interesting, exciting, visceral portrayal of bad cops and worse cops trying to outplay the system. Luck can only take you so far, and no doubt every component played a part in making this film work. The cinematography keeps the grit and grime of the streets in full focus, and the action and sometimes brutal violence is always just around the corner to snap your attention back into place as the plot moves forward.
To compare this movie to any other is doing it a disservice. Dirty takes any preconceived lemons it clearly had as a disadvantage going in, and made lemonade worth a second glass. Try it, you won't be disappointed.
7/10 - Maddis