| Kathy Bates | ... | Narrator (voice) | |
| Zach Staenberg | ... | Himself | |
| Jodie Foster | ... | Herself | |
| Michael Tronick | ... | Himself | |
| Anthony Minghella | ... | Himself | |
| Sean Penn | ... | Himself | |
| Walter Murch | ... | Himself | |
| Martin Scorsese | ... | Himself | |
| Rob Cohen | ... | Himself | |
| Quentin Tarantino | ... | Himself | |
| Steven Spielberg | ... | Himself | |
| James Cameron | ... | Himself | |
| Antony Gibbs | ... | Himself | |
| Mark Goldblatt | ... | Himself | |
| Sally Menke | ... | Herself | |
| Craig McKay | ... | Himself | |
| Richard Marks | ... | Himself | |
| Ridley Scott | ... | Himself | |
| Alexander Payne | ... | Himself | |
| Kevin Tent | ... | Himself | |
| Howard E. Smith | ... | Himself (as Howard Smith) | |
| Conrad Buff IV | ... | Himself (as Conrad Buff) | |
| Dylan Tichenor | ... | Himself | |
| Wes Craven | ... | Himself | |
| Carol Littleton | ... | Herself | |
| Tom Rolf | ... | Himself | |
| Pietro Scalia | ... | Himself | |
| Tina Hirsch | ... | Herself | |
| Frank J. Urioste | ... | Himself (as Frank Urioste) | |
| Peter Honess | ... | Himself | |
| George Lucas | ... | Himself | |
| Chris Columbus | ... | Himself | |
| Paul Verhoeven | ... | Himself | |
| Jan de Bont | ... | Himself | |
| Alan Heim | ... | Himself | |
| Joe Dante | ... | Himself | |
| Lynzee Klingman | ... | Herself | |
| Jay Cassidy | ... | Himself | |
| Thelma Schoonmaker | ... | Herself | |
| Michael Kahn | ... | Himself | |
| Paul Hirsch | ... | Himself | |
| Dede Allen | ... | Herself | |
| Anne V. Coates | ... | Herself (as Anne Coates) | |
| Richard Chew | ... | Himself | |
| Donn Cambern | ... | Himself | |
| Lawrence Kasdan | ... | Himself | |
| Joe Hutshing | ... | Himself | |
| Chris Lebenzon | ... | Himself | |
| Jerry Bruckheimer | ... | Himself | |
| Alisa Vilena Gerstein | ... | Actress (girl with teddy bear) (as Alisa Gerstein) | |
| Marya Kazakova | ... | Actress | |
| Anatol Rezmeritza | ... | Actor (as Anatol Reszmeritsa) | |
| Ilia Volok | ... | Actor | |
| rest of cast listed alphabetically: | |||
| Verna Fields | ... | Herself (archive footage) | |
| Will Smith | ... | Himself (archive footage) | |
| Robert Zemeckis | ... | Himself (archive footage) | |
Directed by | |||
| Wendy Apple | |||
Writing credits(in alphabetical order) | ||
| Mark Jonathan Harris | written by | |
Produced by | |||
| Wendy Apple | .... | executive producer: TCEP | |
| Patricia Bischetti | .... | co-producer | |
| Steven B. Cohen | .... | co-executive producer | |
| Alan Heim | .... | executive producer: TCEP | |
| Nobuo Isobe | .... | executive producer: NHK | |
| Truusje Kushner | .... | co-producer | |
| Richard Lorber | .... | co-executive producer | |
| Jeff Pickett | .... | associate producer: Kuleshov shoot | |
| Barry Rebo | .... | co-executive producer | |
| Stephan Shelanski | .... | executive producer | |
| Jennifer Waldo | .... | producer: Kulshov shoot | |
| Jennifer Waldo | .... | segment producer | |
| Nick Ware | .... | executive producer: BBC | |
Original Music by | |||
| Nic. tenBroek | |||
Cinematography by | |||
| John Bailey | (director of photography) | ||
Film Editing by | |||
| Daniel Loewenthal | |||
| Tim Tobin | |||
Makeup Department | |||
| Lisa Marie DeRoma | .... | makeup artist | |
| Marco De Souza | .... | makeup artist (as Marco Aurelio De Souza) | |
| Marcus Hall | .... | makeup artist | |
| Christine Jackson | .... | makeup artist | |
| Richard Marin | .... | makeup artist | |
| Patti Ramsey Bortoli | .... | makeup artist (as Patty Ramsey) | |
| Jillayne Stockland | .... | makeup artist | |
| Heba Thorisdottir | .... | makeup artist | |
| Cinzia Zanetti | .... | makeup artist | |
Production Management | |||
| Terra Abroms | .... | post-production supervisor (as Terra Mair Abroms) | |
| Eric Conner | .... | production manager | |
| Tom Cross | .... | post-production supervisor | |
| Dan Genetti | .... | post-production supervisor | |
| Jeff Powers | .... | production manager | |
| Jennifer Waldo | .... | production manager | |
Sound Department | |||
| Robert Althoff | .... | sound recordist | |
| Kelly Cabral | .... | post-production sound services | |
| Paul Timothy Carden | .... | post-production sound services (as Timothy Carden) | |
| Jim Corbett | .... | narration recordist | |
| Giancarlo Dellapina | .... | sound recordist: London | |
| Tom Koester | .... | additional sound | |
| Aynee Osborn | .... | post-production sound services | |
| Sarah Payan | .... | post-production sound services | |
| Alan Piper | .... | additional sound | |
| George Yuri Raicin | .... | production sound | |
| Brad Sherman | .... | sound re-recording mixer | |
| Matthew Sutton | .... | sound (as Matt Sutton) | |
| Jon Taylor | .... | sound re-recording mixer | |
Visual Effects by | |||
| Arn Campero | .... | compositor | |
| Tim Carras | .... | animation support | |
| Tim Carras | .... | digital I/O | |
| Jason Risk | .... | animation producer | |
| Chris Simmons | .... | visual effects artist | |
Editorial Department | |||
| David Blumin | .... | post-production assistant | |
| Sandie Cam-Johns | .... | on-line editor | |
| Patrick Dunn | .... | additional editor (as Pat Dunn) | |
| Herb Farmer | .... | editor: moviola | |
| Michael Klima | .... | post-production assistant | |
| Joe Leggett | .... | on-line editor | |
| Germaine Lintag | .... | on-line editor | |
| Daniel Loewenthal | .... | additional editor (as Dan Loewenthal) | |
| Randy Magalski | .... | on-line editor | |
| Bryan McKenzie | .... | contributing editor | |
| Brad McLaughlin | .... | post-production assistant | |
| Jeffrey McMahon | .... | first assistant editor | |
| Madeleine Saint Michael | .... | post-production assistant (as Madeleine Saint Michel) | |
| Nolan Reese | .... | assistant editor | |
| Bill Rojas | .... | on-line editor | |
| Chu Wu | .... | on-line editor | |
| Adam McDaniel | .... | post-production assistant (uncredited) | |
Music Department | |||
| Robert Boress | .... | music consultant | |
| Anna Dale | .... | associate music editor | |
| Barbara McDermott | .... | music editor | |
Other crew | |||
| Cari Beauchamp | .... | consultant | |
| Marilyn Becker | .... | scholar consultant | |
| Steven Belgard | .... | publicist | |
| Steven Belgard | .... | representative: Starz Entertainment (as Steve Belgard) | |
| Margarita Beyleryan | .... | representative: Production Processing Inc. | |
| Christopher Black | .... | representative: Starz Entertainment | |
| Tom Block | .... | researcher | |
| Steve Blumin | .... | accountant | |
| David Bresenham | .... | additional researcher | |
| Kevin Brownlow | .... | archival photographs | |
| Kevin Brownlow | .... | scholar consultant | |
| Greg Catlett | .... | video symphony artist | |
| Karen Childs | .... | transcriber | |
| Katy Clark | .... | production assistant | |
| Joan Cohen | .... | researcher (as Joan L. Cohen) | |
| Carole Cowley | .... | stills scanning | |
| Anna Dale | .... | researcher | |
| Ken Dancyger | .... | historical consultant | |
| Peter Elbing | .... | creative consultant | |
| Jordan Engle | .... | special assistant to producers | |
| Karen Falzone | .... | representative: Starz Entertainment | |
| Christina Ferguson | .... | production assistant | |
| Mike Flanagan | .... | video symphony artist | |
| Garrett Gilchrist | .... | additional transcriber | |
| Matthew Gilna | .... | additional transcriber | |
| Lindsey Girardot | .... | production assistant | |
| Paul Glickler | .... | consultant | |
| Andrew Groves | .... | additional researcher | |
| Nick Heim | .... | additional transcriber | |
| Nick Heim | .... | additional transcriber | |
| Jonathan Herzog | .... | lawyer | |
| Jordan Hunter | .... | production assistant | |
| Ashley Jordan | .... | production coordinator | |
| Thea Kerman | .... | lawyer | |
| Judd King | .... | additional transcriber | |
| Michael Kinney | .... | additional researcher | |
| John Klos | .... | cutting room | |
| Susan Klos | .... | cutting room | |
| Michael Landis | .... | cutting room | |
| Jim Lane | .... | scholar consultant | |
| Vincent Lavares | .... | stills scanning | |
| Robert Leighton | .... | representative: Starz Entertainment | |
| Vincent Lobrutto | .... | scholar consultant | |
| Gary Mairs | .... | creative consultant | |
| Ron Mandelbaum | .... | archival photographs | |
| Brett Marottoli | .... | representative: Starz Entertainment | |
| Lori Mason | .... | production assistant | |
| Asim Matin | .... | opening montage inspired by | |
| Mariana McConnell | .... | additional transcriber | |
| Dana Sergent Nemeth | .... | scholar consultant | |
| Louise Plaschkes | .... | consultant | |
| Jeff Powers | .... | production assistant | |
| Janice Pugh | .... | representative: Starz Entertainment | |
| Patrick Ready | .... | title designer: main titles (as Pat Ready) | |
| Deborah Ricketts | .... | consultant | |
| Bonnie Rowan | .... | researcher | |
| Jenny Sandell | .... | additional transcriber | |
| Susanne Schiebler | .... | scholar consultant (as Susan Scheibler) | |
| Avital Shalev | .... | cutting room | |
| David H. Shepard | .... | scholar consultant (as David Shepard) | |
| Jon Silver | .... | production assistant | |
| Aileen Silverstone | .... | senior researcher | |
| Kathleen Snyder | .... | studio teacher (as Kathleen Snider) | |
| Rick Sparr | .... | title designer: main titles | |
| Kevin Stanton | .... | production assistant | |
| Paul Tani | .... | cutting room | |
| Emily Topper | .... | additional transcriber | |
| Jennifer Waldo | .... | researcher | |
| Marc Wanamaker | .... | archival photographs | |
| Nancy Wang | .... | additional transcriber | |
| Gretchen Woelfle | .... | clearance support | |
| Tina Yang | .... | production assistant | |
| Jimmy Zelinger | .... | title designer: main titles | |
Thanks | |||
| Arnold Glassman | .... | film dedicated to | |
| Steve Gray | .... | thanks: end titles | |
| Robert Harris | .... | acknowledgment: archive footage provided by | |
| Barry Nulman | .... | thanks: end titles | |
| Patrick Ready | .... | special thanks | |
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| Welcome to Japan, Mr. Bond | James Bond: Shaken and Stirred | Brando | Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'N' Roll Generation Saved Hollywood | Reel Radicals: The Sixties Revolution in Film |
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This is a remarkable documentary, informative, interesting and successful in clarifying what is, for many, something of a mysterious process. The contributions to film making of directors, actors, designers, cinematographers and sound recordists is self evident, but the film editor's role has seldom been understood nor its importance fully recognised. This documentary is the first to give directors and editors an opportunity to explain exactly what goes on in the editing room and they have done it superbly. What a pity then, that references to the history of film editing woven into this story are cursory, inadequate and in some instances completely wrong. Martin Scorsese refers to Edwin Porters' 1902 film, Life of an American Fireman, as the very first film to be edited using crosscutting as a structuring device, and the commentary supports this view, despite convincing evidence to the contrary that was discovered in 1978. In fact the earliest discovered examples of this practise date from 1906. Equally mistaken is the assertion, made several times in this prize-winning documentary, that D.W.Griffith originated the important editing practise of action matching. In fact there is clear evidence of action matching in a British film made as early as 1903 and Griffith's first film was not made until 1908. There is considerable evidence that Griffith considered action matching to be of very little importance, and when used in his films it is often ill judged and clumsy. All this is curious in a documentary that seeks to explain the history and practise of film editing. One might have expected research on the topic to be as well informed as the comments made by most of the contributors, particularly given that the scriptwriter is Professor Mark Jonathan Harris of the School of Cinema and Television, University of Southern California.