| Kevin Pollak | ... | Dr. Stern | |
| Frankie J. Allison | ... | Turtle Guy | |
| Vivian Bang | ... | Germ-Phobic Woman | |
| Michael Cornacchia | ... | Fondler | |
| Matthew Frauman | ... | Abused Boyfriend | |
| Jorge Garcia | ... | Gardener | |
| Rick Hoffman | ... | Gay Man | |
| Johnny Messner | ... | Playboy | |
| Jerry Minor | ... | Man Afraid of the Dark | |
| Katheryn Winnick | ... | Waif | |
| rest of cast listed alphabetically: | |||
| Rob Pearlstein | ... | Dr. Gardenswartz | |
| Susan Pearlstein | ... | Dr. Williams | |
Directed by | |||
| Rob Pearlstein | |||
Writing credits | ||
| Rob Pearlstein | (written by) | |
Produced by | |||
| Pia Clemente | .... | producer | |
| Loren Mendell | .... | producer | |
| Nancy Nayor | .... | associate producer | |
| Rob Pearlstein | .... | producer | |
Original Music by | |||
| Asche & Spencer | |||
Cinematography by | |||
| Jeremy Launais | |||
Film Editing by | |||
| Dick Gordon | |||
Casting by | |||
| Nancy Nayor | |||
Production Design by | |||
| Carter C. Addy | (as Carter Addy) | ||
Costume Design by | |||
| Jennifer Dozier | |||
Makeup Department | |||
| Claudia Fisk | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Eric Schneider | .... | second assistant director | |
| Ken Wada | .... | first assistant director | |
Art Department | |||
| Rimma Aranovich | .... | assistant decorator | |
| Chris Dye | .... | set dresser | |
| McJoel Hamilton | .... | set dresser (as Joel Hamilton) | |
| Frankie Rodriguez | .... | storyboard artist | |
| Patrick Shaw | .... | set dresser | |
Sound Department | |||
| Brad Bryan | .... | boom operator | |
| Erik Magnus | .... | production sound mixer | |
Camera and Electrical Department | |||
| Will Cotton | .... | camera loader | |
| Keith B. Davis | .... | first assistant camera | |
| Keith Davis | .... | first assistant camera | |
| Cale Finot | .... | second assistant camera | |
| Jason Fischman | .... | swing | |
| Michael Maga | .... | camera trainee (as Mike Maga) | |
| Shawn Maurer | .... | director of photography: additional photography | |
| Richard A. Mention III | .... | camera preparation (as Rickie Mention) | |
| Haydn Pazanti | .... | second assistant camera | |
| Keith Robinson | .... | first assistant camera | |
| Shane Sato | .... | still photographer | |
| Scott Wells | .... | dolly grip (as Scott 'Thumper' Wells) | |
| David Wilder | .... | electrician | |
Casting Department | |||
| David Bernad | .... | casting assistant (as Dave Bernad) | |
| Christine Simmons | .... | casting assistant | |
| Kelly Wagner | .... | casting associate | |
Costume and Wardrobe Department | |||
| Amelia Buhrman | .... | set costumer | |
Editorial Department | |||
| Chris Angel | .... | on-line editor | |
| Robert Bell | .... | telecine assistant | |
| Michael Bliss | .... | second assistant editor | |
| Craig Deardorff | .... | second assistant editor | |
| Billy Gabor | .... | telecine colorist | |
| Dahkil Hausif | .... | assistant editor | |
Other crew | |||
| Carry Carter | .... | craft service | |
| Dr. Cara Gardenswartz | .... | technical consultant | |
| Erin Kane | .... | production assistant | |
| Herb Kay | .... | craft service | |
| Lisa McNeil | .... | script supervisor | |
| Kalia Waits-Smith | .... | production assistant | |
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| This short was really good | solasta |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
Our Time Is Up is a rapid fire dead pan comedy that eventually runs out of bullets in its brief running time. Successful, self important psychologist Dr. Stern leads an orderly life dispassionately dispensing paint by the numbers observations to clients of varying hang-ups. When health issues arise Stern does a complete one-eighty with his practice and methodology.
By means of syntax Time starts sharp and remains so with seamless dialog transitions between client sessions that are amusingly revealing in character development. The clients never get beyond the clichés they wear though and by second and third sessions are out of fashion as this film stumbles to its feel good ending, the irony all but beaten out of it.