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Directed by | |||
| Susan Seidelman | |||
Writing credits | ||
| Florence Seidelman | (story) and | |
| David Cramer | (story) | |
| Susan Seidelman | (writer) and | |
| Shelly Gitlow | (writer) | |
| Jonathan Brett | uncredited | |
Produced by | |||
| Daniel L. Blanc | .... | assistant producer | |
| Jamin O'Brien | .... | co-producer | |
| Blair Treisman Rosenfeld | .... | executive producer | |
| Florence Seidelman | .... | producer | |
| Susan Seidelman | .... | producer | |
| Deborah Shantz van Eck | .... | executive producer | |
Original Music by | |||
| Marcelo Zarvos | |||
Cinematography by | |||
| Eric Moynier | |||
Film Editing by | |||
| Keiko Deguchi | |||
Casting by | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Paul Schnee | |||
| Suzanne Smith | (as Suzanne Crowley) | ||
Production Design by | |||
| Kevin Kropp | |||
Art Direction by | |||
| Lissette Schettini | |||
Set Decoration by | |||
| Lissette Schettini | |||
| Jay Weber | |||
Costume Design by | |||
| Sarah Beers | |||
Makeup Department | |||
| Malinda Bennett | .... | assistant makeup artist | |
| Karina Del Bel | .... | assistant hair stylist | |
| Linda Schonning | .... | key hair stylist | |
| Linda Zibelli | .... | key makeup artist | |
Production Management | |||
| Kesshann Cortez | .... | production supervisor | |
| Jamin O'Brien | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Josue Aguilar | .... | second second assistant director | |
| Douglas Bruce | .... | first assistant director | |
| Karen Radzikowski | .... | second assistant director | |
Art Department | |||
| Art Arnone | .... | property master | |
| Orlando A. Castro | .... | set dresser (as Orlando Castro) | |
| Sarah Croot | .... | property master | |
| Yolan Fisher | .... | property master | |
| Juliet Primo | .... | property assistant | |
| Emilio Saez | .... | lead set dresser | |
Sound Department | |||
| Ryan Collison | .... | foley engineer | |
| Mariusz Glabinski | .... | foley editor | |
| Marlena Grzaslewicz | .... | adr editor | |
| Harry Higgins | .... | sound re-recordist | |
| Bobby Johanson | .... | adr mixer | |
| Bruce Kitzmeyer | .... | dialogue editor | |
| Andrew Kris | .... | sound re-recording mixer | |
| Eric M. Moorman | .... | additional boom operator | |
| Jay Peck | .... | foley artist | |
| Michael Pisano | .... | additional boom operator | |
| Ira Spiegel | .... | sound effects editor | |
| Jon Tendrich | .... | sound mixer | |
| Chad Birmingham | .... | additional sound editor (uncredited) | |
Visual Effects by | |||
| Brian Scott Benson | .... | visual effects artist | |
Camera and Electrical Department | |||
| Mike L. Germaine | .... | key grip | |
| Chris Hill | .... | best boy grip | |
| David Kimelman | .... | Steadicam operator | |
| Jeffrey Kim | .... | gaffer | |
| Justin Marx | .... | additional second assistant camera | |
| Ethan Rosenduft | .... | daily grip | |
| Angela Rosik | .... | second assistant camera | |
| Richard Samuels | .... | assistant camera | |
| George Schiavone | .... | still photographer | |
| Matthew Thiemann | .... | grip | |
Casting Department | |||
| David H. Kramer | .... | adr voice casting | |
| Lori Wyman | .... | casting: Florida | |
Costume and Wardrobe Department | |||
| Lynn Rossi | .... | set costumer | |
| Sherri Weiss | .... | costume supervisor | |
Editorial Department | |||
| Sandra Nash | .... | associate editor | |
Music Department | |||
| Mariusz Glabinski | .... | music editor | |
| Lawrence Manchester | .... | score mixer | |
| Lawrence Manchester | .... | score recordist | |
| Todd M. Thompson | .... | music consultant | |
| Robin Urdang | .... | music supervisor | |
Other crew | |||
| Jason Carro | .... | key production assistant | |
| Carol A. Compton | .... | script clearance | |
| Sacha Harris | .... | location manager | |
| Jonathan David Kane | .... | office production assistant | |
| Antonio Piedra | .... | location scout | |
| Elisa Robin Resnick | .... | production coordinator | |
| Carmen Soriano | .... | script supervisor | |
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I saw this movie, shown to a packed house and introduced by the director, Susan Seidleman, at the Philadelphia Film Festival. The audience, including me, loved it. It's funny and touching. It's so rare that a movie portrays the lives and especially loves of the older generations with anything approaching this level of authenticity and charm. Wonderful performances by people you love and don't see enough of. The movie used music to excellent effect as well. A bit of trivia -- the director's mother, who lives in the real Boynton Beach development for "active seniors," suggested the story and actually wrote the first draft of the screenplay as well as produced the movie.