| Photos (see all 2 | slideshow) |
| Elio Germano | ... | Giulio | |
| Chiara Conti | ... | Federica | |
| Elisabetta Rocchetti | ... | Sasha | |
| Cristina Brondo | ... | Arianna | |
| Iván Morales | ... | Andrea | |
| Edoardo Stoppa | ... | Inspector | |
| Elena Maria Bellini | ... | Giulio's Mother | |
| Horacio José Grigaitis | ... | Inspector | |
| Giuseppe Lo Console | ... | Federica's Boss (as Giuseppe Loconsole) | |
| Milvia Marigliano | ... | Sasha's Mother | |
| Giampiero Perone | ... | The Fiancee | |
| Antonio Mazzara | ... | Cleaning Man | |
| Anna Varello | ... | Doctor | |
| Carla Gambino | |||
| Lorenzo Federici | |||
| Alessandra Magrini | |||
| Emanuela Cuglia | |||
| rest of cast listed alphabetically: | |||
| Lynn Swanson | ... | Orthopedist | |
Directed by | |||
| Dario Argento | |||
Writing credits(in alphabetical order) | ||
| Dario Argento | writer | |
| Franco Ferrini | writer | |
Original Music by | |||
| Pino Donaggio | |||
Cinematography by | |||
| Frederic Fasano | |||
Film Editing by | |||
| Walter Fasano | |||
Production Design by | |||
| Francesca Bocca | |||
| Valentina Ferroni | |||
Costume Design by | |||
| Fabio Angelotti | |||
Makeup Department | |||
| Mario Audello | .... | wig maker | |
| Fiorella Novarino | .... | hair stylist | |
| Rosabella Russo | .... | makeup artist | |
Production Management | |||
| Irma Misantoni | .... | post-production supervisor | |
| Giorgio Turletti | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Guido Foa | .... | assistant director | |
| Leopoldo Pescatore | .... | assistant director | |
Sound Department | |||
| Federico Amodio | .... | sound effects editor | |
| Mick Boggis | .... | sound mixer | |
| Vladislav Boyadjiev | .... | sound assistant | |
| Valerio Brini | .... | assistant sound mixer | |
| Piergiorgio De Luca | .... | sound effects editor | |
| Mario Giacco | .... | sound effects | |
| Mirko Guerra | .... | sound | |
| Sonia Portoghese | .... | boom operator | |
| Marco Streccioni | .... | sound engineer | |
| Mario Struglia | .... | sound assistant | |
Visual Effects by | |||
| Riccardo Albiero | .... | digital artist | |
| Marcello Buffa | .... | visual effects supervisor | |
| Alessandro Canu | .... | compositor | |
| Simone Fontana | .... | digital mastering editor | |
| Stefano Villa | .... | digital supervisor | |
Stunts | |||
| David Ambrosi | .... | stunt coordinator | |
| Diego Guerra | .... | stunts | |
Casting Department | |||
| Esther Cases | .... | casting | |
| Lorella Chiapatti | .... | casting | |
Costume and Wardrobe Department | |||
| Lucia Facchino | .... | wardrobe | |
| Viola Verra | .... | assistant costumer | |
Editorial Department | |||
| Rino Carlucci | .... | telecine operator | |
| Roberto Cesareo | .... | colorist | |
| Pasquale Cuzzupoli | .... | color supervisor | |
| Claudio Misantoni | .... | assistant editor | |
| Irma Misantoni | .... | assistant editor | |
| Irma Misantoni | .... | post-production coordinator | |
Other crew | |||
| Carla Alonzo | .... | production secretary | |
| Nilo Argento | .... | production secretary | |
| Marcello Colaciello | .... | groupman | |
| Alessandro Colopi | .... | assistant production secretary | |
| Anna Marta Corio | .... | assistant production secretary | |
| Danilo Goglio | .... | assistant production secretary | |
| Laura Greco | .... | production secretary | |
| Daniele Morini | .... | assistant production secretary | |
| Patrizia Pierucci | .... | production administrator | |
| Cristiano Sebastianelli | .... | payroll | |
| Fernanda Selvaggi | .... | script supervisor | |
| Cristiano Sergioli | .... | groupman | |
| Lynn Swanson | .... | dialogue coach | |
| Erika Taloni | .... | production accountant | |
| Andrea Tavani | .... | production secretary | |
| Cristina Vecchio | .... | assistant production secretary | |
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| I corpi presentano tracce di violenza carnale | Body Double | Cosa avete fatto a Solange? | Lo strano vizio della Signora Wardh | Tenebre |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb Italy section | Add this title to MyMovies |
One thing concerning this film should be made clear immediately, otherwise several Dario Argento fans will risk being disappointed: "Do you like Hitchcock" is a TV-movie and therefore not as outrageous and/or shocking as we expect Argento films to be! Don't prepare yourself to see another "Opera" or "Tenebre" in which repulsive gore will burst from the screen or demented giallo plot-twists stun you constantly! This is a decent, but overall ethically correct thriller, in which the master's touch is only detected in details and style aspects. This is by no means a bad film and please don't see this warning as sign not to watch it, but I only want to prevent that people will start making comments like "Dario Argento continues to lose his touch" etc... As stated above, "Do you like Hitchcock" is the first in a series of eight films produced by the Italian TV-station Rai Uno that are meant to bring the ultimate tribute to Alfred "Master of Suspense" Hitchcock. His classic titles will serve as pivot elements in newly written thrillers, of which only the pilot film is directed by Dario Argento. This general idea is terrific for a homage, I think, and admirers of classic cinema will certainly enjoy the blend of all these Hichcock highlights in modern settings.
Argento's film largely focuses on two Hitckcock milestones, namely "Strangers on a Train" and "Read Window". Giulio is a young film-student who occasionally watches his gorgeous neighbor girl across the street with binoculars. He witnesses how she and her mother regularly argue and when the mother is found murdered one morning, Giulio becomes obsessed by figuring out who did it. He discovers that the daughter recently made acquaintance with someone at the local videostore. Giulio begins to suspect that the two persons agreed to commit a murder for each other, just as it was the case in Hitchcocks's "Strangers on a Train". It's really nice to see how Argento blends all Hichcock references into one giant tribute. Aside from the two obvious titles, there are multiple other, smaller references towards Hitchock's oeuvre and, at times, you really do need to be a specialist to discover them all. The story is compelling enough to keep you interested and some really tense moments point out that Argento is still and will always be a powerful director. For example, there's a sequence in which the hero desperately tries to flee from the scene of a crime on a scooter, but secondary influences, like the rainy weather or technical difficulties, prevent him from getting away. Do not, repeat DO NOT, watch this film in case you're searching for nasty gore! The few murder scenes are, however, rather unsettling (and typically Argento!) but they surely can't live up to most of the director's previous work. "Do you like Hitchcock" is a worthwhile thriller and I personally rated it higher than Dario's last film, "the Card Player".