| Photos (see all 4 | slideshow) | Videos |
| Paul Newman | ... | Introduction by | |
| Steve Squyres | ... | Himself | |
| Rob Manning | ... | Himself | |
| Charles Elachi | ... | Himself (as Dr. Charles Elachi) | |
| Wayne Lee | ... | Himself | |
| rest of cast listed alphabetically: | |||
| John Beck Hofmann | ... | Himself (uncredited) | |
Directed by | |||
| George Butler | |||
Writing credits(WGA) | ||
| George Butler | (written by) and | |
| Robert Andrus | (written by) | |
| George Butler | (narration) | |
Produced by | |||
| George Butler | .... | producer | |
| Tara Grace | .... | associate producer | |
| Frank Marshall | .... | producer | |
| Scott Swofford | .... | executive producer | |
Original Music by | |||
| Philip Glass | |||
Cinematography by | |||
| T.C. Christensen | |||
| Sandi Sissel | |||
| Matthew Williams | |||
Film Editing by | |||
| Nancy Baker | |||
Production Management | |||
| Rick Gordon | .... | post-production supervisor | |
| Scott Swofford | .... | unit production manager | |
Sound Department | |||
| John P. Fasal | .... | sound mixer | |
| Steven C. Laneri | .... | sound mixer | |
| Michael L. McDonough | .... | sound designer (as Michael McDonough) | |
| Roger Phenix | .... | production sound mixer | |
| Roger Phenix | .... | sound mixer | |
| Ryan Purcell | .... | foley artist | |
| Gary Rizzo | .... | sound re-recording mixer | |
| Karl Rosengren | .... | assistant sound editor | |
Visual Effects by | |||
| Johnathan R. Banta | .... | digital supervisor: Sassoon Film Design | |
| Aja Bogdanoff | .... | digital artist | |
| David Booth | .... | scanning & recording | |
| Tim Enstice | .... | digital production manager | |
| Colin Feist | .... | digital compositor | |
| Jason Jue | .... | digital compositor | |
| Dan Maas | .... | visual effects supervisor | |
| Alan G. Markowitz | .... | visual effects supervisor | |
| Jeremy Nicolaides | .... | supervising compositor | |
| John Niehuss | .... | digital artist | |
| Tom Piedmont | .... | digital compositor | |
| Benjamin Schweighart | .... | digital artist | |
| Jun Watanabe | .... | digital effects artist | |
| Justin Wick | .... | software consultant | |
Camera and Electrical Department | |||
| Zep Christensen | .... | first assistant camera | |
| Rhett E. Fernsten | .... | gaffer | |
| Tyler Meiners | .... | dolly grip | |
| John Beck Hofmann | .... | additional camera operator: documentary (uncredited) | |
| Scott Hulme | .... | additional camera operator: documentary (uncredited) | |
Animation Department | |||
| Eric DeJong | .... | animator: space sequences | |
Editorial Department | |||
| Tina Ballou | .... | post-production coordinator | |
| Chi Yoon Chung | .... | assistant editor | |
Music Department | |||
| John Carbonara | .... | assistant music editor | |
| Susan Jacobs | .... | music supervisor | |
| Scott Johnson | .... | music editor | |
| Suzana Peric | .... | music editor | |
| Michael Riesman | .... | conductor | |
Transportation Department | |||
| Brett Miller | .... | transportation coordinator | |
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| First World | Bouncing to Mars | Countdown to Mars | First Look | Following the Water |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
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This had the _opportunity_ to be a great documentary. It started with less of the crappy motivational speeches and some bits of actual science. They showed the construction phases of the two rovers that went on Mars and the animations were great.
I expected this to turn into a detailed log of the travels of the two rovers and the emotions involved and the science and engineering decisions that were made. But the film ended abruptly, after only 38 minutes. The rovers landed and finished their mission in less than 10 minutes of film time.
What was a great concept and a refreshing presentation style ended up in mediocrity. And what was Paul Newman doing narrating the beginning of the film? God, he sounded old.