Copying Beethoven (2006)

User Rating:

6.8/10   

Director:

Agnieszka Holland

Writers (WGA):

Stephen J. Rivele (written by) &
Christopher Wilkinson (written by)

Release Date:

19 October 2006 (Israel)

Genre:

Drama | History | Music | Romance

Tagline:

The passion behind the genius

Plot:

A fictionalized account of the last year of Beethoven's life.

Plot Keywords:

Beethoven | Composition | Romanticism | Student | Performance

Awards:

1 win & 4 nominations

Cast

Diane Kruger	...	Anna Holtz
Ralph Riach	...	Wenzel Schlemmer
Matyelok Gibbs	...	Old Woman
Ed Harris	...	Ludwig van Beethoven
Bill Stewart	...	Rudy
Angus Barnett	...	Krenski
Viktoria Dihen	...	Magda
Phyllida Law	...	Mother Canisius
Matthew Goode	...	Martin Bauer
Gábor Bohus	...	Schuppanzigh
Joe Anderson	...	Karl van Beethoven
David Kennedy	...	Neighbor
Nicholas Jones	...	Archduke Rudolph
László Áron	...	Judge
rest of cast listed alphabetically:
Karl Johnson	...	Stefan Holtz
George Mendel	...	Doctor (as Gyorgy Mendel)

Also Known As:

Klang der Stille (Germany)

MPAA:

Rated PG-13 for some sexual elements.

Runtime:

104 min

Country:

USA | Germany | Hungary

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

USA:PG-13 | Brazil:10 | Hong Kong:IIA | Germany:6 | UK:12A | Ireland:12A | Netherlands:6 | Singapore:PG | Portugal:M/12 | Argentina:Atp | South Korea:12 | Australia:PG

Filming Locations:

Budapest, Hungary

Company:

Sidney Kimmel Entertainment

Trivia:

The film was originally written with Anthony Hopkins in mind, for the role of Ludwig van Beethoven.

Goofs:

Factual errors: The film depicts Beethoven conducting the premier of his Ninth Symphony with Anna's help and at the end her turning him around at the podium to see the thunderous applause. In reality, Michael Umlauf conducted and although Beethoven was on stage keeping tempo, the orchestra had been told to ignore him. At the end of the performance it was one of the soloists, Caroline Unger, who turned him around to see the enthusiastic applause of the audience.

Quotes:

Ludwig van Beethoven: Schlemmer. I've arranged for Krenski to send him some pickled carp.
Ludwig van Beethoven: That will put him back in the pink.
Karl van Beethoven: He's got cancer.

Soundtrack:

Violin Sonata No. 7 in C minor Op. 30

Beethoven's Ninth or the real HERstory of the early feminist role in nineteenth century musical composition.

Given our modern sensibilities with respect to the role of women in society and, lest we be labeled Calibans, it is no great effort to overlook the anachronism and give the nod to the female copyist at the start of this movie. Not five minutes later, though, we are asked to completely strain the boundaries of credulity and accept that the creativity of the second greatest composer ever to have lived (Mahler being the first) owed its triumph to a twenty-three-year-old inexperienced female "secretary".

It is at this point one realizes that the creation of the Ninth Symphony is a patina, a mere plot device, for the true substance of the movie which is Beethoven's suppressed twentieth century feminist ideology. Alas, if only the maestro himself had realized how truly ahead of his time he was! Is it really only twenty years ago we discovered Beethoven was black?

...and yet, if you love Beethoven, it is all about the music. Whatever the historical flaws in this movie, the anticipation engendered when the Ninth begins and the excitement bursting within as the choristers intone "Freude, schöener Götterfunken" of Schiller's Ode to Joy; any misgivings about the picture are completely over-shadowed by the music itself. Which says more about Beethoven's lasting genius than modern movie-making "talent" ever could.