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| Ken Takakura | ... | Gou-ichi Takata | |
| Shinobu Terajima | ... | Rie Takata | |
| Kiichi Nakai | ... | Ken-ichi Takata (voice) | |
| Ken Nakamoto | ... | Electrician | |
| Jiamin Li | ... | Li Jiamin | |
| Jiang Wen | ... | Jasmine | |
| Lin Qiu | ... | Lingo | |
| Li Bin Li | ... | Director (as Bin Li) | |
| Ziliang Chen | ... | Warden Chen | |
| Zhezhou He | ... | Village Chief | |
| Zhenbo Yang | ... | Yang Yang |
Directed by | |||
| Yimou Zhang | |||
| Yasuo Furuhata | (co-director: Japan) | ||
Writing credits(in alphabetical order) | ||
| Bin Wang | story | |
| Yimou Zhang | story | |
| Jingzhi Zou | screenplay | |
| Jingzhi Zou | story | |
Produced by | |||
| William Kong | .... | producer (as Bill Kong) | |
| Jian Xiu | .... | producer | |
| Weiping Zhang | .... | producer | |
| Yimou Zhang | .... | producer | |
| Zhenyan Zhang | .... | associate producer | |
Original Music by | |||
| Wenjing Guo | |||
Cinematography by | |||
| Xiaoding Zhao | (director of photography) | ||
Film Editing by | |||
| Long Cheng | |||
Production Design by | |||
| Li Sun | |||
Makeup Department | |||
| Mitsue Sato | .... | makeup artist: Japan | |
| Fumi Takeshita | .... | hair stylist: Ms. Terajima, Japan | |
| Fumi Takeshita | .... | makeup artist: Ms. Terajima, Japan | |
| Xiaoxi Yu | .... | assistant makeup artist | |
Production Management | |||
| George Awburn | .... | supervising editor: Digital Pictures | |
| Tianhui Ge | .... | production manager | |
| Xinming Huang | .... | assistant unit manager | |
| Takahiro Kawada | .... | production manager: Japan | |
| Atsuo Kikuchi | .... | unit manager: Japan | |
| Jane Maguire | .... | post-production supervisor | |
| Akira Morishige | .... | unit manager: Japan | |
| Lun Pu | .... | production manager | |
| Kerri Schwarze | .... | post-production supervisor: Complete Post | |
| Ken'ichi Yamada | .... | unit manager: Japan (as Kenichi Yamada) | |
Art Department | |||
| Zhongshan Guo | .... | assistant art director | |
| Zhongquan Hu | .... | set dresser | |
| Yasuo Kashima | .... | assistant set dresser: Japan | |
| Chieko Kashiyama | .... | assistant art director: Japan | |
| Mu Ke | .... | property master (as Ke Mu) | |
| Minglai Li | .... | assistant set dresser | |
| Yuping Liu | .... | props assistant | |
| Yukiharu Seshimo | .... | assistant art director: Japan | |
| Taichi Utsunomiya | .... | props assistant: Japan | |
| Takaichi Wakamatsu | .... | production design: Japan | |
| Geming Wang | .... | assistant set dresser | |
| Wenyi Wang | .... | props assistant | |
| Takeshi Yanagisawa | .... | props assistant: Japan | |
| Min Yang | .... | props assistant | |
| Shuping Yao | .... | set dresser | |
| Quanrong Yu | .... | assistant set dresser | |
| Chaochen Zhang | .... | assistant set dresser | |
| Lisen Zhang | .... | assistant set dresser | |
Visual Effects by | |||
| Clayton Bell | .... | digital data management: Digital Pictures | |
| Terence Cheng | .... | 3D animator/compositor: Asia Legend Limited | |
| Bessie Cheuk | .... | visual effects controller: Asia Legend Limited | |
| Manny Espino | .... | digital technical director: Digital Pictures | |
| Fiona Fry | .... | digital intermediate producer: Digital Pictures | |
| Ron Korpi | .... | digital data systems: Digital Pictures | |
| Ringo Lee | .... | 3D animator/compositor: Asia Legend Limited | |
| Eric Leung | .... | 3D animator/compositor: Asia Legend Limited | |
| Leo Lo | .... | visual effects producer: Asia Legend Limited | |
| Florian Martin | .... | consulting digital technical director: Digital Pictures (as Florian 'Utsi' Martin) | |
| Ross Mitchell | .... | optical effects: Cinevex Film Laboratories | |
| Peter Peric | .... | digital technical assessment: Digital Pictures | |
| Graeme Pitt | .... | digital data supervisor: Digital Pictures | |
| Tony Poriazis | .... | film recording supervisor: Digital Pictures | |
| Sarah Robertson | .... | image repair and negative dirt removal: Digital Pictures | |
| Henny Van Teyfingen | .... | digital technical support: Digital Pictures | |
| Lisa Ying | .... | 3D animator/compositor: Asia Legend Limited | |
| Donald Yip | .... | 3D animator/compositor: Asia Legend Limited | |
Casting Department | |||
| Hoei Project | .... | extras casting: Japan (as Project Hoei) | |
Costume and Wardrobe Department | |||
| Jin-Hua Gu | .... | costumer | |
| Tomoko Suzuki | .... | stylist: Ms. Terajima, Japan | |
| Kyoko Takahashi | .... | costumer: Japan | |
| Jianghong Zhou | .... | assistant costumer | |
Editorial Department | |||
| Ian Anderson | .... | laboratory post-production manager: Cineves Film Laboratories | |
| Billy Browne | .... | editing assistant: Australia | |
| Paul Cross | .... | negative matching supervisor: Cinevex Film Laboratories | |
| Kerry Dibbs | .... | post-production assistant | |
| Franco Diciero | .... | negative matcher: Cinevex Film Laboratories | |
| John Fleming | .... | digital intermediate project manager: Digital Pictures | |
| Ling Geng | .... | post-production coordinator | |
| Alan Hansen | .... | digital grader | |
| Adrian Hauser | .... | senior colorist: Complete Post | |
| Akimasa Kawashima | .... | editor: Japan | |
| Rachel Knowles | .... | digital intermediate coordinator: Digital Pictures | |
| Eugene Leonello | .... | negative matcher: Cinevex Film Laboratories | |
| Stanley Lopuszanski | .... | colorist: Digital Pictures | |
| Leigh Segal | .... | post-production facilities manager: Complete Post | |
| Chieko Suzaki | .... | assistant editor: Japan | |
| Caroline Whiteley | .... | color grader | |
| Ligen Zhao | .... | assistant editor | |
Music Department | |||
| Wei Chen | .... | musician: percussion | |
| Ross Cockle | .... | score remix engineer: opening and closing titles | |
| Ya Dai | .... | musician: flute | |
| Sida Guo | .... | musician: midi | |
| Xiaopei Li | .... | music recordist | |
| Fei Song | .... | musician: zhong hu | |
| Sha Yuan | .... | musician: string | |
| Quansheng Zhang | .... | musician: ma tou qin | |
| Jiazhen Zhao | .... | musician: gu qin | |
Transportation Department | |||
| Masanobu Amemiya | .... | transportation: production, Japan | |
| Koji Sekiguchi | .... | transportation chief: Japan | |
| Mitsunobu Tono | .... | transportation: cast, Japan | |
Other crew | |||
| Lesley Aitkin | .... | script services: post-production | |
| Tom Alper | .... | insurance: Speare and Company | |
| Jia Cui | .... | assistant to director | |
| Yexin Fan | .... | catering assistant | |
| Howard Frumes | .... | legal services: Alexander, Nau, Lawrence & Frumes | |
| Pamela Hammond | .... | client liaison: Digital Pictures | |
| Katsuko Hatayama | .... | production assistant: Japan | |
| Zhihua Hou | .... | assistant to director | |
| Wenrui Jia | .... | caterer | |
| Xiaowei Kang | .... | accountant | |
| Tomoko Katahara | .... | production assistant: Japan | |
| Emi Kawano | .... | script supervisor: Japan (as Emi Kawano) | |
| Gao Ke | .... | production assistant (as Ke Gao) | |
| Shiro Kido | .... | talent manager | |
| Takahiro Komura | .... | assistant to director: Japan | |
| Mingna Liu | .... | accountant | |
| Yinghui Li | .... | assistant to director | |
| Chris Lu | .... | subtitles: English | |
| Dan Lu | .... | script supervisor | |
| Sasha Luo | .... | documentary filmmaker | |
| Atsushi Naito | .... | legal services: Aoyama Law Offices | |
| Youko Nakagawa | .... | translator: Japanese script | |
| Kaoru Nakamura | .... | production coordinator: Japan | |
| Guanghe Ni | .... | second production assistant | |
| Liwei Pang | .... | assistant to director | |
| Li'an Qin | .... | interpreter | |
| Toshifumi Shimizu | .... | assistant to director: Japan | |
| Zhao Shufen | .... | accountant (as Shufen Zhao) | |
| Shuo Tian | .... | production interpreter | |
| Zhaojun Tian | .... | accountant | |
| Bin Wang | .... | story consultant | |
| Jianguo Wang | .... | second production assistant | |
| Gang Xu | .... | location production assistant | |
| Xiaoshun Xu | .... | production assistant | |
| Cloudy Yang | .... | translator: English script | |
| Li Yanlong | .... | catering assistant (as Yanlong Li) | |
| Alice Yeung | .... | production coordinator | |
| Yefei Yin | .... | interpreter | |
| Xiangchun Zeng | .... | location production assistant | |
| Jihu Zhang | .... | catering assistant | |
| Jingsheng Zhang | .... | chief interpreter | |
| Jingsheng Zhang | .... | subtitles: Japanese | |
| Xuemei Zhang | .... | accountant | |
| Darian Zhao | .... | second production assistant | |
| Ping Zhou | .... | physical therapist | |
| Jiajun Zhu | .... | second production assistant | |
| Renqiao Zuo | .... | location production assistant | |
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| Empire of the Sun | Yi yi | Babel | Tôkyô monogatari | The White Countess |
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Thankfully Zhang, Yimou is back to make another deeply moved and typical "Zhang's Style" movie and it is wise for him to stop producing further martial art films.
Ken Takakura is acting as Takada, a Japanese fishman whose son is diagnosed incurable disease but refuses to see him for the past unsolvable conflicts between them. Following the clue left on the video tape made by the son, Takada decides to travel thousands of miles from Japan to Li Jiang (Beautiful River) of Yun'nan Province in China, to complete his son's unfinished wish - to shoot a local drama played by local artist Li, Jianmin. After he arrived, a series of unexpected difficulties and events happened between him and local tour guide Qiu, Lin, love child Yangyang and opera actor Li, Jiamin among the other local residents, lead Takada to deeply think and comprehend the relationship between him and his son, and during this process his son finally forgive him from the past.
Audience can not only enjoy the familiar rural scene brought by Zhang, Yimou, but also the superb genuine performances brought by those actors who are just acting with their real names(and Zhang has done this before in previous movies) apart from Ken Takakura. The dialogues are superb, they can be amused, grieved, touched and thoughtful.
It is a rare movie that I can't wait to give my thumb up half-way before the end, and a must-see film can make you smile and giggle with the tears and weeps.